World war 3

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At first read you think it is totally paranoid. The fact is it is reality
written down. We seldom in our pacific lives of 9-5 think about the
things brought up in this book. Like how 1984 the world has become,
only much more technical than even this author described.
Science thinks none of this exists . . . or do they?
If we were to believe a lot of educators and science writers none of this
is possible. My own opinion is they ignore facts in order to gain a
paycheck!
The religious side of this book is really astounding. Do ranking
members of God's forces exist? Is this really fiction or something closer
to fact? And if they exist, notice the fine dance necessary to keep them
from disturbing our time line. All of this Michael has described with
pain staking accuracy.

Do the Illuminati exist in the modern world? Are they a political and
financial force behind the scenes? Puppet Masters behind our
government and other governments throughout the world?
This book is very much like others in that it describes that struggle.
I have seem whispers on the sidelines of the news that indicate our
various agencies are on just such a track. That it might only be a matter
of time before one of our cities is actually destroyed by terrorist
religious and political parties from other places in the world.
Would you live in a city that could be a major target? Most of us never
even give it a thought. That is how complacent we often are. How are
things behind the scenes criminally active to make something like this
happen?
Michael has written a very mind bending book and it should be given
serious attention. If half of what he has written is actually true, we are
in ,whole lot of trouble.
I look forward to future books in this series.
Albert Pike received a vision, which he described in a letter that he
wrote to Mazzini, dated August 15, 1871. This letter graphically outlined
plans for three world wars that were seen as necessary to bring about
the One World Order, and we can marvel at how accurately it has
predicted events that have already taken place.
Pike's Letter to Mazzini
It is a commonly believed fallacy that for a short time, the Pike letter to
Mazzini was on display in the British Museum Library in London, and it
was copied by William Guy Carr, former Intelligence Officer in the

Royal Canadian Navy. The British Library has confirmed in writing to
me that such a document has never been in their possession.
Furthermore, in Carr's book, Satan, Prince of this World, Carr includes
the following footnote:
"The Keeper of Manuscripts recently informed the author that this letter
is NOT catalogued in the British Museum Library. It seems strange that
a man of Cardinal Rodriguez's knowledge should have said that it WAS
in 1925".
It appears that Carr learned about this letter from Cardinal Caro y
Rodriguez of Santiago, Chile, who wrote The Mystery of Freemasonry
Unveiled.
To date, no conclusive proof exists to show that this letter was ever
written. Nevertheless, the letter is widely quoted and the topic of much
discussion.
Following are apparently extracts of the letter, showing how Three
World Wars have been planned for many generations.
"The First World War must be brought about in order to permit the
Illuminati to overthrow the power of the Czars in Russia and of making
that country a fortress of atheistic Communism. The divergences caused
by the "agentur" (agents) of the Illuminati between the British and
Germanic Empires will be used to foment this war. At the end of the war,
Communism will be built and used in order to destroy the other
governments and in order to weaken the religions." 2
Students of history will recognize that the political alliances of England
on one side and Germany on the other, forged between 1871 and 1898
by Otto von Bismarck, co-conspirator of Albert Pike, were instrumental

in bringing about the First World War.
"The Second World War must be fomented by taking advantage of the
differences between the Fascists and the political Zionists. This war
must be brought about so that Nazism is destroyed and that the political
Zionism be strong enough to institute a sovereign state of Israel in
Palestine. During the Second World War, International Communism
must become strong enough in order to balance Christendom, which
would be then restrained and held in check until the time when we would
need it for the final social cataclysm." 3
After this Second World War, Communism was made strong enough to
begin taking over weaker governments. In 1945, at the Potsdam
Conference between Truman, Churchill, and Stalin, a large portion of
Europe was simply handed over to Russia, and on the other side of the
world, the aftermath of the war with Japan helped to sweep the tide of
Communism into China.
(Readers who argue that the terms Nazism and Zionism were not known
in 1871 should remember that the Illuminati invented both these
movements. In addition, Communism as an ideology, and as a coined
phrase, originates in France during the Revolution. In 1785, Restif
coined the phrase four years before revolution broke out. Restif and
Babeuf, in turn, were influenced by Rousseau - as was the most famous
conspirator of them all, Adam Weishaupt.)

"The Third World War must be fomented by taking advantage of the
differences caused by the "agentur" of the "Illuminati" between the
political Zionists and the leaders of Islamic World. The war must be
conducted in such a way that Islam (the Moslem Arabic World) and
political Zionism (the State of Israel) mutually destroy each other.
Meanwhile the other nations, once more divided on this issue will be
constrained to fight to the point of complete physical, moral, spiritual
and economical exhaustionWe shall unleash the Nihilists and the
atheists, and we shall provoke a formidable social cataclysm which in
all its horror will show clearly to the nations the effect of absolute
atheism, origin of savagery and of the most bloody turmoil.

Then everywhere, the citizens, obliged to defend themselves against the
world minority of revolutionaries, will exterminate those destroyers of
civilization, and the multitude, disillusioned with Christianity, whose
deistic spirits will from that moment be without compass or direction,
anxious for an ideal, but without knowing where to render its adoration,
will receive the true light through the universal manifestation of the pure
doctrine of Lucifer, brought finally out in the public view. This
manifestation will result from the general reactionary movement which
will follow the destruction of Christianity and atheism, both conquered
and exterminated at the same time." 4
Since the terrorist attacks of Sept 11, 2001, world events, and in
particular in the Middle East, show a growing unrest and instability
between Modern Zionism and the Arabic World. This is completely in
line with the call for a Third World War to be fought between the two,
and their allies on both sides. This Third World War is still to come, and
recent events show us that it is not far off.
At first read you think it is totally paranoid. The fact is it is reality
written down. We seldom in our pacific lives of 9-5 think about the
things brought up in this book. Like how 1984 the world has become,
only much more technical than even this author described.
Science thinks none of this exists . . . or do they?
If we were to believe a lot of educators and science writers none of this
is possible. My own opinion is they ignore facts in order to gain a
paycheck!

The religious side of this book is really astounding. Do ranking members
of God's forces exist? Is this really fiction or something closer to fact?
And if they exist, notice the fine dance necessary to keep them from
disturbing our time line. All of this Michael has described with pain
staking accuracy.
Do the Illuminati exist in the modern world? Are they a political and
financial force behind the scenes? Puppet Masters behind our
government and other governments throughout the world?
This book is very much like others in that it describes that struggle.
I have seem whispers on the sidelines of the news that indicate our
various agencies are on just such a track. That it might only be a matter
of time before one of our cities is actually destroyed by terrorist
religious and political parties from other places in the world.
Would you live in a city that could be a major target?
Most of us never even give it a thought. That is how complacent we often
are. How are things behind the scenes criminally active to make
something like this happen?
Michael has written a very mind bending book and it should be given
serious attention. If half of what he has written is actually true, we are in
whole lot of trouble.
I look forward to future books in this series.

Cold War
With the development of the arms race, before the collapse of the Soviet
Union and end of the Cold War, an apocalyptic war between the United
States and the Soviet Union was considered possible. Among the
historical events considered potential triggers for such a conflict are:

 25 June 1950 – 27 July 1953: The Korean War, a war between
two factions trying to control the Korean Peninsula, a communist
one supported by China and the USSR, and a capitalistic one,
supported by the UN and the United States. Many people believed
that it would escalate into a full on war between the three
superpowers. CBS war correspondent Bill Downs believed that
Korea would trigger a world war, writing in a 1951 See Magazine
article that, "To my mind, the answer is: Yes, Korea is the
beginning of World War III. The brilliant landings at Inchon and
the cooperative efforts of the American armed forces with the
United Nations Allies have won us a victory in Korea. But this is
only the first battle in a major international struggle which now is
engulfing the Far East and the entire world."[2] He repeated this
belief on ABC Evening News while reporting on the USS Pueblo
incident in 1968.[3]
 October 15–28, 1962: The Cuban missile crisis, a confrontation on
the stationing of Soviet nuclear missiles in Cuba, is often
considered as having been the closest to a nuclear exchange. The
crisis peaked on October 27, when a U-2 was shot down over
Cuba and another almost intercepted over Siberia, after Curtis
LeMay (U.S. Air Force Chief of Staff) had neglected to enforce
Presidential orders to suspend all overflights, and a Soviet
submarine nearly launched a nuclear-tipped torpedo in response
to depth charges (with the launch being prevented by an officer
named Vasili Arkhipov).
 September 26, 1983: A false alarm occurred on the Soviet nuclear
early warning system, showing the launch of American Minuteman
ICBMs from bases in the United States. The potential for an
erroneous retaliatory nuclear attack on the United States and its
Western allies was prevented by Stanislav Petrov, an officer of the
Soviet Air Defence Forces, who intuited the scale and recent
system upgrades meant the system had simply had a malfunction
(which was borne out by later investigations).[4][5]

Post–Cold War period
 January 25, 1995: A team of Norwegian and American scientists
launched a Black Brant XII four-stage sounding rocket from the
Andøya Rocket Range, with the goal of studying the aurora
borealis. The rocket, which bore resemblance to a US Navy
submarine-launched Trident missile, was detected by the
Olenegorsk early warning radar station in Murmansk Oblast,
Russia. The rocket's predicted trajectory, as well as its overall
shape and appearance, led the Russian military to believe it was in
fact a Trident nuclear missile launched from a US Navy submarine
and aimed at Moscow. Russian nuclear forces were put on high
alert, and Russian submarine commanders were ordered to go into
a state of combat readiness and prepare for nuclear retaliation.
The nuclear weapons command briefcase was brought to Russian
President Boris Yeltsin, who in turn activated his "nuclear keys" in
preparation for a response strike. However, after a few minutes,
Russian observers were able to determine that the rocket was
heading away from Russian airspace and was not a threat, leading
Russian military officials to demobilize. This incident was the first
and only time in which a nuclear weapons state activated its
nuclear briefcase and prepared to launch an attack.[6]
Alternative views in the US media
Norman Podhoretz has suggested that the Cold War can be identified as
World War III because it was fought, although by proxy, on a global
scale, with the main combatants, the United States and later NATO, and
the Soviet Union and Warsaw Pact countries providing political,
military and economic support while not engaging in direct
combat.[citation needed]

Eliot Cohen, the director of strategic studies at the Paul H. Nitze School
of Advanced International Studies at Johns Hopkins University, declared
in The Wall Street Journal, a month after the September 11 attacks, that
the struggle against terrorism was more than a law-enforcement
operation, and would require military conflict beyond the invasion of
Afghanistan. Cohen, like Marenches, considered World War III to be
history. "A less palatable but more accurate name is World War IV," he
wrote. "The Cold War was World War III, which reminds us that not all
global conflicts entail the movement of multi-million-man armies, or
conventional front lines on a map."[7] In a 2006 interview, U.S.
President George W. Bush labeled the ongoing War on Terror as
"World War III".[8]
On the July 10, 2006 edition of Fox News' The Big Story, host John
Gibson interviewed Michael Ledeen, resident scholar at the American
Enterprise Institute For Public Policy Research (AEI), and said "some
are calling the global war on terror something else, something more like
World War III." But Ledeen responded that "it's more like World War IV
because there was a Cold War, which was certainly a world war."
Ledeen added that "probably the start of it [World War IV] was the
Iranian revolution of 1979." Similarly, on the May 24, 2011 edition of
CNBC's Kudlow and Company, host Lawrence Kudlow, discussing a
book by former deputy Under-Secretary of Defense Jed Babbin, said
"World War IV is the terror war, and war with China would be World
War V."[9]
In 1989, CIA original operative, Miles Copeland, wrote that in the
future, World War Three would occur when "Soviet Russia" dupes the
United States and Israel into waging a self-destructive war with the
Muslim/Arab world.[10]

World War III is a common theme in popular culture. Since the 1940s,
countless books, films, and television programmes have used the theme
of nuclear weapons and a third global war.[1] The presence of the Soviet
Union as an international rival armed with nuclear weapons created a
persistent fear in the United States. There was a pervasive dread of a
nuclear World War III, and popular culture reveals the fears of the
public at the time.[2] This theme in the arts was also a way of exploring a
range of issues far beyond nuclear war.[3] The historian Spencer R.
Weart called nuclear weapons a "symbol for the worst of modernity."[1]
During the Cold War, concepts such as mutual assured destruction
(MAD) led lawmakers and government officials in both the United States
and the Soviet Union to avoid entering a nuclear World War III that
could have had catastrophic consequences on the entire world.[4]
Various scientists and authors, such as Carl Sagan, predicted massive,
possibly life ending destruction of the earth as the result of such a
conflict.[citation needed] Strategic analysts assert that nuclear weapons
prevented the United States and the Soviet Union from fighting World
War III with conventional weapons.[5] Nevertheless, the possibility of
such a war became the basis for speculative fiction, and its simulation in
books, films and video games became a way to explore the issues of a
war that has thus far not occurred in reality.[4] The only places a global
nuclear war have ever been fought are in expert scenarios, theoretical
models, war games, and the art, film, and literature of the nuclear
age.[6] The concept of mutually assured destruction was also the focus of
numerous movies and films.[4]
Prescient stories about nuclear war were written before the invention of
the atomic bomb. The most notable of these is The World Set Free,
written by H. G. Wells in 1914. During World War II, several nuclear
war stories were published in science fiction magazines such as
Astounding.[6] In Robert A. Heinlein's story "Solution Unsatisfactory"
the US develops radioactive dust as the ultimate weapon of war and uses
it to destroy Berlin in 1945 and end the war with Germany.

The Soviet Union then develops the same weapon independently, and
war between it and the US follows.[citation needed] The bombing of
Hiroshima and Nagasaki in 1945 made stories of a future global nuclear
war look less like fiction and more like prophecy.[6] When William
Faulkner received the Nobel Prize in Literature in 1949, he spoke about
Cold War themes in art. He worried that younger writers were too
preoccupied with the question of "When will I be blown up?"[7]
American fears of an impending apocalyptic World War III with the
communist bloc were strengthened by the quick succession of the Soviet
Union’s nuclear bomb test, the Chinese Communist Revolution in 1949,
and the beginning of the Korean War in 1950. Pundits named the era
"the age of anxiety", after W. H. Auden.[2] In 1951, an entire issue of
Collier's magazine was devoted to a fictional account of World War III.
The issue was entitled "Preview of the War We Do Not Want". In the
magazine, war begins when the Red Army invades Yugoslavia and the
United States responds by conducting a three-month-long bombing
campaign of Soviet Union military and industrial targets. The Soviet
Union retaliates by bombing New York City, Washington, D.C.,
Philadelphia, and Detroit.[8]
Against this background of dread, there was an outpouring of cinema
with frightening themes, particularly in the science fiction genre.
Science fiction had previously not been popular with either critics or
movie audiences, but it became a viable Hollywood genre during the
Cold War. In the 1950s, science fiction had two main themes: the
invasion of the Earth by superior, aggressive, and frequently
technologically advanced aliens; and the dread of atomic weapons,
which was typically portrayed as a revolt of nature, with irradiated
monsters attacking and ravaging entire cities.[2]

In The Day the Earth Stood Still (1951), a flying saucer lands on the
Mall in Washington DC, where it is surrounded by troops and tanks. The
alien Klaatu delivers an ultimatum that the Earth must learn to live in
peace or it will be destroyed. The War of the Worlds (1953) has a
montage sequence where the countries of Earth join together to fight the
Martian invaders. The montage conspicuously omits the Soviet Union,
implying that the aliens are a metaphor for communists. The most
elaborate science fiction films in the 1950s were This Island Earth
(1955) and Forbidden Planet (1956). In the climax of both films, the
characters witness the explosion of alien planets, implying Earth's
possible fate.[2] The World, the Flesh and the Devil (1959) is also in the
science fiction genre. In it, a man, a woman, and a bigot (the devil)
roam New York City after a nuclear war. Only those three characters
appear in the film. Also released in 1959 was On the Beach, directed by
Stanley Kramer and starring Ava Gardner, Gregory Peck and Fred
Astaire. Based on the successful novel by Nevil Shute, the film deals with
the citizens of Australia as they await radioactive fallout, a result of a
catastrophic nuclear war in the Northern Hemisphere. The French
author Stefan Wul's 1957 novel Niourk provided a portrait of New York
after World War III.[9] The 1959 novel Alas, Babylon depicted the effects
of nuclear war on a small town in Florida; a television adaptation was
broadcast in 1960.
Nineteen Eighty-Four, George Orwell's bleak 1949 novel about life after
a third world war, rose to cultural prominence in the 1950s. In it, the
world has endured a massive atomic war and is politically divided into
three totalitarian superstates, which are intentionally locked into a
perpetual military stalemate; this never-ending warfare is used to
subjugate their populations.

1960s: Expanding popularity
In the 1960s, media about the threat of nuclear world war gained wide
popularity. According to Susan Sontag, these films struck people’s
"imagination of disaster...in the fantasy of living through one’s own
death and more the death of cities, the destruction of humanity itself."[10]
A leading member of the 1960s anti-war movement, singer-songwriter
Bob Dylan evoked the topic of WWIII thrice in his seminal The
Freewheelin' Bob Dylan, in "Masters of War", "Talkin' World War III
Blues", and "A Hard Rain's a-Gonna Fall". The 1968 Philip K. Dick
novel Do Androids Dream of Electric Sheep?, adapted to film in 1982 as
Blade Runner, features as its setting an Earth having been damaged
greatly by the radioactive fallout of a nuclear war termed "World War
Terminus."
In 1964 three films about the threat of accidental nuclear war were
released, Dr. Strangelove, Fail-Safe, and Seven Days in May. Their
negative portrayal of nuclear defence prompted the United States Air
Force to sponsor films such as A Gathering of Eagles to publicly
address the potential dangers of nuclear defense.[6]
Dr. Strangelove is a black comedy by Stanley Kubrick about the nuclear
arms race between the US and the Soviet Union and the doctrine of
mutually assured destruction.[5] Following a bizarre mental breakdown
the C.O. of a SAC base orders the B-52 wing operating from his base to
attack the Soviet Union. The title character, Dr. Strangelove, is a parody
of a composite of Cold War figures, including Wernher von Braun,
Henry Kissinger, and Herman Kahn. The secret code Operation
DROPKICK, mentioned by George C. Scott's character, may be an
oblique reference to Operation Dropshot.

The 1964 film Fail-Safe was adapted from a best-selling novel of the
same name by Eugene Burdick and Harvey Wheeler. In it, nuclear
disaster is caused by a technological breakdown that mistakenly
launches American bombers to attack the Soviet Union. In order to
prove that this was a mistake and to placate the Soviets, thereby saving
the world from nuclear war, the US President orders the destruction of
New York after a US bomber succeeds in destroying Moscow. The film
was made in a semi-documentary style, ending just as the explosion over
New York City begins.[10]
The War Game (1965), produced by Peter Watkins, deals with a
fictional nuclear attack on Britain. This film won the Oscar for Best
Documentary, but was withheld from broadcast by the BBC for two
decades.[11]
1970s: Fears continue
The American public's concerns about nuclear weapons and related
technology continued to be present in the 1970s. The most talked about
events in the 1970s were the Vietnam War, the Watergate scandal, the
Iran hostage crisis, the energy crisis, and stagflation.
The 1973 oil crisis heightened fears of an peak oil collapse of domestic
life. The crisis rationing led to incidents of violence, after American
truck drivers nationwide chose to strike for two days in December 1973
because they objected to the amount of supplies the government had
rationed for their industry. In Pennsylvania and Ohio, non-striking
truckers were shot at by striking truckers, and in Arkansas, trucks of
non-strikers were attacked with bombs

These peak oil fears lead to the iconic Mad Max movie series in 1979.
The Road Warrior's desert imagery of a resource-drained world became
an archetypical default of post-apocalypse worlds. Screenplay writer
James McCausland drew heavily from his observations of the 1973 oil
crisis' effects on Australian motorists:
“ Yet there were further signs of the desperate measures
individuals would take to ensure mobility. A couple of oil strikes
that hit many pumps revealed the ferocity with which Australians
would defend their right to fill a tank. Long queues formed at the
stations with petrol – and anyone who tried to sneak ahead in the
queue met raw violence.
... George and I wrote the [Mad Max] script based on the thesis
that people would do almost anything to keep vehicles moving
and the assumption that nations would not consider the huge
costs of providing infrastructure for alternative energy until it
was too late. ”
—James McCausland, writing on peak oil in The Courier-Mail,
2006[13]
On television, the British science fiction series Doctor Who based a
1972 storyline, Day of the Daleks on the premise of time travelers from
the future attempting to trigger a present-day nuclear war between the
superpowers.
[3] In the 1977 Robert Aldrich film Twilight's Last Gleaming, a nuclear
missile silo is seized by renegade US Air Force officers, who threaten to
start World War III if the American government does not reveal secret
documents that show that the military needlessly prolonged the Vietnam
War.[14]

1980s: Belief in an imminent threat
In the early 1980s there was a feeling of alarm in Europe and North
America that a nuclear World War III was imminent. In 1982, 250,000
people protested against nuclear weapons in Bonn, then the capital of
West Germany.[15] On June 12, 1982, more than 750,000 protesters
marched from the U.N. headquarters building to Central Park in New
York to call for a Nuclear Freeze.[16] The public accepted the
technological certainty of nuclear war, but did not have faith in nuclear
defence.[6] Tensions came to a head with the NATO exercise Able Archer
83, which, combined with other events such as President Reagan's "Evil
Empire" speech and the deployment of the Pershing II missile in
Western Europe, as well as the erroneous Soviet shoot-down of Korean
Air Lines Flight 007, had the Soviets frantically convinced that the West
was about to launch an all-out war against the USSR.
These fears were manifested in the popular culture of the time, with
images of nuclear war in books, film, music, and television. In the mid-
1980s artists and musicians drew parallels with their time and the 1950s
as two key moments in the Cold War.[7]
There was a steady stream of popular music with apocalyptic themes.
The 1983 hit "99 Luftballons" by Nena tells the story of a young woman
who accidentally triggers a nuclear holocaust by releasing balloons.
The music video for "Sleeping with the Enemy" had images of the Red
Army parading in Red Square, American high school marching bands,
and a mushroom cloud. The 1984 hit "Two Tribes" by Frankie Goes to
Hollywood had actors resembling Konstantin Chernenko and Ronald
Reagan fighting each other amidst a group of cheering people. At the
end of their fight, the Earth explodes.[15] Sting's 1986 song "Russians"
highlighted links between Nikita Khrushchev's threats to bury the US
and Reagan's promise to protect US citizens.[7]

Many punk, hardcore and crossover thrash bands of the era, such as
The Varukers and Discharge, had lyrics concerning nuclear war, the
end of mankind and the destruction of the Earth in much of their early
material.
Films and television programs made in the 1980s had different visions of
what World War III would be like.[7] Red Dawn (1984) portrayed a
World War III that begins unexpectedly, with a surprise Soviet and
Cuban invasion of the United States. A small band of teenagers fight the
Soviet and Cuban occupation using guerrilla tactics.[4] In the 1983
James Bond film Octopussy, James Bond tries to prevent World War III
from being started by a renegade Soviet general.[15] WarGames (1983)
had a teenage gamer accidentally hacking the U.S. nuclear defense
network(thinking he'd hacked a computer game company), which reveals
a potentially catastrophic flaw in the newly automated system.
In the early 1980s there were a number of films made for television that
had World War III as a theme. ABC's The Day After (1983), PBS's
Testament (1983), and the BBC's Threads (1984) depicted nuclear
World War III. The three movies show a nuclear war against the Soviet
Union, which sends its troops marching across Western Europe. These
films inspired many to join the anti-nuclear movement.[6] Threads is
notable for its graphically disturbing and realistic depictions of post-
nuclear survival.[citation needed]
The Day After was shown on ABC on November 20, 1983, at a time
when Soviet-US relations were at their worst, just weeks after the
NATO-led Able Archer 83 exercises, and less than three months after
Korean Air Lines Flight 007 was shot down by Soviet jet interceptors.
ABC warned its audience about the graphic nature of the film. The Day
After became a political event in itself and was shown in over forty
countries.[15] The shocking and disturbing content discouraged
advertisers, but had the largest audience for a made-for-TV movie up to
that time[17] (a record which still stands as of 2008] and influenced the
Intermediate-Range Nuclear Forces Treaty negotiations in 1986.

The 1982 NBC miniseries World War III, directed by David Greene,
received little critical attention.[3] In the program, a Soviet Spetznaz
(Special Forces) raid into Alaska in order to destroy the Alaska oil
pipeline escalates to a full scale war. The miniseries ends abruptly with
the President releasing US nuclear forces against the Soviets. The film
ends moments before the world is annihilated with nuclear weapons.
Some other stories [WHICH?] about the destruction of the world
[WHICH ERA?]showed the possibility of the world's rebirth following
global destruction.[3]
During the 1980s, the techno-thriller became a literary phenomenon in
the United States. These novels about high-tech non-nuclear warfare
reasserted the value of conventional weapons by showing how they
would be vital in the world's next large scale conflict.[6] Tom Clancy's
novels proposed the idea of a technical challenge to the Soviet Union,
where World War III could be won using only conventional weapons,
without resorting to nuclear weapons. Clancy’s detailed explanation of
how and why World War III could begin involves oil shortages in the
Soviet Union caused by Islamic terrorism within it. The Hunt for Red
October (1984) hypothesized that the Soviet Union’s technology would
soon be better than the Americans'. Red Storm Rising was a detailed
account of the coming world war.[4] Soon after the Cold War ended
techno-thriller novels changed from stories about fighting the Soviet
Union to narratives about fighting terrorists.[6]
When the Wind Blows, a graphic novel by Raymond Briggs, was
published in 1982. The novel is a bitter satire on the Publicized Civil
Defense advice given by the British government(Protect and Survive)
about how to survive a nuclear war,[18] where a working-class couple
that do not believe that nuclear war is possible die of radiation sickness
after a nuclear explosion. It reflects Briggs’ participation in the British
Campaign for Nuclear Disarmament.[19]

Briggs is best known as a writer and illustrator of children’s literature,
but this novel was written for an older audience[18] and is his bleakest
work. The novel’s message greatly affected young adult readers. Briggs
rewrote the novel for radio, stage,[19] and an animated film that was
released in 1986.[20]
American superhero comics addressed the issue of World War III with
the implications of super-powered beings as metaphors for nuclear
weapons or using it as character motivation. Marvel Comics gathered
many of their Russian super-hero and villain characters into a new
group, called "The Soviet Super-Soldiers" which answered directly to
the Soviet Government. Uncanny X-Men #150 featured the villain
Magneto justifying a takeover bid by stating that if he not take over the
world then and there, that mutantkind would be destroyed along with
mankind in the event of a nuclear war. DC Comics' "Batman: The Dark
Knight Returns" ends with World War III erupting over the issue of a
small Latin American country, with the Soviet Union effectively
"winning" the war overnight by using a specially designed weapon to
make a nuclear winter but without the mass murdering side-effects of
radiation. In the same year, the acclaimed Watchmen (set in an alternate
timeline) is driven by the threat of nuclear war: the nuclear-powered
superhuman Dr. Manhattan has become America's main deterrent to the
Soviet Union and his disappearance, which the Soviets exploit, brings
the world to the brink of nuclear war. Antagonist characters Adrian
Veidt and the Comedian are haunted by the thought of nuclear war, and
Veidt's entire plot is to end the threat of nuclear war by faking the
existence of an extraterrestrial threat. [21]
Other comics would use a third World War as part of their plots:
Britain's "V For Vendetta" and Strontium Dog's "Portrait of a Mutant"
both use nuclear war as the backdrop for the establishment of
totalitarian governments, with the former having Britain escape a direct
hit and the latter showing the country in ruins.[22]

Judge Dredd, which already had a devastating World War III as part of
its backstory (which left most of the world a desert), has an all-out
Soviet/US war in "The Apocalypse War". This climaxes with Dredd
obliterating the enemy with a nuclear strike - this slaughters "half a
billion human beings", something presented as both necessary to win
such a war and as morally appalling. [23] Japan's Akira and Ghost in the
Shell both start with World War III as part of their backstory, with
Japan becoming a world power due to experiencing less nuclear fallout
than other nations.
1990s: Fears subside
The Cold War ended without the destructive final global war that had
often been envisioned in popular culture,[15] and the public's fears of
World War III were allayed. On the other hand, the previously classified
Stanislav Petrov incident of 1983 seemed to imply that the risk of
accidental nuclear war due to technical malfunction had been greater
than previously anticipated. The theme of nuclear armageddon launched
by military artificial intelligence computer systems without human
decision was explored in the 1991 blockbuster movie Terminator 2:
Judgment Day. During the early 1990s and the Gulf Crisis, tabloid
papers and other press discussed whether World War III would be
linked to prophecies of Nostradamus concerning a third great war.[24]
Movies about nuclear weapons that saved humanity were popular, such
as Armageddon and Deep Impact (1998).[6] Blast from the Past (1999) is
a comedy abouta 1960s family caught in the grip of Cold War paranoia.
Falsely convinced that World War III has started, they hide in their
fallout shelter, only to emerge 35 years later in the post–Cold War
world.
Jonathan Schell complained to the New York Times that "the post–Cold
War generation knows less about nuclear danger than any
generation."[6]

Yellow Peril (1991) by Wang Lixiong, is about a civil war in the
People's Republic of China that becomes a nuclear exchange and soon
engulfs the world. It was banned by the Chinese Communist Party but
remained popular.[citation needed]
World War III is referenced in the 1996 film Star Trek: First Contact.
William T. Riker states that 600 million people were killed and very few
world governments are left after a world war occurring sometime
around 2053.
Since the Cold War was over, some stories now presented the conflict as
alternate history. The Fallout series of video games, which began in
1997, took place in a world still gripped by Cold War hysteria late into
the 21st century. This, among other factors, led to an eventual World
War III between the global powers (notably the US and China), and the
series involves exploring what is left of the United States following the
conflict. Fallout is considered a spiritual successor to 1988's Wasteland,
which involved a similar premise and also mentions World War III.
In the 1998 ZDF/TLC mockumentary Der Dritte Weltkrieg, consisting
largely of real-life footage of military and political figures presented out
of context, Mikhail Gorbachev is ousted by an anti-reformist coup in
October 1989 during his visit to East Germany (with the Soviet Union
still in effective control of Eastern Europe, and hard-line rulers still
firmly entrenched in nearly all of the satellite states - as such the events
of that autumn are either brutally repressed by "Chinese" methods or
simply never occur), and the actions of the paranoid, ruthless new
General Secretary lead first to a brief conventional war (the filmmakers
accessed previously classified war plans and consulted numerous high-
ranking military officials on both sides[25]). Just when the conflict seems
to have ended, a Soviet radar malfunction, while US forces are on full
SIOP alert, results in a civilization-killing nuclear exchange

("There is no further historical record of what happens next"); after
"ending" just as the annihilation begins, the film rewinds to Gorbachev
in East Berlin, and actually concludes with a montage of celebrations in
Berlin as the Berlin Wall is freely crossed, danced upon and dismantled
and the country is reunited ("History... took a different path").
2000s: Concern over terrorism
After the September 11, 2001 attacks, a scenario of World War III
beginning as a result of a nuclear or other catastrophic terrorist attack
became prominent. Terrorism in the form of nuclear, chemical, or
biological attacks now occupy the place in popular culture once held by
the vision of a nuclear World War III between world powers.[6]
Paramount Pictures released a film adaptation of Tom Clancy's The
Sum of All Fears in 2002. The production of the film began before 9/11,
and was originally intended as an escapist thriller where CIA analyst
Jack Ryan fights Neo-Nazis who conspire to detonate a nuclear weapon
at a football game to start a nuclear war between Russia and the United
States. However, the film’s release just seven months after 9/11 made it
very topical. Phil Alden Robinson, the film's director, commented that "a
year ago, you'd have said, 'great popcorn film,'...Today you say, 'that's
about the world I live in.'" There was an aggressive promotional
campaign, with movie trailers and television commercials showing the
nuclear destruction of a city and a special premiere for politicians in
Washington, D.C.
THE END

World war 3

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