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Curated by Carla Acevedo-Yates with Iris Colburn, Isabel Casso, and Nolan Jimbo, Forecast Form: Art in the Caribbean Diaspora, 1990s–Today ...
Rebecca Peabody’s Consuming Stories: Kara Walker and the Imagining of American Race is the first monograph solely about Kara Walker’s work since ...
In the final passages of Art for People’s Sake, Rebecca Zorach offers a remarkable reading of a photograph of a young man using shaving cream ...
In the past few decades, design history has productively turned toward investigations of gender. Partly as a result of this emphasis, proportionately ...
John Simpson’s The Captive Slave (1827, Art Institute of Chicago) graces the cover of Witnessing Slavery: Art and Travel in the Age of Abolition ...
I winced the first time I read the title of this book. The cause of my trepidation was the quotation marks that enshrined “Black Art.” As a Black ...
A week before Emma Amos: Color Odyssey was set to close and four days before Derek Chauvin’s guilty verdict for the murder of George Floyd, I ...
In nineteenth-century America, images were powerful tools in the battle to confront slavery and racial oppression. Aston Gonzalez’s Visualizing ...
Darryl Dickson-Carr writes, “African American satire’s earliest purpose in both oral and written form was to lampoon the (il)logic of chattel ...
Rebecca VanDiver’s intersectional monograph on the iconic artist Loïs Mailou Jones (1905–1998) is a remarkable step forward in the expanding art ...
Five years in the making and developed in close collaboration with the artist by Christine Y. Kim (Los Angeles County Museum of Art) and Rujeko ...
There is no inside/outside when it comes to the carceral state. Guest curated by Nicole R. Fleetwood at MoMA PS1 and accompanied by a catalog ...
The contributors to the exhibition catalog Hank Willis Thomas: All Things Being Equal . . . write with depth and acuity about the artist’s complex ...
AFRICOBRA: Experimental Art toward a School of Thought is a necessary source for the study of the Black Arts Movement. Wadsworth A. Jarrell ...
Conceptions of race have limited the trajectory of American art history since its inception in the early nineteenth century. Anne Monahan reckons ...