Content deleted Content added
Binksternet (talk | contribs) Reverted 1 edit by Aradicus77 (talk): Rv... Persistent attempts to inflate the importance of Red Krayola |
Aradicus77 (talk | contribs) Undid revision 1153639666 by Binksternet (talk) much more influential to noise music than the Godz and Zappa |
||
Line 95:
===Popular music===
''[[Freak Out!]]'', the 1966 debut album by [[The Mothers of Invention]] made use of avant-garde [[sound collage]]—particularly the closing track "[[The Return of the Son of Monster Magnet]]".<ref>{{Cite web |title=Frank Zappa & The Mothers of Invention: The Freak Out Gatefold – Green and Black Music |url=https://greenandblackmusic.com/home/2017/05/02/frank-zappa-the-mothers-of-invention-the-freak-out-gatefold/ |access-date=2023-05-05 |language=en-US}}</ref> The same year, art rock group [[The Velvet Underground]] made their first recording while produced by [[Andy Warhol]], a track entitled "Noise".<ref>[http://zoolander52.tripod.com/theartsection5.8/id21.html] Warhol Live: Music and Dance in [[Andy Warhol]]'s Workat the Frist Center for the Visual Arts by Robert Stalker</ref> The following year, [[The Parable of Arable Land|''The Parable of Arable Land'']], the 1967 debut album by the [[The Red Crayola|Red Crayola]], would incorporate "noise segments"<ref>{{Cite web |title=Mayo Thompson: Red Krayola recording history |url=https://tapeop.com/interviews/16/mayo-thompson/ |access-date=2023-05-05 |website=tapeop.com |language=en}}</ref> in-between their songs.<ref>{{Citation |title=The Red Crayola, The Red Krayola - The Parable of Arable Land Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/the-parable-of-arable-land-mw0000274607 |access-date=2023-05-05 |language=en}}</ref> [[AllMusic]] assessed [[The Godz (New York band)|the Godz]] as an early noise band: "the three squalling bits of [[Avant-garde music|avant-garde]] noise/junk they recorded from 1966–1968. Sounding like a prototype for [[Half Japanese]] or [[the Shaggs]]."<ref>{{cite web |title=The Godz Biography, Songs, & Albums |url=https://www.allmusic.com/artist/the-godz-mn0000763611/biography |website=[[AllMusic]]}}</ref>
"[[Tomorrow Never Knows]]" is the final track of [[The Beatles]]' 1966 studio album ''[[Revolver (The Beatles album)|Revolver]]''; credited as a [[Lennon–McCartney]] song, it was written primarily by [[John Lennon]] with major contributions to the arrangement by [[Paul McCartney]]. The track included [[Tape loop|looped tape]] effects. For the track, McCartney supplied a bag of {{frac|1|4}}-inch audio tape loops he had made at home after listening to [[Stockhausen]]'s ''[[Gesang der Jünglinge]]''. By disabling the [[Tape head|erase head]] of a tape recorder and then spooling a continuous loop of tape through the machine while recording, the tape would constantly [[overdub]] itself, creating a saturation effect, a technique also used in [[musique concrète]].{{sfn|Spitz|2005|p=601}} The Beatles would continue these efforts with "[[Revolution 9]]", a track produced in 1968 for ''[[The Beatles (album)|The White Album]]''. It made sole use of [[sound collage]], credited to [[Lennon–McCartney]], but created primarily by [[John Lennon]] with assistance from [[George Harrison]] and [[Yoko Ono]].<ref>from ''[[Rolling Stone]]'' issues # 74 & 75 (21 Jan & 4 Feb, 1971). "John Lennon: The Rolling Stone Interview" by editor [[Jann Wenner]]</ref>
| |||