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Dickie Goodman: Difference between revisions

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==Career==
In June 1956, Goodman created his first record, "[[The Flying Saucer (song)|The Flying Saucer Parts 1 & II]]", which he co-wrote with his partner [[Bill Buchanan (songwriter)|Bill Buchanan]], and which was a four-minute rewrite of [[Orson Welles]]' ''[[The War of the Worlds (radio)|War of the Worlds]]'' radio show.<ref>{{cite news |first=Willard |last=Jim |title= Zany recording artists took humor to the skies |publisher=[[Daily Reporter-Herald]] |page=B2 |date= April 25, 2007 }}</ref><ref>{{cite news |first=Osborne |last=Jerry |title= The Flying Saucer' was first novelty break-in hit |publisher=St. Petersburg Times |page=13 |date=May 12, 1995 }}</ref> This recording was the subject of a [[copyright infringement]] case against Goodman.<ref>{{cite web |url=http://www.prnewswire.com/news-releases/new-case-for-old-napster-dickie-goodmans-son-reveals-fathers-legacy-in-book-and-fights-for-it-in-lawsuit-73270132.html |title=New Case for Old 'Napster'; Dickie Goodman's Son Reveals Father's Legacy in Book and Fights for It in Lawsuit|publisher=[[PR Newswire]] |access-date=November 25, 2014}}</ref> The court eventually ruled his sampled mix was considered a parody and thus an entirely new work.{{citation needed|date=August 2019}} The record "[[The Flying Saucer (song)|The Flying Saucer]]" was officially released under the artist name "Buchanan and Goodman" and was Goodman's highest-charting single on ''Billboard'', peaking at No. 3. Two months later, it was re-released as "Back To Earth". Buchanan and Goodman followed up with five other records: "Buchanan and Goodman on Trial" (#80 in 1956) (originally called, "Public Opinion"), "Banana Boat Story" (in which the duo used a single song, the Tarriers' "Banana Boat Song", as a break-in spoof of broadcast commercials), "Flying Saucer the 2nd" (#18 in 1957), "The Creature (From a Science Fiction Movie)" (by Buchanan and Ancell) (#85 in 1957), "[[Santa and the Satellite|Santa and the Satellite (Parts I & II)]]" (#32 in 1957) and "Frankenstein Of `59" / "Frankenstein Returns" (Feb. 1959). Both Buchanan and Goodman attempted to continue with the break-in approach after their breakup, but only Goodman had sustained success. Buchanan's later collaboration with Brill Building legend [[Howard Greenfield]] was not as successful.
 
There were some lawsuits filed against Buchanan and Goodman for the use of unlicensed materials. The couple had operated their business from a telephone booth at a pharmacy. While the couple got richer, the courts,court however,cases ate up the profits. (Source:<ref>{{Cite book |last=Uslan |first=Michael |title=Dick Clark's: The first 25 years of Rockrock and& Roll.roll |last2=Clark |first2=Dick |last3=Solomon |first3=Bruce |date=1983 |publisher=Greenwich House : Distributed by Crown Publishers |isbn=978-0-517-41597-9 |edition=1983 ed |location=New 1981)York}}</ref>
 
With Mickey Shorr in 1959, Goodman recorded two singles under the name '"Spencer and Spencer'" , both of which relied much less on sampling and more on [[sketch comedy]]. "Russian Bandstand" was a re-imagining of the then-popular TV series ''[[American Bandstand]]'' set in a totalitarian [[Soviet Union]]. "Stagger Lawrence" imposed [[Lloyd Price]]'s recording of "[[Stagger Lee (song)|Stagger Lee]]" onto a spoof of ''[[The Lawrence Welk Show]]'', borrowing heavily from an earlier Welk parody done by [[Stan Freberg]]. Neither recording with Shorr was as popular as the recordings Goodman made with Buchanan.
 
Starting in 1961, Goodman released his pieces as a solo artist. He scored three [[Billboard Hot 100|''Billboard'' Hot 100]] hits based on the hit TV series ''[[The Untouchables (1959 TV series)|The Untouchables]]'': "The Touchables" (#60), "The Touchables in Brooklyn" (#42), and "Santa and the Touchables" (#99). Also in 61'61 Dickie Goodman released several of his own self -performed Halloween -themed songs with Rori and; eventually these were released as an album, with the most successful track being "Horror Movies", about favorite pop culture movie monsters. The song has recently experienced a new found interest, released as background music in several films and venues, to include-including [[Adam Sandler]]'s ''[[Hubie Halloween]]'' on [[Netflix]], [[Amazon Primes'sPrime]] series, ''The Lake'', [[The Walt Disney Company|Disney]]/[[Hulu|HULU]] series ''Extraordinary'' and Universal Orlando's Halloween Nights.
 
In 1962, Goodman spoofed ''[[Ben Casey]]'' with "Ben Crazy" (#44). In 1966, his spoof of ''[[Batman (TV series)|Batman]]'' resulted in "Batman & His Grandmother" (#70). He also released a full album, "''The Many Heads Of Dickie Goodman"'', which included most of most of his break-ins up to that point.
 
In 1963 while working at 20th Century Fox Records, Dickie Goodman's JFK Tributetribute Albumalbum (''John F Kennedy The Presidential Years'') was composed of Kennedy's famous speeches and became the #8 Album Of The Year in Billboard and is archived by The Henry Ford Museum.
 
In 1964, Goodman decided to try something different: rather than his usual "break-in" records, he recorded an entire album of parodies called ''My Son the Joke''. The title was a take-off of the then-highly popular [[Allan Sherman]] records; unlike Sherman, Goodman's material was much more risque (such as "Harry's Jockstrap", featuring his wife Susan, to the tune of "[[Frère Jacques]]") and failed to chart.
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During the late 1960s, Goodman recorded a mostly musical album featuring his wife, aptly entitled ''Dickie Goodman and His Wife Susan''. Mr. Goodman sang one track on the record ("Never Play Poker with a Man Named Doc (or Eat at a Place Called Mom's)", paraphrasing [[Nelson Algren]]'s novel ''[[A Walk on the Wild Side]]''), and produced two break-in style pieces, with Susan singing the rest of the songs.
 
In 1969, Goodman parodied the political unrest on college campuses with "[[On Campus]]" (#45) and the [[Apollo 11|first Moon landing]] with "[[Luna Trip]]" (#95). [[Jack Spector|Vik Venus]]' Goodman-like "Moonflight" reached an even higher No. 38 on 9 August 1969, one week after "On Campus" peaked. Goodman's records also inspired [[KQV]] morning disc jockey Bob DeCarlo to cut his own sample-spliced top 10 hit "Convention '72" asunder bythe name [[the Delegates]]. Goodman himself spoofed political issues such as the [[Watergate scandal]] with "[[Watergrate]]" (#42 in 1973), the 1973 energy crisis with "[[Energy Crisis '74]]" (#33 in 1974), and [[Richard Nixon]] with "[[Mr. President (1974 Dickie Goodman single)|Mr. President]]" (#73 in 1974). Goodman failed to chart with a different version of "[[Mr. President (1981 Dickie Goodman single)|Mr. President]]" in 1981 after [[Ronald Reagan]] became president.
 
In addition to work under his own name, Goodman also produced for other acts. [[John & Ernest]]'s "Superfly Meets Shaft" (#31 in 1973), while oriented more toward a black audience, retained Goodman's "break-in" format. An unusual act Goodman produced was [[the Glass Bottle]]; Goodman created the band primarily as an advertising ploy to promote actual glass bottles, which were going out of fashion due to soda companies beginning to use plastic bottles. The Glass Bottle recorded two singles. Both were straight pop songs. "[[I Ain't Got Time Anymore]]" hit No. 36 in 1971. Also, in 1974, Goodman anonymously released ''Screwy T.V.'', an album of risque parodies of then-popular TV series. This album was even less popular than ''My Son the Joke'', as many record shops kept it "under the counter", due to its cover featuring two nude models (reportedly Susan and Dickie Goodman themselves) seen from the rear.
 
In 1975, Goodman parodied the film ''[[Jaws (movie)|Jaws]]'' with "[[Mr. Jaws]]" (#4 in 1975), becoming Goodman's biggest-selling record by achieving [[R.I.A.A.]] [[music recording sales certification|gold disc]] status in September 1975.<ref name="The Book of Golden Discs">{{cite book| first= Joseph| last= Murrells| year= 1978| title= The Book of Golden Discs| edition= 2nd| publisher= Barrie and Jenkins Ltd.| location= London| page= [https://archive.org/details/bookofgoldendisc00murr/page/358 358]| isbn= 0-214-20512-6| url= https://archive.org/details/bookofgoldendisc00murr/page/358}}</ref> The record shot to No. 1 on 11 October 1975 on Chicago's [[WLS (AM)|WLS]],<ref>{{cite web|url=http://www.oldiesloon.com/il/wls751011.htm|title=Musicradio Survey|publisher=WLS|date=1975-10-11|access-date=2020-08-10}}</ref> who played a customized version featuring "This is Dickie Goodman at WLS ..." at the beginning. "Mr. Jaws" also charted top ten in Great Britain and won a JUNO award in Canada.
 
Goodman's final chart record was "Kong" (#48 in 1977), spoofing the 1976 ''[[King Kong (1976 film)|King Kong]]'' film remake, followed by others that failed to chart in the Top 100. "Hey ET", based on [[Steven Spielberg|Spielberg]]'s movie ET[[E.T. the Extra-Terrestrial|E.T. the Extraterrestrial]], was Dickie Goodman's last release to reach Billboard's Bubbling Under chart (Top 200). Altogether, Goodman charted seventeen hits, with five of them reaching the [[top 40]]. Joel Whitburn's, Billboard Top Pop Singles listed Dickie Goodman's Billboard ranking at #1 (17 in the Top 100) for Comedy and Guinness World Records certified Dickie Goodman for the most Billboard Charted comedy hits (17).<ref>{{Cite web |title= |url=https://www.guinnessworldrecords.com/world-records/77013-most-billboard-chart-entries-comedy-records}}<nowiki/ref> Goodman produced several other break-in records which garnered airplay and charted only in regional areas, usually Los Angeles and New York City, but in a few other areas as well.
 
Luniverse, Goodman's [[record label]], also featured works by other artists, including the [[Del-Vikings]].<ref>{{cite book |author=Warner, Jay |title=American Singing Groups: A History, From 1940 to Today |publisher=Hal Leonard |year=2006 |isbn=0-634-09978-7 |pages=[https://archive.org/details/americansingingg00warn/page/149 149] |url=https://archive.org/details/americansingingg00warn/page/149 }}</ref><ref>On the 27 September 1975 edition of "[[American Top 40]]", [[Casey Kasem]] mentioned that Goodman, after having made 20,000 copies of "The Flying Saucer" on his new label "Universe", discovered that there was already a "Universe" label in use and had to change his label to "Luniverse" and write the letter "L" in front of "Universe" on all of the copies of "The Flying Saucer" before attempting to sell any of them.</ref> Some of his other labels were Eldorado (mostly used for singers like Joann Campbell), All Star (also used for singers and bands), Novelty, Comic, Cash, Rainy Wednesday, Oron, Ramgo (created with his new partner, Bill Ramal), M.D., JMD, Shark, Wacko, Extran and Goodname.
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Goodman's break-in records were themselves spoofed by [[Albert Brooks]] in a comedy bit called "Party from Outer Space."
 
Dickie Goodman was posthumously awarded a GRAMMYGrammy for his original first hit record "The Flying Saucer" on [[Rhino Entertainment|RHINO]]'s CD set ''Brain In A Box'' (2000).
 
==Death==