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'''''A Town Has Turned to Dust''''' was an American [[television play]] broadcast on June 19, 1958, as part of the [[CBS]] television series, ''[[Playhouse 90]]''. It was the 38th episode of the second season of ''Playhouse 90''.
'''''A Town Has Turned to Dust''''' was an American [[television play]] broadcast on June 19, 1958, as part of the [[CBS]] television series ''[[Playhouse 90]]''. It was the 38th episode of the second season of ''Playhouse 90''.


The play tells of the unjust lynching of a Mexican boy in a southwestern town. [[Rod Serling]] and [[William Shatner]] starred in the production. [[Rod Serling]] wrote the teleplay, and [[John Frankenheimer]] directed.
The play tells of the unjust lynching of a Mexican boy in a southwestern town. [[Rod Serling]] and [[William Shatner]] starred in the production. Serling wrote the teleplay, and [[John Frankenheimer]] directed.


==Plot==
==Plot==
Line 62: Line 62:


===Censorship===
===Censorship===
Serling originally intended the story to address lynching in the South and the killing of [[Emmett Till]] in particular. Concerned with offending viewers in the [[Southern United States]], the commercial sponsors were unwilling to tackle Southern racism. Serling was only able to have the story told by switching the time to the late 19th century, the setting to the southwest, and the victim to a Mexican. Serling recalled: <blockquote>By the time A Town Has Turned to Dust went before the cameras my script had turned to dust . . . Emmett Till became a romantic Mexican who loved the storekeeper's wife, but 'only with his eye.' . . . The setting was moved to the Southwest in the 1870's . . . The phrase 'twenty men in hoods' became 'twenty men in homemade masks.' They chopped it up like a roomful of butchers at work on a steer.<ref>{{cite book|title=As I Knew Him: My Dad, Rod Serling|author=Anne Serling|publisher=Citadel Press|year=2013|pages=96-97|isbn=9780806536156}}</ref></blockquote>
Serling originally intended the story to address lynching in the South and the killing of [[Emmett Till]] in particular. Concerned with offending viewers in the [[Southern United States]], the commercial sponsors were unwilling to tackle Southern racism. Serling was only able to have the story told by switching the time to the late 19th century, the setting to the southwest, and the victim to a Mexican. Serling recalled:
<blockquote>By the time A Town Has Turned to Dust went before the cameras my script had turned to dust . . . Emmett Till became a romantic Mexican who loved the storekeeper's wife, but 'only with his eye.' . . . The setting was moved to the Southwest in the 1870's . . . The phrase 'twenty men in hoods' became 'twenty men in homemade masks.' They chopped it up like a roomful of butchers at work on a steer.<ref>{{cite book|title=As I Knew Him: My Dad, Rod Serling|author=Anne Serling|publisher=Citadel Press|year=2013|pages=96-97|isbn=9780806536156}}</ref></blockquote>


Despite the compromises, Serling biographer Nicholas Parisi observed, "the true target" of Serling's contempt "could hardly have been clearer" than in the sheriff's reply when Paul claims the Mexicans "need to be taught a lesson." In particular, Denton replied:
Despite the compromises, Serling biographer Nicholas Parisi observed, "the true target" of Serling's contempt "could hardly have been clearer" than in the sheriff's reply when Paul claims the Mexicans "need to be taught a lesson". In particular, Denton replied:
<blockquote>That's all they've had for a hundred years is a lesson! We've been the teacher. We taught 'em to turn their cheeks, we taught 'em to bow their heads, we taught 'em to say 'yessir.' . . . That's all they've ever had is a lesson! Now, what is left to teach 'em? How to stop breathing in a noose?<ref>{{cite book|title=Rod Serling: His Life, Work, and Imagination|publisher=University Press of Mississippi|author=Nicholas Parisi|year=2018|pages=149-150}}</ref></blockquote>
<blockquote>That's all they've had for a hundred years is a lesson! We've been the teacher. We taught 'em to turn their cheeks, we taught 'em to bow their heads, we taught 'em to say 'yessir.' . . . That's all they've ever had is a lesson! Now, what is left to teach 'em? How to stop breathing in a noose?<ref>{{cite book|title=Rod Serling: His Life, Work, and Imagination|publisher=University Press of Mississippi|author=Nicholas Parisi|year=2018|pages=149-150}}</ref></blockquote>


Serling's teleplay was remade in 1998, as a [[A Town Has Turned to Dust|science fiction film]]'' for the Sci-Fi channel.<ref>{{cite news|title=In Sci-Fi remake, Serling story just turns to dust|newspaper=Star Tribune|date=June 27, 1998|page=E8|url=https://www.newspapers.com/clip/60096344/a-town-has-turned-to-dust/|via=[[Newspapers.com]]}}</ref>
Serling's teleplay was remade in 1998 as [[A Town Has Turned to Dust|a science fiction film]]'' for the Sci-Fi channel.<ref>{{cite news|title=In Sci-Fi remake, Serling story just turns to dust|newspaper=Star Tribune|date=June 27, 1998|page=E8|url=https://www.newspapers.com/clip/60096344/a-town-has-turned-to-dust/|via=[[Newspapers.com]]}}</ref>


==Reception==
==Reception==
Line 74: Line 75:
William Ewald of the UPI called it "a play with good bones", "plenty of meat", and "dialogue that swirled." However, he felt that production was not wholly successful because the portrayals were "too black and white".<ref>{{cite news|title='A Town Has Turned to Dust' Good, Not Wholly Successful|newspaper=The Bend Bulletin|author=William Ewald|date=June 20, 1958|page=7|url=}}</ref>
William Ewald of the UPI called it "a play with good bones", "plenty of meat", and "dialogue that swirled." However, he felt that production was not wholly successful because the portrayals were "too black and white".<ref>{{cite news|title='A Town Has Turned to Dust' Good, Not Wholly Successful|newspaper=The Bend Bulletin|author=William Ewald|date=June 20, 1958|page=7|url=}}</ref>


In ''The Boston Globe'', Elizabeth W. Driscoll called it "a taut 90 minutes of live-from-Hollywood theatre."<ref>{{cite news|title=The Case Against Race Bias|newspaper=The Boston Globe|author=Elizabeth W. Driscoll|date=June 20, 1956|page=|url=https://www.newspapers.com/image/433419593/?terms=%22town%2Bhas%2Bturned%2Bto%2Bdust%22}}</ref>
In ''The Boston Globe'', Elizabeth W. Driscoll called it "a taut 90 minutes of live-from-Hollywood theatre."<ref>{{cite news|title=The Case Against Race Bias|newspaper=The Boston Globe|author=Elizabeth W. Driscoll|date=June 20, 1956|page=|url=https://www.newspapers.com/clip/60340568/the-boston-globe/|page=31|via=[[Newspapers.com]]}}{{open access}}</ref>


Bill Fiset of the ''Oakland Tribune'' wrote that its tackling of racial intolerance made it "a milestone for television" and "one of the meatiest dramas the program has ever presented" -- not "meek or sterile" like so much television drama. He also credited strong acting by Steiger and Shatner and excellent direction.<ref>{{cite news|title=Lynching Drama Hits Home Hard|newspaper=Oakland Tribune|author=Bill Fiset|date=June 20, 1958|page=|url=}}</ref>
Bill Fiset of the ''Oakland Tribune'' wrote that its tackling of racial intolerance made it "a milestone for television" and "one of the meatiest dramas the program has ever presented" -- not "meek or sterile" like so much television drama. He also credited strong acting by Steiger and Shatner and excellent direction.<ref>{{cite news|url=https://www.newspapers.com/clip/59629226/lynching-drama/|title=Lynching Drama Hits Home Hard|newspaper=Oakland Tribune|author=Bill Fiset|date=June 20, 1958|page=25|via=[[Newspapers.com]]}}{{open access}}</ref>


==References==
==References==

Revision as of 19:10, 1 October 2020

Warning: Display title "A Town Has Turned to Dust (<i>Playhouse 90</i>)" overrides earlier display title "<i>A Town Has Turned to Dust</i> (<i>Playhouse 90</i>)" (help).

"A Town Has Turned to Dust"
Playhouse 90 episodes
William Shatner as Jerry Paul
Episode nos.Season 2
Episodes 38[1]
Directed byJohn Frankenheimer[1][2]
Written byRod Serling[1][2]
Original air dateJune 19, 1958 (1958-06-19)[1]
Running time90 minutes[2]
Guest appearances
Episode chronology
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A Town Has Turned to Dust was an American television play broadcast on June 19, 1958, as part of the CBS television series Playhouse 90. It was the 38th episode of the second season of Playhouse 90.

The play tells of the unjust lynching of a Mexican boy in a southwestern town. Rod Serling and William Shatner starred in the production. Serling wrote the teleplay, and John Frankenheimer directed.

Plot

Pancho Rivera, a 19-year-old Mexican boy, is jailed in Dempseyville, a small southwestern town suffering from drought and heat. Pancho is charged with attempted robbery of the general store and assault on the wife of the shopkeeper, Jerry Paul. Paul leads a mob to the jail. Rather than defend Pancho from the mob, the sheriff, Harvey Denton, turns Rivera over to the mob. Pancho is hung.

The mob celebrates at the saloon after the lynching. Hennify, a reporter visiting from St. Louis, confronts Paul and Denton. He asks what the penalty would have been if Rivera was convicted and is told the penalty would have been five to ten years in prison. The next day, Hennify visits Paul' store. Hennify observes a mark on the face of Paul's wife, Annamay, and notes that the mark matches the ring on Paul's hand. After the reporter leaves, Annamay accuses Paul of killing an innocent boy. Paul warns her not to damage his good name and throws her to the ground. Denton also confronts Paul with his suspicion that Paul killed Pancho, because Annamay loved him.

The town's Mexican residents stop patronizing Paul's store. Instead, they stand silently outside the store. Paul taunts Pancho's brother, Ramon, challenging him to enter the segregated saloon. Ramon enters the saloon and strikes Paul three times with a whip. Paul stirs up the white patrons by blaming the Mexicans for the town's problems. He again leads a mob to the jail, demanding that Ramon be turned over. This time, Denton refuses and speaks to the mob. Annamay appears and tells the mob that she loved Pablo and that was why Paul killed Pancho. Paul and Denton exchange gunfire. Denton is wounded, and Paul is killed.

Denton tells the priest that there is no absolution for him or for the mob. He confesses that he led the mob 16 years earlier that killed an elderly man. Denton then collapses and dies. That night, the drought ended as rain came to Dempseyville. Hennify writes that the rain came too late, because the town had already turned to dust due to prejudice and violence.

Cast

The following performers received screen credit for their performances:[2]

Robert Ryan hosted the show.[2]

Production

Martin Manulis was the producer, and John Frankenheimer directed. Rod Serling wrote the teleplay.[2] The play was presented live from Television City in Los Angeles.[2]

Censorship

Serling originally intended the story to address lynching in the South and the killing of Emmett Till in particular. Concerned with offending viewers in the Southern United States, the commercial sponsors were unwilling to tackle Southern racism. Serling was only able to have the story told by switching the time to the late 19th century, the setting to the southwest, and the victim to a Mexican. Serling recalled:

By the time A Town Has Turned to Dust went before the cameras my script had turned to dust . . . Emmett Till became a romantic Mexican who loved the storekeeper's wife, but 'only with his eye.' . . . The setting was moved to the Southwest in the 1870's . . . The phrase 'twenty men in hoods' became 'twenty men in homemade masks.' They chopped it up like a roomful of butchers at work on a steer.[3]

Despite the compromises, Serling biographer Nicholas Parisi observed, "the true target" of Serling's contempt "could hardly have been clearer" than in the sheriff's reply when Paul claims the Mexicans "need to be taught a lesson". In particular, Denton replied:

That's all they've had for a hundred years is a lesson! We've been the teacher. We taught 'em to turn their cheeks, we taught 'em to bow their heads, we taught 'em to say 'yessir.' . . . That's all they've ever had is a lesson! Now, what is left to teach 'em? How to stop breathing in a noose?[4]

Serling's teleplay was remade in 1998 as a science fiction film for the Sci-Fi channel.[5]

Reception

In The New York Times, Jack Gould called it "powerful drama" and "a raw, tough and at the same time deeply moving outcry against prejudice." He praised Serling's "vivid dialogue, Frankenheimer's "simply superb" direction, and the "superlative" performances of Steiger and Shatner.[6]

William Ewald of the UPI called it "a play with good bones", "plenty of meat", and "dialogue that swirled." However, he felt that production was not wholly successful because the portrayals were "too black and white".[7]

In The Boston Globe, Elizabeth W. Driscoll called it "a taut 90 minutes of live-from-Hollywood theatre."[8]

Bill Fiset of the Oakland Tribune wrote that its tackling of racial intolerance made it "a milestone for television" and "one of the meatiest dramas the program has ever presented" -- not "meek or sterile" like so much television drama. He also credited strong acting by Steiger and Shatner and excellent direction.[9]

References

  1. ^ a b c d e f g h i j "Playhouse 90, Season 2". Classic TV Archive. Retrieved September 27, 2020.
  2. ^ a b c d e f g h i j k l Kinescope of "A Town Has Turned to Dust", aired June 19, 1958. (The program opened with narration stating tht it was presented "live from Television City in Hollywood")
  3. ^ Anne Serling (2013). As I Knew Him: My Dad, Rod Serling. Citadel Press. pp. 96–97. ISBN 9780806536156.
  4. ^ Nicholas Parisi (2018). Rod Serling: His Life, Work, and Imagination. University Press of Mississippi. pp. 149–150.
  5. ^ "In Sci-Fi remake, Serling story just turns to dust". Star Tribune. June 27, 1998. p. E8 – via Newspapers.com.
  6. ^ Jack Gould (June 20, 1958). "TV: Prejudice Dissected; Rod Serling's 'A Town Has Turned To Dust' offered on 'Playhouse 90'". The New York Times. p. 47.
  7. ^ William Ewald (June 20, 1958). "'A Town Has Turned to Dust' Good, Not Wholly Successful". The Bend Bulletin. p. 7.
  8. ^ Elizabeth W. Driscoll (June 20, 1956). "The Case Against Race Bias". The Boston Globe. p. 31 – via Newspapers.com.Open access icon
  9. ^ Bill Fiset (June 20, 1958). "Lynching Drama Hits Home Hard". Oakland Tribune. p. 25 – via Newspapers.com.Open access icon