Baybayan is tasked to circle the world seven times to gather converts before being allowed to enter paradise with his clan. During his wanderings, Baybayan encounters many adventures as he converts people of various cultures. When his followers run out of food, Baybayan performs an ulahing dance that causes fruit to fall from a tree and transform into an endless supply of food for the group. After completing his mission, Baybayan and his followers are finally lifted to heaven where they are granted immortality by Midlimbag and given their own paradise to reside in. Midlimbag instructs Baybayan to inspire mortals to perform the ulahing dance so that they do not forget Agyu
The document provides an overview of Philippine mythology and deities from various ethnic groups in the Philippines. It describes beliefs in supreme beings, dieties of nature like the sun, moon, wind and rain. Deities are listed for major ethnic groups like Tagalog, Bicolano, Visayan, as well as many others. The deities govern different domains like forests, mountains, rivers, and agriculture. Belief in these mythical figures remains strong in rural provinces of the Philippines.
This document discusses Philippine mythology and rituals. It explains that Philippine mythology includes tales of magical creatures and entities that vary among indigenous tribes, but share some similarities like beliefs in heaven, hell, and souls. Myths are connected to rituals which were important in daily life like watching for omens before journeys and consulting stars for auspicious times. Ritual offerings ranged from blood sacrifices to vegetal offerings like betel quid or prayer books placed on altars, boats, or sacred stones. Amulets called anting-anting were believed to give powers like protection from weapons.
The document is a summary of the Filipino folk tale "Tungkung Langit and Alunsina". It describes how Tungkung Langit and Alunsina were the first gods who brought order to the formless void. However, Alunsina was lazy and jealous, which led to arguments between the two. In a fit of anger, Tungkung Langit drove Alunsina away. Feeling lonely, he created the earth, sea, stars, moon and sun in hopes of enticing Alunsina to return, but she never did. The theme is about the sorrow of loss and loneliness that comes from separation.
The epic poem Hinilawod recounts the story of three demigod brothers - Labaw Donggon, Humadapnon, and Dumalapdap - born to the goddess Alunsina and the mortal ruler Datu Paubari in ancient Panay. Each brother goes on adventures seeking wives, battling monsters along the way. Labaw Donggon is imprisoned by Saragnayan but is freed by his sons. Humadapnon kills his wife Nagmalitong Yawa by accident but she is revived. Dumalapdap defeats monsters to marry Lubay-Lubyok Hanginun. The brothers are reunited at a feast by their father Datu Paubari after their
Daragang Magayon was a beautiful maiden who was courted by the powerful chieftain Pagtuga, but she loved Panganoron who had saved her from drowning. When Pagtuga learned of their planned wedding, he kidnapped Magayon's father to force her to marry him instead. Panganoron returned to fight Pagtuga, but during the ensuing battle both Magayon and Panganoron were fatally wounded. Their bodies were buried in a grave that later erupted as a volcano, now known as Mayon volcano, whose mists and rains are said to represent the eternal love between Magayon and Panganoron.
Mariang Makiling is the mysterious fairy guardian of Mount Makiling in the Philippines. She is described as tall and graceful with long dark hair. She appears after storms to repair any damage in the forest, and also helps humans by giving gifts of gold to those in need. Mariang Makiling tests people's kindness by appearing as an old woman begging for food. She disappears from the forest if people refuse to help her or damage the environment through overhunting or deforestation. The legend of Mariang Makiling lives on.
This document summarizes the biography of Aida-L. River-Ford, a Filipino writer. It notes that she graduated with an AB degree in English cum laude from Siliman University, obtained an MA in English from the University of Michigan, won the Jules and Avery Hopwood Award for fiction, taught at two universities for 11 years, and was awarded the Philippine Government Parangal for Writers of the post-war years. It also lists her position as President of Ford Academy of the Arts and notes she was the director of the Davao Writers Workshop in 2010.
Baybayan is tasked to circle the world seven times to gather converts before being allowed to enter paradise with his clan. During his wanderings, Baybayan encounters many adventures as he converts people of various cultures. When his followers run out of food, Baybayan performs an ulahing dance that causes fruit to fall from a tree and transform into an endless supply of food for the group. After completing his mission, Baybayan and his followers are finally lifted to heaven where they are granted immortality by Midlimbag and given their own paradise to reside in. Midlimbag instructs Baybayan to inspire mortals to perform the ulahing dance so that they do not forget Agyu
The document provides an overview of Philippine mythology and deities from various ethnic groups in the Philippines. It describes beliefs in supreme beings, dieties of nature like the sun, moon, wind and rain. Deities are listed for major ethnic groups like Tagalog, Bicolano, Visayan, as well as many others. The deities govern different domains like forests, mountains, rivers, and agriculture. Belief in these mythical figures remains strong in rural provinces of the Philippines.
This document discusses Philippine mythology and rituals. It explains that Philippine mythology includes tales of magical creatures and entities that vary among indigenous tribes, but share some similarities like beliefs in heaven, hell, and souls. Myths are connected to rituals which were important in daily life like watching for omens before journeys and consulting stars for auspicious times. Ritual offerings ranged from blood sacrifices to vegetal offerings like betel quid or prayer books placed on altars, boats, or sacred stones. Amulets called anting-anting were believed to give powers like protection from weapons.
The document is a summary of the Filipino folk tale "Tungkung Langit and Alunsina". It describes how Tungkung Langit and Alunsina were the first gods who brought order to the formless void. However, Alunsina was lazy and jealous, which led to arguments between the two. In a fit of anger, Tungkung Langit drove Alunsina away. Feeling lonely, he created the earth, sea, stars, moon and sun in hopes of enticing Alunsina to return, but she never did. The theme is about the sorrow of loss and loneliness that comes from separation.
The epic poem Hinilawod recounts the story of three demigod brothers - Labaw Donggon, Humadapnon, and Dumalapdap - born to the goddess Alunsina and the mortal ruler Datu Paubari in ancient Panay. Each brother goes on adventures seeking wives, battling monsters along the way. Labaw Donggon is imprisoned by Saragnayan but is freed by his sons. Humadapnon kills his wife Nagmalitong Yawa by accident but she is revived. Dumalapdap defeats monsters to marry Lubay-Lubyok Hanginun. The brothers are reunited at a feast by their father Datu Paubari after their
Daragang Magayon was a beautiful maiden who was courted by the powerful chieftain Pagtuga, but she loved Panganoron who had saved her from drowning. When Pagtuga learned of their planned wedding, he kidnapped Magayon's father to force her to marry him instead. Panganoron returned to fight Pagtuga, but during the ensuing battle both Magayon and Panganoron were fatally wounded. Their bodies were buried in a grave that later erupted as a volcano, now known as Mayon volcano, whose mists and rains are said to represent the eternal love between Magayon and Panganoron.
Mariang Makiling is the mysterious fairy guardian of Mount Makiling in the Philippines. She is described as tall and graceful with long dark hair. She appears after storms to repair any damage in the forest, and also helps humans by giving gifts of gold to those in need. Mariang Makiling tests people's kindness by appearing as an old woman begging for food. She disappears from the forest if people refuse to help her or damage the environment through overhunting or deforestation. The legend of Mariang Makiling lives on.
This document summarizes the biography of Aida-L. River-Ford, a Filipino writer. It notes that she graduated with an AB degree in English cum laude from Siliman University, obtained an MA in English from the University of Michigan, won the Jules and Avery Hopwood Award for fiction, taught at two universities for 11 years, and was awarded the Philippine Government Parangal for Writers of the post-war years. It also lists her position as President of Ford Academy of the Arts and notes she was the director of the Davao Writers Workshop in 2010.
The story tells of Prince Bantugan, a good and brave ruler of the Kingdom of Bumbaran. However, his older brother the king grew jealous of Prince Bantugan's popularity. When the kingdom was attacked, Prince Bantugan led the troops to victory but knew his brother hated him. He decided to leave. Meanwhile in another kingdom, Princess Datimbang fell in love with Prince Bantugan after he collapsed at the kingdom's gates and died. Through the help of parrots and his repentant brother, Prince Bantugan was resurrected and later married Princess Datimbang.
1) The god Aponi-tolau abducted the sea maiden Humitau from her home in the sea, angering the sea lord Tau-mari-u.
2) In retaliation, Tau-mari-u caused a great flood that covered the entire world, except for the mountaintop where Aponi-tolau and his household took shelter.
3) Despite his anger, Tau-mari-u took pity on Humitau and called back the floodwaters, but vowed to continue sinking boats and drowning people until Aponi-tolau's crime was appeased.
The document summarizes the Ilocano epic poem Biag ni Lam-Ang, which follows the story of the hero Lam-ang. Some key details include: Lam-ang was born with the unique ability to speak immediately and vowed revenge after learning of his father's death. He defeats numerous enemies in battle. Lam-ang then falls in love with the beautiful Ines and they marry in a grand celebration, but he later dies after being eaten by a large fish. However, with the help of his magical pets, Lam-ang is resurrected and reunited with his wife. The epic portrays qualities reflecting Ilocano culture from the pre-Spanish Philippines like bravery, justice, love, and hero
The document discusses Philippine mythology, focusing on deities of the ancient Tagalog people. It describes the pantheon of Tagalog gods, dividing them into three generations based on their origins. The first generation of supreme gods included Bathala the creator, Amanikable the sea god, and Idiyanale the agriculture god. Their offspring, the second generation, contained deities like Mayari the moon goddess. The document also outlines some harmful deities such as Sitan the devil and his agents of disease and destruction.
The legend of Makahiya tells the story of a shy girl named Maria who was hidden by her parents in bushes to protect her from cruel Spanish colonizers. When the parents later searched for Maria, they could not find her but instead discovered a sensitive plant in her place. This plant, called makahiya, symbolizes Maria's extremely shy nature and how she essentially transformed into the plant to hide her shame or embarrassment from the world. The legend explains the cultural significance of the makahiya plant in the Philippines.
The House on Zapote Street is one of the works of Nick Joaquin a.k.a. Quijano de Manila. Kisapmata is the title of the film of the House on Zapote Street
The document summarizes the Philippine epic poem Hinilawod. It provides an overview of the characters and plot. The main characters are the triplets Labaw Donggon, Humadapnon, and Dumalapdap, sons of Alunsina and Datu Paubari. Labaw Donggon goes on quests to win the hands of three wives, defeating monsters along the way. Humadapnon seeks revenge after Labaw Donggon is defeated. The conflicts arise from the brothers' battles and quests for wives. The epic explores themes of love, obedience, and not succumbing to temptation.
Waray literature from Eastern Visayas has been more extensively documented than Cebuano literature from the region. German priests in the 1900s played a key role in preserving Waray works. Major forms of traditional Waray literature include poetry and narrative works documented in 1668. Modern Waray literature flourished in the 1900s with the rise of local publications printing works in Spanish, English, and Waray. Notable Waray writers include Iluminado Lucente, Norberto Romualdez, Pedro Acerden, and Francisco Alvarado. Lucente is considered the greatest Waray writer, known for works like the poem "An Iroy Nga Tuna".
The short story "Harvest" by Loreto Paras-Sulit is about two brothers, Fabian and Vidal, who work in the fields. Fabian is envious of Vidal's handsomeness. He manipulates Vidal's life by telling a woman named Miss Francia that Vidal will have a child with another woman to prevent Vidal from working for Miss Francia. The story explores Fabian's envy and how it affects his relationship with his brother.
Pre-colonial and Spanish colonial Philippine LiteratureBrian_Enero
This document summarizes pre-colonial and Spanish colonial literature in the Philippines. It describes the main genres of literature during the pre-colonial period like proverbs, folktales, songs, and epics. It then discusses how Spanish colonization impacted literature by introducing religious themes and new genres like religious drama, zarzuela plays, and moro-moro plays that depicted Christian victories over Muslims. Specific literary works from each period are also mentioned like Biag ni Lam-ang and Florante at Laura. The document concludes by noting that the information provided only offers a shallow overview of these topics.
Early Philippine literature was passed down orally and written using indigenous scripts like baybayin. Common forms included songs, riddles, proverbs and epics. Songs varied by region and occasion, from lullabies to love songs. Riddles often used metaphor and rhyme. Major ethnic groups had their own epics that were orally transmitted and featured supernatural elements. Early literature provided insights into pre-colonial Philippine societies before Spanish influence.
The document provides an overview of the Hiligaynon epic Hinilawod, which tells the story of brothers Labaw Donggon, Humadapnon, and Dumalapdap. It details their exploits, including battling monsters, winning brides, and seeking vengeance. The epic involves themes of gods, magic, and larger-than-life heroes and takes the brothers on journeys around Panay and beyond spanning many years.
The summary provides key details about Jose Garcia Villa's short story "Footnote to Youth" in 3 sentences:
Dudong is a 17-year-old man who impatiently waits to tell his father of his love for Teang and desire to marry her, however questions arise about their young age. Years later, when Dudong and Teang have 7 children together and Teang's body has been worn down by childbearing, their son Blas also announces his wish to marry young, leading Dudong to question if he too will regret it. The story explores the realities of responsibility that set in after the idealism of youthful love.
PHILIPPINE PRE-COLONIAL LITERATURE (incomplete)Miss Ivy
1. Meaning of Literature
2. Epic
3. Myth
** Disclaimer:
All of the pictures and pieces of information on this site are the property of the respective owners. I do not hold any copyright in regards to these pictures and information. These pictures have been collected from different public sources including various websites, considered to be in the public domain. If anyone has any objection to display of any picture, image or information, it may be brought to my notice by sending an email (contact me) & the disputed media will be removed immediately, after verification of the claim.
The document provides an overview of Philippine mythology, including the pantheon of gods and goddesses as well as mythological creatures. It describes some of the most important deities such as Bathala, the supreme god, and Mayari, the beautiful goddess of the moon. The document also explains that before the arrival of Spanish colonizers, indigenous Filipinos held beliefs that were a mixture of animism, Hinduism, and Buddhism. Each ethnic group had its own stories and myths that varied across the islands of the Philippines.
Module 21st century literature from the philippinesAriesSunga1
The Hinilawod is an epic poem from the Visayas region of the Philippines that tells the story of the brothers Labaw Donggon, Humadapnon, and Abyang. Labaw Donggon goes on several quests to win the hands of beautiful maidens, defeating monsters along the way. However, on a quest to rescue Malitong Yawa from the lord of darkness Saragnayan, Labaw Donggon is imprisoned. His sons Aso Mangga and Abyang Baranugon later travel to free their father by defeating Saragnayan in a duel. Labaw Donggon's imprisonment angers his brother Humadapnon, who vows revenge on Saragnayan's
Literature 1 Central Visayas Oral NotesLeo Juntilla
1. Region VII or Central Visayas is located in the central Philippines and consists of 4 provinces and 3 highly urbanized cities. Cebuano is the major language spoken.
2. The document discusses the provinces in Central Visayas, including their capital cities and historical sites. It also outlines the major and minor languages spoken as well as the ethnic groups in the region.
3. Several literary pieces from the Visayas region are summarized, including creation myths, legends, folk songs, and riddles. The summaries include the main themes and moral lessons of each piece.
This story is about Sangkuriang, the son of a prince who transformed into a dog named Tumang after marrying Dayang Sumbi. One day while hunting, Sangkuriang accidentally kills Tumang with his arrow. When he tells his mother, she grows angry and hits Sangkuriang on the head. He later falls in love with a beautiful girl, not realizing it is his mother Dayang Sumbi. She sets a challenge for him to create a lake and boat overnight to prevent their marriage. Sangkuriang succeeds but Dayang Sumbi tricks him with a false dawn, causing his genies to flee and the boat to turn into a mountain.
This story is about Dayang Sumbi, a beautiful and intelligent woman who marries a prince from the heavenly kingdom of Kahyangan. When they have a son named Sangkuriang, the prince transforms into a dog named Tumang. One day, Sangkuriang accidentally kills Tumang while hunting. His mother Dayang Sumbi is devastated and hits Sangkuriang with a weaving tool. Sangkuriang leaves home and later falls in love with a beautiful girl, not realizing it is his mother Dayang Sumbi. She sets a challenge for him to create a lake and boat overnight to prevent their marriage. Sangkuriang succeeds but is tricked by the women of the
The story tells of Prince Bantugan, a good and brave ruler of the Kingdom of Bumbaran. However, his older brother the king grew jealous of Prince Bantugan's popularity. When the kingdom was attacked, Prince Bantugan led the troops to victory but knew his brother hated him. He decided to leave. Meanwhile in another kingdom, Princess Datimbang fell in love with Prince Bantugan after he collapsed at the kingdom's gates and died. Through the help of parrots and his repentant brother, Prince Bantugan was resurrected and later married Princess Datimbang.
1) The god Aponi-tolau abducted the sea maiden Humitau from her home in the sea, angering the sea lord Tau-mari-u.
2) In retaliation, Tau-mari-u caused a great flood that covered the entire world, except for the mountaintop where Aponi-tolau and his household took shelter.
3) Despite his anger, Tau-mari-u took pity on Humitau and called back the floodwaters, but vowed to continue sinking boats and drowning people until Aponi-tolau's crime was appeased.
The document summarizes the Ilocano epic poem Biag ni Lam-Ang, which follows the story of the hero Lam-ang. Some key details include: Lam-ang was born with the unique ability to speak immediately and vowed revenge after learning of his father's death. He defeats numerous enemies in battle. Lam-ang then falls in love with the beautiful Ines and they marry in a grand celebration, but he later dies after being eaten by a large fish. However, with the help of his magical pets, Lam-ang is resurrected and reunited with his wife. The epic portrays qualities reflecting Ilocano culture from the pre-Spanish Philippines like bravery, justice, love, and hero
The document discusses Philippine mythology, focusing on deities of the ancient Tagalog people. It describes the pantheon of Tagalog gods, dividing them into three generations based on their origins. The first generation of supreme gods included Bathala the creator, Amanikable the sea god, and Idiyanale the agriculture god. Their offspring, the second generation, contained deities like Mayari the moon goddess. The document also outlines some harmful deities such as Sitan the devil and his agents of disease and destruction.
The legend of Makahiya tells the story of a shy girl named Maria who was hidden by her parents in bushes to protect her from cruel Spanish colonizers. When the parents later searched for Maria, they could not find her but instead discovered a sensitive plant in her place. This plant, called makahiya, symbolizes Maria's extremely shy nature and how she essentially transformed into the plant to hide her shame or embarrassment from the world. The legend explains the cultural significance of the makahiya plant in the Philippines.
The House on Zapote Street is one of the works of Nick Joaquin a.k.a. Quijano de Manila. Kisapmata is the title of the film of the House on Zapote Street
The document summarizes the Philippine epic poem Hinilawod. It provides an overview of the characters and plot. The main characters are the triplets Labaw Donggon, Humadapnon, and Dumalapdap, sons of Alunsina and Datu Paubari. Labaw Donggon goes on quests to win the hands of three wives, defeating monsters along the way. Humadapnon seeks revenge after Labaw Donggon is defeated. The conflicts arise from the brothers' battles and quests for wives. The epic explores themes of love, obedience, and not succumbing to temptation.
Waray literature from Eastern Visayas has been more extensively documented than Cebuano literature from the region. German priests in the 1900s played a key role in preserving Waray works. Major forms of traditional Waray literature include poetry and narrative works documented in 1668. Modern Waray literature flourished in the 1900s with the rise of local publications printing works in Spanish, English, and Waray. Notable Waray writers include Iluminado Lucente, Norberto Romualdez, Pedro Acerden, and Francisco Alvarado. Lucente is considered the greatest Waray writer, known for works like the poem "An Iroy Nga Tuna".
The short story "Harvest" by Loreto Paras-Sulit is about two brothers, Fabian and Vidal, who work in the fields. Fabian is envious of Vidal's handsomeness. He manipulates Vidal's life by telling a woman named Miss Francia that Vidal will have a child with another woman to prevent Vidal from working for Miss Francia. The story explores Fabian's envy and how it affects his relationship with his brother.
Pre-colonial and Spanish colonial Philippine LiteratureBrian_Enero
This document summarizes pre-colonial and Spanish colonial literature in the Philippines. It describes the main genres of literature during the pre-colonial period like proverbs, folktales, songs, and epics. It then discusses how Spanish colonization impacted literature by introducing religious themes and new genres like religious drama, zarzuela plays, and moro-moro plays that depicted Christian victories over Muslims. Specific literary works from each period are also mentioned like Biag ni Lam-ang and Florante at Laura. The document concludes by noting that the information provided only offers a shallow overview of these topics.
Early Philippine literature was passed down orally and written using indigenous scripts like baybayin. Common forms included songs, riddles, proverbs and epics. Songs varied by region and occasion, from lullabies to love songs. Riddles often used metaphor and rhyme. Major ethnic groups had their own epics that were orally transmitted and featured supernatural elements. Early literature provided insights into pre-colonial Philippine societies before Spanish influence.
The document provides an overview of the Hiligaynon epic Hinilawod, which tells the story of brothers Labaw Donggon, Humadapnon, and Dumalapdap. It details their exploits, including battling monsters, winning brides, and seeking vengeance. The epic involves themes of gods, magic, and larger-than-life heroes and takes the brothers on journeys around Panay and beyond spanning many years.
The summary provides key details about Jose Garcia Villa's short story "Footnote to Youth" in 3 sentences:
Dudong is a 17-year-old man who impatiently waits to tell his father of his love for Teang and desire to marry her, however questions arise about their young age. Years later, when Dudong and Teang have 7 children together and Teang's body has been worn down by childbearing, their son Blas also announces his wish to marry young, leading Dudong to question if he too will regret it. The story explores the realities of responsibility that set in after the idealism of youthful love.
PHILIPPINE PRE-COLONIAL LITERATURE (incomplete)Miss Ivy
1. Meaning of Literature
2. Epic
3. Myth
** Disclaimer:
All of the pictures and pieces of information on this site are the property of the respective owners. I do not hold any copyright in regards to these pictures and information. These pictures have been collected from different public sources including various websites, considered to be in the public domain. If anyone has any objection to display of any picture, image or information, it may be brought to my notice by sending an email (contact me) & the disputed media will be removed immediately, after verification of the claim.
The document provides an overview of Philippine mythology, including the pantheon of gods and goddesses as well as mythological creatures. It describes some of the most important deities such as Bathala, the supreme god, and Mayari, the beautiful goddess of the moon. The document also explains that before the arrival of Spanish colonizers, indigenous Filipinos held beliefs that were a mixture of animism, Hinduism, and Buddhism. Each ethnic group had its own stories and myths that varied across the islands of the Philippines.
Module 21st century literature from the philippinesAriesSunga1
The Hinilawod is an epic poem from the Visayas region of the Philippines that tells the story of the brothers Labaw Donggon, Humadapnon, and Abyang. Labaw Donggon goes on several quests to win the hands of beautiful maidens, defeating monsters along the way. However, on a quest to rescue Malitong Yawa from the lord of darkness Saragnayan, Labaw Donggon is imprisoned. His sons Aso Mangga and Abyang Baranugon later travel to free their father by defeating Saragnayan in a duel. Labaw Donggon's imprisonment angers his brother Humadapnon, who vows revenge on Saragnayan's
Literature 1 Central Visayas Oral NotesLeo Juntilla
1. Region VII or Central Visayas is located in the central Philippines and consists of 4 provinces and 3 highly urbanized cities. Cebuano is the major language spoken.
2. The document discusses the provinces in Central Visayas, including their capital cities and historical sites. It also outlines the major and minor languages spoken as well as the ethnic groups in the region.
3. Several literary pieces from the Visayas region are summarized, including creation myths, legends, folk songs, and riddles. The summaries include the main themes and moral lessons of each piece.
This story is about Sangkuriang, the son of a prince who transformed into a dog named Tumang after marrying Dayang Sumbi. One day while hunting, Sangkuriang accidentally kills Tumang with his arrow. When he tells his mother, she grows angry and hits Sangkuriang on the head. He later falls in love with a beautiful girl, not realizing it is his mother Dayang Sumbi. She sets a challenge for him to create a lake and boat overnight to prevent their marriage. Sangkuriang succeeds but Dayang Sumbi tricks him with a false dawn, causing his genies to flee and the boat to turn into a mountain.
This story is about Dayang Sumbi, a beautiful and intelligent woman who marries a prince from the heavenly kingdom of Kahyangan. When they have a son named Sangkuriang, the prince transforms into a dog named Tumang. One day, Sangkuriang accidentally kills Tumang while hunting. His mother Dayang Sumbi is devastated and hits Sangkuriang with a weaving tool. Sangkuriang leaves home and later falls in love with a beautiful girl, not realizing it is his mother Dayang Sumbi. She sets a challenge for him to create a lake and boat overnight to prevent their marriage. Sangkuriang succeeds but is tricked by the women of the
This story is about Sangkuriang, the son of a prince who transformed into a dog named Tumang after marrying Dayang Sumbi. One day while hunting, Sangkuriang accidentally kills Tumang with his arrow. When he tells his mother, she grows angry and hits Sangkuriang on the head. He later falls in love with a beautiful girl, not realizing it is his mother Dayang Sumbi. She sets a challenge for him to create a lake and boat overnight to prevent their marriage. Sangkuriang succeeds but Dayang Sumbi tricks him with a false dawn, causing his genies to flee and the boat to turn into a mountain.
1) The legend describes the origin of Mayon Volcano in the Philippines, which was formed from the burial mound of a beautiful woman named Daragang Magayon.
2) Daragang Magayon fell in love with a man named Panganoron from another village, but was forced to marry the wealthy suitor Pagtuga to save her father.
3) During her wedding ceremony to Pagtuga, Panganoron attacked with his men. Both Daragang Magayon and Panganoron died in the battle.
1) The story is about a prince who married a beautiful woman named Dayang Sumbi but was turned into a dog after they had a son named Sangkuriang. Sangkuriang accidentally killed his father in dog form.
2) Upset, Dayang Sumbi hit Sangkuriang with a weaving tool, causing him to run away. She later found out bathing in his father's heart water kept her young.
3) Sangkuriang fell in love with a village girl who was actually his mother Dayang Sumbi. To prevent their marriage, she tasked him to build a lake and boat overnight, which he failed to do before dawn.
This folktale from West Java tells the story of Dayang Sumbi and her husband, a prince from the heavenly kingdom of Kahyangan. They have a son named Sangkuriang after the prince is transformed into a dog named Tumang. Sangkuriang accidentally kills his father in the form of a dog. Driven by grief, Dayang Sumbi hits Sangkuriang with a weaving tool, causing him to leave home. Sangkuriang falls in love with a beautiful girl, not realizing it is his mother Dayang Sumbi due to her youthful appearance. She agrees to marry him only if he can build a lake and boat overnight. Sangkuriang succeeds
1. A narrative text is an imaginative story meant to entertain readers with actual or fictional events.
2. The generic structure of a narrative includes an orientation to introduce characters, complications where problems develop, and a resolution where problems are solved.
3. The example narrative text describes the Legend of Sangkuriang, where a young man named Sangkuriang unwittingly falls in love with his mother and tries to fulfill an impossible task to marry her, leading to the formation of important landmarks.
Spanish colonial texts and Pre-colonial texts CompilationLouela Maglasang
This document provides summaries of pre-colonial literary texts from various Philippine ethnic groups. It describes forms of traditional narratives, poems, and epics that showcase supernatural events and heroes. Two example epics are provided: Biag ni Lam-ang of the Ilocanos, which tells of the prodigious hero Lam-ang, and The Agyu of the Manobos, a three-part epic about a hero leading his people to a promised land. The document also includes examples of traditional poems and summaries of ethnic myths from the Iloko and Ibanag peoples involving gods and supernatural events.
The Legend of Tangkuban Perahu tells the story of Sangkuriang who accidentally shot and killed his dog Tumang while hunting. When his mother Dayang Sumbi discovered this, she cursed him. Years later, Sangkuriang fell in love with a woman who turned out to be his mother. Unable to marry her, Sangkuriang tried to build a lake and boat overnight as requested by his mother, but failed when Dayang Sumbi made the sun rise early. In anger, she kicked over the incomplete boat, forming the mountain known as Tangkuban Perahu.
The Legend of Rawa Pening is about a poor boy who was given a wooden mortar ("
1) Two deities were punished and cursed to be reincarnated as animals on Earth - a dog named Tumang and a boar named Wayung Hyang.
2) Wayung Hyang gave birth to a beautiful baby girl but left her in the forest, where she was found and raised by King Sungging.
3) The baby, named Dayang Sumbi, grew up without knowing Sangkuriang, the son of Wayung Hyang and King Sungging, was actually her son. They fell in love without realizing their relationship.
This short story collection from Ghana contains 9 stories:
1. The King's Ring - A young farmer's son dreams of finding a hidden ring to claim a kingdom's throne.
2. The Statue - Two siblings get lost in the forest and witness a strange ritual near a statue.
3. Adventure - A woman gets lost returning home from the river and finds an unexpected new route.
4. My Saturday - A boy helps catch a thief in the market square.
5. Johnson - A man's night out is filled with misfortune as he encounters thieves, storms and accidents.
6. The Rainforest King - The animals argue over who should be their king and hold a race to decide.
Daragang Magayon fell in love with Panganuron after he saved her from drowning in a river, but the powerful chieftain Pagtuga also wanted Magayon as his wife. When Pagtuga kidnapped Magayon's father, she agreed to marry Pagtuga to save her father. However, Panganuron returned to fight Pagtuga in battle, killing him but also dying himself. Heartbroken over Panganuron's death, Magayon passed away as well. Centuries later, a beautiful volcano named Mount Mayon grew where Magayon was buried, and locals say the volcano's mists represent Panganuron kissing Magayon and its rain drops are his tears of mour
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Hinilawod.docx
1. Name: ______________________________________________ Grade & Section: ________________________
The following story is an epic from Central Panay. Read the story and answer the questions that follow.
The Hinilawod
When the goddess of the eastern sky Alunsina (also known as Laun Sina, “The Unmarried One”) reached
maidenhood, the king of the gods, Kaptan,decreed that she should marry. All the unmarried gods of the different domains
of the universe tried to win her hand to no avail. She chose to marry a mortal, Datu Paubari, the mighty ruler of Halawod.
Her decision angered her other suitors. They plotted to bring harm to the newlyweds. A meeting of the council of
gods was called by Maklium-sa-t’wan, god of the plains, where a decision by those present was made to destroy Halawod
by flood.
Alunsina and Paubari escaped harm through the assistance of Suklang Malayon, the goddess and guardian of happy
homes and sister of Alunsina, who learned of the evil plot and warned the two so they were able to seek refuge on higher
ground.
After the flood waters subsided, Paubariand Alunsina returned to the plains secretly. They settled near the mouth of
the Halawod river.
Several months later, Alunsina became pregnant and told Paubari to prepare the siklot, things necessary for
childbirth. She delivered a set of triplets and summoned the high priest Bungot-Banwa to perform the rites of the gods
of Mount Madya-as (the mountain abode of the gods) to ensure the good health of the children. The high priest promptly
made an altar and burned some alanghiran fronds and a pinch of kamangyan.
When the ceremony was over he opened the windows of the north side of the room and a cold northernly wind
came in and suddenly, the three infants were transformed into strong, handsome young men.
LabawDonggon, the eldest of the three,asked his mother to prepare his magic cape,hat, belt, and kampilan(sword)
for he heard of a place called Handug where a beautiful maiden named Angoy Ginbitinan lived.
The journey took several days. He walked across plains and valleys, climbed up mountains until he reached the
mouth of the Halawod river. When he finally met the maiden’s father and asked for her hand in marriage, the father
asked him to fight the monster Manalintad as part of his dowry. He went off to confront the monster and with the help
of his magic belt, Labaw Donggon killed the monster and to prove his feat he brought to Angoy Ginbitinan’s father the
monster’s tail.
After the wedding, Labaw Donggon proceeded home with his new bride. Along the way they met a group of young
men who told him that they were on their way to Tarambang Burok to win the hand of Abyang Durunuun, sister of
Sumpoy, the lord of the underworld and whose beauty was legendary.
Labaw Donggon and his bride continued on their journey home. The moment they arrived home, Labaw Donggon
told his mother to take care of his wife because he is taking another quest, this time he was going to Tarambang Burok.
Before he canget to the place he has to pass a ridge guarded by a giant named Sikay Padalogdog who has a hundred
arms. The giant would not allow Labaw Donggon to go through without a fight. However, Sikay Padalogdog was no
match to Labaw Donggon’s prowess and skill in fighting so he gave up and allowed him to continue.
Labaw Donggon won the hand of Abyang Durunuun and also took her home. Before long he went on another
journey, this time it is to Gadlum to ask for the hand of Malitong Yawa Sinagmaling Diwata who is the young bride of
Saragnayan, the lord of darkness.
This trip required him to use his biday nga inagta (black boat) on which he sailed across the seas for many months,
went across the region of the clouds, and passed the land of stones until finally he reached the shores of Tulogmatian
which was the seaside fortress of Saragnayan. The moment he set foot on the ground Saragnayan asked him, “Who are
you and why are you here?”
To which he answered,“I am Labaw Donggon, son of Datu Paubariand goddess Alunsina of Halawod. I came for
the beautiful Malitong Yawa Sinagmaling Diwata.”
Saragnayan laughed. He told Labaw Donggon that what he wished for was impossible to grant because she was his
wife. Labaw Donggon then challenged Saragnayan to a duel saying that whoever wins will have her.
The challenge was accepted and they started fighting. Labaw Donggon submerged Saragnayan under water for
seven years,but when he let go of him, Saragnayan was still alive. The latter uprooted a coconut tree and started beating
2. Labaw Donggon with it. He survived the beating but was not able to surpass the powers of Saragnayan’s pamlang
(amulet) and eventually he gave up and was imprisoned by Saragnayan beneath his house.
Back home, Angoy Ginbitinan and Abyang Durunuun both delivered sons. Angoy Ginbitinan’s child was named
Aso Mangga and Abyang Durunuun’s son was called Abyang Baranugon.
Only a few days after they were born,Aso Mangga and Abyang Baranugon embarked to look for their father. They
rode their sailboats through the region of eternaldarkness, passed the region of the clouds and the land of stones,finally
reaching Saragnayan’s home. Saragnayan noticed that Abyang Baranugon’s umbilical cord have not yet been removed,
he laughed and told the child to go home to his mother.
Abyang Baranugon was slighted by the remarks and immediately challenged Saragnayan to a duel. They fought
and Abyang Baranugon defeated Saragnayan and won his father’s freedom.
Labaw Donggon’s defeat and subsequent imprisonment by the Lord of Darkness also angered his brothers.
Humadapnon was so enraged that he swore to the gods of Madya-as that he would wreak revenge on all of Saragnayan’s
kinsmen and followers.
Humadapnon prepared to go to Saragnayan’s domain. He employed the aid of Buyong Matanayon of Mount
Matiula who was well-known for his skill in swordsmanship. For their journey they rode on a sailboat called biday nga
rumba-rumba. They travelled through the region of the clouds, passed by the region of eternal darkness and ended up at
a place called Tarambang Buriraw. In this place was a ridge called Talagas Kuting-tangwhere a seductive sorceress
named Piganun lived.
Piganun changed herself to a beautiful maiden and captured the heart of Humadapnon. Buyong Matanayon begged
with Humadapnon to leave the place with him but the latter refused. After seven months passed, Buyong Matanayon
remembered that they have brought with them some ginger. One evening at dinner time Buyong Matanayon threw seven
slices of ginger into the fire. When Piganun smelled the odor of burning ginger she left the dinner table because sorcerers
hated the odor of ginger. Immediately Buyong Matanayon struck Humadapnon, who became unconscious. He dragged
his friend with him, and they were able to escape.
They continued with their trek and everywhere they went they exacted revenge on all of Saragnayan’s people and
relatives. One day they reached a place called Piniling Tubig, which was ruled by Datu Umbaw Pinaumbaw. There was
a big gathering in the village and when they askedwhat wasgoing on they were told that the datu wasgiving his daughter
for marriage to whoever could remove the huge boulder that rolled from a mountain into the center of the village. Many
men tried their luck but no one so far was able to even move the stone.
Humadapnon took off his magic cape and used it to lift the stone and threw it back into the mountain. The datu
kept his word and Humadapnon married his daughter. During the wedding feast,
Humadapnon heard about the beauty of the goddess of greed Burigadang Pada Sinaklang Bulawan from a guest
minstrel who sang at the celebration.
After the wedding, Humadapnon went to seek the hand of the goddess in marriage. Along the way he encountered
Buyong Makabagting, son of the mighty Datu Balahidyong of Paling Bukid who was also travelling with the same
purpose in mind. Upon learning of Humadapnon’s intent, Buyong Makabagting challenged him to a duel. They fought
and Buyong Makabagting was no match to Humadapnon’s strength and skill. The fight ended when Buyong
Makabagting surrendered and even promised to aid Humadapnon in his quest. Humadapnon married the goddess and
brought her home.
Meanwhile, right after Humadapnon left to seek Saragnayan’s followers and relatives, his brother Dumalapdap left
for Burutlakan-kaadlaw where the maiden Lubay-Lubyok Hanginun si Mahuyokhuyokon lived. For the trip he brought
along Dumasig, the most powerful wrestler in Madya-as.
Several months later they came to a place called Tarambuan-kabanwa where they encountered the two-headed
monster Balanakon who guarded a narrow ridge leading to the place where the maiden lived.
With the aid of Dumasig, Dumalapdap killed Balanakon. However,upon approaching the gate of the palace where
the maiden lived he was confronted by Uyutang, a bat -like monster with sharp poisonous claws. There ensued a bloody
battle between the Dumalapdap and the monster. They fought for seven months and their skill and prowess seemed to
be equal. But on the seventh month, Dumalapdap was able to grab on to Uyutang’s ankle and broke it. Then he took his
iwang daniwan (magic dagger) and stabbed Uyutang under the armpit. Uyutang cried out so loud that the ridge where
they were fighting broke into two, and there was an earthquake. Half of the ridge became the island of Buglas (Negros)
and the other became the island of Panay.
3. Dumalapdap married Lubay-Lubyok Hanginun si Mahuyokhuyokan and then took her home. Datu Paubari was
very happy when he was reunited with his three sons and he prepared a feast in their honor. After the celebration, the
three brothers left for different parts of the world. Labaw Donggon went to the north, Humadapnon went south,
Dumalapdap to the west and Datu Paubari remained in the east.
Guide Questions:
1. Why did the council of the gods called by Maklium-sa-t’wan decide to destroy Halawod by flood?
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2. Who are the three sons of Alunsina and Datu Paubari?
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3. What did Humadapnon do to win the hand of the daughter of Datu Umbaw Pinaumbaw in marriage?
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What Have You Learned So Far
1. What values have you picked up from “The Hinilawod”? Are these values applicable to your experience today?
Why or why not?
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2. What can you say about the nature of precolonial literature in the Philippines? What are its characteristics?
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