A devil-may-care racing driver is paid by an auto tycoon to be a runner-up, not a winner, but he rebels against the crooked deal and becomes an internationally famous racer.A devil-may-care racing driver is paid by an auto tycoon to be a runner-up, not a winner, but he rebels against the crooked deal and becomes an internationally famous racer.A devil-may-care racing driver is paid by an auto tycoon to be a runner-up, not a winner, but he rebels against the crooked deal and becomes an internationally famous racer.
David Landau
- Ian
- (as David Landar)
Talia Shire
- June - Katherine's Friend
- (as Talia Coppola)
Mary Jo Deschanel
- Dancing Girl
- (as Mary Jo Kennedy)
- Directors
- Daniel Haller
- Roger Corman(uncredited)
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFirst movie of Talia Shire. First movie of Mary Jo Deschanel.
- Quotes
Joe Joe Quillico: 'Cause I'm Joe Joe Quillico, king of the hillico. And they call me Joe Joe, 'cause I got the mojo. Ya know what mojo is? Mojo is magic. And that's where it's at with me, Baby. Do you like it when I call you Baby?
- SoundtracksWild Racers (Main Theme)
Written by Mike Curb & Pierre Vassiliu
Produced by Bob Summers & Mike Curb
Performed by Davie Allan And The Arrows (as The Sidewalk Sounds)
Featured review
Not great; not too bad either
This story about former NASCAR driver Joe Joe Quilico and his quest of making it big in European Grand Prix and Le Mans racing, and pursue a love life at the same time ought to evoke comparisons to two epic racing movies, Grand Prix and Le Mans. One good thing is the footage of exciting racing, which ought to please many fans of that era's Formula One and sports car prototype racing. It's interesting that we have a NASCAR driver making the switch to F1 (nowadays, it's the other way around-- Juan Pablo Montoya and Scott Speed come to mind), and Fabian does a great job in his role as an American racer adjusting to life on the European racing circuit.
Now for the dislike. The editing! The Wild Racers makes use of too many quick cuts and the film's flow is generally "jerky" and the scenes cut too quickly into the next; it is not smooth at all, making it hard to follow the story at times. Compared to its contemporaries, Le Mans and Grand Prix-- the editing in those movies was much more tastefully done and served better in conveying a sense of emotion, or action, where it was needed. I never felt that I lost the storyline in those movies.
I agree with the other review that this story written by Max House is excellent. The storyline is great, no doubt-- but the execution simply didn't convey that, in my opinion. I still enjoyed the racing sequences, though. The Wild Racers could, and should, have been up there as one of the great racing movies of all time.
Now for the dislike. The editing! The Wild Racers makes use of too many quick cuts and the film's flow is generally "jerky" and the scenes cut too quickly into the next; it is not smooth at all, making it hard to follow the story at times. Compared to its contemporaries, Le Mans and Grand Prix-- the editing in those movies was much more tastefully done and served better in conveying a sense of emotion, or action, where it was needed. I never felt that I lost the storyline in those movies.
I agree with the other review that this story written by Max House is excellent. The storyline is great, no doubt-- but the execution simply didn't convey that, in my opinion. I still enjoyed the racing sequences, though. The Wild Racers could, and should, have been up there as one of the great racing movies of all time.
helpful•51
- al_duke
- Apr 10, 2013
Details
- Runtime1 hour 23 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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