Silk on the Silk Road: Scholarship and Scepticism Susan Whitfield
丝绸之路:一条 丝绸 之路
The Silk Road:A Road of Silk
赵 丰 主编
上海
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绸之路 : 一条’ 绸‚之路 : The Silk Road: A
Road of Silk : 英文 / 赵丰主编 . -- 上海 : 华大学
出 社 , 2016.9
ISBN 978—7—5669—1138—4
‧ . … . 赵… . 古 绸—中
英文 绸之路—文化史—文集—英文 .
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书馆 CIP 数据核字 (2016) 第 228171 号
丝绸之路 : 一条 丝绸 之路 : The Silk Road: A Road of Silk
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Unearthed early silks from the Silk Road in Russia
(3rd century BC — 4th century AD)
Svetlana Pankova
Since 2000: the State Hermitage, Department of archaeology of Eastern
Europe and Siberia, curator of archaeological collections from Southern
Siberia (Altai, Tuva, Minusinsk regions). 2011: PhD in history/archaeology:
Dissertation “Tashtyk carved drawings (stylistic and scene analysis,
cultural and historical identification)”. Institute for the History of material
culture, Saint-Petersburg. At the moment: senior research fellow, curator
of the archaeological collections from Southern Siberia. 1990–2004,
2012 Participating in archaeological expeditions (mostly excavations of
Scythian time burials in Southern Siberia, exploration of rock art sites) As a
museum curator, I often deal with preparing exhibitions and their catalogs
in the Hermitage and other places. Now I focus mostly on studying a certain collection — that of the
Oglakhty cemetery in Minusinsk valley with its special burial rites, mummified bodies, clothes, wooden
objects, imported textiles etc. Together with a textile expert from the Hermitage laboratory of scientific
examinations we have just prepared a paper on silks from the Oglakhty cemetery (the Hermitage collection)
Selected works: On ancient tattoos: Tattooed mummies from the large Pazyryk mounds: new findings.
2005 One more culture with ancient tattoo tradition in Southern Siberia: tattoos on a mummy from the
Oglakhty burial ground, 3rd–4th century AD. 2013 Various about the Oglakhty collection: Radiocarbon
dating of the Oglakhty grave using a wiggle matching method. On costumes and weapons as reflected in
objects of art: Warriors of the tashtyk miniatures: attribution opportunities. 2011 (In Russian) On rock art (all
in Russian): Oshkol rock art site in Khakasia. 2012 Petroglyphs on the Georgievskaya mountain (engravings
of the Tashtyk culture). 2012 Petroglyphs at the Sosnikha mountain. 2012 Petroglyphs on kurgan flagstones
of burial mound Podkamen in Northern Khakassia). 2013
I
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n this paper I am presenting a brief overview of the early silks available in Russia, unearthed in the
course of archaeological excavations within the country and to less extend abroad, but kept in Russian
Unearthed early silks from the Silk Road in Russia (3rd century BC — 4th century AD) Svetlana Pankova
Figure 1. Map. Early silk finds stored in Russian museums.
museums. Many finds have not been published and little is known about them, so my review doesn’t claim
to be complete. Summarizing early silk finds I give more detailed information on the samples stored in the
State Hermitage Museum in Saint-Petersburg.
All known early silks were unearthed from burial sites, most of them located in Southern Siberia or
Central Asian region (Fig.1). This is so not only because of the region’s proximity to China, but mostly
because of the climatic conditions and some construction peculiarities of local burials that enabled textiles
and other organic remains to be preserved. Other silk pieces were discovered in Western Siberia and
Crimea. Available information about silks found in these places is quite scare but it’s necessary to mention
them to provide an overall picture.
1. Western Siberia
Silks found here come from a group of elite nobility burial sites, located mostly along the
middle reaches of the Irtysh river. They date back to the 2nd–4th centuries AD and refer to the Sargat
archaeological culture. According to L.I. Pogodin who excavated elite tombs of Isakovsky burial mound in
1989, small silk remains were found in at least 30 complexes of the Sargat culture, some of them along with
metal threads (
1996, 123)Ⅰ.
Very small pieces of silk and gold threads with silk core were found there as remains of the cloths
(ex. Sidorovsky I, Isakovsky I, Abatskiy III, Nizhneingalinsky I burial mounds), but being robbed
1
Silks with metal threads are not discussing here. Summaries of such finds were given in Kovpanenko 1986 and Pogodin 1996.
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and disturbed these burials don’t provide detailed information of these garments. Most of textile finds are
presented in publications briefly without illustrations (
,
1997, 55;
2001).
There is an unpublished manuscript called ‘Complex experimental survey of the archaeological textiles of
the 1st–4th centuries AD from the Omsk State University’ written by V.P. Golikov and D.L. Voskresensky.
Among the artifacts made of silk and embellished with metal thread embroideries were also coverlets,
mirrors bags, capes and a quiver’ edging. According to L.I. Pogodin’s conclusion, gold embroidery artifacts
in terms of technical peculiarities of the metal threads, silks structure and embroidery itself are analogous
to analyzed samples from Tillia-Tepe (Afganistan) and Sokolova Mogila (Ukraine, Southern Bug area)
(
1996, 132–134).
2. Crimea
Several samples of early silks have been unearthed from high level burials in Crimea, in
necropolises referring to the 1–3st centuries AD. One of the first finds was made in 1842 by D. Kareisha
in Panticapeum (near contemporary city of Kertch, eastern Crimea) in the slab tomb with a wooden
coffin. Silk fabric of dark yellow-brownish color found here served as a wrapping of cremated bones put
into the silver funeral urn. It was a self-patterned textile with twill pattern on taffeta background (
1961, 29, tabl. IX; 1994, fig.61;
-
1973, cat. 28). The pattern presents rows of
lozenges with small lozenges inside. Three small fragments of this textile are stored in the State Hermitage,
the Antic World Department.
Interestingly, there are silks of the same kind, acquired in Crimea almost at the same time and kept
currently in the British museum. There is a suggestion that silks from London and Saint-Petersburg might
be parts of the same textile considering their similar thread-count and weave structure (Granger-Taylor and
Wild 1981, 303).
Tiny silk pieces were found also in tomb 28 of Panticapeum necropolis, excavated by V.I. Zinyko and
O.V. Sharov in 1990 (
2013, 496).
The biggest fragments of silks come from Ust-Alma necropolis in the South-West Crimea. A part of
a sleeve made of unspun silk threads and dyed with purple (
2000) was found in 1996 in the male
burial 2 of the tomb 620 — the same where a set of lacquered boxes was found. Remains of gold thread
cloths have been found in the same cemetery. The tomb dates back to the middle or third quarter of the 1
century AD (Loboda et al. 2002).
3. The Altai Mountains
Next group of early silks are finds from nomadic burials of the Scythian-type Pazyryk culture, 4th–3rd
centuries BC. Up to now they are the earliest silk finds in Russia. Textiles and other organic remains have
been preserved in these tombs because of the ice emerged in the grave pits, thanks to severe climate and
peculiarities of tombs’ construction including stone mounds above the wooden chambers (Rudenko 1970).
Silks were unearthed mostly in the burials of elite level nobility. They come from five cemeteries and are
stored in three museums in Russia.
3.1 Collections from the burial mound called Pazyryk, excavated in 1948–1951 by S.I. Rudenko,
are stored in the State Hermitage Museum. Silks were found in mounds 3 and 5 (Rudenko 1970, 206,
Fig.89–92,134). Alongside the silks a fragment of Chinese mirror and numerous lacquered artifacts were
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Unearthed early silks from the Silk Road in Russia (3rd century BC — 4th century AD) Svetlana Pankova
discovered in these tombs, testifying significant contacts with China started at the end of the 4th century
BC (Bunker 1991;
. 2013). According to radiocarbon and dendrochronological studies of the
chamber logs, mound 3 was constructed in the early 3rd century, mound 5 — in about 250 BC (Alekseev et
al. 2005, 80).
A piece of jin silk (warped faced compound tabby, with two warp ends of green and brownish colors)
measured 13.8×8 cm comes from tomb 3 (Fig.2). Its function is unknown; there are traces of seams
intersecting in the center of a fragment (
-
1961, tabl. II, 2; 1994, fig.13;
2009,
fig.9).
In the same tomb a silk tabby object 19,8 cm high of sand color, conventionally called a pouch, was
found (Fig.3). Its upper part is of a funnel shape, lower part is rounded and there is a waist between them,
so that the item resembls a buterol (
2009, fig.8;
,
2005, fig.4.13). There was
nothing inside and it’s difficult to say what was the purpose of the ‘pouch’. It was sewn of two similar
pieces but the threads of the original seam have been lost.
Tiny red and green tabby pieces are preserved on felt fragments that were once details of a headgear.
Similar headgear, without silk but covered with lacquered flakes was found in the same tomb (Rudenko
1970, fig.155 b;
,
2005, fig.2.59 a).
In mound 5 at Pazyryk unearthed silk artifacts were related to horse equipment. Large pieces of plain
silk decorated with chain-stitch embroidery cover a felt shabrack (Fig.4). Embroidery made of black, brown
and beige threads depicts shoots of a plant with leaves and flowers and phoenixes. A piece of undyed silk 2 m
long, 44 cm wide, identified as tussah was cut in two equal pieces to cover both sides of the horse-cloth.
Only an upper part, intended to be invisible under a saddle, wasn’t covered with the silk. But initial
pieces proved to be too narrow for the horse-cloth and additional strips 9 cm wide of the same embroidered
Figure 2 Pazyryk, kurgan 3. A piece of
warp faced compound tabby. The State
Hermitage Museum, St. Petersburg.
Figure 3 Pazyryk, kurgan 3. A ‘pouch’ Figure 4 Pazyryk, kurgan 5. Plain tussah
made of tabby silk. The State Hermitage silk with chain-stitch embroidery (a cover
Museum, St. Petersburg.
of a felt shabrack). The State Hermitage
Museum, St. Petersburg.
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textile were attached to the right sides of both pieces. It was made regardless the pattern of embroidery
(
1961, tabl. XLIX-LIX; 1994, fig.15–16;
2009, fig.10–12). Two horizontal
through incisions intended for the girth belt were made in right and left sides of the shabrack that broke
both silk and underlying felt.
A woolen saddlecloth from the same tomb is embellished with fur and lacquer rectangular applications
alternating with 13 crosses of plain silk measured 4×4 cm (
-
1994, fig.14).
Following Nunome Zzunro conclusion about the difference between the warps and wefts density
ratio in the Southern (Changsha) and Northern (Loyan) China (Nunome 1979, 229, tabl.14, 4), E.I. LuboLesnichenko defined plain silks from the Pazyryk burials as products of the Changsha region. The same,
to his mind, is true for the jin silk piece and embroidery as their patterns are close to those on silks and
lacquered objects from burials in Changsha (Hunan province) and Mashan (Hubei province) of the ZhanGuo period. These counterparts led him to suppose a connection between the Chinese state of Chu and the
Altai nomadic rulers in the 4–3 centuries BC (
1994, 221–222).
3.2. A narrow stripe of plain silk (12 cm long) is preserved in a high level tomb at Bashadar referring
to the same Pazyryk culture, 3 century BC; materials are also housed in the State Hermitage.
3.3. In the burial site of Katanda, mound 2 (so-called Large Katanda Mound, 4th century BC)
excavated in 1865, quite different silk objects were found (now in the State Historical Museum in Moscow).
Both of them were placed ‘on a burial chamber’s wall’, enrolled in a fur coat. One object is a so-called tailcoat, made of sable fur covered with silk. This textile is usually described as of dark olive color, a plain
tabby silk (
1926, 84;
,
2005, 58–59, Fig.2.31).
The second object is usually called a breast-cover although its function is not clear. It’s described as an
object of trapezium shape 31 cm high, with its upper side of 41 cm and lower side of 56 cm. The object has
several long ties, made also of fur and covered with a greenish silk fabric (
1926, 86–87;
,
,
2008, Fig.2, 3–5).
Black and white photos, available in these publications, don’t provide a sufficient idea about exact
appearance of the silk. Until recently both objects have been on display in the State Historical Museum, but
now they are stored in a sealed container under inert atmosphere with no light. Conservators and researches
of the Museum are currently dealing with them (ibid.).
3.4. Two silk artifacts were found in Ak-Alakha 3, mound 1 (277 BC), on high mountainous Ukok
plateau. A woman buried here wore a large silk shirt, 113 cm long. According to undertaken examination,
it’s made of undyed tussah silk, plain tabby weave (
2001;
,
2005,
181–182, Fig.2.42, 2.5b). According to N. Polosmak a part of a selvage provides us with information
about the width of the textile that was no less than 130 cm, with the density of 30 warp threads and 18
weft threads per cm (2001, 111–112;
,
2005, 30). Silk of the shirt has been studied
in Nara National Cultural Properties Research Institute and in the Abegg Foundation, and researches of
both centers came independently to conclusion about non-Chinese origin of the textile (
110–112).
(
2001,
Next to the woman’s head a pouch of rectangular shape was found, made of a sand color tabby silk
,
2005, 182, tabl. 1.1–1.3, without photo). A small wooden piece covered with golden
foil was inside. According to warp/weft density ratio the silk was most likely produced in Southern China
(ibid. 2005, 31).
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Unearthed early silks from the Silk Road in Russia (3rd century BC — 4th century AD) Svetlana Pankova
3.5. The only silk finds from an ‘ordinary’ person grave in the Altai Mountains were tiny fragments of
red silk from Ulandryk I burial mound, kurgan 1 (
1987, 156; without photo). The burial is dated
back to the final stage of the Pazyryk culture, about 2–1 centuries BC (ibid., 131–132).
st
4. Northern Mongolia and Transbaikal region
Next group of early silks comprises finds from the burials of approximately 1st c. BC — 1st
c. AD that are affiliated to the Xiongnu nomadic group. They are Noin-Ula burial site in Northern
Mongolia, Ilmovaja Padj and Tsaraam cemeteries in Transbaikal region of Russia, Republic of
Buryatia (Fig.1).
4.1. Silk finds from Noin-Ula are the most numerous and of the best preservation. There was
no ice in these tombs, but other factors contributed to the good preservation of organic remains,
including textiles. They were severe climate of Northern Mongolia and the deepness of burial pits
(up to 18 meters), specific of soils and the pressed filling of grave pits that enabled conditions
with little oxygen. Eight elite level tombs in the Noin-Ula Mountains, some 100 km to the north
of Ulan-Bator, were excavated in 1924 – 1925 by the Mongol-Tibetian expedition of the Russian
Geographical society led by P.K. Kozlov. Over a thousand textiles have been found in the tombs,
including about two hundred and a half silk pieces, both separate and incorporated into objects like
clothes, headgears and footwear as well as carpets, pennants and cases for plaits (
tabl. XII, XL, XLI etc.; 1969;
-
1962,
1961; Elikhina 2012, ill. on pages 132– 139). Most
of the silk fabrics are plain silks. Among others there are 18 types of polychrome-patterned silks,
including textiles with a piled pattern, 7 types of monochrome-patterned textiles, two fragments of
zhicheng textiles, patterned gauze silks with a rhombic design (
1994, 43 – 44;
Lubo-Lesnichenko 1995, 63). Among 16 types of embroideries are various chain-stitches, feather
stitch and satin stitch. Most of the collection is stored in the State Hermitage Museum. A part
of unearthed materials, including silks, was brought to Mongolia in 1920-s (now in the National
Museum of Mongolian History). Some pieces of silk from the so-called ‘Ballod’s kurgan’ excavated
in 1913, when the site was just discovered, were brought to the Irkutsk Regional Local lore Museum
(
2014). Several silk fragments from Noin-Ula found their way to the Philadelphia
Museum of art (2000 years ... 1944, p.I, plate 1).
First studies of Noin-Ula fabrics, including silks, were undertaken in 1920-s by groups of specialists
from different institutions of then Leningrad and Moscow under the guidance of the Archaeological
Technology Institute (a part of the State Academy for the History of Material Culture). Some results of
these investigations were published (
,
1932). From late 1950-s onwards silks and
embroideries from the Hermitage collection were analyzed and published in black and white by E.I. LuboLesnichenko (1961, 1963, 1985, 1987). Later results of these studies were included in his book devoted to
the early silks and their participation in foreign relations of ancient and early medieval China (1994); K.
Riboud studied these silks in comparison to examples found in the Tarim basin (1968 b; 1977a, b; 1983),
often in collaboration with G. Vial who focused on technological peculiarities of fabrics (1968). Since
then many silks have been presented on display in the Hermitage and other museums (
...
cat. 207–210, 213–218; Expedition Silk Road ... cat. 1–7). colorful catalog of the Noin-Ula collection,
including silks, is preparing in the Hermitage at the moment.
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In 2006 – 2013 excavations at Noin-Ula
burial site have been conducted by the RussianMongolian expedition and four elite level tombs
contained several silks — warp-faced compound
tabbies and embroideries (Polosmak et al.
2011, Fig.2.47;
Fig.2.6, 3.36;
,
2015,
2012; 2014). After
being restored these finds were brought to the
Institute of Archaeology, Mongolian Academy
of Science.
4.2. Much smaller collection comes from
the cemetery called Ilmovaya Padj near the
Russian-Mogolian frontier, 23 km northward
Figure 5. Ilmovaja Padj, grave 128. Pieces of silk served as
a cover of a wooden coffin. The State Hermitage Museum, St.
Petersburg.
from the town of Kyakhta (
1946;
1946). Excavations conducted in
1928–1929 revealed tombs, similar to Noin-Ula
burials but of smaller size, simpler constructions
and worse preservation. Fragments of silks
found there served mostly as close-fit covers of
wooden coffins, both from inside and outside.
Information about excavations and finds was
briefly published, but with almost no photos.
The only well-known silk from that site is a jin
fabric with inscription (Falkenhausen 2000, B
7b; Riboud 1968 a; 1972/73) actually preserved
in 13 pieces (Fig.5). Apart from them there
are more than 40 silk pieces out of at least 12
different textiles, but they are mostly small
fragments, mainly plain tabby silks. There are
two samples of jin and several gauze pieces
(Fig.6).
4.3. Many silk fragments were discovered
in the course of excavation in the Tsaraam
Valley, 1.5 km to the south of the Naushki
village, near the Russian-Mongolian frontier.
Burial Complex 7, central in the cemetery, was
studied in 1997–2005 (materials are kept in the
Figure 6. Ilmovaja Padj, grave 123. Pieces of gauze textile.
The State Hermitage Museum, St. Petersburg.
Institute for the History of Material Culture,
Russian Academy of Science, Saint-Petersburg).
It belonged to ‘a representative of the Xiongnu
elite, possibly one of the shanyu (chieftains)’
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Unearthed early silks from the Silk Road in Russia (3rd century BC — 4th century AD) Svetlana Pankova
(Miniaev 2011, 173). Silks preserved in pieces in the tomb, disturbed by robbers, were mostly remains of
textiles covering the walls of the wooden chamber and cases for braids, fixed on the walls. According to C.
Moulherat, they are taffeta, warp-faced compound tabby, gauze and complex gauze fabrics (2008).
5. Southern Siberia, Minusinsk Basin
Another group of silks comes from the burials of the 3–early 4th centuries AD in the Minusinsk Basin
— a small steppe area in the northern part of the Altai-Sayan mountainous system. Most of the silks are
preserved in the graves of the Oglakhty cemetery on the left bank of the Yenisey river (
-
1994, 61, 71, 194). The site was investigated in 1903 by A.V. Adrianov (Tallgren, 1937), then it was studied
in 1969–1973 by L.R. Kyzlasov (Kyzlassow 1979). 13 tombs were excavated of more than a hundred in the
cemetery. Three of the excavated tombs proved to be well-preserved due to the dry microclimate conditions
in hermetically sealed wooden chambers. It is here where silks were found. The materials are stored in three
museums of Russia; most of the silk finds are housed in the State Historical Museum in Moscow (tombs 1
and 2 unearthed in 1903) and in the State Hermitage (tomb 4 excavated in 1969). Since 1970-s polychrome
silks from these graves have been studied by K.Riboud and E.I. Lubo-Lesnichenko who defined their
analogies in the Tarim basin sites and demonstrated their differences from Noin-Ula fabrics (Riboud 1971;
1972/73; 1987; Riboud, Loubo-Lesnichenko 1973; 1995;
-
1994).
Tombs 1 and 2 of the Oglakhty cemetery contained three objects decorated with figured silk (warp-faced
compound tabbies). Pieces of different polychrome silks cover cylindrical hair garments made of birch-bark
(Tallgren 1937, Fig.22–23; Riboud, Loubo-Lesnitchenko 1973, Pl.2 A-B, 12 A; Grand Exhibition 1988,
152). A head of a funeral puppet, made of leather and filled with grass, is covered with red silk on the face
area and with polychrome silk fabric in its top (Tallgren 1937, Fig.5–7).
In the Hermitage collection there are 4 pieces of different plain silks and 11 polychrome fragments
from grave 4. All of them have been recently analyzed in the Hermitage Laboratory for Scientific and
Technical Expert Evaluation in terms of their fiber characteristics, weaving structure and dyestuff
composition. Then they were compared with available counterparts from Tarim basin sites both from old
and recent excavations. Information obtained is now preparing for publication.
Due to excavations of many Oglakhty-like graves it is clear that faces of the dead were usually
covered with painted gypsum masks. Pieces of plain silks were put on the face under the masks: they were
mentioned by researches studying such burials in the early XXth century, imprints of thin textile pieces are
sometimes available on the inner surface of the masks (Vadetskaya 2004). Two silk fragments are visible
below the mask in the tomb 4: on the mouth (Fig.7) and on the right eye.
Most of the polychrome silks from Oglakhty grave 4 were found next to the so-called puppet — a lifesize humanlike figure made of leather and filled with grass. On the top of its leather head there is a small silk
pocket, 4×4.5 cm — this is what remained of a pouch for a plait, found nearby (Fig.8). Only a small piece of
figured silk has survived, but separate threads preserved in the seam show its initial rectangular shape. In terms
of general scheme of the pattern the fabric is similar to textiles with striped background and sand color pattern
found in the Tarim basin sites (Wang Mingfang 2008, Fig.2 a, b; Riboud, Loubo-Lesnitchenko 1973, Pl. 12 B)
and from Oglakhty grave 1 (ibid. Pl. 12 A).
Function of the other small fragments is unclear, but all of them have holes along the perimeter
resulting from sewing threads that have not survived. Despite small size of the pieces two of them find
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Figure 7. Oglakhty, grave 4. A piece of plain silk
covering the mouth under the gypsum mask. The State
Hermitage Museum, St. Petersburg.
Figure 8. Oglakhty, grave 4. A piece of jin silk on
the head of a funeral puppet. The State Hermitage
Museum, St. Petersburg.
Figure 9. Oglakhty, grave 4. A piece of jin silk with
cloud scrolls sewn to two other fragments.
The State Hermitage Museum, St. Petersburg.
Figure 10. Oglakhty, grave 4. Pieces of jin silk with
‘tiger-skin’ pattern.
The State Hermitage Museum, St. Petersburg.
Unearthed early silks from the Silk Road in Russia (3rd century BC — 4th century AD) Svetlana Pankova
Figure 11 Oglakhty, grave 4. Funeral model of a quiver embellished with figured silks.
The State Hermitage Museum, St. Petersburg.
certain counterparts among silks unearthed on the Tarim basin sites. For goldish-blue fabric with cloud scrolls
(Fig.9) analogical are silks from the Loulan area (Stein 1928, vol.III, pl. XXXVII, XXXV; China ... Fig.4.65)
and cemetery of Sampula (Sampula ..., 2001, p. 134, № 227). Pieces with a ‘tiger-skin pattern’ (Fig.10) find
analogies among textiles from these areas and Niya (Stein 1928, vol.III, pl.XLIII; China ... Fig.4.68; Legacy
of the desert king ... Fig.42).
A funeral model of a quiver is decorated with a stripe made of 5 polychrome silk pieces (Fig.11).
According to recent examination two of them could belong to one and the same fabric (considering the
number and color of warp ends, warp and weft density). Three other pieces are of different textiles, though
quite similar to each other. The pieces are very small so it was mainly Chinese characters within certain
details of ornament that allowed exact analogies to be found. Analogies for two pieces of one textile are
silks unearthed from cemeteries near Loulan (Riboud, Loubo-Lesnitchenko 1973, Pl.11; Feng Zhao,
Zhiyong Yu 2000, 69) and known from a private collection (The general history ... 2000, Fig.2–4–13).
Of interest is the fact that two fragments of the quiver edging are sewn together by means of 2-plied silk
thread (S2Z), whereas other fragments are stitched just by sinew threads. It makes me suppose that these
two pieces could be sewn together separately. Spun silk threads can be related to local silk production in
the Tarim basin centers, appeared in 4–5 centuries AD (Wang Mingfang 2008, 39; Feng Zhao 2008, 79–81)
or even earlier (
-
1994, 170–171; Li Wenying 2012, 127–128). It’s here where the pieces
could be stitched together.
Up to the present Oglakhty cemetery is the northernmost site in which jin-silks were found. Most of
the similar textiles come from the burials of Loulan area, which can be the point Oglahkty silks come from.
Oglakhty cemetery can hardly be considered as belonging to the high social group of population. So the
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way local people obtained these silks could be different from those of imported luxury objects acquired by
Scythian time nobility and the Xiongnu. Worth mentioning is the fact that most of the silks available in the
Oglakhty graves were related to specific funeral objects — burial masks, human-like burial puppets and
funeral models of different objects that could reflect the special attitude of local people to the silk fabrics.
Most of the silks mentioned above need further study and deserve separate publication.
Bibliography
Bunker E. 1991. The Chinese artifacts among the Pazyryk finds. In: Source. Notes in the history of art. Vol.X, № 4. Summer.
20–24.
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