Greg Rosser ¯ THE YIJING MODES THE YIJING MODES THE YIJING MODES Leura Press Rosser SEDOM GNIJIY EHT THE YIJING MODES THE YIJING MODES Greg Rosser The Yijing Modes (second edition) Copyright © 2018: Greg Rosser All rights reserved. First edition published in 2016 ISBN: 978-90-9029889-4 Published by Leura Press Printed by Ruparo B.V., Amsterdam contact: greg.j.rosser@gmail.com for my wife Anneke and our daughters, Femke and Susanna. Contents Introduction 1 ˇ ˇ ˇ ˇ 4ˇ ˇ 135 2ˇ 2ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 141 Zhun G ¯ 2ˇ 2ˇ ˇ ˇ 2ˇ ˇ 147 蒙 Meng G ¯ 2ˇ 2ˇ ˇ 2ˇ 4ˇ 2ˇ 153 5. 需 Xu G ¯ ˇ ˇ ˇ 2ˇ ˇ ˇ 159 6. 訟 Song G ¯ ˇ ˇ ˇ 4ˇ 2ˇ 2ˇ 165 7. 師 Shi G 2ˇ ˇ 2ˇ ˇ 2ˇ 2ˇ 171 8. 比 Bi G ¯ 2ˇ 2ˇ ˇ 2ˇ 2ˇ ˇ 177 9. 小畜 Xiao Xu G ¯ ˇ ˇ ˇ 2ˇ 4ˇ ˇ 183 10. 履 Lü G ¯ ˇ ˇ ˇ 4ˇ ˇ 2ˇ 189 11. 泰 Tai G 2ˇ ˇ 2ˇ ˇ ˇ ˇ 195 12. 否 Pi G ¯ 2ˇ ˇ 4ˇ 2ˇ 2ˇ ˇ 201 1. 乾 Qian G 2. 坤 Kun G 3. 屯 4. ¯ ¯ ¯ 13. 同人 Tong Ren G ¯ 2ˇ ˇ 4ˇ ˇ ˇ ˇ 207 14. 大有 Da You G ˇ 2ˇ ˇ ˇ 4ˇ ˇ 213 15. 謙 Qian G ¯ 2ˇ 2ˇ ˇ 2ˇ ˇ 2ˇ 219 16. 豫 Yu G ¯ 2ˇ ˇ ˇ 2ˇ 2ˇ 2ˇ 225 17. 隨 Sui G ˇ 2ˇ ˇ ¯ 2ˇ ˇ ˇ 231 18. 蠱 Gu G ¯ ˇ 2ˇ ˇ 2ˇ 4ˇ 2ˇ 237 19. 臨 Lin G ¯ 2ˇ 2ˇ ˇ 2ˇ ˇ ˇ 243 20. 觀 Guan G ¯ 2ˇ 2ˇ 4ˇ 2ˇ 2ˇ ˇ 249 21. 噬嗑 Shih He G ¯ 2ˇ ˇ 4ˇ ˇ 2ˇ 2ˇ 255 22. 賁 Bi G ˇ ˇ 2ˇ 4ˇ 2ˇ 2ˇ ¯ 261 23. 剝 Bo G ¯ 2ˇ 2ˇ 4ˇ 2ˇ 2ˇ 2ˇ 267 24. 復 Fu G ˇ 2ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 273 25. 无妄 Wu Wang G ˇ 2ˇ ˇ ¯ 2ˇ ˇ 4ˇ 279 ¯ 26. 大畜 Da Xu G ˇ 2ˇ ˇ 2ˇ 4ˇ ˇ 285 27. 頤 Yi G ¯ 2ˇ 2ˇ 4ˇ ˇ 2ˇ 2ˇ 291 28. 大過 Da Guo G ¯ ˇ ˇ ˇ ˇ ˇ 2ˇ 297 29. 坎 Kan G ¯ 2ˇ ˇ ˇ 2ˇ ˇ 2ˇ 303 30. 離 Li G ¯ 2ˇ ˇ 4ˇ ˇ ˇ 2ˇ 309 31. 咸 Xian G 2ˇ ˇ ˇ ˇ ˇ 2ˇ ¯ 315 32. 恆 Heng G ¯ 2ˇ ˇ ˇ ˇ 2ˇ ˇ 321 33. 遯 Dun G ¯ 2ˇ ˇ 4ˇ 2ˇ ˇ ˇ 327 34. 大壯 Da Zhuang G ˇ 2ˇ ˇ ˇ ˇ ˇ 333 35. 晉 Jin G 2ˇ 2ˇ 2ˇ 4ˇ ˇ 2ˇ ¯ 339 36. 明夷 Ming Yi G ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 345 37. 家人 Jia Ren G ˇ ˇ ˇ ¯ 2ˇ 2ˇ 4ˇ 351 38. 睽 Kui G ¯ 2ˇ ˇ ˇ 4ˇ ˇ 2ˇ 357 ¯ ¯ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 363 G ¯ 2ˇ 2ˇ ˇ ˇ ˇ 2ˇ 369 Sun G 2ˇ 2ˇ ˇ 2ˇ 4ˇ ˇ 375 益 Yi G ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 4ˇ 381 43. 夬 Guai G ¯ ˇ ˇ ˇ ˇ ˇ ˇ 387 44. 姤 Gou G ¯ ˇ ˇ ˇ ˇ 4ˇ 2ˇ 393 45. 萃 Cui G 2ˇ 2ˇ ˇ ¯ 2ˇ ˇ ˇ 399 46. 升 Sheng G ¯ 2ˇ ˇ 2ˇ ˇ 2ˇ ˇ 405 47. 困 Kun G ¯ ˇ ˇ ˇ ˇ 2ˇ 2ˇ 411 48. 井 Jing G ˇ ˇ ˇ 2ˇ ˇ 2ˇ 417 49. 革 Ge G ˇ ˇ ˇ ¯ 2ˇ ˇ ˇ 423 50. 鼎 Ding G ¯ 2ˇ ˇ ˇ 4ˇ 2ˇ ˇ 429 51. 震 Zhen G ¯ 2ˇ ˇ ˇ ˇ 2ˇ 2ˇ 435 39. 蹇 Jian G 40. 解 Xie 41. 損 42. ¯ ¯ 52. 艮 Gen G ¯ 2ˇ 2ˇ 4ˇ 2ˇ ˇ 2ˇ 441 53. 漸 Jian G 2ˇ ˇ ˇ 4ˇ 2ˇ 2ˇ ¯ 447 54. 歸妹 Gui Mei G ¯ 2ˇ ˇ ˇ ˇ ˇ 2ˇ 453 55. 豐 Feng G ¯ 2ˇ ˇ ˇ ˇ ˇ 2ˇ 459 56. 旅 Lü G ¯ 2ˇ ˇ 4ˇ 2ˇ ˇ 2ˇ 465 57. 巽 Xun G ¯ ˇ ˇ 2ˇ 4ˇ 2ˇ ˇ 471 58. 兌 Dui G ¯ 2ˇ ˇ ˇ ˇ ˇ ˇ 477 59. 渙 Huan G ¯ 2ˇ ˇ ˇ 2ˇ 4ˇ 2ˇ 483 60. 節 Jie G ¯ 2ˇ ˇ ˇ 2ˇ ˇ ˇ 489 61. 中孚 Zhong Fu G ¯ 2ˇ ˇ ˇ 2ˇ 4ˇ ˇ 495 62. 小過 Xiao Guo G ¯ 2ˇ ˇ ˇ 2ˇ ˇ 2ˇ 501 63. 既濟 Ji Ji G ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 507 64. 未濟 Wei Ji G 2ˇ ˇ ˇ 4ˇ 2ˇ 2ˇ 513 ¯ Introduction The Yijing 易經, also known as the I Ching, is an ancient Chinese text with a history reaching back more than 3,000 years. In China it has played a pivotal role in many important areas of cultural development, affording a grand coordinated vision of earth, man and heaven. Contact between China and the West also has a very long history but translations of the Yijing into European languages have only been made in the last 200 years or so. Two of the best known are The I Ching by Richard Wilhelm/Cary Baynes/[Lao Naixuan] (1967) and The Classic of Changes by Richard John Lynn/[Wang Bi] (1994). The total number of translations is large and increasing every year. The Yijing is often characterised as an arcane divination manual which over time acquired a vast body of commentary and interpretation. For readers seeking a thorough introduction to the Yijing I recommend Fathoming the Cosmos and Ordering the World by Richard J. Smith (2008), A Companion to Yi Jing Numerology and Cosmology by Bent Nielsen (2003) and Zhouyi by Richard Rutt (2002). Steve Marshall’s website ’Yijing Dao’ [http://www.biroco.com/yijing] gives a basic introduction along with reviews and links. At the core of the Yijing is a set of 64 hexagrams. A hexagram consists of a stack of six hor(yang) or broken (yin). Line 1, the lowest izontal lines, each of which is either solid line in the stack, is either solid or broken. Line 2, the second lowest line in the hexagram, is either solid or broken, and so on for Line 3, Line 4, Line 5 and Line 6. Given that there are 2 possible states for each of the 6 lines there are therefore 2 × 2 × 2 × 2 × 2 × 2 = 26 = 64 hexagrams altogether. Now the central aim of this work is to present a modal interpretation of the 64 hexagrams, where each mode consists of 7 notes. How is it possible to convert a 6 line hexagram into a 7 note mode? Easily! In the first place, we need to understand that it is not necessary for the root note (tonic) of the mode to be explicitly notated in the hexagram, we can simply declare one. For the sake of simplicity we designate the note C as the root. Secondly, we interpret the solid hexagram lines, going in order from first to last, as a sequence of ascending fifths; the respective broken lines being flattened variations. Thirdly, we use the principle of octave equivalence to bring all the generated notes into a single octave and there you have it! The so called ’moving lines’ are interpreted either as raised notes, in the case of solid lines, or lowered notes in the case of broken lines. If we care to rename such altered notes enharmonically then we could say that ’maximum yang changes into yin’ and ’maximum yin changes into yang’. This transformation is consistent with the orthodox interpretation of moving lines. Having found a way to interpret each hexagram as a mode we can then go on to extrapolate. Taking a single hexagram mode as a foundation we can expand the 7 notes into a 7 × 7 matrix. This renders a new set of 7 modes, including the original, each of which can be recast as a hexagram. The glimpse of a network of interdependent connections arising here is entirely compatible with one of the most fundamental themes in Chinese philosophy. A conspicuous attribute of this modal system is that we are defining notes both as pitches and as functions. For example, the mode derived from hexagram 44 (Gou 姤) [C, D, E, F , G , A, B] has both an augmented fourth and a diminished fifth. In 12 tone equal temperament the notes F and G have the same pitch. Nonetheless we can maintain that these two notes have different functions within the mode; the F being the fourth degree of the mode and the the G the fifth. Furthermore, the harmonic extrapolation of this mode provides 7 distinct chords, not 6 as might be expected. \ Z \ Z \ Z In early China music, cosmology and the human body were seen as related fields of knowledge. With a holistic vision of nature and man’s place in it, conceptions about music were seen in relation to astronomical cycles, political events and physiological processes. For further read- ing I recommend A Song for One or Two by Kenneth J. DeWoskin (1982), Music, Cosmology, and the Politics of Harmony in Early China by Erica Fox Brindley (2012) and Heaven and Earth in Early Han Thought by John S. Major (1993). The Fu Xi and King Wen Sequences The 64 hexagrams presented in this work are ordered according to the prevailing ’King Wen Sequence’, also known as the ’Received Order’. While in virtually all extant versions of the Yijing the hexagrams are ordered in this way, there are other sequences. Outside of the King Wen sequence, the next most commonly referred to sequence is named after Fu Xi, one of the legendary founders of China. In fact, both the traditional naming and the geometric forms of these two sequences point directly to the possibility of their being related to one another. Starting from the single yinyang lines and moving stepwise on through the digrams, the trigrams, and the hexagram sequences we can begin to discern a relationship. Using a simple 2-phase algorithm involving complementary and inverse hexagram pairs we can project both hexagram sequences onto a spine; with the Fu Xi sequence descending and the King Wen sequence ascending. Given the obvious logical structure of the Fu Xi sequence it is not surprising that the forms generated by this algorithm can be grouped according to their symmetrical properties. But as we mirror those same groups in the King Wen sequence there is no immediate reciprocation. Nonetheless, we press on in this investigation until all the pieces are put into place and we finally arrive at the image of King Wen as a stylized human figure. Now we can see that the Fu Xi sequence is the original source and inspiration, while the King Wen sequence is revealed to us in the form of a Daoist body map, complete with 12 meridians and 8 extraordinary vessels. Searching through the enormous textual and visual resources of Daoism leads inexorably to Neidan 內丹; the esoteric doctrines of internal alchemy. The path of immortality begins with the human body as a cauldron (Ding 鼎), courses through multiple transformational processes, many of which appear paradoxical, and leads ultimately to the creation of an immortal embryo; Shengtai 聖胎. Naturally, the Shengtai of King Wen is a veritable wonder. Superficially appearing as a graceful image of balance and proportion, further examination reveals a fabulous wealth of geometric, musical and astronomical gems nestled in amongst the vast array of combinatorial possibilities. Overwhelmed by this multifarious display we step back to view the embryo in the context of its heritage. Looking across the broader landscape of meridians and vessels of the Fu Xi and King Wen sequences, we can see the relationship that binds the three together; it is Milü 密率 ( 355 113 ≈ π), no less. The idea of inversion, or reversal, crops up repeatedly in Daoism, Neidan and the Yijing. By creating an identical second Fu Xi sequence and then inverting it we can scan for positional correspondences between it and the original. If we offset the inverted figure vertically by one pair then the alignments are immediately obvious; from the largest meridian to the smallest there are 6 altogether. Using the same technique for the King Wen sequence, but now offsetting the original, we find a total of 4 alignments, 2 of which link meridians to vessels. Continuing along this path we can now position the Fu Xi and King Wen sequences correctly in relation to each other and so discover the striking alignments which confirm the notion that these two sequences are indeed correlated. A vital theme in Daoism, and one which resonates clearly in the Yijing, is that of Return 23 , and its corresponding partner 30 (Fu 復). On the basis of the recurring numerical ratio 15 23 , we can formulate a cyclical schema, cast in contemporary terminolgy, of a 60 tone equal temperament. This schema represents a holistic tonal conception which accords with the initial idea of interpreting the Yijing as a modal system. Music of the Ancients 呂氏春秋 (Lü shi Chun qiu) [The Annals of Lü Buwei] 古樂 (Gu Yue) [Music of the Ancients] 昔黃帝令伶倫作為律 。伶倫自大夏之西， 乃之阮隃之陰， 取 竹於嶰谿之谷， 以生空竅厚鈞者 、斷兩節間 、其長三寸九分而吹 之， 以為黃鐘之宮， 吹曰：「舍少」 。次制十二筒， 以之阮隃之 下， 聽鳳皇之鳴， 以別十二律 。其雄鳴為六， 雌鳴亦六， 以比 黃鐘之宮， 適合 。黃鐘之宮， 皆可以生之， 故曰黃鐘之宮，律呂 之本 。 In the past, the Yellow Sovereign commanded Ling Lun to create pitch-standards. Ling Lun, having passed through the western regions of Daxia, then went to the shady northern slopes of the Kunlun Mountains. He selected bamboo from the valley of Xiexi which had hollows and walls of uniform thickness. Cutting it between two nodes to a length of 3.9 inches, he blew on it and fixed its sound as the note gong for the Yellow Bell pitch-standard. The sound it made was styag-rhyag. He then made the twelve bamboo rules, one after the other. Carrying these to the foot of the Kunlun Mountains he heard the calls of the male and female phoenixes, which he used to divide the twelve pitch standards; six corresponding to the calls of the male, and six to the female. These he harmonized with the fundamental note, gong of Yellow Bell. The note gong of Yellow Bell can be used to generate all the other notes. Hence, it is said that the note gong of Yellow Bell is the root of the male and female pitch standards. translation by John Knoblock and Jeffrey K. Riegel in The Annals of Lü Buwei: A Complete Translation and Study Stanford University Press (2000) 3 6 ascending lines 6 descending lines Y 6 ascending lines 6 descending lines 4 6 ascending fifths 4ˇ G ˇˇ ˇ ˇ G ˇ¯ I 2ˇˇ 22ˇˇ I2 ˇ 2ˇ 15va 15ba 6 descending fifths ¯ 6 ascending fifths ¯ 6ˇ 22ˇˇ 22ˇˇ 2ˇ 4ˇˇ G ˇ I ˇˇ ˇ¯ 6 descending fifths 5 6 moving lines (ascending) 6 moving lines (descending) Y 6 moving lines (ascending) ∼ ∼ 6 moving lines (descending) 6 6 raised notes 54ˇˇ G4ˇ 4ˇˇ 4 G 4ˇ¯ I 32ˇˇ 3ˇˇ 3 I 3ˇ 3ˇ 15va 15ba 6 lowered notes ¯ 6 raised notes G ¯ 4ˇ 4ˇ 5ˇ 4ˇ 4ˇ 4ˇ ∼ G ¯ 2ˇ 2ˇ ˇ 2ˇ 2ˇ 2ˇ [octave equivalence] G ¯ ˇ ˇ ˇ 4ˇ ˇ ˇ ∼ G ¯ 3ˇ 3ˇ 2ˇ 3ˇ 3ˇ 3ˇ 6 lowered notes 7 In sum, in the minds of the Jiahu people [Wuyang in Henan, China, 8000 B.C.E.], music with independent significance did not exist. What was called music, was the pitch gamut (including the scales and modes) and astrological calendrics and their several correlates in mediumistic rites (including the solar terms, eight trigrams, eight winds, heaven and earth, yin 陰 and yang 陽.) Put another way, music was an embodiment in sound of the eight trigrams. In the Spring and Autumn Annals of Mr. Lü "Grand Music" (Dayue 大樂), it says, “All music is the harmonization of heaven and earth, the tuning of yin and yang.” - Zhao Wu "The Origins of China’s Musical Culture" - translation: Kenneth de Woskin and Scott Cook La Pluridisciplinarité en Archéologie Musicale, Vol.II, 1990 Yang Y Yin One observes that changes in the world always take the form of one yin and one yang in a relation of reciprocity and resonance. This experience comes from observation of the brightness of light together with the darkness or shade which forms the background of the light. Hence the word yang originally means the bright side of a hill facing south whereas yin means the shaded side facing north. It is then generalized to mean a contrasting correlation between the light and the dark. The phenomenological observation also indicates that whenever there is yang there is yin and where there is yin there is yang. Besides, we could experience the yang as the visible and the yin as the invisible or the yang as the formed and the yin as the unformed. Hence what is yin could be experienced as what is given as the invisible, pre-existing background of a thing, whereas what is yang is hence experienced as what is given as the visible thrust of the formation of a thing. In this sense yin and yang are to be understood phenomenologically in a dynamic context of alternation or correlation. The alternation of one yin and one yang as a process of dao no doubt contributes to our understanding of the dao as both the source-origin and the creative process of the yin and yang. For it implies that yin and yang are to emerge as a related pair of forces and states of becoming through the agency of the dao. - Chung-ying Cheng “The Yi-Jing and Yin-Yang Way of Thinking” Routledge History of Chinese Philosophy (2009) 8 Yinyang theory penetrates all aspects of music, including the selection of materials and design of the instruments themselves. We can take the guqin 古琴, a seven-stringed zither-like musical instrument, as an example.The guqin is amongst the oldest of musical instruments, according to legend originating at the time of the sage kings Yao and Shun. It was already very popular by the time of Confucius. The design of the guqin embodies yinyang principles. It is made of yang-type wood and yin-type wood. Because of the seasons and other natural influences, some parts of a tree will be hard and strong, and some parts soft and weak. Therefore, there is an art to picking the parts of the tree that make an instrument. One should select the yin portions that are soft and yielding to build the yin sections of the guqin, and one should select the hard\strong portions to construct the yang sections. The surface board is round and represents heaven, or yang. The bottom board is flat to represent the earth, or yin. Y Yin Yang - Robin Wang “Yinyang” (2012) So pitch, beat, and notation not only can be, but must be changed in Chinese traditional music. Indeed, the philosophical requirement of constant change and flux, being and non-being, balance and harmony form the very base of Chinese music theory. Within each pitch are the infinite changeable pitch variations; though there is rhythm, it is not always evenly pulsating. Everything is in flux, yet everything is in harmony. The only unchanging thing is that things change all the time. In the scheme of things - according to the Taoist [Daoist] world view and traditions of China - music was an important factor in every phase of life. Ceremonies and other occasions were accompanied by music, since it was believed that music reflected in harmony with yin and yang, an actual link between people (organs, emotions), nature (directions of the compass, colors, animals), as well as the universe (planets), was able to achieve or echo harmony. Taoism [Daoism] and Confucianism taught that music can unite people and heaven. - Yaxiong Du "Fundamentals of Chinese Music Theory and its Cultural Basis" Eurasian Studies Yearbook, 1999, Vol 71 9 Autumn Spring Summer Y Winter old yang* Summer young yang* Spring Yang Autumn young yin* Winter old yin* Yin * see Richard Wilhelm, Cary Baynes, [Lao Naixuan] “The I Ching” (1967) Ta Chuan[Dazhuan, Xicizhuan] - Part I, Chapter XI, 5. 10 Autumn Spring Summer Y Winter old yang† Spring Summer young yin† young yang† Winter Autumn old yin† Yang Yin † see Bent Nielsen “A Companion to Yijing Numerology and Cosmology”(2003) - Si Xiang and Richard Smith “Fathoming the Cosmos and Ordering the World” (2008) - sixiang 11 Y Xian Tian Tu 先天圖 The Primordial arrangement of the eight trigrams, also known as Former Heaven, is traditionally attributed to Fu Xi 伏羲, one of the legendary founders of China. Interpreting the four quadrants of the Fu Xi diagram using the King Wen correspondences gives four pairs of yin and yang trigrams: (yang, yin), (yin,yang), (yin, yang), (yang, yin). Furthermore all the diametric pairs are yinyang pairs according to both the Fu Xi and King Wen associations. thunder zhen xun wind fire li kan abyss lake dui gen mountain heaven qian kun earth Yang Yin Fu Xi 12 Y Hou Tian Tu 後天圖 The Manifested arrangement, or Later Heaven, is traditionally attributed to King Wen 周文王, founder of the Zhou Dynasty. Interpreting the four quadrants of the King Wen diagram using the Fu Xi correspondences gives four pairs of yin and yang trigrams: (yang, yin), (yin,yang), (yin, yang), (yin, yang). youngest son gen dui youngest daughter middle son kan li middle daughter eldest son zhen xun eldest daughter qian kun mother father Yang Yin King Wen 13 (6,9,9 (6,6,9 ) ) (9,6,9 (6,9,6 (6,6,6 ) (9,9,6 ) ) ) ) (9,6,6 Yin trigrams (9,9,9 Yin=6 ) Yang=9 Yang trigrams See also Z.D. Sung “Symbols of Yi King” (1934) and Andreas Schöter “Flowers and Steps in the Boolean Lattice of Hexagrams” (Journal of Chinese Philosophy, Vol.31, No. 4, Dec 2004). Fu Xi 14 Yin trigrams Yin=6 Yang=9 [ Stella Octangula ] King Wen 15 Yang trigrams Fu Xi Yang Y King Wen 16 Yin 17 7 5 3 64 1 62 60 58 9 56 54 11 52 13 50 34 31 36 29 38 27 40 25 42 23 44 21 46 19 48 17 15 yin 18 47 20 45 22 43 24 41 26 39 28 37 30 35 32 33 yang 16 49 14 51 12 53 10 8 6 4 2 63 61 59 57 55 According to tradition the Fu Xi hexagram sequence predates the King Wen sequence (opposite page) by many centuries. The numbering of the Fu Xi sequence given here is not standard but is consistent with the yinyang correlation: odd numbers are yang, even numbers are yin. [The yinyang polarity of each hexagram in the Fu Xi sequence is determined by its first (lowest) line.] For comparison see Shao Yong’s “Chart of the numbers of the 64 hexagrams that rule the world”, as presented in Anne D. Birdwhistell’s “Transition to Neo-Confucianism - Shao Yung[Yong] on Knowledge and Symbols of Reality” (1989). Fu Xi 18 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 9 24 23 22 21 20 19 18 17 32 31 30 29 28 27 26 25 40 39 38 37 36 35 34 33 48 47 46 45 44 43 42 41 56 55 54 53 52 51 50 49 64 63 62 61 60 59 58 57 The King Wen hexagram sequence, also known as ‘King Wen Order’ or ‘Received Order’, is dated to approximately 1000 B.C.E. This is the prevailing sequence of the hexagrams. See: "The Yî King" James Legge (1882) "The I Ching" Richard Wilhelm, Cary Baynes, [ Lao Naixuan ] (1967) "The Taoist I Ching" Liu I-ming, Thomas Cleary(1986) "The Classic of Changes" Wang Bi, Richard John Lynn (1994) "The Complete I Ching" Alfred Huang (1998) "Zhouyi: The Book of Changes" Richard Rutt (2002) "The Essentials of the Yi Jing" Chung Wu (2003) "The Original I Ching Oracle" Rudolf Ritsema, Shantena Sabbadini (2005) King Wen 19 7 5 64 1 3 62 60 58 9 56 54 11 52 13 50 18 47 20 45 22 43 24 41 26 39 28 37 30 35 32 33 34 31 36 29 38 27 40 25 42 23 44 21 46 19 48 17 15 16 49 14 51 12 53 10 8 6 4 2 63 61 59 57 55 32 pairs 32 Complementary pairs [(1, 2), (3, 4), (5, 6)...(63, 64)] For each complementary pair locate a second complementary pair which is the inverse of the first: complementary pair l Fu Xi 20 complementary pair l l 8 7 6 5 l 15 14 3 l 12 23 22 20 32 31 30 l 28 39 38 47 46 l 36 45 44 53 52 61 60 l 48 56 55 54 63 62 l ↔ ↔ Inverse: 35 34 43 42 51 50 59 58 41 l l l 33 l l ↔ 25 l l l l 26 l 37 17 l 27 l 40 l 18 ↔ 29 9 ↔ 19 ↔ l 10 l 21 1 l 11 l 24 2 ↔ 13 l 64 4 l 16 ↔ l 49 l Complementary: 57 ↔ 32 pairs 28 Inverse pairs and 4 Complementary pairs [ 4 pairs are both inverse and complementary ] For each inverse pair locate a second inverse pair which is complementary to the first: inverse pair ↔ inverse pair King Wen 21 5 7 64 1 3 62 60 58 9 56 54 11 52 13 50 33 18 47 20 45 22 43 24 41 26 39 28 37 30 35 7 32 31 34 31 36 29 38 27 40 25 42 23 44 21 46 19 48 17 15 16 49 14 51 12 53 10 6 4 2 61 63 4 63 64 59 57 55 Axis of symmetry = (33,34) l 27 28 39 8 l 3 6 5 4 3 2 line 1 line 1 6= line 6 40 inverse pairs 31 FX[(3,4)(63,64)] 7 next: transpose to a descending spine FX[(27,28)(39,40)] Fu Xi 22 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 9 21 20 19 18 17 l 24 “ 23 22 32 “ 31 30 “ 29 28 “ 27 26 “ 25 40 “ 39 38 “ 37 36 “ 35 34 “ 33 47 46 45 44 43 42 “ 41 55 54 53 52 51 50 49 59 58 57 11 l 48 “ l 56 3 l 64 63 62 60 61 ↔ 55 56 23 24 59 60 43 44 ↔ complementary pairs 3 next: transpose to an ascending spine KW[(55,56)(59,60)] 11 KW[(23,24)(43,44)] King Wen 23 inverse 31 7 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 31 FX[(3,4)(63,64)] 7 FX[(27,28)(39,40)] Fu Xi 24 64 3 63 4 40 27 39 28 56 55 24 60 59 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 44 complementary 23 43 King Wen 25 3 11 3 KW[(55,56)(59,60)] 11 KW[(23,24)(43,44)] 7 5 64 1 3 62 60 58 9 56 54 11 52 13 50 29 39 18 47 20 45 22 43 24 41 26 19 28 37 30 35 32 33 34 31 36 19 38 27 40 25 42 23 44 21 46 19 48 17 15 16 49 14 51 12 53 10 8 6 4 2 61 63 59 57 55 l 11 12 47 48 line 1 6= line 6 Axis of symmetry = (33,34) l 19 20 55 56 inverse pairs 19 FX[(11,12)(47,48)] next: transpose to a descending spine 19 FX[(19,20)(55,56)] Fu Xi 26 l “ 7 6 “ 5 4 “ 15 14 “ 13 12 24 “ 23 22 “ 21 32 “ 31 30 “ 40 39 48 56 8 16 3 2 “ 11 10 20 “ 19 29 28 “ 38 37 36 47 46 45 44 55 54 53 52 1 “ 9 18 “ 17 27 26 “ 25 35 34 “ 33 43 42 41 51 50 49 16 l “ l 4 l 64 63 62 61 60 59 58 57 ↔ 51 52 5 6 57 58 35 36 ↔ complementary pairs 4 next: transpose to an ascending spine KW[(51,52)(57,58)] 16 KW[(5,6)(35,36)] King Wen 27 inverse 19 19 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 19 FX[(11,12)(47,48)] 19 FX[(19,20)(55,56)] Fu Xi 28 48 11 47 12 56 19 55 20 52 51 6 58 57 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 36 complementary 5 35 King Wen 29 4 16 4 KW[(51,52)(57,58)] 16 KW[(5,6)(35,36)] 5 7 64 1 3 62 60 58 9 56 54 11 52 13 50 18 47 20 45 22 43 24 41 26 39 28 37 30 35 32 33 34 31 36 29 38 27 40 25 42 23 44 21 46 19 48 17 13 15 16 51 12 13 49 14 53 10 8 6 4 2 61 63 59 57 55 l 7 8 31 32 line 1 6= line 6 Axis of symmetry = (33,34) l 35 36 59 60 inverse pairs 13 FX[(7,8)(31,32)] next: transpose to a descending spine 13 FX[(35,36)(59,60)] Fu Xi 30 l 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 9 24 “ 23 22 “ 21 20 “ 19 18 17 “ 31 30 “ 29 28 “ 27 26 25 40 39 38 37 36 35 34 48 47 46 45 44 43 42 56 55 54 53 52 51 50 49 64 63 62 61 60 59 58 57 l 8 32 “ 24 l “ 33 41 l ↔ 19 20 3 4 33 34 49 50 ↔ complementary pairs 8 next: transpose to an ascending spine KW[(19,20)(33,34)] 24 KW[(3,4)(49,50)] King Wen 31 inverse 13 13 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 13 FX[(7,8)(31,32)] 13 FX[(35,36)(59,60)] Fu Xi 32 32 7 31 8 60 35 59 36 20 19 4 34 33 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 49 complementary 3 50 King Wen 33 8 8 24 KW[(19,20)(33,34)] 24 KW[(3,4)(49,50)] Fu Xi 34 King Wen 35 5 7 64 1 3 62 60 58 9 56 54 11 52 13 50 47 18 16 15 20 45 22 43 24 41 26 39 28 37 30 35 32 33 34 31 36 29 38 27 40 25 42 23 44 21 46 19 48 17 15 15 49 14 51 12 53 10 8 6 4 2 61 63 59 57 55 l 5 6 33 34 Axis of symmetry = (31,32) line 1 = line 6 l 29 30 57 58 inverse pairs 15 FX[(5,6)(33,34)] next: transpose to a descending spine 15 FX[(29,30)(57,58)] Fu Xi 36 l 8 “ 7 6 5 4 13 12 3 2 11 10 1 4 l 16 15 14 24 23 22 21 20 19 18 17 32 31 30 29 28 27 26 25 40 39 38 37 36 35 34 33 48 47 46 45 44 43 42 41 56 55 54 53 52 51 50 49 64 63 62 61 60 59 58 57 “ “ “ 9 l 6 l ↔ 31 32 7 8 41 42 13 14 ↔ complementary pairs 6 KW[(31,32)(41,42)] 4 KW[(7,8)(13,14)] next: transpose to an ascending spine King Wen 37 inverse 15 15 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 15 FX[(5,6)(33,34)] 15 FX[(29,30)(57,58)] Fu Xi 38 33 5 34 6 57 29 58 30 32 31 8 42 41 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 14 complementary 7 13 King Wen 39 6 4 6 KW[(31,32)(41,42)] 4 KW[(7,8)(13,14)] 5 5 7 64 1 3 62 60 58 9 56 54 11 52 13 50 18 47 20 45 22 43 24 41 26 39 28 37 30 35 32 33 34 31 36 29 38 27 40 25 42 23 44 21 46 19 48 17 15 16 49 14 51 12 53 10 8 6 4 2 61 63 59 57 55 5 l 9 10 17 18 Axis of symmetry = (31,32) line 1 = line 6 l 45 46 53 54 inverse pairs 5 FX[(9,10)(17,18)] 5 FX[(45,46)(53,54)] next: transpose to a descending spine Fu Xi 40 8 7 6 5 4 3 2 15 14 13 12 11 10 24 23 22 21 20 19 18 17 32 31 30 29 28 27 26 25 40 39 38 37 36 35 34 33 48 47 46 45 44 43 42 41 56 55 54 53 52 51 50 49 64 63 62 61 60 59 58 57 l l 16 “ 1 “ “ “ 4 9 l 14 l ↔ 21 22 9 10 47 48 15 16 ↔ complementary pairs 14 KW[(21,22)(47,48)] next: transpose to an ascending spine 4 King Wen 41 KW[(9,10)(15,16)] inverse 5 5 5 FX[(9,10)(17,18)] 5 FX[(45,46)(53,54)] 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 Fu Xi 42 17 9 18 10 53 45 54 46 22 21 10 47 48 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 15 complementary 9 16 King Wen 43 14 4 14 KW[(21,22)(47,48)] 4 KW[(9,10)(15,16)] 7 5 64 1 3 62 60 58 9 56 54 11 52 13 50 31 18 47 20 45 22 43 24 41 26 39 28 37 30 35 32 33 19 34 11 36 29 38 27 40 25 42 23 44 21 46 19 48 17 15 16 49 14 51 12 53 10 8 6 4 2 61 63 59 57 55 l 13 14 49 50 Axis of symmetry = (31,32) line 1 = line 6 l 21 22 41 42 inverse pairs 19 FX[(13,14)(49,50)] next: transpose to a descending spine 11 FX[(21,22)(41,42)] Fu Xi 44 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 9 24 23 22 21 20 19 18 17 32 31 30 29 28 “ 27 26 39 38 37 36 “ 35 48 47 46 45 44 “ 56 55 54 53 64 63 62 61 l “ “ l 40 “ “ 25 34 “ 33 43 42 “ 41 52 51 50 49 60 59 58 57 l “ 2 11 l “ ↔ 37 38 25 26 39 40 45 46 ↔ complementary pairs 2 next: transpose to an ascending spine KW[(37,38)(39,40)] 11 KW[(25,26)(45,46)] King Wen 45 inverse 19 11 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 19 FX[(13,14)(49,50)] 11 FX[(21,22)(41,42)] Fu Xi 46 49 13 50 14 41 21 42 22 38 37 26 39 40 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 45 complementary 25 46 King Wen 47 2 11 2 KW[(37,38)(39,40)] 11 KW[(25,26)(45,46)] Fu Xi 48 King Wen 49 line 1 6= line 6 line 1 = line 6 Fu Xi 50 upright 12 meridians King Wen 51 inverse 7 1 5 64 1 3 62 60 58 9 56 54 11 52 13 50 18 47 1 20 45 22 43 24 41 26 39 28 37 30 35 32 33 34 31 36 29 38 27 40 25 42 23 44 21 1 46 19 48 17 15 16 49 14 51 12 53 10 4 2 61 63 23 6 16 8 59 57 55 1 15 24 line 1 6= line 6 Axis of symmetry = (33,34) 43 44 51 52 inverse and complementary 1 FX(15,16) 1 FX(23,24) 1 FX(43,44) 1 FX(51,52) next: transpose to a descending spine Fu Xi 52 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 9 24 23 22 21 20 19 18 17 32 31 30 29 28 27 26 25 40 39 38 37 36 35 34 33 48 47 46 45 44 43 42 41 56 55 54 53 52 51 50 49 63 62 61 60 59 58 57 l ↔ 1 l ↔ 1 l ↔ 1 l ↔ 64 1 11 12 17 18 53 54 63 64 inverse and complementary next: transpose to an ascending spine King Wen 53 1 KW(11,12) 1 KW(17,18) 1 KW(53,54) 1 KW(63,64) inverse 1 1 1 1 1 FX(15,16) 1 FX(23,24) 1 FX(43,44) 1 FX(51,52) 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 Fu Xi 54 16 15 24 23 44 43 52 51 63 53 17 64 54 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 1 1 1 18 complementary 11 1 12 King Wen 55 1 KW(11,12) 1 KW(17,18) 1 KW(53,54) 1 KW(63,64) 1 64 1 3 5 7 62 60 58 9 56 54 11 52 13 50 18 47 20 45 22 43 24 41 26 39 1 28 37 30 35 32 33 34 31 36 29 38 27 40 25 1 42 23 44 21 46 19 48 17 15 16 49 14 51 12 53 10 8 6 4 2 59 61 63 57 55 1 1 2 25 26 Axis of symmetry = (31,32) line 1 = line 6 37 38 61 62 complementary 1 FX(1,2) 1 FX(25,26) 1 FX(37,38) 1 FX(61,62) next: transpose to a descending spine Fu Xi 56 ↔ 1 8 7 6 5 4 3 2 1 16 15 14 13 12 11 10 9 24 23 22 21 20 19 18 17 32 31 30 29 28 27 26 25 40 39 38 37 36 35 34 33 48 47 46 45 44 43 42 41 56 55 54 53 52 51 50 49 64 63 62 61 60 59 58 57 ↔ ↔ 1 ↔ 1 1 1 2 27 28 29 30 61 62 complementary next: transpose to an ascending spine King Wen 57 1 KW(1,2) 1 KW(27,28) 1 KW(29,30) 1 KW(61,62) inverse 1 1 1 1 1 FX(1,2) 1 FX(25,26) 1 FX(37,38) 1 FX(61,62) 1 1 2 2 64 3 63 4 33 5 34 6 32 7 31 8 17 9 18 10 48 11 47 12 49 13 50 14 16 15 15 16 9 17 10 18 56 19 55 20 41 21 42 22 24 23 23 24 25 25 26 26 40 27 39 28 57 29 58 30 8 31 7 32 5 33 6 34 60 35 59 36 37 37 38 38 28 39 27 40 21 41 22 42 44 43 43 44 53 45 54 46 12 47 11 48 13 49 14 50 52 51 51 52 45 53 46 54 20 55 19 56 29 57 30 58 36 59 35 60 61 61 62 62 4 63 3 64 Fu Xi 58 2 1 26 25 38 37 62 61 61 29 27 62 30 64 63 63 64 62 61 61 62 60 56 59 55 58 52 57 51 56 60 55 59 54 53 53 54 52 58 51 57 50 3 49 4 48 21 47 22 46 25 45 26 44 24 43 23 42 32 41 31 40 37 39 38 38 39 37 40 36 6 35 5 34 20 33 19 32 42 31 41 30 29 29 30 28 27 27 28 26 45 25 46 24 44 23 43 22 47 21 48 20 34 19 33 18 17 17 18 16 9 15 10 14 8 13 7 12 11 11 12 10 15 9 16 8 14 7 13 6 36 5 35 4 49 3 50 2 1 1 2 1 1 1 28 complementary 1 1 2 King Wen 59 1 KW(1,2) 1 KW(27,28) 1 KW(29,30) 1 KW(61,62) line 1 6= line 6 line 1 = line 6 Fu Xi 60 line 1 6= line 6 8 vessels King Wen 61 line 1 = line 6 6 meridians + 4 vessels 5 FX[(9,10)(17,18)] KW[(9,10)(15,16)] 4 15 FX[(5,6)(33,34)] KW[(7,8)(13,14)] 4 19 FX[(13,14)(49,50)] KW[(25,26)(45,46)] 11 1 FX(1,2) KW(1,2) 1 1 FX(25,26) KW(61,62) 1 1 FX(37,38) KW(29,30) 1 1 FX(61,62) KW(27,28) 1 FX(31,32) AXIS OF SYMMETRY 11 FX[(21,22)(41,42)] KW[(37,38)(39,40)] 2 15 FX[(29,30)(57,58)] KW[(31,32)(41,42)] 6 5 FX[(45,46)(53,54)] KW[(21,22)(47,48)] 14 line 1 = line 6 ONE HEXAGRAM = TWO TRIGRAMS EXCHANGE ONE TRIGRAM WITH ITS COMPLEMENT group transformation 62 6 meridians + 4 vessels 8 KW[(19,20)(33,34)] FX[(7,8)(31,32)] 13 16 KW[(5,6)(35,36)] FX[(11,12)(47,48)] 19 FX[(3,4)(63,64)] 31 11 KW[(23,24)(43,44)] 1 KW(11,12) FX(15,16) 1 1 KW(53,54) FX(23,24) 1 FX(33,34) AXIS OF SYMMETRY 1 KW(63,64) FX(43,44) 1 1 KW(17,18) FX(51,52) 1 3 KW[(55,56)(59,60)] FX[(27,28)(39,40)] 7 4 KW[(51,52)(57,58)] FX[(19,20)(55,56)] 19 24 KW[(3,4)(49,50)] FX[(35,36)(59,60)] 13 line 1 6= line 6 ↔ ↔ ↔ group transformation 63 ↔ [ Origin ] Fu Xi 64 Daoist body map [ 12 meridians and 8 vessels ] King Wen 65 Throughout the history of the Daoist tradition, Daoists have been expert and extraordinary cartographers. Whether through textual descriptions or visual representations, Daoists have sought to map the patterns and constituents of both internal and external worlds. They have charted the cosmos through star diagrams, including the forms of the five planets and the twenty-eight lunar mansions. They have mapped the layers of the heavens, the subtle realms of the universe, and the stellar abodes inhabited by the Perfected (zhenren 真人). They have diagramed the mountain peaks of this terrestrial landscape and the hidden grotto-heavens (dongtian 洞天) branching out like veins through the earth. They have charted the geomantic contours and qualities of place. They have mapped the internal spirits associated with the various orbs [organ functions] and the process by which one realizes the givenness of cosmological situatedness. They have diagramed the alchemical process of self-transformation and the subtle physiology of human aliveness. In short, Daoists have mapped the universe which is simultaneously cosmos, world, landscape, community, and self. - Louis Komjathy Mapping the Daoist Body Journal of Daoist Studies 1 (2008) The basic methods employed in neidan 內丹 do not vary much among the different schools: most authors follow the division into three stages, which in turn correspond to the transformation of the three basic endowments that constitute a human being, namely, essence (lianjing huaqi 鍊精化氣, "refining essence into pneuma"), pneuma (lianqi huashen 鍊氣化神,"refining pneuma into spirit") and spirit (lianshen huanxu 鍊神 還虛, "refining spirit and reverting to Emptiness"). The successful practice results in the formation of the inner elixir (neidan), or Embryo of Sainthood (shengtai 聖胎), and the realization of the Dao. This is described as a "reversion to the origin" (huanyuan 還元) by which adepts transcend all modes of space and time. The ultimate transfiguration occurs when the adept discards his human body. In more detail, the process can be described as consisting of the following steps: 1. installation of the metaphoric inner "laboratory" ("laying the foundations", zhuji 築基); 2. union of Yin and Yang; 3. gathering of the ingredients for the alchemical medicine (caiyao 採藥); 4. nourishment of the Embryo of Sainthood through fire phasing (huohou 火候); and 5. birth of the new self. This process involves first a cosmic homology that includes various psycho-physiological techniques to homologize the adept with cosmic rhythms and cycles, and to generate a new cosmos out of Chaos. This is followed by an inversion and regression that is expressed as "reversing" (diandao 顛倒) the cyclical order or "going against the current" (niliu 逆流). This stage is marked by a total withdrawal towards one’s center, whereby one reverses the process of decline and gradually reverts back to the Dao. The process is concluded by the dissolution of the cosmos and its reintegration into the Dao and the state of non-differentiation. - Farzeen Baldrian-Hussein Neidan Encyclopedia of Taoism Vol.II (2008) 66 The least systemized description, the most disorganized, and yet the most authentic, is the one that I consider to be the most ancient. It is given in a text titled the Book of the Center, also known as the Jade Calendar. Divided into two parts and fifty-five paragraphs, this work appears to date from the second century A.D. The point of departure of the description of the inner world is indeed purely mythological: the great sacred mountain; K’un-lun, pillar of the universe; the isles of the Immortals; the holy places, such as the altars to the Earth God; in short, the whole mythical geography as well as its corresponding pantheon. For instance, speaking about the Queen Mother of the West, the text states: "The human being also possesses her. She stays in the right eye. Her family name is Great Yin, her personal name, Jade Maiden of Obscure Brilliance." One obtains the inner vision by looking within, by turning the pupils to the inside and keeping the eyes half-closed to let in light from the outside. The eyes not only relay light from the sun amd the moon, but also are considered to add their own luminous energy, so as to become themselves the sun and the moon of the inner universe. These sources of light are to be directed toward the center, in the head between the eyebrows. In the center, there is a third source of light, identified with the Pole Star (the third eye), which acts like a mirror and reflects the light of the eyes and directs it within. What do we see there? The landscape of the head consists of a high mountain, or rather a series of peaks around a central lake. The lake lies midway between the back of the skull and the point between the eyebrows (the Pole Star and mirror). In the middle of the lake stands a palatial building, where there are eight rooms surrounding a ninth, central one. This is the Hall of Light (ming-t’ang), the house of the calendar of the kings of ancient China. In front of this palace and the lake around it, lies a valley (the nose). The entrance to the valley is guarded by two towers (the ears). Inside one, hangs a bell and inside the other, a stone chime. Whenever someone passes they are struck – something we perceive as the ringing of the ears. At the far end of the valley runs a stream bringing water from the big lake into a smaller one at the other end, where it rises like a fountain (the mouth and saliva). A bridge (the tongue) crosses over the smaller lake to a lower bank where there stands a twelve-storey tower (the trachea). It marks the border between the upper world and the middle region. These regions have their own sun and moon (the breasts). The middle world is covered by the clouds (the lungs) which hide the central constellation of the Dipper. Below it is a large dwelling, colored bright red (the heart). In front of this Scarlet Palace lies a courtyard of yellow earth (the spleen); this is the Yellow Court, the body’s ritual area and the meeting place of it’s inhabitants. Opposite the court stands a simple structure called the Purple Chamber (the gallbladder), which is the palace of retreat, the silent room adjacent the ritual area. Farther on there is a tall building called the granary or warehouse (the stomach). Beyond the stomach, a forest indicates the location of the liver. In this area one also finds the altars of the God of the Earth and the God of the Harvests (the large and small intestines). Now we have reached the frontier of the middle region. We now arrive in the watery lower world. Here again the sun and moon are found, this time in the kidneys. They cast their light on the great Ocean of Energies (ch’ihai), which covers the whole of the lower body, and wherein a large turtle swims. In the middle of the ocean rises the K’un-lun, the sacred, inverted mountain with its narrow base widening towards the top, giving it the outline of a mushroom. The mountain has a hollow summit (the navel), which gives access to the deepest recesses of the ocean. There lies the Cinnabar Field, source of all life. - Kristofer Schipper Taoist Body (1993) 67 24 King Wen The human vertebral column consists of 24 articulating vertebrae. 68 Xiuzhen tu 修真圖 The various versions of the Xiuzhen tu are all associated with the Longmen tradition. The elements that distinguish this chart from the Neijing tu 內經圖 are mainly related to the Thunder Rites (leifa 雷法) — in particular, the spiral at the level of the kidneys, the nine "orifices of hell" at the base of the spine, and the three curls at the top of the head that represent the three primordial breaths according to the Tianxin zhengfa 天心正法 tradition. - Catherine Despeux Neijing tu and Xiuzhen tu Encyclopedia of Taoism Vol.II (2008) 69 63 64 1 2 32 [ line 1 ̸= line 6 ] [ line 1 = line 6 ] ONE HEXAGRAM = TWO TRIGRAMS EXCHANGE ONE TRIGRAM WITH ITS COMPLEMENT ↔ ↔ 70 Shengtai 聖胎 [Embryo of the Dao] 35 36 29 30 16 11 5 12 6 7 8 13 14 In neidan 內丹, the term shengtai denotes the achievement of the elixir of immortality. Among its synonyms are Mysterious Pearl (xuanzhu 玄珠), Spiritual Pearl (shenzhu 神珠), Infant (ying’er 嬰兒), and Embryo of the Dao (daotai 道胎). This embryo represents a new life, true and eternal in its quality, generated by the inner alchemical practice. - Martina Darga shengtai Encyclopedia of Taoism Vol.II (2008) 71 KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) sum = 339 sum = 113 KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 339 113 =3 KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) sum = 226 KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 226 226 =1 72 sum = 226 1 1 8 16 1 4 1 4 2 meridians 2 vessels KW[(19,20)(33,34)] KW(11,12) 226 KW[(7,8)(13,14)] KW(27,28) KW(17,18) KW[(5,6)(35,36)] 226 KW(29,30) KW[(9,10)(15,16)] sum = 452 452 = 4 × 113 King Wen 73 2 vessels 2 meridians KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) KW(11,12) sum = 198 sum = 140 KW[(9,10)(15,16)] [ 198 + 82 = 280 ] [ 82 + 58 = 140 ] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 198+82 198 = 140 99 ≈ √ 198 140 2 = 99 70 = 600.09¢ ≈ √ 82 58 2 [ 600¢ = equal tempered augmented fourth ] [ (5 + 6) + (35 + 36) = 82 ] = 41 29 ≈ √ 2 [ (11 + 12) + (17 + 18) = 58 ] KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) sum = 355 sum = 113 KW(11,12) [ 113 + 339 = 452 ] KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 355 113 355 339 ≈π ≈ π 3 milü 密率 KW(29,30) sum = 220 KW(27,28) KW[(19,20)(33,34)] KW(17,18) KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 220 198 = 10 9 ≈ π √ 2 2 [ just minor whole tone ] 74 sum = 198 KW(29,30) sum = 220 KW(27,28) KW[(19,20)(33,34)] KW(17,18) KW(11,12) sum = 140 KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 220 140 = 11 7 ≈ π 2 KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) sum = 355 sum = 226 226 KW(11,12) [ 226 + 226 = 452 ] KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 355 226 ≈ 355 452 π 2 ≈ π 4 KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) sum = 252 KW(11,12) sum = 198 KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 198 252 = 11 14 75 ≈ π 4 KW(29,30) KW(27,28) KW[(19,20)(33,34)] sum = 222 KW(17,18) sum = 148 KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 222 148 = 3 2 [ just fifth ] KW(29,30) KW(27,28) KW[(19,20)(33,34)] sum = 370 sum = 222 KW(17,18) KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 370 222 = 5 3 [ just sixth ] KW(29,30) KW(27,28) sum = 200 KW[(19,20)(33,34)] KW(17,18) sum = 252 KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 252 200 = 63 50 1 = 400.11¢ ≈ 2 3 [ 400¢ = equal tempered third ] 76 KW(29,30) sum = 220 KW(27,28) sum = 196 KW[(19,20)(33,34)] KW(17,18) KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 220 196 = 55 49 1 = 199.98¢ ≈ 2 6 [ 200¢ = equal tempered major second ] KW(29,30) sum = 220 KW(27,28) KW[(19,20)(33,34)] sum = 370 KW(17,18) KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 370 220 = 37 22 3 = 900.03¢ ≈ 2 4 [ 900¢ = equal tempered sixth ] KW(29,30) KW(27,28) sum = 196 KW[(19,20)(33,34)] sum = 370 KW(17,18) KW(11,12) KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 370 196 = 185 98 11 = 1100.01¢ ≈ 2 12 [ 1100¢ = equal tempered major seventh ] 77 KW(29,30) KW(27,28) KW[(19,20)(33,34)] sum = 184 KW(17,18) sum = 120 KW(11,12) KW[(9,10)(15,16)] sum = 92 KW[(7,8)(13,14)] KW[(5,6)(35,36)] 184 120 = 23 15 37 237 ≈ ( 23 15 ) ≈ 2 60 a 60 60 b ) ≅ 2 60 ( 23 15 ) ( 30 23 0 [ octave equivalence ] 0 55 2 b 60 60− b 60 20 35 30 25 59 60 × 20¢ = 12 × 100¢ ≅2 23 ≈ 2 60 b ≡ 37a (mod 60) 15 40 1 30 23 10 45 a 60− a = [ octave equivalence ] 5 50 a ∈ N | 0 ≤ a < 60 120 92 23 ⇒ 60 tet ⇐ ( 30 23 ) ≈ 2 60 − a 59 1 60 tone equal temperament 23 15 × 30 23 =2 KW(29,30) KW(27,28) KW[(19,20)(33,34)] KW(17,18) KW(11,12) sum = 230 sum = 115 sum = 150 KW[(9,10)(15,16)] KW[(7,8)(13,14)] KW[(5,6)(35,36)] 230 150 = 23 15 37 ≈ 2 60 237 ≈ ( 23 15 ) 60 60 23 ⇒ 60 tet ⇐ ( 30 23 ) ≈ 2 78 150 115 = 30 23 23 ≈ 2 60 KW(29,30) KW(27,28) KW[(19,20)(33,34)] sum = 184 KW(17,18) sum = 132 KW(11,12) KW[(9,10)(15,16)] sum = 92 KW[(7,8)(13,14)] KW[(5,6)(35,36)] 132 92 = 33 23 25 225 ≈ ( 33 ) 23 ≈ 2 48 c 48 48 d 33 ) ≅ 2 48 ( 23 46 ( 33 ) 0 [ octave equivalence ] 0 44 36 2 28 46 33 =2 ≅2 23 ≈ 2 48 48− d 48 d 48 d ≡ 25c (mod 48) 12 16 20 24 c × 46 33 8 32 33 23 48−c = [ octave equivalence ] 4 40 c ∈ N | 0 ≤ c < 48 184 132 ⇒ 48 tet ⇐ ( 46 ) ≈ 223 33 48 − c 1 47 47 1 48 tone equal temperament 48 × 25¢ = 12 × 100¢ KW(29,30) sum = 165 KW(27,28) KW[(19,20)(33,34)] KW(17,18) KW(11,12) KW[(9,10)(15,16)] sum = 115 sum = 230 KW[(7,8)(13,14)] KW[(5,6)(35,36)] 165 115 = 33 23 25 ≈ 2 48 225 ≈ ( 33 ) 23 48 48 ⇒ 48 tet ⇐ ( 46 ) ≈ 223 33 79 230 165 = 46 33 23 ≈ 2 48 KW(29,30) KW[(19,20)(33,34)] 35 + 106 = 141 KW(17,18) 59 + 82 = 141 2 vessels 2 meridians KW[(5,6)(35,36)] 59 + 35 ⇒ 94 [ 2 × 47 ] + 82 + + 106 ⇒ 188 [ 4 × 47 ] ⇓ ⇓ 141 141 223 [ 3 × 47 ] [ 3 × 47 ] [ 35 + 82 + 106 ] 易經繫辭上專 [Yijing Xicizhuan (Dazhuan) I] 帝六章 [Section 6] 夫易 、廣矣大矣 、以言乎遠 、則言乎邇 、則靜而正 、以言乎天地之間 、則備矣 。夫乾其靜也專 、其動也 直 、是以大生焉 。夫坤 、其靜也翕 、其動也闢 、是以廣生焉 。廣大配天地 、變通配四時 、陰陽之義配日 月 、易簡之善配至德 。 Yi is vast, is great; as to distance, it has no limit; as to proximity, it is quiet and true; as to what is between heaven and earth, it orders all. As for Qian: in repose it is concentrated, in action it moves straight forward, and so its products are great. As for Kun: in repose it is folded together, in action it opens out, and so its products are vast. This vastness and greatness compare with heaven and earth; alternation and development compare with the four seasons. In meaning, yin and yang compare with the sun and moon; in worth, spontaneity and simplicity compare with transcendent power. - translation: Richard Rutt Zhouyi - the book of changes (2002) 80 KW(29,30) 59 + 35 = 94 KW[(19,20)(33,34)] KW(17,18) 82 + 106 = 188 KW[(5,6)(35,36)] 141 141 =1 141 94 = 3 2 188 94 =2 141 + 94 = 235 235 lunations ≈ 19 years [ Rule cycle zhang 章 ] 223 lunations = eclipse cycle [ Saros cycle ] 2 lunations ≈ 59 days = 29 + 30 days 禮記 [Li Ji] 樂記 [Yue Ji] 地氣上齊 、天氣下降 、陰陽相摩 、天地相蕩 、鼓之以雷霆 、奮之以風雨 、動之以四時 、暖之以日月 、而 百化興焉 。如此則樂者天地之和也 。 Earth’s energy rises up, and Heaven’s energy descends. Yin and yang rub against each other, and Heaven and Earth shake each other. The 10,000 things are drummed up with thunder and lightning, aroused forth with wind and rain, set in motion by the four seasons, warmed by the sun and the moon, and the hundred transformations arise therein. In this way, then, is Music the harmony of Heaven and Earth. - translation: Scott Cook Yue Ji 樂記 Record of Music: Introduction, Translation, Notes, and Commentary (Asian Music, Vol. 26, No. 2, 1995) 81 upper meridians + 2 vessels 15 5 19 FX[(5,6)(33,34)] KW[(7,8)(13,14)] 78 42 FX[(9,10)(17,18)] KW[(9,10)(15,16)] 54 50 FX[(13,14)(49,50)] KW[(25,26)(45,46)] 1 FX(1,2) KW(1,2) 1 1 FX(25,26) KW(61,62) 1 1 FX(37,38) KW(29,30) 1 75 59 FX(61,62) KW(27,28) 123 55 1 4 4 11 1 11 FX[(21,22)(41,42)] KW[(37,38)(39,40)] 2 5 FX[(45,46)(53,54)] KW[(21,22)(47,48)] 14 15 FX[(29,30)(57,58)] KW[(31,32)(41,42)] 6 line 1 = line 6 82 upper meridians + 2 vessels 8 16 KW[(19,20)(33,34)] FX[(7,8)(31,32)] 106 78 KW[(5,6)(35,36)] FX[(11,12)(47,48)] 82 118 11 KW[(23,24)(43,44)] FX[(3,4)(63,64)] KW(11,12) FX(15,16) 23 31 1 KW(53,54) FX(23,24) 1 1 KW(63,64) FX(43,44) 1 1 KW(17,18) FX(51,52) 1 35 103 1 13 19 31 1 3 KW[(55,56)(59,60)] FX[(27,28)(39,40)] 7 4 KW[(51,52)(57,58)] FX[(19,20)(55,56)] 19 24 KW[(3,4)(49,50)] FX[(35,36)(59,60)] 13 line 1 6= line 6 83 upper meridians + 4 vessels 2 meridians 2 vessels FX[(5,6)(33,34)] FX(61,62) 310 FX[(7,8)(31,32)] FX(15,16) FX(37,38) FX[(9,10)(17,18)] 350 FX(51,52) FX[(11,12)(47,48)] 330 sum = 660 330 經緯 330 + 206 = 310 + 226 jing-wei [ warp and weft ] 350 + 206 = 310 + 246 Fu Xi 84 2 vessels 2 meridians embryo 聖胎 shengtai 2 meridians 2 vessels KW[(19,20)(33,34)] KW(11,12) 226 KW[(7,8)(13,14)] KW(27,28) KW(17,18) KW[(5,6)(35,36)] 226 KW(29,30) KW[(9,10)(15,16)] 246 sum = 452 206 330 + 246 = 350 + 226 經緯 jing-wei 330 + 226 = 330 + 226 King Wen 85 [ warp and weft ] 2 vessels 2 meridians central meridians 15 FX[(5,6)(35,36)] KW[(7,8)(13,14)] 4 5 FX[(9,10)(17,18)] KW[(9,10)(15,16)] 4 19 FX[(13,14)(49,50)] KW[(25,26)(45,46)] 11 126 142 1 FX(1,2) KW(1,2) 1 1 FX(25,26) KW(61,62) 1 1 FX(37,38) KW(29,30) 1 1 FX(61,62) KW(27,28) 1 FX[(21,22)(41,42)] KW[(37,38)(39,40)] 126 154 5 FX[(45,46)(53,54)] KW[(21,22)(47,48)] 14 15 FX[(29,30)(57,58)] KW[(31,32)(41,42)] 6 11 line 1 = line 6 86 2 central meridians 8 KW[(19,20)(33,34)] FX[(7,8)(31,32)] 13 16 KW[(5,6)(35,36)] FX[(11,12)(47,48)] 19 FX[(3,4)(63,64)] 31 11 KW[(23,24)(43,44)] 134 134 1 KW(11,12) FX(15,16) 1 1 KW(53,54) FX(23,24) 1 1 KW(63,64) FX(43,44) 1 1 KW(17,18) FX(51,52) 1 KW[(55,56)(59,60)] FX[(27,28)(39,40)] 230 134 4 KW[(51,52)(57,58)] FX[(19,20)(55,56)] 19 24 KW[(3,4)(49,50)] FX[(35,36)(59,60)] 13 3 line 1 6= line 6 87 7 central meridians 2 meridians FX[(21,22)(41,42)] 260 FX[(3,4)(63,64)] FX[(13,14)(49,50)] 260 FX[(27,28)(39,40)] 252 sum = 520 268 經緯 jing-wei 252 + 296 = 260 + 288 [ warp and weft ] Fu Xi 88 2 meridians heart-mind 心 xin 2 meridians KW[(23,24)(43,44)] 288 KW[(37,38)(39,40)] KW[(55,56)(59,60)] 372 KW[(25,26)(45,46)] 364 sum = 660 296 經緯 268 + 364 = 260 + 372 jing-wei [ warp and weft ] King Wen 89 2 meridians lower meridians + 2 vessels 15 FX[(5,6)(35,36)] KW[(7,8)(13,14)] 4 5 FX[(9,10)(17,18)] KW[(9,10)(15,16)] 4 19 FX[(13,14)(49,50)] KW[(25,26)(45,46)] 11 FX(1,2) KW(1,2) 3 3 FX(25,26) KW(61,62) 51 123 1 FX(37,38) KW(29,30) 1 1 FX(61,62) KW(27,28) 1 1 1 1 1 11 FX[(21,22)(41,42)] KW[(37,38)(39,40)] 2 5 FX[(45,46)(53,54)] KW[(21,22)(47,48)] 14 198 138 FX[(29,30)(57,58)] KW[(31,32)(41,42)] 174 146 15 line 1 = line 6 90 6 lower meridians + 2 vessels 8 KW[(19,20)(33,34)] FX[(7,8)(31,32)] 13 16 KW[(5,6)(35,36)] FX[(11,12)(47,48)] 19 FX[(3,4)(63,64)] 31 11 KW[(23,24)(43,44)] 1 KW(11,12) FX(15,16) 1 1 KW(53,54) FX(23,24) 1 107 47 KW(63,64) FX(43,44) 127 87 KW(17,18) FX(51,52) 1 1 1 1 3 KW[(55,56)(59,60)] FX[(27,28)(39,40)] 7 4 KW[(51,52)(57,58)] FX[(19,20)(55,56)] 19 218 150 KW[(3,4)(49,50)] FX[(35,36)(59,60)] 106 190 24 line 1 6= line 6 91 13 lower meridians + 4 vessels 2 meridians 2 vessels FX[(29,30)(57,58)] FX(1,2) 454 FX[(35,36)(59,60)] FX(43,44) FX(25,26) FX[(45,46)(53,54)] 446 FX(23,24) FX[(19,20)(59,60)] 426 sum = 900 474 經緯 426 + 410 = 454 + 382 jing-wei [ warp and weft ] 426 + 586 = 454 + 558 Fu Xi 92 2 vessels 2 meridians body 身體 shenti 2 meridians 2 vessels KW[(3,4)(49,50)] KW(63,64) 382 KW[(31,32)(41,42)] KW(1,2) KW(53,54) KW[(51,52)(57,58)] 586 KW(61,62) KW[(21,22)(47,48)] 558 sum = 968 410 474 + 558 = 446 + 586 經緯 jing-wei 474 + 382 = 446 + 410 King Wen 93 [ warp and weft ] 2 vessels 2 meridians lower + 4 central upper + 4 900 520 660 2080 520+660+660 660+660 900+660 520 milü 密率 900+520 452 900+520 968+452 = = 1840 1320 1560 520 =3 = = 1420 452 1420 1420 900+660+660 660+660 = = 46 33 355 113 = 575.00¢ ≈π milü 密率 =1 2220 1320 Fu Xi 94 = = 37 22 = 900.03¢ 2080+520 900+660 = 2600 1560 = 5 3 embryo 聖胎 shengtai heart-mind body 心 xin 身體 shenti 660 968 452 2080 46 33 = 575.00¢ 452+660 968 = 139 121 339 113 =3 900+660 520 = 1560 520 ≈π 968+452 452 226 226 =1 660 660 370 222 = 355 113 5 3 1 = 240.09¢ ≈ 2 5 =3 = 1420 452 = 1628 968 = 355 113 ≈π =1 968+660 968 = 37 22 King Wen 95 = 900.03¢ milü 密率 Fuxi inverse alignment [2d] Fuxi (FX) Fuxi inverse (FXi) [vertical offset = −1] FX[(3,4)(63,64)] FX[(27,28)(39,40)] ⇔ ⇔ 96 FXi[(3,4)(63,64)] FXi[(27,28)(39,40)] Fuxi inverse alignment [3d] FXi FX 97 Fuxi inverse alignment [2d] Fuxi (FX) Fuxi inverse (FXi) [vertical offset = −1] FX[(11,12)(47,48)] FX[(19,20)(55,56)] ⇔ ⇔ 98 FXi[(19,20)(55,56)] FXi[(11,12)(47,48)] Fuxi inverse alignment [3d] FXi FX 99 Fuxi inverse alignment [2d] Fuxi (FX) Fuxi inverse (FXi) [vertical offset = −1] FX[(7,8)(31,32)] FX[(35,36)(59,60)] FX(15,16) FX(51,52) ⇔ ⇔ ⇔ ⇔ FXi[(35,36)(59,60)] FXi[(7,8)(31,32)] FXi(51,52) FX(23,24) FXi(15,16) FX(43,44) 100 ⇔ ⇔ FXi(43,44) FXi(23,24) Fuxi inverse alignment [3d] FXi FX 101 King Wen inverse alignment [2d] King Wen (KW) King Wen inverse (KWi) [vertical offset = −1] KW[(51,52)(57,58)] KW[(23,24)(43,44)] KW[(9,10)(15,16)] ⇔ ⇔ ⇔ 102 KWi[(9,10)(15,16)] KWi[(23,24)(43,44)] KWi[(51,52)(57,58)] King Wen inverse alignment [3d] KW i KW 103 King Wen inverse alignment [2d] King Wen (KW) King Wen inverse (KWi) [vertical offset = −1] KW(17,18) KW(63,64) KW[(37,38)(39,40)] KW(27,28) KW(29,30) KW[(3,4)(49,50)] ⇔ ⇔ ⇔ ⇔ 104 KWi[(3,4)(49,50)] KWi(27,28) KWi(29,30) KWi[(37,38)(39,40)] KWi(17,18) KWi(63,64) King Wen inverse alignment [3d] KW i KW 105 The reversal concerns the perspective of depature. At first there is the appearance, the immediate intuition of the visible things, the self-identity of beings: pure Yin and pure Yang (Qian and Kun), each placed at one of the two poles. Then a shift occurs that reverses the first intuitive, "naive" apprehension, and deconstructs the principal of self-identity: the object is no more identical to itself ("pure"), but contains its opposite (Li and Kan at the two poles); and since this contrary element enclosed within counts as its true identity, the object is identified by its contrary. Something similar to a change in algebraic sign occurs, and the values are reversed: the Yang principle is represented by a young girl, the Yin principle by a young boy. This change in algebraic sign (positive-negative) presides over a deconstruction that prepares a reconstruction (the Elixir, immortality). With a displacement of identities, things are dislodged from their immediate definition, from their identity to themselves, in favor of a displacement to the other, its opposite, through a structure of multiple and multidimensional perspectives. This raises the issue of meaning which is established through exchange operations and reciprocal interactions that are determined by the formal articulations needed for any distribution system. Returning to oneself from the other, returning to the world after leaving it: Water generates Metal that generates Water. Moreover, the alchemists tie both approaches to one another. The Yang values are represented by a series of concepts, symbols, and images that are traditionally placed on the Yang side: summer, the trigram Qian, the hun soul (i.e., the Yang soul), and the heart, which is related to fire; among them, however, they also place the ming (vital force), which the same author has explicitly ranged on the Yin side. The same applies to items classified as Yin. When the authors express themselves more concisely, they resort to formulations that are utterly paradoxical and contradictory: the Dragon (Yang) is both the xing (true nature, Yang) and the kidneys (Yin). Furthermore, by superimposing the pattern "prior to the world," that of the noumenon, to the the pattern "posterior to the world," that of the phenomena, they state in their own way the same truth as the Buddhists, when they say that sam . sāra is nirvān.a, and vice versa. From the perspective of immortality, to which the Taoists adhere, they reverse space and time and make both of them circular and reversible: the flow of things is nothing but the process of continuos cosmic emanation. The Taoists reverse this flow in a double-sided process: they reverse the "negative" values of life, seen as a loss of energy, a dissolution, a dispersal, and give them the positive value of a continuos emanation that creates the world, where beginning and end meet. However, as we have seen, Yin contains the True Yang, which in turn contains the Yin. In a cycle of endless encasings, even reversal is performed in reverse. - Isabelle Robinet The World Upside Down (1992) - translation Fabrizio Pregadio 106 King Wen inverse alignment [3d] KW i KW 107 FX:KW alignment 11 33 King Wen Fuxi [vertical offset = −1] FX(23,24) FX(43,44) ⇔ KW[(23,24)(43,44)] FX[(3,4)(63,64)] KW[(23,24)(43,44)] FX(1,2) KW(1,2) 108 FX:KW = FXi:KWi FXi i KW FX 109 KW FX:KW alignment 11 19 King Wen Fuxi [vertical offset = −1] FX[(13,14)(49,50)] ⇔ FX[(13,14)(49,50)] FX[(21,22)(41,42)] KW(17,18) KW(53,54) KW[(25,26)(45,46)] ⇔ 110 KW[(25,26)(45,46)] FX:KW = FXi:KWi FXi i KW FX 111 KW FX:KW alignment 7 King Wen Fuxi [vertical offset = −1] KW[(37,38)(39,40)] FX[(27,28)(39,40)] ⇔ m KW(27,28) KW(29,30) FX(37,38) ⇔ 112 KW(29,30) FX:KW = FXi:KWi FXi i KW FX 113 KW FX:KW alignment King Wen Fuxi [vertical offset = −1] ⇔ FX(37,38) KW(29,30) FX(37,38) KW(29,30) Li Kan FX(1,2) KW(1,2) Qian Kun 114 周易參同契 上篇 【第一節】 乾坤者易之門戶 、衆卦之父母 、坎離匡郭 、運轂正軸 、 牝牡四卦 、以為橐籥 。 【第二節】 覆冒陰陽之道 、猶工御者 、準繩墨 、執銜轡 、正規矩 、 隨軌轍 、處中以制外 、數在律曆紀 。 Zhouyi Cantong qi Book 1 Qian and Kun, Kan and Li “Qian and Kun are the door and the gate of change,” the father and the mother of all hexagrams. Kan and Li are the inner and the outer walls, they spin the hub and align the axle. Female and male, these four hexagrams function as a bellows and its nozzles. The artisan and the charioteer Enfolding and encompassing the way of Yin and Yang is like being an artisan and a charioteer who level the marking-cord and the plumb-line, hold the bit and the bridle, align the compass and the square, and follow the tracks and the ruts. Abide in the Center to control the outside: the numbers are found in the system of the pitch-pipes and the calendar. - translation Fabrizio Pregadio The Seal of the Unity of the Three (2011) 115 FX:KW alignment 15 8 King Wen Fuxi [vertical offset = −1] KW 61 15+8 15 = 23 15 中孚 Zhong Fu [Inner Truth, Central Return, Centering Accord] 37 ≈ 2 60 237 ≈ ( 23 15 ) 60 30 ⇒ 60tet ⇐ ( 23 ) 60 ≈ 223 60 tone equal temperament 116 15+15 15+8 = 30 23 23 ≈ 2 60 FX:KW = FXi:KWi FXi i KW FX 117 KW FX:KW alignment 78 78 106 42 King Wen Fuxi [vertical offset = −1] 78+106 78+42 = 23 15 FX[(5,6)(33,34)] KW[(7,8)(13,14)] 78 42 FX[(7,8)(31,32)] KW[(19,20)(33,34)] 78 106 37 ≈ 2 60 237 ≈ ( 23 15 ) 60 30 ⇒ 60tet ⇐ ( 23 ) 60 ≈ 223 60 tone equal temperament 118 78+42+78+42 78+106 = 30 23 23 ≈ 2 60 FX:KW = FXi:KWi FXi i KW FX 119 KW 1 1 3 4 1 2 6 11 14 11 1 1 24 8 16 1 4 1 4 1 30 40 25 20 = 5 4 20 40 30 = 4 3 30 25 40+30+20+25 30+20+25 = = 6 5 115 75 30 20 = King Wen 120 23 15 = 3 2 40 25 37 ≈ 2 60 = 25 8 5 0 55 5 0 55 50 5 50 45 10 10 45 2 b 60 15 40 15 20 40 35 20 25 30 35 25 30 a a ∈ N | 0 ≤ a < 60 b 60 ( 23 15 ) ≅ 2 b ≡ 37a (mod 60) [ octave equivalence ] 60 tone equal temperament Jie KW 60 [ Limitation, Discipline, Articulating ] The situation described by this hexagram is characterised by clearly expressing boundaries and connections, correctly partitioning a whole while acknowledging its essential unity. - Rudolf Ritsema, Shantena Sabbadini The Original I Ching Oracle (2005) 121 345 230 230 10× 10× 15× 138 276 414 18× 12× 6× 92 1× 4× 23 23 King Wen 122 SUM: SUM: KW(63,64) KW[(51,52)(57,58)] = = 127 218 345 15 × 23 SUM: KW[(55,56)(59,60)] = 230 10 × 23 SUM: KW(53,54) + KW(61,62) = 230 10 × 23 SUM: SUM: SUM: KW[(37,38)(39,40)] KW[(31,32)(41,42)] KW(27,28) + KW(29,30) = = = 154 146 114 414 18 × 23 134 142 276 12 × 23 SUM: SUM: KW[(23,24)(43,44)] KW[(25,26)(45,46)] = = SUM: KW[(21,22)(47,48)] = 138 6 × 23 SUM: SUM: KW[(9,10)(15,16)] KW[(7,8)(13,14)] = = 50 42 92 4 × 23 23 1 × 23 SUM: KW(11,12) = 23 123 146 146 268 268 SUM: SUM: SUM: SUM: 268 KW[(37,38)(39,40)] KW(27,28) + KW(29,30) KW[(51,52)(57,58)] KW[(9,10)(15,16)] = = 154 114 268 218 50 268 SUM: KW[(31,32)(41,42)] = 146 SUM: SUM: KW(61,62) KW(11,12) = = 123 23 146 146 268 540+288 540 4× 268 = = = 828 540 = 23 15 37 ≈ 2 60 146 268 + 146 = 414 4× 268 ) 237 ≈ ( 23 15 60 60 30 ⇒ 60tet ⇐ ( 23 ) ≈ 223 King Wen 124 272 272 268 + 272 = 540 142 142 272 272 SUM: KW[(25,26)(45,46)] = 142 SUM: SUM: KW(53,54) KW(17,18) = = 107 35 142 146 KW[(21,22)(47,48)] KW[(23,24)(43,44)] = = 138 134 272 SUM: SUM: KW[(55,56)(59,60)] KW[(7,8)(13,14)] = = 230 42 272 142 142 540 414 4× 146 SUM: SUM: = 30 23 23 ≈ 2 60 142 146 + 142 = 288 4× 142 60 tone equal temperament King Wen 125 272 272 142 + 272 = 414 106 106 212 SUM: SUM: KW[(19,20)(33,34)] KW[(3,4)(49,50)] King Wen 126 = = 106 106 130 82 212 SUM: SUM: KW[(5,6)(35,36)] KW(1,2) + KW(63,64) King Wen 127 = = 82 130 268 268 146 212 3 meridians 3 meridians 1040 1 vessel 3 vessels 268 146 212 272 142 King Wen 128 146 142 142 272 212 3 meridians 3 meridians 1040 3 vessels 1 vessel 268 146 212 272 142 King Wen 129 272 268 268 146 146 212 212 142 142 272 272 1 1 1 1 1 130 King Wen 131 King Wen Fu Xi FX(1,2) KW(1,2) 134 1. Qian [ The Creative, Heaven, Initiation ] 4ˇ ˇ G ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ 4ˇ 135 ˇ ˇ C 1.01 The Yijing Modes C 1.01 F \ B E A 11.01 E 19.01 A D G C A D D F\ G G B F C E B A B E A D C G F E \ G D B F A F \ 2.01 D A E \ G B D C A G E B 24.01 D 34.01 ⇑ G ˘ ˇ ˇ 4ˇ 136 ˇ B F \ C G 43.01 C E F\ \ C ˇ ˇ Qian C 1.01 \ 9, 11, 13 C △7 Z Z \ Z 9, 11, 13 F m7 5 A 9, 11, 13 F G△7 \ D B D B E C G G E F E C F 9, 11, 13 G E C F A \ A D A Z Z \ D C \ B G B D E Bm7 \ A C A G E G D B A D C F Z \ 9, 11, 13 9, 11, 13 Em7 Am7 ⇑ G ˘ ˇ ˇ 4ˇ 137 E G B 9, 11, 13 D7 C B F\ F ˇ ˇ ˇ C 1.01 The Yijing Modes 1 E A 7 2 D A D B E G G A F\ C D G F C \ C D G B D 6 E F \ A E A B E B C F \ G C 4 5 ⇑ G ˘ ˇ ˇ 4ˇ 138 ˇ ˇ ˇ B F \ 3 Qian G C 1.01 ˇ ˇ ¯ ˇ ˇ 1 G ˇ ¯ ˇ ˇ ˇ 2 G ˇ ¯ ˇ 4ˇ ˇ 3 G ˇ 4ˇ ¯ ˇ ˇ 4 G ˇ ˇ ¯ 4ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ ˇ 6 G 4¯ ˇ ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ 4ˇ ˇ ˇ ¯ ˇ 4ˇ 6 7 ˇ ¯ ˇ ˇ ˇ 4ˇ ¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ 2 ˇ 4ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ ˇ 3 ˇ ˇ ¯ 4ˇ ˇ 2 ˇ ˇ ¯ 4ˇ ˇ 3 4 4ˇ ˇ ¯ ˇ ˇ 4ˇ ˇ ¯ ˇ ˇ 5 4 ˇ 4¯ ˇ ˇ ˇ ˇ 4¯ ˇ ˇ ˇ 6 5 139 ˇ ˇ ¯ ˇ 4ˇ 5 4ˇ ¯ ˇ ˇ ˇ 6 ˇ ¯ 4ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ ˇ 2 4ˇ ˇ ¯ ˇ ˇ 3 ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ ˇ 2 ˇ ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX(1,2) KW(1,2) 140 2. Kun [ The Receptive, Earth, Responding ] ˇ 2ˇ G 2ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ ˇ 141 2ˇ 2ˇ C 2.01 The Yijing Modes C 2.01 F Z EZ AZ DZ GZ B Z A 34.01 D Z G Z C F B Z E DZ AZ EZ Z B G Z Z G EZ D A F 24.01 B Z E Z Z Z B Z Z Z D Z A Z E Z F C G Z D C Z A Z E Z Z B 19.01 ⇑ 2ˇ ˇ 142 2ˇ B Z F C Z Z 2ˇ Z G 1.01 D 43.01 G ˘ A F Z F G B G F C Z C C AZ Z D Z E 11.01 2ˇ 2ˇ Kun C 2.01 Z9, 11, Z13 Cm7 Z Z A 9, 11, 13 Z 5 \ Z 9, 11, 13 F Fm7 D G Z BZ GZ EZ D Z B Z G Z E Z C A Z E A C G F Z 9, 11, 13 Z B m7 G Z E Z C A Z D F Z B Z D E G B D A Z Z Z B Z Z Z A Z D Z Z F C E Z G F Z B Z D Z C Z F 9, 11, 13 9, 11, 13 E m7 A 7 Z Z ⇑ 2ˇ 2ˇ ˇ 143 2ˇ Z E Z G Z B Z 9, 11, 13 D C G ˘ △7 F A Z Z C Z 2ˇ 2ˇ Z △7 C 2.01 The Yijing Modes 1 Z AZ DZ GZ E 7 A Z D Z G Z 2 C C F 6 GZ DZ B F C G Z D B Z E Z A Z E F G Z Z Z Z A Z Z E Z Z F C 4 5 ⇑ G ˘ 2ˇ 2ˇ ˇ 144 2ˇ Z Z Z B Z F 3 B C D A E B 2ˇ 2ˇ Kun G C 2.01 2ˇ ¯ 2ˇ 2ˇ 2ˇ 1 2ˇ 2ˇ G 2¯ 2ˇ 2ˇ 2 G 2¯ 2ˇ ˇ 2ˇ 2ˇ 3 2ˇ ˇ G 2¯ 2ˇ ˇ 4 G 2¯ ˇ 2ˇ 2ˇ ˇ 5 G ˇ 2ˇ 2¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ 2ˇ 2ˇ ¯ 2ˇ ˇ 2ˇ 7 6 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ 2ˇ 2ˇ 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 1 ˇ 2¯ 2ˇ 2ˇ 2ˇ 2ˇ 2¯ 2ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ 2ˇ 2ˇ 2¯ ˇ 2ˇ 2ˇ 4 3 ˇ 2ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 2ˇ ¯ 2ˇ 2ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 6 5 145 2ˇ ¯ 2ˇ ˇ 2ˇ 5 2ˇ ˇ 2¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ 2ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ 2ˇ 2ˇ 3 2ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(35,36)(59,60)] KW[(3,4)(49,50)] 146 3. Zhun [ Difficulty at the Beginning, Difficulty, Beginning ] ˇ ˇ G 2ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ ˇ 147 2ˇ ˇ C 3.01 The Yijing Modes C 3.01 F B Z A 43.03 D Z Z AZ DZ E G C F E Z B Z C Z E D A F 41.01 E Z Z Z Z D Z A Z E Z B G D C Z A G Z E Z Z B 2.26 D 1.04 ⇑ 2ˇ F C G 16.01 C F 2ˇ B F B G ˘ Z B G F C G A F A D G Z C G B AZ EZ D Z E 34.02 ˇ 148 ˇ 2ˇ ˇ Zhun C 3.01 Z9, 11, Z13 Cm△7 \ Z A 9, 11, 13 Z Z Z F Fm7 D D Z G7 Z B B G E E G Z C A A EZ Z D C ZZ Z [Z[ 9, 11, 13 B G E Z C Z D F Z D E Z A G D AZ Z F F A Z C E B Z Z C Z G F B D Z F \ \ E Z7 9, 11, 13 5 9, 11, 13 A Z △7 ⇑ 2ˇ 2ˇ ˇ 149 ˇ E Z G B \ \ 9, 11, 13 D C G ˘ Z G B 3 5 7 Z Z C 5 B F A Z 9, 11, 13 2ˇ ˇ Z △7 C 3.01 The Yijing Modes 1 Z AZ DZ E 7 A Z DZ 2 G G C C D F D 6 Z G Z D E Z A Z B E F Z A Z E Z F G C 4 5 ⇑ 2ˇ 2ˇ ˇ 150 ˇ Z B F 3 B C G ˘ B G B F C Z A EZ 2ˇ ˇ Zhun G C 3.01 2ˇ ¯ 2ˇ 2ˇ ˇ 1 G 2ˇ 2ˇ ¯ 2ˇ ˇ 2 G 2¯ 2ˇ ˇ 2ˇ ˇ 3 2ˇ ˇ G 2¯ ˇ ˇ 4 G 2¯ ˇ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ ˇ ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ 2ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 2 1 ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ ˇ 4 3 ˇ ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ 5 2ˇ ¯ ˇ ˇ ˇ 4 2ˇ ¯ ˇ ˇ ˇ 6 5 151 ˇ ¯ 2ˇ ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 2ˇ ˇ 2¯ ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ 2ˇ 2ˇ 3 2ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(35,36)(59,60)] KW[(3,4)(49,50)] 152 4. Meng [ Youthful Folly, Childhood, Darkness ] 4ˇ 2ˇ G 2ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ 4ˇ 153 2ˇ 2ˇ C 4.01 The Yijing Modes C 4.01 \ BZ EZ AZ F Z A 14.04 D G Z C D F\ B Z G E EZ BZ A Z D G A Z Z F G Z \ B Z EZ \ E B G A F \ 2.47 Z C AZ F C G Z Z D B Z F Z F Z \ D C G C A Z E Z Z A Z E Z Z ⇑ 2ˇ 4ˇ 154 2ˇ Z F \ C Z B 54.02 ˇ B G 1.20 D C Z D \ D 16.07 G ˘ Z Z E 5.03 2ˇ 2ˇ Meng C 4.01 \ Z Z 9, 11, 13 Cm7 [Z Z \ Z F\ A \[ Z [ 9, 11, 13 F 5 3 5 7 G D BZ D Z GZ EZ B G Z EZ C A Z F Z Z\ 9, 11, 13 B 7 5 EZ GZ AZ C F \ B D G B A Z B Z Z Z A F\ Z D G \ Z Z E F E C \ F Z C E Z G D A Z C \ A Z C Z B Z D F \ \ \ 9, 11, 13 E m△7 A 7 Z Z ⇑ ˇ 2ˇ 4ˇ 155 2ˇ Z E Z G Z B Z ZZ Z 2ˇ 2ˇ Z 9, 11, 13 D7 9, 11, 13 G ˘ 5 7 D C \ Z\ \ 9, 11, 13 5 C 4.01 The Yijing Modes 1 Z AZ E 7 A Z D D G Z G D F C \ B F Z A GZ Z \ B Z E Z A Z E Z B C Z E Z F A Z E \ C 4 5 ⇑ G ˘ ˇ 2ˇ 4ˇ 156 2ˇ Z B Z D D 6 G Z C F\ C GZ 2 2ˇ 2ˇ Z B Z F \ 3 Meng G C 4.01 2ˇ 2ˇ ¯ ˇ 2ˇ 1 2ˇ G 2¯ 2ˇ 2ˇ ˇ 2 G 2ˇ ¯ 2ˇ 4ˇ 2ˇ 3 2ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G 2¯ 4ˇ 2ˇ 2ˇ ˇ 5 G 2ˇ 2¯ ˇ ˇ 4ˇ 6 G 4¯ 2ˇ 2ˇ ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ 4ˇ 2ˇ 2ˇ ¯ ˇ 4ˇ 7 6 2ˇ 2¯ 2ˇ ˇ ˇ 4ˇ 2¯ 2ˇ ˇ ˇ 1 7 2ˇ ¯ 2ˇ 2ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 2ˇ 2 1 2ˇ 4ˇ 2¯ 2ˇ ˇ 2ˇ 2ˇ 2¯ 2ˇ ˇ 3 2 2ˇ ˇ 2¯ 4ˇ 2ˇ 2ˇ ˇ 2¯ 4ˇ 2ˇ 4 3 2ˇ 2¯ ˇ 2ˇ 4ˇ 2ˇ 2¯ ˇ 2ˇ 4ˇ 5 4 ˇ 4¯ 2ˇ 2ˇ ˇ 2ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 157 2ˇ 2ˇ ¯ 2ˇ 4ˇ 5 4ˇ 2¯ 2ˇ ˇ ˇ 6 ˇ ¯ 4ˇ 2ˇ 2ˇ 7 2ˇ 2ˇ 2¯ ˇ ˇ 1 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2¯ ˇ 2ˇ 4ˇ 3 2ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(11,12)(47,48)] KW[(5,6)(35,36)] 158 5. Xu [ Waiting, Nourishment, Needing ] ˇ ˇ G 2ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ ˇ 159 ˇ ˇ C 5.01 The Yijing Modes C 5.01 F B E A 7.01 Z Z E 1.02 A D G A D D C F G C G B E Z F C A B EZ A D D F 14.01 E Z G F C G E B Z D A E B G D C A G E Z B 2.07 D 36.01 ⇑ 2ˇ F C G 54.01 C F ˇ B F A B G ˘ Z ˇ 160 ˇ ˇ ˇ Xu C 5.01 9, 11, 13 Cm△7 \ 9, 11, 13 F7 Z A 9, 11, 13 F G7 D B D B G E E C G Z A EZ C F D C A B G F ZZ Z Z Bm7 9, 11, 13 G E Z A C B D F D E 5 Z F A E Z G D F B A D C F \ Z Z 9, 11, 13 9, 11, 13 5△ 7 Am7 ⇑ G ˘ E ˇ 2ˇ ˇ 161 Z G B Z 9, 11, 13 Dm7 C B Z\ C A G E Z ˇ ˇ ˇ 5 C 5.01 The Yijing Modes 1 E Z A 7 2 D A D EZ G G A C C D F D G G B F C D 6 E Z A B E F A E Z F G C 4 5 ⇑ ˇ 2ˇ ˇ 162 ˇ Z B F 3 B C G ˘ B ˇ ˇ Xu G C 5.01 ˇ ¯ ˇ 2ˇ ˇ 1 G ˇ 2ˇ ¯ ˇ ˇ 2 G ˇ ˇ ¯ 2ˇ ˇ 3 G ˇ ¯ ˇ ˇ 2ˇ 4 G 2¯ ˇ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ ˇ 6 G ˇ ¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ ˇ ¯ ˇ ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 2 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ ¯ ˇ ˇ 2ˇ 3 2 ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 4 3 ˇ ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 5 ˇ ¯ ˇ ˇ ˇ 4 2ˇ ¯ ˇ ˇ ˇ 6 5 163 ˇ ¯ 2ˇ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ 2¯ ˇ ˇ ˇ 2 ˇ ˇ ¯ ˇ 2ˇ 3 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX[(11,12)(47,48)] KW[(5,6)(35,36)] 164 6. Song [ Conflict, Contention ] 4ˇ ˇ G ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ 4ˇ 165 2ˇ ˇ C 6.01 The Yijing Modes C 6.01 F \ B Z E A 14.23 D G AZ Z C D F\ G B B E A Z D Z F C Z F G Z \ C B G Z D B F Z D A Z E \ C E F \ G B Z A Z E B 24.15 ⇑ ˇ ˇ 4ˇ 166 2ˇ F \ C Z D C B G 1.46 D 32.07 G ˘ Z Z D E \ A F \ 2.14 G C AZ E G A E 19.16 2ˇ ˇ Song C 6.01 \ Z Z 9, 11, 13 C [ Z \ \ Z F\ A \ [Z 9, 11, 13 F 7 5 △7 3 5 Z\ \ \ 9, 11, 13 G 3 5 7 D B D B G Z G E A Z Z [ [ 9, 11, 13 Bm 7 G Z E C F F\ \ C \ G Z E A A Z F Z \ A Z C E G D Z B D F \ \\ \ Z Z Z\ 9, 11, 13 [ E7 9, 11, 13 3 A 7 ⇑ ˇ ˇ 4ˇ 167 G Z B Z 2ˇ 2ˇ ˇ 5 Z 9, 11, 13 D7 C G ˘ E C B \ Z B D G F Z B D A D F Z Z E C A E C 5 C 6.01 The Yijing Modes 1 E A 7 A Z GZ G F C \ Z Z \ A A Z B E D D E F AZ GZ B 6 G B C F\ C D 2 D D GZ Z Z E E B C F \ C 4 5 ⇑ G ˘ ˇ ˇ 4ˇ 168 2ˇ 2ˇ ˇ B F \ 3 Song G C 6.01 2ˇ 2ˇ ¯ ˇ ˇ 1 ˇ G 2¯ 2ˇ ˇ ˇ 2 G ˇ ¯ ˇ 4ˇ 2ˇ 3 ˇ 4ˇ G 2¯ ˇ ˇ 4 G ˇ ˇ ¯ 4ˇ 2ˇ 5 G 4ˇ 2ˇ ¯ ˇ ˇ 6 G 4¯ 2ˇ 2ˇ ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ 4ˇ 2ˇ ˇ ¯ ˇ 4ˇ 7 6 ˇ 2¯ 2ˇ ˇ ˇ 4ˇ 2¯ 2ˇ ˇ ˇ 1 7 ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ 2 1 ˇ 4ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 3 2 ˇ ˇ ¯ 4ˇ 2ˇ ˇ ˇ ¯ 4ˇ 2ˇ 3 4 4ˇ 2ˇ ¯ ˇ ˇ 4ˇ 2ˇ ¯ ˇ ˇ 5 4 ˇ 4¯ 2ˇ ˇ ˇ ˇ 4¯ 2ˇ ˇ ˇ 6 5 169 2ˇ ˇ ¯ ˇ 4ˇ 5 4ˇ 2¯ ˇ ˇ ˇ 6 ˇ ¯ 4ˇ 2ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ 2ˇ 2 4ˇ 2ˇ ¯ ˇ ˇ 3 ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ ˇ ˇ 2 ˇ ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(5,6)(33,34)] KW[(7,8)(13,14)] 170 7. Shi [ The Army, Multitude ] ˇ 2ˇ G 2ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ ˇ 171 2ˇ 2ˇ C 7.01 The Yijing Modes C 7.01 F Z EZ AZ B Z A 14.01 D G Z D C F B Z G E EZ BZ A Z D A G Z Z G Z EZ A F 36.01 B Z E Z Z D B Z Z F Z D A Z Z E C G Z A Z E Z Z B 54.01 ⇑ ˇ 2ˇ ˇ 172 2ˇ Z F C Z D C B G 1.02 D 2.07 G ˘ Z F F G B G F C Z D C C AZ Z Z E 5.01 2ˇ 2ˇ Shi C 7.01 Z Z 9, 11, 13 Cm7 Z A 9, 11, 13 5 \ Z F Fm7 G D D B Z Z GZ EZ B G Z E Z C A Z E A Z 9, 11, 13 Z B 7 G Z E Z C Z C B D F G Z Z G B Z Z Z A Z Z F C A E Z G F Z C Z B Z D F \ 9, 11, 13 9, 11, 13 E m△7 A 7 Z Z ⇑ ˇ 2ˇ ˇ 173 2ˇ E Z G Z B Z ZZ Z 2ˇ 2ˇ Z 9, 11, 13 Dm7 C G ˘ Z D Z D A B D E Z C 5△ 7 F F A Z\ 9, 11, 13 5 C 7.01 The Yijing Modes 1 Z AZ E 7 A Z 2 D D G Z G Z A C C GZ F D GZ B F C Z B Z E Z A Z E F G Z A Z E Z Z F C 4 5 ⇑ G ˘ ˇ 2ˇ ˇ 174 2ˇ Z B Z F 3 B C Z Z D D 6 Z E B 2ˇ 2ˇ Shi G C 7.01 2ˇ ¯ ˇ 2ˇ 2ˇ 1 ˇ 2ˇ G 2¯ 2ˇ 2ˇ 2 G 2ˇ 2ˇ ¯ 2ˇ ˇ 3 2ˇ ˇ G 2¯ 2ˇ ˇ 4 G 2¯ ˇ 2ˇ 2ˇ ˇ 5 G ˇ 2ˇ 2¯ ˇ ˇ 6 G ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ 2ˇ 2ˇ ¯ ˇ ˇ 2ˇ 7 6 ˇ 2ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 2 1 ˇ 2¯ 2ˇ ˇ 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ 4 3 ˇ 2ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 ˇ ¯ 2ˇ 2ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 6 5 175 2ˇ ¯ 2ˇ ˇ 2ˇ 5 ˇ ˇ 2¯ 2ˇ ˇ 6 2ˇ ˇ ¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ ˇ 2ˇ 1 ˇ 2¯ 2ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ ˇ 2ˇ 3 2ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(5,6)(33,34)] KW[(7,8)(13,14)] 176 8. Bi [ Holding Together, Union, Accord, Closeness ] ˇ ˇ G 2ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ ˇ 177 2ˇ ˇ C 8.01 The Yijing Modes C 8.01 F B Z A 34.03 D Z Z AZ DZ GZ E G Z C F B E B DZ AZ EZ G Z Z G E A F 27.01 E Z Z Z Z D Z A Z E C G Z D C Z A Z E Z B 2.45 ⇑ 2ˇ ˇ 178 2ˇ F C Z Z 2ˇ B G 1.05 D 43.04 G ˘ Z F F Z Z B B B G Z G D A C F C Z F C AZ Z D Z E 11.02 2ˇ ˇ Bi C 8.01 Z9, 11, Z13 Cm Z\ Z Z 5 △7 A 9, 11, 13 \ Z F Fm7 D D Z G Z B B G Z E E Z EZ G Z C A Z A D C G F ZZ [ [Z[ 9, 11, 13 B 3 5 7 G Z E Z C A Z D F Z D Z Z Z A Z F E Z G F Z C Z B D Z F \ \ E Zm7 9, 11, 13 5 9, 11, 13 Z A 7 ⇑ 2ˇ 2ˇ ˇ 179 2ˇ E Z G Z B 2ˇ ˇ \ 9, 11, 13 D C G ˘ Z F A Z C B Z Z C 3△ 7 B D G AZ Z B E Z\ 9, 11, 13 Z △7 C 8.01 The Yijing Modes 1 Z AZ DZ GZ E 7 A Z DZ G Z 2 C C F 6 GZ DZ B F C G D E Z A Z B E F G Z Z D Z Z A A EZ Z Z E Z F C 4 5 ⇑ G ˘ 2ˇ 2ˇ ˇ 180 2ˇ B F 3 B C Z B 2ˇ ˇ Bi G C 8.01 2ˇ ¯ 2ˇ 2ˇ 2ˇ 1 2ˇ 2ˇ G 2¯ 2ˇ ˇ 2 G 2¯ 2ˇ ˇ 2ˇ ˇ 3 2ˇ ˇ G 2¯ ˇ ˇ 4 G 2¯ ˇ 2ˇ ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ 2ˇ ˇ ¯ 2ˇ ˇ 2ˇ 7 6 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ 2ˇ 2ˇ 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 1 ˇ 2¯ ˇ 2ˇ 2ˇ 2ˇ 2¯ ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ ˇ 4 3 ˇ 2ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ 5 2ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ¯ 2ˇ ˇ ˇ 6 5 181 ˇ ¯ 2ˇ ˇ 2ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 2ˇ ˇ 2¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ 2ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ 2ˇ 2ˇ 3 2ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(9,10)(17,18)] KW[(9,10)(15,16)] 182 9. Xiao Xu [ The Taming Power of the Small, Nurturance by the Small, Little Accumulation ] 4ˇ ˇ G 2ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ 4ˇ 183 ˇ ˇ C 9.01 The Yijing Modes C 9.01 F \ B E A 46.01 Z Z E 1.08 A D G C A D D F\ G G EZ B F C A B EZ A D C G F E \ E F\ B G D F \ 2.06 Z Z B F A \ C D A E \ G B D A G E Z B 24.07 D 55.01 ⇑ ˇ 2ˇ 4ˇ 184 ˇ B F \ C G 58.01 C C G ˘ Z ˇ ˇ Xiao Xu C 9.01 \ 9, 11, 13 Cm△7 Z Z 9, 11, 13 \ F ◦7 Z A 9, 11, 13 F G△7 \ D B D B G E G Z EZ C A F ZZ Z 9, 11, 13 G E Z A C F E C \ F B G B D D E Bm7 Z \ A E Z B D C F \\ Z\ \ Z 9, 11, 13 9, 11, 13 5△ 7 Am7 ⇑ G ˘ E G D A E C ˇ 2ˇ 4ˇ 185 Z G B Z 9, 11, 13 D7 C B \ F A G F A D C \ \ Z ˇ ˇ ˇ 5 C 9.01 The Yijing Modes 1 E Z A 7 2 D A D EZ G G A D G F \ C F\ C C D G B D 6 E F \ Z A B E A E Z B C F \ G C 4 5 ⇑ G ˘ B ˇ 2ˇ 4ˇ 186 ˇ ˇ ˇ Z B F \ 3 Xiao Xu G C 9.01 ˇ ¯ ˇ 2ˇ ˇ 1 G ˇ 2ˇ ¯ ˇ ˇ 2 G ˇ ˇ ¯ 2ˇ 4ˇ 3 G 4ˇ ¯ ˇ ˇ 2ˇ 4 G 2¯ 4ˇ ˇ ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ ˇ 6 ˇ G 4¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ 4ˇ ˇ ˇ ¯ ˇ 4ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 6 ˇ 4ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 2 4ˇ ¯ ˇ ˇ 2ˇ 1 ˇ ¯ ˇ ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ ˇ ˇ ˇ 2¯ 4ˇ ˇ ˇ 4 3 4ˇ ˇ ¯ ˇ 2ˇ 4ˇ ˇ ¯ ˇ 2ˇ 5 4 ˇ 4¯ ˇ ˇ ˇ 2ˇ 4¯ ˇ ˇ ˇ 6 5 187 ˇ ¯ 2ˇ 4ˇ ˇ 5 ˇ 4ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ 4ˇ ˇ 7 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ 2¯ ˇ ˇ ˇ 2 4ˇ ˇ ¯ ˇ 2ˇ 3 2ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX[(9,10)(17,18)] KW[(9,10)(15,16)] 188 10. Lü [ Treading, Conduct ] 4ˇ ˇ G ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ 4ˇ 189 2ˇ ˇ C 10.01 The Yijing Modes C 10.01 F \ B Z E A 1.23 AZ D G C A G G B F E A B E AZ D C G F B G Z D B F D A Z E \ G B D C A G Z E B 24.06 D 32.01 ⇑ G ˘ ˇ ˇ 4ˇ 190 ˇ B F \ C G 49.01 C E F\ \ C E \ A F \ 2.05 C Z Z D D F\ E 19.07 2ˇ ˇ Lü C 10.01 \ Z 9, 11, 13 C △7 Z Z \ [Z F 7 Z Z F\ A 9, 11, 13 3 5 9, 11, 13 G△7 D B D B G G E A Z Z Z [ Bm 9, 11, 13 G E C F \ C \ G D E 7 A G AZ \ F Z \ A Z C E G D B D C F \ \\ \ Z Z Z\ 9, 11, 13 9, 11, 13 Em7 A 5 △7 ⇑ G ˘ ˇ ˇ 4ˇ 191 E G B ˇ 2ˇ ˇ Z 9, 11, 13 D7 C B F Z A B B D \ D F Z F E C A E C 5 C 10.01 The Yijing Modes 1 E A 7 A Z Z 2 D D B AZ G G D G F C \ C F\ C D G B D 6 E F \ E A A Z B Z E E B C F \ G C 4 5 ⇑ G ˘ ˇ ˇ 4ˇ 192 ˇ 2ˇ ˇ B F \ 3 Lü G C 10.01 2ˇ ¯ ˇ ˇ ˇ 1 G ˇ ˇ ¯ 2ˇ ˇ 2 G 2ˇ ˇ ¯ ˇ 4ˇ 3 ˇ 4ˇ G 2¯ ˇ ˇ 4 G ˇ ¯ 4ˇ ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ ˇ 6 ˇ G 4¯ ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ 4ˇ ˇ ˇ ¯ ˇ 4ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 6 ˇ 4ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ ¯ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2 1 4ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 3 2 ˇ ¯ 4ˇ 2ˇ ˇ ˇ ¯ 4ˇ 2ˇ ˇ 4 4ˇ ˇ ¯ ˇ ˇ 3 4ˇ 2ˇ ¯ ˇ ˇ 5 4 ˇ 4¯ ˇ ˇ ˇ ˇ 4¯ ˇ ˇ ˇ 6 5 193 ˇ ¯ ˇ 4ˇ ˇ 5 ˇ 4ˇ ¯ ˇ ˇ 6 2ˇ ˇ ¯ 4ˇ ˇ 7 ˇ 2¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ 2ˇ ˇ 2 4ˇ 2ˇ ¯ ˇ ˇ 3 ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ ˇ ˇ 2 ˇ ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX(15,16) KW(11,12) 194 11. Tai [ Peace, Advance, Tranquility ] ˇ 2ˇ G 2ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ ˇ 195 ˇ 2ˇ C 11.01 The Yijing Modes C 11.01 F Z EZ B A 2.01 Z E 1.01 A D G A D D C F B Z G C G E Z C A EZ BZ A D D F 34.01 B Z E Z Z G F C G E B Z B F D A Z E G D A G E Z Z B 43.01 D 24.01 ⇑ 2ˇ Z F C G 19.01 C C ˇ B F A F G ˘ Z ˇ 196 ˇ ˇ 2ˇ Tai C 11.01 9, 11, 13 Cm7 9, 11, 13 F7 Z A 9, 11, 13 F Gm7 D D B Z B G E Z E C G Z A EZ C F C A B G F 9, 11, 13 B Z G E Z A C B D F Z △7 B Z D D E Z Z F A G E Z G B A Z D C F Z Z Z 9, 11, 13 9, 11, 13 Z △7 Am7 ⇑ G ˘ E ˇ 2ˇ ˇ 197 Z G B Z Z Z 9, 11, 13 Dm7 C F E C A D \ Z ˇ ˇ 2ˇ 5 C 11.01 The Yijing Modes 1 E Z A 7 2 D A D E G G D F D G B F G Z D 6 B Z E Z A E F A E Z Z F G C 4 5 ⇑ ˇ 2ˇ ˇ 198 ˇ Z B Z F 3 B C G ˘ Z A C C C Z B ˇ 2ˇ Tai G C 11.01 ˇ ¯ ˇ 2ˇ ˇ 1 G ˇ 2ˇ ¯ ˇ 2ˇ 2 G ˇ 2ˇ ¯ 2ˇ ˇ 3 G ˇ ¯ 2ˇ ˇ 2ˇ 4 G 2¯ ˇ ˇ 2ˇ ˇ 5 G ˇ ˇ 2¯ ˇ ˇ 6 G ˇ ¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ 2ˇ ¯ ˇ ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 1 ˇ 2ˇ ¯ 2ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 2 ˇ ¯ 2ˇ ˇ 2ˇ 1 ˇ ¯ 2ˇ ˇ 2ˇ 3 2 ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 4 3 ˇ ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 5 4 ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 6 5 199 2ˇ ¯ 2ˇ ˇ ˇ 5 ˇ ˇ ¯ 2ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ 2¯ ˇ ˇ 2ˇ 2 ˇ ˇ 2¯ ˇ 2ˇ 3 2ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ ˇ 1 ˇ ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX(15,16) KW(11,12) 200 12. Pi [ Standstill, Stagnation, Obstruction, Hindrance ] 4ˇ ˇ G ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ 4ˇ 201 2ˇ ˇ C 12.01 The Yijing Modes C 12.01 F \ B Z A 34.23 D Z E G Z AZ DZ GZ F\ C B B E DZ AZ G Z F C G Z Z B F G Z \ Z D Z C A Z E G B Z D C Z A Z E B 24.25 ⇑ ˇ 4ˇ 202 2ˇ F \ C Z Z 2ˇ B G 1.25 D 43.24 G ˘ Z C \ E F A B \ A \ Z Z E D F \ 2.24 F C AZ E G D E 19.26 2ˇ ˇ Pi C 12.01 Z9, \11, Z13 C [ [ 3 5 D Z G Z G E A Z [[ B 3 7 G Z A C Z F Z \ D Z AZ G Z B \ D Z Z E A Z Z F Z \ \ A Z A Z C E B G Z B D Z F Z Z \ \ \ Z\ 9, 11, 13 [[ 3 7 A 7 ⇑ 2ˇ ˇ 4ˇ 203 G Z B \ \ 2ˇ 2ˇ ˇ 5 Z\ 9, 11, 13 D 9, 11, 13 G ˘ E C C E F C B D G F C \ 3 7 E D F E G E C Z\ \ 9, 11, 13 B B 9, 11, 13 \ \ Z F\ DZ \ [Z Z [ 5 △7 A 9, 11, 13 F 7 Z 3 △7 C 12.01 The Yijing Modes 1 E Z DZ GZ A 7 A Z DZ GZ C F 6 GZ DZ F C \ 2 B C \ G B D E F G Z Z D \ A Z AZ Z A Z B E Z E E B C F \ C 4 5 ⇑ G ˘ 2ˇ ˇ 4ˇ 204 2ˇ 2ˇ ˇ B F \ 3 Pi G C 12.01 2ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ 2ˇ ˇ 2 G 2¯ ˇ 4ˇ 2ˇ ˇ 3 ˇ 4ˇ G 2¯ ˇ ˇ 4 G ˇ ¯ 4ˇ 2ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ 2ˇ 6 2ˇ G 4¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ 4ˇ 2ˇ ˇ ¯ 2ˇ 4ˇ 2ˇ 7 6 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ 4ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2 1 4ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ ˇ 3 2 ˇ ¯ 4ˇ 2ˇ ˇ 2ˇ ¯ 4ˇ 2ˇ ˇ 4 4ˇ 2ˇ ¯ ˇ ˇ 3 4ˇ 2ˇ ¯ ˇ ˇ 5 4 2ˇ 4¯ 2ˇ ˇ ˇ ˇ 4¯ 2ˇ ˇ ˇ 6 5 205 ˇ ¯ ˇ 4ˇ 2ˇ 5 2ˇ 4ˇ 2¯ ˇ ˇ 6 2ˇ ˇ 2¯ 4ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ 2ˇ ˇ 2 4ˇ 2ˇ ¯ 2ˇ ˇ 3 ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(5,6)(33,34)] KW[(7,8)(13,14)] 206 13. Tong Ren [ Fellowship with Men, Seeking Harmony, Sameness with People ] 4ˇ ˇ G ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ 4ˇ 207 ˇ ˇ C 13.01 The Yijing Modes C 13.01 F \ B A 11.07 D E Z E 19.06 A G C F D \ Z D G G B F C E B E A C G F \ G Z B F A D Z A E \ G B D C Z A G E Z B 24.05 D 1.43 ⇑ G ˘ 2ˇ ˇ 4ˇ 208 ˇ B F \ C G 28.01 C E F\ C E D F \ 2.04 A B A DZ \ Z ˇ ˇ Tong Ren C 13.01 Z9, \11, 13 C △7 Z [ A Z F \m7 9, 11, 13 5 D 9, 11, 13 F\ DZ Z G B B E E E C D A F Z Z [ 9, 11, 13 B7 G E C F A \ D Z C \ Z F \ A C B E G B D Z C F Z \ Z [ 9, 11, 13 9, 11, 13 7 Am7 ⇑ G ˘ 2ˇ ˇ 4ˇ 209 E G B \\ \ ˇ ˇ ˇ Z\ \ 9, 11, 13 D C A Em A A G F\ \ B D E DZ Z F G B 3 5△ 7 C G G Z 3 5 △7 C 13.01 The Yijing Modes 1 E A 7 A D DZ 2 Z B E G DZ G C F D 6 Z G F C \ C \ G B D E F \ A Z A E A B E B C F \ G C 4 5 ⇑ G ˘ 2ˇ ˇ 4ˇ 210 ˇ ˇ ˇ B F \ 3 Tong Ren G C 13.01 ˇ ˇ ¯ 2ˇ ˇ 1 G ˇ ¯ ˇ ˇ 2ˇ 2 G 2¯ ˇ 4ˇ ˇ ˇ 3 G ˇ 4ˇ ¯ ˇ ˇ 4 G ˇ ˇ ¯ 4ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ 2ˇ 6 G 4¯ ˇ ˇ ˇ 2ˇ 7 ˇ ˇ ¯ 2ˇ 4ˇ ˇ ˇ ¯ 2ˇ 4ˇ 6 7 ˇ ¯ ˇ ˇ 2ˇ 4ˇ ¯ ˇ ˇ 2ˇ 1 7 ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 2 1 ˇ 4ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 3 ˇ ˇ ¯ 4ˇ ˇ 2 ˇ 2ˇ ¯ 4ˇ ˇ 3 4 4ˇ ˇ ¯ ˇ ˇ 4ˇ ˇ ¯ ˇ ˇ 5 4 2ˇ 4¯ ˇ ˇ ˇ ˇ 4¯ ˇ ˇ ˇ 6 5 211 ˇ ˇ ¯ ˇ 4ˇ 5 4ˇ ¯ ˇ ˇ 2ˇ 6 ˇ 2¯ 4ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ ˇ ˇ 2 4ˇ ˇ ¯ 2ˇ ˇ 3 ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX[(5,6)(33,34)] KW[(7,8)(13,14)] 212 14. Da You [ Possession in Great Measure, Great Harvest, Great Holdings ] 4ˇ 2ˇ G ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ 4ˇ 213 ˇ 2ˇ C 14.01 The Yijing Modes C 14.01 \ BZ F E A 36.01 E 7.01 A D G C A D D F\ B Z G G BZ C E A BZ E A D C G F \ G B F\ Z Z F A B \ E D F \ 2.07 F C D A E \ G D C A G E Z B 1.02 D 54.01 ⇑ G ˘ ˇ ˇ 4ˇ 214 ˇ Z F \ C G 5.01 C E B ˇ 2ˇ Da You C 14.01 \ 9, 11, 13 C7 ZZ Z A \ Z 9, 11, 13 F m7 9, 11, 13 F\ 5 Gm△7 D D B Z B Z E C G G E F E C A F \ Z\ 9, 11, 13 B G E C F A \ B D C \ G Z 5△ 7 B \ Z D E F B D F \ A C E G D B Z D C F Z \ Z Z 9, 11, 13 9, 11, 13 5 Am7 ⇑ G ˘ ˇ ˇ 4ˇ 215 E G B Z Z 9, 11, 13 D7 C A Em7 A A G Z \ ˇ ˇ 2ˇ C 14.01 The Yijing Modes 1 E A 7 2 D A D B E G G A D G F \ C F\ C C B D G Z D 6 F \ Z B E A E A E B C Z F \ G C 4 5 ⇑ G ˘ Z ˇ ˇ 4ˇ 216 ˇ ˇ 2ˇ B Z F \ 3 Da You G C 14.01 ˇ ¯ ˇ ˇ ˇ 1 G ˇ ˇ ¯ ˇ 2ˇ 2 G ˇ 2ˇ ¯ ˇ 4ˇ 3 G 4ˇ ¯ 2ˇ ˇ ˇ 4 G ˇ ¯ 4ˇ ˇ 2ˇ 5 G 4ˇ ˇ 2¯ ˇ ˇ 6 ˇ G 4¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ 4ˇ ˇ 2ˇ ¯ ˇ 4ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 6 ˇ 4ˇ ¯ ˇ ˇ 1 ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 2 4ˇ ¯ 2ˇ ˇ ˇ 1 ˇ ¯ 2ˇ ˇ ˇ 3 ˇ ¯ 4ˇ ˇ 2ˇ 2 ˇ ¯ 4ˇ ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ ˇ 4ˇ ˇ 2¯ ˇ ˇ 5 4 ˇ 4¯ ˇ 2ˇ ˇ ˇ 4¯ ˇ 2ˇ ˇ 6 5 217 2ˇ ¯ ˇ 4ˇ ˇ 5 ˇ 4ˇ ¯ 2ˇ ˇ 6 ˇ ˇ ¯ 4ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ ˇ ˇ 3 ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ 2¯ ˇ ˇ 2 ˇ ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(9,10)(17,18)] KW[(9,10)(15,16)] 218 15. Qian [ Modesty, Humility ] ˇ 2ˇ G 2ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ ˇ 219 ˇ 2ˇ C 15.01 The Yijing Modes C 15.01 F Z EZ B A 2.12 D Z G Z Z E 26.01 A Z GZ D C F B Z E Z G BZ E Z A G Z C EZ D F 51.01 B Z E Z Z B Z Z Z D Z A E C G Z D C Z A E Z Z B 60.01 ⇑ 2ˇ ˇ 220 2ˇ Z F C Z Z 2ˇ B G 1.03 D 43.02 G ˘ Z F A A F Z F G B G F C Z C A DZ Z D ˇ 2ˇ Qian C 15.01 Z9, 11, 13 Cm7 Z Z Z 5 \\ A 9, 11, 13 9, 11, 13 F F7 D G Z BZ GZ EZ D Z BZ G Z E Z C E C G F Z 9, 11, 13 Z B m△7 EZ GZ A C D F Z B Z Z B D EZ GZ BZ DZ Z D Z Z C E Z G F A C E Z Z D Z C F \ ZZ Z 9, 11, 13 9, 11, 13 Z A◦7 E m7 ⇑ 2ˇ ˇ 221 2ˇ Z G Z B Z ˇ 2ˇ Z\ 9, 11, 13 D B A 2ˇ Z F A F G ˘ △7 A C A Z 5 △7 C 15.01 The Yijing Modes 1 E Z A 7 A D 2 Z GZ D Z G Z E C C F D 6 Z G Z B F C G Z D B Z E Z A E F G Z Z Z A A Z E Z F C 4 5 ⇑ G ˘ 2ˇ 2ˇ ˇ 222 2ˇ Z Z B Z F 3 B C DZ Z B ˇ 2ˇ Qian G C 15.01 2ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ G 2¯ ˇ 2ˇ 2ˇ 2 G 2¯ 2ˇ ˇ ˇ 2ˇ 3 G 2ˇ ˇ ¯ 2ˇ ˇ 4 G 2¯ ˇ 2ˇ 2ˇ ˇ 5 G 2ˇ 2¯ ˇ 2ˇ ˇ 6 G 2ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 2ˇ 2ˇ ¯ 2ˇ ˇ 7 6 2ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 1 7 2ˇ 2¯ 2ˇ 2ˇ ˇ ˇ 2¯ 2ˇ 2ˇ ˇ 2 1 2ˇ ˇ ¯ 2ˇ 2ˇ 2ˇ 2ˇ ¯ 2ˇ 2ˇ 3 2 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 2ˇ 2¯ ˇ ˇ 4 3 2ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ ˇ 5 4 2ˇ ¯ 2ˇ 2ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 6 5 223 2ˇ 2ˇ ¯ 2ˇ ˇ 5 ˇ 2¯ 2ˇ ˇ 2ˇ 6 ˇ 2¯ ˇ 2ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ 2ˇ 1 2ˇ 2ˇ 2¯ 2ˇ ˇ 2 ˇ 2¯ 2ˇ 2ˇ ˇ 3 2ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(9,10)(17,18)] KW[(9,10)(15,16)] 224 16. Yu [ Enthusiasm, Contentment, Delight ] ˇ 2ˇ G ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ ˇ 225 2ˇ 2ˇ C 16.01 The Yijing Modes C 16.01 F B Z A 34.02 D Z E G AZ DZ GZ Z C F B Z Z E DZ AZ G Z G B G D A F 3.01 B Z Z Z B Z Z Z D Z A Z E F C E G Z D C Z A Z E Z B 41.01 ⇑ ˇ ˇ 226 2ˇ B Z F C Z Z 2ˇ Z G 1.04 D 43.03 G ˘ A F Z F G Z E F C Z D E 2.26 C C AZ E B Z 2ˇ 2ˇ Yu C 16.01 Z9, 11, Z13 C7 Z Z Z 5 A Fm△7 F D \ \ Z 9, 11, 13 9, 11, 13 G Z BZ GZ Z Z G Z E E A E C A Z C G F 9, 11, 13 Z B m7 G Z E △7 D B \ Z Z A C Z D F Z B Z D G B D A Z Z Z B Z Z E A Z D Z Z F Z C E G F Z B Z D Z F Z\ 9, 11, 13 [Z[ 9, 11, 13 3 5 7 A 7 ⇑ 2ˇ ˇ ˇ 227 G Z B Z \ 9, 11, 13 D ZZ Z G ˘ E C C E F A Z Z C 2ˇ 2ˇ 2ˇ 5 Z △7 C 16.01 The Yijing Modes 1 E Z DZ GZ A 7 A Z D Z GZ 2 B C C F 6 GZ DZ B F C G Z D Z B E A Z Z Z A Z B C E Z E Z F C 4 5 ⇑ G ˘ 2ˇ ˇ ˇ 228 2ˇ B Z F 3 E F G Z D AZ Z 2ˇ 2ˇ Yu G C 16.01 2ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ 2ˇ 2ˇ 2 G 2¯ ˇ ˇ 2ˇ 2ˇ 3 ˇ ˇ G 2¯ 2ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ 2ˇ 5 G ˇ 2ˇ 2¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ 2ˇ 2ˇ ¯ 2ˇ ˇ 2ˇ 7 6 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2 1 ˇ 2¯ 2ˇ 2ˇ ˇ 2ˇ 2¯ 2ˇ 2ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ 2ˇ 2ˇ ¯ ˇ 2ˇ 2ˇ 4 3 ˇ 2ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 5 4 2ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 6 5 229 2ˇ ¯ ˇ ˇ 2ˇ 5 2ˇ ˇ 2¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ 2ˇ ˇ 3 ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX(51,52) KW(17,18) 230 17. Sui [ Following ] ˇ ˇ G ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ ˇ 231 2ˇ ˇ C 17.01 The Yijing Modes C 17.01 F B Z A 43.08 D Z E AZ DZ G C F D G A B E Z C Z B E G F C G D A F 61.01 Z Z D Z A Z E B G F D C Z A G Z E Z B 2.11 D 1.09 ⇑ ˇ F C G 62.01 C B 2ˇ B F E G ˘ Z F E D A C G B AZ Z E 24.12 ˇ 232 ˇ 2ˇ ˇ Sui C 17.01 Z9, 11, Z13 C △7 \ Z A Fm△7 F D D Z Z Z 9, 11, 13 G7 Z B B E A Z D C Z Z [Z[ B 9, 11, 13 G E C Z D F Z D E A G D AZ Z Z F A Z Z C E B G F B D Z F \ ZZ Z [ 9, 11, 13 7 Z\ 9, 11, 13 A 5 △7 ⇑ G ˘ 2ˇ ˇ ˇ 233 E G B \\ \ 9, 11, 13 D C C Em F G B 3 5 7 Z C B F A Z A E C 5 E G G Z 9, 11, 13 ˇ 2ˇ ˇ Z △7 C 17.01 The Yijing Modes 1 E Z DZ A 7 A Z DZ 2 B G C C D F D 6 Z G AZ G G B F C Z E D E A Z A Z B Z E B C F G C 4 5 ⇑ G ˘ 2ˇ ˇ ˇ 234 ˇ F 3 E F B 2ˇ ˇ Sui G C 17.01 2ˇ ¯ 2ˇ ˇ ˇ 1 G 2ˇ ˇ ¯ 2ˇ ˇ 2 G 2¯ ˇ ˇ 2ˇ ˇ 3 ˇ ˇ G 2¯ ˇ ˇ 4 G ˇ ¯ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ ˇ ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2 1 ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 3 ˇ 2ˇ ¯ ˇ ˇ 5 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ¯ ˇ ˇ ˇ 6 5 235 ˇ ¯ ˇ ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 2ˇ ˇ 2¯ ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ ˇ 1 2ˇ ¯ ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ 2ˇ ˇ 3 ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX(51,52) KW(17,18) 236 18. Gu [ Work on what has been spoiled, Decay, Remedying, Degeneration ] 4ˇ 2ˇ G 2ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ 4ˇ 237 ˇ 2ˇ C 18.01 The Yijing Modes C 18.01 \ BZ EZ F A 15.06 D G Z Z E 9.03 A C A D F\ B Z G E Z G Z C EZ A EZ BZ A D G Z F C \ G D F \ 2.34 F G Z \ B Z E B Z B Z F A Z Z F \ C D A E Z \ C G Z A E Z Z B 58.02 ⇑ ˇ 2ˇ 4ˇ 238 2ˇ Z F \ C Z D C B G 1.35 D 51.07 G ˘ Z D ˇ 2ˇ Gu C 18.01 \ Z 9, 11, 13 Cm7 [Z Z 5 \\ A 9, 11, 13 \ F ◦7 G D D B Z Z GZ EZ B G Z E Z C A F \ BZ Z 9, 11, 13 5△ 7 G Z E Z C A F \ B D Z Z B B Z D G \ F G E F E C C \ Z Z Z \ E Z G D F Z B \ A C Z D C F \\ \ Z 9, 11, 13 9, 11, 13 Z A◦7 E m△7 ⇑ ˇ 4ˇ 239 Z E Z G Z B Z ZZ Z 9, 11, 13 D7 C D 2ˇ 5 7 A A A G ˘ Z\ \ 9, 11, 13 F\ 2ˇ ˇ 2ˇ C 18.01 The Yijing Modes 1 E Z A 7 D A D G Z G D F C \ B F Z E GZ \ B Z Z A E Z B C Z F A E \ C 4 5 ⇑ G ˘ ˇ 2ˇ 4ˇ 240 Z D D E Z B A Z 6 G Z C F\ C GZ 2 2ˇ ˇ 2ˇ Z B Z F \ 3 Gu G C 18.01 ˇ ¯ ˇ 2ˇ 2ˇ 1 ˇ 2ˇ G 2¯ ˇ 2ˇ 2 G ˇ 2ˇ ¯ 2ˇ 4ˇ 3 G 4ˇ ¯ 2ˇ ˇ 2ˇ 4 G 2¯ 4ˇ 2ˇ 2ˇ ˇ 5 G 4ˇ 2ˇ 2¯ ˇ ˇ 6 ˇ G 4¯ 2ˇ ˇ ˇ 7 ˇ ¯ ˇ 4ˇ 2ˇ 2ˇ ¯ ˇ 4ˇ 2ˇ 7 6 ˇ 2ˇ 2¯ ˇ ˇ ˇ 4ˇ 2¯ ˇ ˇ 1 7 ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ 2 4ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ¯ 2ˇ ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ ˇ 2ˇ ˇ 2¯ 4ˇ ˇ 2ˇ 4 3 4ˇ 2ˇ 2¯ ˇ 2ˇ 4ˇ ˇ 2¯ ˇ 2ˇ 5 4 ˇ 4¯ 2ˇ 2ˇ ˇ 2ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 241 2ˇ ¯ 2ˇ 4ˇ 2ˇ 5 ˇ 4ˇ 2¯ 2ˇ ˇ 6 ˇ ˇ ¯ 4ˇ 2ˇ 7 2ˇ ¯ ˇ ˇ 2ˇ 1 ˇ 2¯ 2ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ ˇ 2ˇ 3 2ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(7,8)(31,32)] KW[(19,20)(33,34)] 242 19. Lin [ Approach, Approaching, Overseeing ] ˇ 2ˇ G 2ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ ˇ 243 2ˇ 2ˇ C 19.01 The Yijing Modes C 19.01 F Z EZ AZ B Z A 1.01 D G F B Z Z A D C Z E A F 11.01 B Z E Z B Z F G F C G G C G E Z Z D B D A Z Z E Z G D A G Z E Z Z B 34.01 D 2.01 ⇑ 2ˇ Z F C G 24.01 C C ˇ B F F G ˘ Z D D C AZ EZ BZ A Z E 43.01 ˇ 244 ˇ 2ˇ 2ˇ Lin C 19.01 Z 9, 11, 13 Cm7 A 9, 11, 13 Z Z Z 9, 11, 13 F Fm7 Gm7 D D B Z B G E Z E G Z C A A EZ Z 9, 11, 13 Z G E Z C Z C B D F B G Z B 7 B Z Z A Z D G F C E C Z G F Z B Z D F \ 9, 11, 13 9, 11, 13 Z △7 A Z △7 ⇑ G ˘ ˇ 2ˇ ˇ 245 ˇ E Z G B Z Z Z 2ˇ 2ˇ Z 9, 11, 13 Dm7 C E A Z D A Z D E Z F F A Z C 5 C 19.01 The Yijing Modes 1 Z AZ E 7 A Z 2 D D G G A C C D G B F G Z D 6 B Z E Z A Z E F A Z E Z Z F G C 4 5 ⇑ ˇ 2ˇ ˇ 246 ˇ Z B Z F 3 B C G ˘ Z Z D F C Z E B 2ˇ 2ˇ Lin G C 19.01 2ˇ ¯ ˇ 2ˇ ˇ 1 G ˇ 2ˇ ¯ 2ˇ 2ˇ 2 G 2ˇ 2ˇ ¯ 2ˇ ˇ 3 2ˇ ˇ G 2¯ 2ˇ ˇ 4 G 2¯ ˇ ˇ 2ˇ ˇ 5 G ˇ ˇ 2¯ ˇ ˇ 6 G ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ ˇ 2ˇ ¯ ˇ ˇ ˇ 7 ˇ 2ˇ ¯ 2ˇ ˇ 6 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ 2ˇ ¯ 2ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 2 1 ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ 4 3 ˇ ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 6 5 247 2ˇ ¯ 2ˇ ˇ ˇ 5 ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ ˇ ˇ 7 ˇ 2¯ ˇ ˇ 2ˇ 1 ˇ 2¯ ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ ˇ 2ˇ 3 2ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(7,8)(31,32)] KW[(19,20)(33,34)] 248 20. Guan [ Contemplation, Observing, Watching ] 4ˇ ˇ G 2ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ 4ˇ 249 2ˇ ˇ C 20.01 The Yijing Modes C 20.01 F \ B Z A 34.09 D Z G Z F\ C B E B Z AZ DZ GZ E DZ AZ EZ G Z Z E \ A E F G Z \ Z Z Z Z B F \ Z D Z C G B Z D C A Z E Z Z Z E Z B 24.45 ⇑ 4ˇ 250 2ˇ B F \ C Z A 2ˇ Z G 1.11 Z 2ˇ A C \ D 43.10 G ˘ Z Z B G D F \ 2.44 F C AZ F C G D Z E 11.08 2ˇ ˇ Guan C 20.01 Z9, \11, Z13 Cm [ [ 3 5 7 Z G Z E C A B [[ 3 7 G Z Z A C Z F E Z EZ Z F E G G Z \ D Z G \ D Z Z Z A E B Z F Z C Z Z G \ \ A Z A Z C Z B D Z F \ E Zm7 9, 11, 13 \ \ \ 9, 11, 13 Z 5 A 7 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 251 2ˇ Z E Z G Z B 2ˇ ˇ Z\ \ 9, 11, 13 D C \ F C 3 7 B D G AZ Z B E F D C \ Z\ \ 9, 11, 13 B B 9, 11, 13 \ Z F\ DZ \[ Z [ D ZZ [ 5 △7 A 9, 11, 13 F Z 3 △7 C 20.01 The Yijing Modes 1 Z AZ DZ GZ E 7 A Z DZ G Z C F 6 GZ DZ F C \ 2 C \ G B D E F G Z Z D \ Z A Z B E Z A Z Z E Z B C Z A EZ F \ C 4 5 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 252 2ˇ 2ˇ ˇ Z B B F \ 3 Guan G C 20.01 2ˇ ¯ 2ˇ 2ˇ 2ˇ 1 2ˇ 2ˇ G 2¯ 2ˇ ˇ 2 G 2¯ 2ˇ 4ˇ 2ˇ ˇ 3 2ˇ 4ˇ G 2¯ ˇ ˇ 4 G 2¯ 4ˇ 2ˇ ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ 2ˇ 6 2ˇ G 4¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ 4ˇ 2ˇ ˇ ¯ 2ˇ 4ˇ 2ˇ 7 6 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ 4ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ 2ˇ 2ˇ 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 1 4ˇ 2¯ ˇ 2ˇ 2ˇ 2ˇ 2¯ ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ 2ˇ ˇ 2ˇ 2¯ 4ˇ 2ˇ ˇ 4 3 4ˇ 2ˇ ¯ ˇ 2ˇ 4ˇ 2ˇ ¯ ˇ 2ˇ 5 4 2ˇ 4¯ 2ˇ ˇ ˇ 2ˇ 4¯ 2ˇ ˇ ˇ 6 5 253 ˇ ¯ 2ˇ 4ˇ 2ˇ 5 2ˇ 4ˇ 2¯ ˇ ˇ 6 2ˇ ˇ 2¯ 4ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ 2ˇ 2ˇ ˇ 2 4ˇ 2ˇ ¯ 2ˇ 2ˇ 3 2ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(45,46)(53,54)] KW[(21,22)(47,48)] 254 21. Shi He [ Biting Through, Eradicating ] 4ˇ 2ˇ G ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ 4ˇ 255 2ˇ 2ˇ C 21.01 The Yijing Modes C 21.01 \ BZ F Z A 43.13 D Z E AZ DZ G C F \ B Z A B Z E C G G G E DZ AZ D F Z \ G A F\ B Z F \ Z Z B Z F D Z A Z E G D Z A Z E Z Z B 26.02 D 1.14 ⇑ ˇ 4ˇ 256 ˇ B Z F \ C G 39.01 C E G 2ˇ Z C \ C G ˘ A E D F \ 2.32 BZ C Z E 7.12 2ˇ 2ˇ Shi He C 21.01 Z9, \11, Z13 C7 ZZ [ \ [Z F 7 3 5 D Z B Z A Z F \ \ B Zm7 G E C Z Gm F \ D Z B C \ Z D 5 B F A Z \ D Z B G E A G Z Z Z D F Z Z F \ \ A Z Z A C G B Z D Z F Z Z \ Z\ \ 9, 11, 13 9, 11, 13 E ◦7 A 5 △7 ⇑ 2ˇ 4ˇ 257 E G B Z \\ ˇ 2ˇ 2ˇ Z\ 9, 11, 13 D E ˇ 5 △7 C C C G ˘ Z E E C A 9, 11, 13 G G E 9, 11, 13 Z Z F\ DZ BZ A 9, 11, 13 3 △7 C 21.01 The Yijing Modes 1 E Z DZ A 7 A Z D Z 2 B G C F D 6 Z G AZ G F C \ B C \ D D \ E G Z F Z Z B E A Z A Z E B C Z F Z E \ G C 4 5 ⇑ G ˘ 2ˇ Z ˇ 4ˇ 258 ˇ 2ˇ 2ˇ B Z F \ 3 Shi He G C 21.01 2ˇ ¯ 2ˇ ˇ ˇ 1 G 2ˇ ˇ ¯ 2ˇ 2ˇ 2 G 2¯ ˇ 4ˇ 2ˇ 2ˇ 3 ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G ˇ ¯ 4ˇ ˇ 2ˇ 5 G 4ˇ ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ 4ˇ ˇ 2ˇ ¯ 2ˇ 4ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ 4ˇ ¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2 1 4ˇ 2¯ 2ˇ 2ˇ ˇ ˇ 2¯ 2ˇ 2ˇ ˇ 3 2 ˇ ¯ 4ˇ 2ˇ 2ˇ 2ˇ ¯ 4ˇ 2ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ ˇ 4ˇ 2ˇ 2¯ ˇ ˇ 5 4 2ˇ 4¯ ˇ 2ˇ ˇ ˇ 4¯ ˇ 2ˇ ˇ 6 5 259 2ˇ ¯ ˇ 4ˇ ˇ 5 2ˇ 4ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ 4ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ ˇ 1 2ˇ ¯ ˇ 2ˇ 2ˇ 2 4ˇ 2ˇ 2¯ 2ˇ ˇ 3 ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(45,46)(53,54)] KW[(21,22)(47,48)] 260 22. Bi [ Grace, Adornment, Elegance ] 4ˇ 2ˇ G 2ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ 4ˇ 261 ˇ 2ˇ C 22.01 The Yijing Modes C 22.01 \ BZ EZ F A 15.07 D Z Z E 14.03 A G C F D \ B Z Z D G G EZ C A BZ E Z A DZ C G F E \ F\ B Z E Z G D F \ 2.29 BZ Z Z B Z F A F D \ Z A E Z G D Z A E Z Z Z B 5.02 D 1.17 ⇑ 2ˇ 2ˇ 4ˇ 262 ˇ B Z F \ C G 29.01 C G G ˘ A C \ C Z ˇ 2ˇ Bi C 22.01 Z9, \11, 13 Cm7 ZZ [ 9, 11, 13 \ Z B Z G E Z Z \ B m G Z C Gm A F E C EZ C F E F G A 9, 11, 13 9, 11, 13 \ DZ BZ F ◦7 D Z A \ D Z B C \ G Z D E 5 △7 B F \ D Z B Z Z Z Z D F Z \ \ G C E A C E Z G B Z D Z F \ ZZ Z 9, 11, 13 9, 11, 13 Z E 7 Am7 ⇑ 2ˇ 2ˇ 4ˇ 263 ˇ Z Z G B Z \ ˇ 2ˇ 5 Z\ \ 9, 11, 13 D C G ˘ 5 △7 A A A \\ F Z 3 5 △7 C 22.01 The Yijing Modes 1 E Z A 7 A D D Z 2 Z E G DZ G C F D 6 Z G F C \ B C \ F D \ Z E Z A E Z B C Z A Z F A E \ G C 4 5 ⇑ G ˘ 2ˇ 2ˇ Z G Z B Z B 4ˇ 264 ˇ ˇ 2ˇ Z B Z F \ 3 Bi G C 22.01 ˇ ¯ 2ˇ 2ˇ ˇ 1 G 2ˇ 2ˇ ¯ ˇ 2ˇ 2 G 2¯ 2ˇ 4ˇ ˇ 2ˇ 3 G 4ˇ ¯ 2ˇ ˇ 2ˇ 4 G 2¯ 4ˇ ˇ 2ˇ ˇ 5 G 4ˇ ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ ˇ ˇ ˇ 7 ˇ ¯ 2ˇ 4ˇ ˇ 2ˇ ¯ 2ˇ 4ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ ˇ 6 2ˇ 4ˇ ¯ ˇ ˇ 1 7 ˇ 2ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ 2 1 4ˇ ¯ 2ˇ 2ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ ˇ 2ˇ 2ˇ 2¯ 4ˇ ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ 2ˇ 4ˇ ˇ 2¯ ˇ 2ˇ 5 4 2ˇ 4¯ ˇ 2ˇ ˇ 2ˇ 4¯ ˇ 2ˇ ˇ 6 5 265 2ˇ ¯ 2ˇ 4ˇ ˇ 5 2ˇ 4ˇ ¯ 2ˇ ˇ 6 ˇ ˇ 2¯ 4ˇ ˇ 7 ˇ ¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ 2ˇ 2ˇ 3 2ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ ˇ 1 ˇ ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(3,4)(63,64)] KW[(23,24)(43,44)] 266 23. Bo [ Splitting Apart, Stripping Away, Falling Away, Peeling ] 4ˇ 2ˇ G 2ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ 4ˇ 267 2ˇ 2ˇ C 23.01 The Yijing Modes C 23.01 \ BZ EZ AZ DZ GZ F Z A 34.04 D Z G Z F\ C B Z E DZ AZ EZ Z B G Z Z C AZ F C F G Z \ Z E B G A B EZ \ D F \ 2.58 G Z Z Z B Z F Z Z F D \ Z C G Z D C A Z Z E Z E Z Z Z B 19.02 ⇑ 4ˇ 268 2ˇ Z B Z F \ C Z A 2ˇ A G 1.06 Z 2ˇ Z C \ D 43.05 G ˘ Z D Z E 11.03 2ˇ 2ˇ Bo C 23.01 Z9, \11, Z13 Cm7 [Z [ 3 5 7 Z B Z G Z E Z C A Z F Z \ B Zm7 5 G Z \ Z F\ DZ BZ GZ EZ \[ Z [ D 9, 11, 13 5 A 9, 11, 13 F Z E Z C A Z F \ D Z B B F A Z \ Z Z B D G Z E G E D G C \ Z Z Z A Z Z D F Z C E Z G Z F \ \ A Z A Z C C Z B Z D Z F \ \ 9, 11, 13 9, 11, 13 E m7 A 7 Z Z ⇑ G ˘ 2ˇ 2ˇ 4ˇ 269 2ˇ E Z 7 Z G Z B Z 2ˇ 2ˇ Z\ 9, 11, 13 D C \ Z\ 9, 11, 13 3 △7 C 23.01 The Yijing Modes 1 Z AZ DZ GZ E 7 A Z D Z G Z C F 6 GZ DZ F C \ B Z C \ G Z F G 2 Z D D \ B Z E Z A Z E Z B C Z Z F Z A A Z E Z E \ C 4 5 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 270 2ˇ 2ˇ 2ˇ Z Z B Z B Z F \ 3 Bo G C 23.01 2ˇ ¯ 2ˇ 2ˇ 2ˇ 1 2ˇ 2ˇ G 2¯ 2ˇ 2ˇ 2 G 2¯ 2ˇ 4ˇ 2ˇ 2ˇ 3 2ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G 2¯ 4ˇ 2ˇ 2ˇ ˇ 5 G 4ˇ 2ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ 4ˇ 2ˇ 2ˇ ¯ 2ˇ 4ˇ 2ˇ 7 6 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ 4ˇ 2¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ 2ˇ 2ˇ 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 1 4ˇ 2¯ 2ˇ 2ˇ 2ˇ 2ˇ 2¯ 2ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ 2ˇ 2ˇ 2ˇ 2¯ 4ˇ 2ˇ 2ˇ 4 3 4ˇ 2ˇ 2¯ ˇ 2ˇ 4ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 2ˇ 4¯ 2ˇ 2ˇ ˇ 2ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 271 2ˇ ¯ 2ˇ 4ˇ 2ˇ 5 2ˇ 4ˇ 2¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ 4ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ 2ˇ 2ˇ 2ˇ 2 4ˇ 2ˇ 2¯ 2ˇ 2ˇ 3 2ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(3,4)(63,64)] KW[(23,24)(43,44)] 272 24. Fu [ Return, The Turning Point, Turning Back ] ˇ 2ˇ G 2ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ ˇ 273 2ˇ 2ˇ C 24.01 The Yijing Modes C 24.01 F Z EZ AZ DZ B Z A 43.01 D Z G C F B Z Z A D Z C Z E D A F 19.01 B Z E Z B Z G F C G G Z Z Z B D Z A Z E Z B Z F C G 2.01 C G D Z A G Z E Z Z Z B 11.01 D 1.01 ⇑ 2ˇ Z F C 2ˇ A F Z F G ˘ Z C G E AZ EZ BZ D Z E 34.01 ˇ 274 ˇ 2ˇ 2ˇ Fu C 24.01 Z9, 11, Z13 Cm7 Z A 9, 11, 13 Z Z Z F Fm7 D Gm7 Z BZ D Z B Z G E E G Z C A A EZ Z C B G F 9, 11, 13 Z G E Z C A Z D F Z B Z D E B m7 B D A Z Z Z Z A G Z D Z Z F Z C E Z C Z B Z D Z F 9, 11, 13 9, 11, 13 Z E 7 A Z △7 ⇑ 2ˇ 2ˇ ˇ 275 ˇ Z E Z G B Z \ 9, 11, 13 D G F Z C 5 F A C G ˘ Z 9, 11, 13 2ˇ 2ˇ Z △7 C 24.01 The Yijing Modes 1 Z AZ DZ E 7 A Z D Z 2 G G C C D F D 6 Z G B F C Z D Z E Z A Z E F Z A Z E Z Z F G C 4 5 ⇑ 2ˇ 2ˇ ˇ 276 ˇ Z B Z F 3 B C G ˘ Z Z G Z B Z A E B 2ˇ 2ˇ Fu G C 24.01 2ˇ ¯ 2ˇ 2ˇ ˇ 1 G 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2 G 2¯ 2ˇ ˇ 2ˇ 2ˇ 3 2ˇ ˇ G 2¯ 2ˇ ˇ 4 G 2¯ ˇ ˇ 2ˇ ˇ 5 G ˇ ˇ 2¯ ˇ 2ˇ 6 G 2ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ ˇ 2ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ 2ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 2 1 ˇ 2¯ 2ˇ 2ˇ 2ˇ ˇ 2¯ 2ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ 2ˇ 2ˇ 2¯ ˇ 2ˇ 2ˇ 4 3 ˇ ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 2ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 6 5 277 2ˇ ¯ 2ˇ ˇ ˇ 5 2ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ 2ˇ 2ˇ 3 2ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(13,14)(49,50)] KW[(25,26)(45,46)] 278 25. Wu Wang [ Innocence, Fidelity, No Errancy, Without Falsehood ] 4ˇ ˇ G ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ 4ˇ 279 2ˇ ˇ C 25.01 The Yijing Modes C 25.01 F \ B Z A 43.23 D Z E AZ DZ G C F \ D G G B F E A B E DZ AZ C G F C Z G Z Z B F C D Z A Z E \ G B D C Z A G Z E Z B 24.11 D 1.24 ⇑ G ˘ 2ˇ ˇ 4ˇ 280 ˇ B F \ C G 31.01 C E F\ Z B \ A A E D F \ 2.10 \ Z E 19.12 2ˇ ˇ Wu Wang C 25.01 Z9, \11, Z13 C △7 Z [ [Z F \7 3 5 D Z E AZ D F B [[ E C AZ F \ D Z C \ A G F\ AZ F\ Z Z A Z F Z \ A Z C B E G B D Z F Z Z \ \ \ Z\ 9, 11, 13 [ Em 9, 11, 13 7 A 5 △7 ⇑ 2ˇ ˇ 4ˇ 281 E G B \\ \ ˇ 2ˇ ˇ Z\ 9, 11, 13 D C C G ˘ C B D E DZ 5△ 7 G B 3 7 Z E E C G G G G 9, 11, 13 9, 11, 13 B B Z Z Z Z F\ DZ A 9, 11, 13 3 △7 C 25.01 The Yijing Modes 1 E Z DZ A 7 A Z DZ 2 B G C F D 6 Z G AZ G F C \ C \ D G B D E F \ Z E A Z A Z B Z E E B C F \ G C 4 5 ⇑ G ˘ 2ˇ ˇ 4ˇ 282 ˇ 2ˇ ˇ B F \ 3 Wu Wang G C 25.01 ˇ 2ˇ ¯ 2ˇ ˇ 1 G ˇ ¯ 2ˇ ˇ 2ˇ 2 G 2¯ ˇ 4ˇ 2ˇ ˇ 3 ˇ 4ˇ G 2¯ ˇ ˇ 4 G ˇ ˇ ¯ 4ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ 2ˇ 6 G 4¯ ˇ 2ˇ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ 4ˇ ˇ ˇ ¯ 2ˇ 4ˇ 6 7 ˇ ¯ 2ˇ ˇ 2ˇ 4ˇ ¯ 2ˇ ˇ 2ˇ 1 7 ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 2 1 ˇ 4ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 3 2 ˇ ˇ ¯ 4ˇ 2ˇ ˇ 2ˇ ¯ 4ˇ 2ˇ 3 4 4ˇ ˇ ¯ ˇ ˇ 4ˇ 2ˇ ¯ ˇ ˇ 5 4 2ˇ 4¯ ˇ ˇ ˇ ˇ 4¯ ˇ ˇ ˇ 6 5 283 ˇ ˇ ¯ ˇ 4ˇ 5 4ˇ ¯ ˇ ˇ 2ˇ 6 ˇ 2¯ 4ˇ ˇ 2ˇ 7 ˇ ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ ˇ 2ˇ 2 4ˇ 2ˇ ¯ 2ˇ ˇ 3 ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(13,14)(49,50)] KW[(25,26)(45,46)] 284 26. Da Xu [ The Taming Power of the Great, Nurturance of the Great ] 4ˇ 2ˇ G 2ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ 4ˇ 285 ˇ 2ˇ C 26.01 The Yijing Modes C 26.01 \ BZ EZ F A 15.01 Z E 1.03 A D G C A D D F\ B Z G G EZ C A EZ BZ A D C G F E \ F\ B Z E Z G D F \ 2.12 BZ Z B Z F A F \ C D A E \ G D A G E Z Z B 43.02 D 51.01 ⇑ ˇ 2ˇ 4ˇ 286 ˇ B Z F \ C G 60.01 C C G ˘ Z ˇ 2ˇ Da Xu C 26.01 \ 9, 11, 13 Cm7 ZZ Z 9, 11, 13 \ F ◦7 Z A 9, 11, 13 F Gm△7 \ D D B Z B G E Z EZ C F \ BZ 9, 11, 13 G E Z C F E C G A A Z \ B D C \ Z B Z D 5△ 7 \ B G E F F Z Z A D F \ A C G E Z G D B Z D F \\ \ Z Z 9, 11, 13 9, 11, 13 Z △7 Am7 ⇑ ˇ 2ˇ 4ˇ 287 Z G B Z Z Z 9, 11, 13 D7 C C G ˘ E A A E \ Z ˇ ˇ 2ˇ 5 C 26.01 The Yijing Modes 1 E Z A 7 2 D A D E G G D G F \ C F\ B D G Z D 6 F \ B Z E Z A E Z B C Z F A E \ G C 4 5 ⇑ G ˘ Z A C C Z B ˇ 2ˇ 4ˇ 288 ˇ ˇ 2ˇ Z B Z F \ 3 Da Xu G C 26.01 ˇ ¯ ˇ 2ˇ ˇ 1 G ˇ 2ˇ ¯ ˇ 2ˇ 2 G ˇ 2ˇ ¯ 2ˇ 4ˇ 3 G 4ˇ ¯ 2ˇ ˇ 2ˇ 4 G 2¯ 4ˇ ˇ 2ˇ ˇ 5 G 4ˇ ˇ 2¯ ˇ ˇ 6 ˇ G 4¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ 4ˇ ˇ 2ˇ ¯ ˇ 4ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 6 ˇ 4ˇ ¯ ˇ ˇ 1 ˇ 2ˇ ¯ 2ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 2 4ˇ ¯ 2ˇ ˇ 2ˇ 1 ˇ ¯ 2ˇ ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ ˇ 2ˇ ˇ 2¯ 4ˇ ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ 2ˇ 4ˇ ˇ 2¯ ˇ 2ˇ 5 4 ˇ 4¯ ˇ 2ˇ ˇ 2ˇ 4¯ ˇ 2ˇ ˇ 6 5 289 2ˇ ¯ 2ˇ 4ˇ ˇ 5 ˇ 4ˇ ¯ 2ˇ ˇ 6 ˇ ˇ ¯ 4ˇ ˇ 7 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ 2¯ ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ ˇ 2ˇ 3 2ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ ˇ 1 ˇ ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX(61,62) KW(27,28) 290 27. Yi [ The Corners of the Mouth, Lower Jaw, Nourishment ] 4ˇ 2ˇ G 2ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ 4ˇ 291 2ˇ 2ˇ C 27.01 The Yijing Modes C 27.01 \ BZ EZ AZ DZ F Z A 43.04 D Z G C F \ B Z EZ C G G G A DZ AZ EZ Z B D F C Z E \ A F\ B Z E Z G D F \ 2.45 BZ Z Z Z B Z F F D \ Z A Z E Z G D Z A Z E Z Z Z B 11.02 D 1.05 ⇑ 2ˇ 2ˇ 4ˇ 292 ˇ Z B Z F \ C G 8.01 C G G ˘ A C \ C Z Z E 34.03 2ˇ 2ˇ Yi C 27.01 Z9, \11, Z13 Cm7 ZZ [ F \[ Z [ 3 5 7 D Z B Z G E Z Z \ B m7 G E Z C Z F Gm E C EZ Z F A 9, 11, 13 G A 9, 11, 13 Z Z Z F\ DZ BZ A 9, 11, 13 \ D Z B C \ G Z D E 5 B F A Z \ D Z B Z Z A G Z Z D F Z C E Z \ \ A A Z Z C Z G B Z D Z F \ \ 9, 11, 13 9, 11, 13 Z E 7 A Z △7 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 293 ˇ E Z 5 △7 Z G B Z \ 2ˇ 2ˇ Z\ 9, 11, 13 D C \ F C Z 3 △7 C 27.01 The Yijing Modes 1 Z AZ DZ E 7 A Z D Z 2 G G C F D 6 Z G F C \ B C \ D F D \ Z Z E Z A Z E Z B C Z Z F A Z E \ G C 4 5 ⇑ G ˘ 2ˇ 2ˇ Z Z G Z B Z A E B 4ˇ 294 ˇ 2ˇ 2ˇ Z B Z F \ 3 Yi G C 27.01 2ˇ ¯ 2ˇ 2ˇ ˇ 1 G 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2 G 2¯ 2ˇ 4ˇ 2ˇ 2ˇ 3 2ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G 2¯ 4ˇ ˇ 2ˇ ˇ 5 G 4ˇ ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ 4ˇ ˇ 2ˇ ¯ 2ˇ 4ˇ ˇ 7 2ˇ 2ˇ ¯ 2ˇ ˇ 6 2ˇ 4ˇ ¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 2 1 4ˇ 2¯ 2ˇ 2ˇ 2ˇ ˇ 2¯ 2ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ 2ˇ 2ˇ 2ˇ 2¯ 4ˇ 2ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ 2ˇ 4ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 2ˇ 4¯ ˇ 2ˇ ˇ 2ˇ 4¯ ˇ 2ˇ ˇ 6 5 295 2ˇ ¯ 2ˇ 4ˇ ˇ 5 2ˇ 4ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ 4ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ ˇ 2ˇ 2ˇ 2 4ˇ 2ˇ 2¯ 2ˇ 2ˇ 3 2ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX(61,62) KW(27,28) 296 28. Da Guo [ Preponderance of the Great, Excess of the Great ] ˇ ˇ G ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ ˇ 297 ˇ ˇ C 28.01 The Yijing Modes C 28.01 F B E A 19.06 D G Z E 24.05 A A D C F G B G Z C F C E B A B E A D G Z E G F C D C G B F Z D A E F E G Z B A F 13.01 Z A E B 2.04 ⇑ ˇ ˇ ˇ 298 2ˇ F C Z D C B G 1.43 D 11.07 G ˘ Z D ˇ ˇ Da Guo C 28.01 Z 9, 11, 13 C Z\ 5 △7 9, 11, 13 A F △7 F \\ \ Z\ \ 9, 11, 13 G 3 5△ 7 D B D B G Z G E E Z C A F E C D C A G F Z [ Z 9, 11, 13 Bm7 5 G Z E C B D F A Z B D G Z E F A E G F Z B A D C F Z Z Z [ 9, 11, 13 [ 9, 11, 13 3 7 Am ⇑ ˇ ˇ ˇ 299 G Z B Z 9, 11, 13 Dm7 D G ˘ E C B E7 C A 2ˇ ˇ ˇ C 28.01 The Yijing Modes 1 E A 7 2 D A GZ D G B Z E A C C GZ F D GZ B F C D 6 E E B C F C 4 5 ⇑ G ˘ ˇ ˇ ˇ 300 2ˇ B F 3 E F Z A A B G D ˇ ˇ Da Guo G C 28.01 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ ˇ G 2¯ ˇ ˇ 2 G ˇ ˇ ¯ ˇ ˇ 3 G ˇ ¯ ˇ ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ ˇ 6 G ˇ ¯ 2ˇ ˇ ˇ 7 ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 2ˇ 7 6 ˇ ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ 1 7 ˇ ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 2 ˇ ¯ ˇ ˇ ˇ 1 2ˇ ¯ ˇ ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 2 ˇ ¯ ˇ ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 3 ˇ ˇ ¯ ˇ ˇ 5 ˇ ¯ 2ˇ ˇ ˇ 4 ˇ ¯ 2ˇ ˇ ˇ 6 5 301 ˇ ¯ ˇ ˇ 2ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ 2ˇ 7 2ˇ ¯ ˇ ˇ ˇ 1 ˇ ¯ 2ˇ ˇ ˇ 2 ˇ ˇ ¯ ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ ¯ ˇ ˇ 2 ˇ ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX(37,38) KW(29,30) 302 29. Kan [ The Abysmal, water, Darkness, Mastering Pitfalls ] ˇ ˇ G 2ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ ˇ 303 2ˇ ˇ C 29.01 The Yijing Modes C 29.01 F B Z AZ Z E A 14.03 D G Z D C F G B E B EZ A Z D A G Z Z G Z C E A F 22.01 E Z Z D Z D A Z E C G Z A Z E Z B 2.29 ⇑ ˇ 2ˇ ˇ 304 2ˇ F C Z D C B G 1.17 D 15.07 G ˘ Z F F Z B B B G Z G F C Z D F C AZ Z Z E 5.02 2ˇ ˇ Kan C 29.01 Z Z 9, 11, 13 Cm Z\ 5 △7 A 9, 11, 13 \ Z F Fm7 G D B D B G Z E E Z EZ G Z C A Z A ZZ [ 9, 11, 13 B ◦7 G Z E Z C Z G Z G Z Z A F E Z G D F Z \ Z C Z B D F \\ 9, 11, 13 9, 11, 13 5 △7 Z A 7 ⇑ G ˘ ˇ 2ˇ ˇ 305 2ˇ E Z G Z B ZZ 2ˇ ˇ Z 9, 11, 13 Dm7 C E m A Z C B AZ B D E Z D C B D F Z C 3 5△ 7 F F A Z\ \ 9, 11, 13 5 C 29.01 The Yijing Modes 1 Z AZ E 7 A Z 2 D GZ D G Z A C C GZ F D GZ B F C E Z A Z B E F G Z Z A Z E Z F C 4 5 ⇑ G ˘ ˇ 2ˇ ˇ 306 2ˇ Z B F 3 B C B D D 6 EZ 2ˇ ˇ Kan G C 29.01 2ˇ ¯ ˇ 2ˇ 2ˇ 1 ˇ 2ˇ G 2¯ 2ˇ ˇ 2 G 2ˇ ˇ ¯ 2ˇ ˇ 3 2ˇ ˇ G 2¯ ˇ ˇ 4 G 2¯ ˇ 2ˇ ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ ˇ 6 G ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 2ˇ 7 6 ˇ 2ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ ¯ 2ˇ 2ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 2 1 ˇ 2¯ ˇ ˇ 2ˇ 2ˇ 2¯ ˇ ˇ 2ˇ 3 2 ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ ˇ 4 3 ˇ 2ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ 5 ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ¯ 2ˇ ˇ ˇ 6 5 307 ˇ ¯ 2ˇ ˇ 2ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 2ˇ ˇ ¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ ˇ 2ˇ 1 ˇ 2¯ 2ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ ˇ 2ˇ 3 2ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX(37,38) KW(29,30) 308 30. Li [ Fire, The Clinging, Cohesion ] 4ˇ 2ˇ G ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ 4ˇ 309 ˇ 2ˇ C 30.01 The Yijing Modes C 30.01 \ BZ F A 36.07 D E Z E 7.06 A G C F D \ B Z Z D G G BZ C E A BZ E A DZ C G F \ G Z B F\ Z Z F A B \ C D Z A E \ G D Z A G E Z Z B 9.02 D 1.30 ⇑ 2ˇ ˇ 4ˇ 310 ˇ B Z F \ C G 48.01 C E C G ˘ A E D F \ 2.19 F Z ˇ 2ˇ Li C 30.01 Z9, \11, 13 C7 ZZ [ A \ Z 9, 11, 13 F m7 5 D Z B Z 9, 11, 13 F\ DZ BZ Gm E E E C A F \ \ B Zm 9, 11, 13 G E C F A \ D Z B C \ Z D 5 △7 B F \ D Z B G E Z Z D F Z F \ \ A A C A G Z E G B Z D Z C F \ ZZ Z 9, 11, 13 9, 11, 13 E ◦7 Am7 ⇑ 2ˇ ˇ 4ˇ 311 E G B Z \\ ˇ ˇ 2ˇ Z\ \ 9, 11, 13 D C A G ˘ 5 △7 C G G Z 3 5 △7 C 30.01 The Yijing Modes 1 E A 7 A D D Z 2 Z B E G DZ G C F D 6 Z G F C \ B C \ D \ A G Z F Z B E Z A E A E B C Z F \ G C 4 5 ⇑ G ˘ 2ˇ Z ˇ 4ˇ 312 ˇ ˇ 2ˇ B Z F \ 3 Li G C 30.01 ˇ ¯ 2ˇ ˇ ˇ 1 G 2ˇ ˇ ¯ ˇ 2ˇ 2 G 2¯ ˇ 4ˇ ˇ 2ˇ 3 G 4ˇ ¯ 2ˇ ˇ ˇ 4 G ˇ ¯ 4ˇ ˇ 2ˇ 5 G 4ˇ ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ ˇ ˇ ˇ 7 ˇ ¯ 2ˇ 4ˇ ˇ 2ˇ ¯ 2ˇ 4ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 6 2ˇ 4ˇ ¯ ˇ ˇ 1 7 ˇ 2ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ 2 1 4ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 3 ˇ ¯ 4ˇ ˇ 2ˇ 2 2ˇ ¯ 4ˇ ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ ˇ 4ˇ ˇ 2¯ ˇ ˇ 5 4 2ˇ 4¯ ˇ 2ˇ ˇ ˇ 4¯ ˇ 2ˇ ˇ 6 5 313 2ˇ ¯ ˇ 4ˇ ˇ 5 2ˇ 4ˇ ¯ 2ˇ ˇ 6 ˇ ˇ 2¯ 4ˇ ˇ 7 ˇ ¯ ˇ 2ˇ ˇ 1 2ˇ ¯ ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ 2ˇ ˇ 3 ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 1 ˇ ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(29,30)(57,58)] KW[(31,32)(41,42)] 314 31. Xian [ Influence, Sensitivity, Reciprocity ] ˇ ˇ G ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ ˇ 315 ˇ ˇ C 31.01 The Yijing Modes C 31.01 F B A 19.12 D E Z G Z E 24.11 A Z GZ D C F B G B E A G Z B E G F C D Z C G B F Z D Z A E F E G Z B A F 25.01 Z D C Z A E B 2.10 ⇑ ˇ ˇ 316 2ˇ F C Z Z 2ˇ B G 1.24 D 43.23 G ˘ A C A DZ Z F C E Z D ˇ ˇ Xian C 31.01 Z9, 11, 13 C Z\ Z Z 5 △7 9, 11, 13 A F △7 F D D Z \\ \ G Z B B G Z G E E Z A E D C G F Z [ [Z B7 9, 11, 13 3 5 G Z E A C D F Z Z B G D Z Z Z Z F A C E B G Z B D Z C F Z Z Z Z [ 9, 11, 13 [[ 9, 11, 13 3 7 7 Am ⇑ 2ˇ ˇ ˇ 317 G Z B \ \ 2ˇ ˇ ˇ Z\ 9, 11, 13 D C A G ˘ E A F E F B D E 3△ 7 C C A Z\ 9, 11, 13 5 △7 C 31.01 The Yijing Modes 1 E A 7 A 2 Z GZ D DZ GZ B E C C F D 6 Z G Z B F C G D E A E B C F C 4 5 ⇑ G ˘ 2ˇ ˇ ˇ 318 2ˇ B F 3 E F Z Z A A B G Z DZ ˇ ˇ Xian G C 31.01 ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ ˇ ˇ 2 G 2¯ ˇ ˇ ˇ ˇ 3 G ˇ ¯ ˇ ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ ˇ ˇ 7 ˇ ¯ 2ˇ ˇ 2ˇ ˇ ¯ 2ˇ ˇ 2ˇ 7 6 2ˇ ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 1 7 ˇ ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 2 1 ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 2 2ˇ ¯ ˇ ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 3 ˇ ˇ ¯ ˇ ˇ 5 2ˇ ¯ 2ˇ ˇ ˇ 4 ˇ ¯ 2ˇ ˇ ˇ 6 5 319 ˇ ¯ ˇ ˇ 2ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ 2ˇ 7 2ˇ ¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX[(29,30)(57,58)] KW[(31,32)(41,42)] 320 32. Heng [ Duration, Constancy, Perserverence ] ˇ 2ˇ G ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ ˇ 321 ˇ 2ˇ C 32.01 The Yijing Modes C 32.01 F B Z E A 24.06 D G Z E 2.05 A A D C F B Z G G Z C C E B A BZ E A D G Z G D B B Z Z D A Z C E G F G Z E F A F 49.01 Z F E F C Z A E Z B 10.01 ⇑ ˇ ˇ ˇ 322 2ˇ Z F C Z D C B G 1.23 D 19.07 G ˘ Z D ˇ 2ˇ Heng C 32.01 Z 9, 11, 13 C7 Z 5 9, 11, 13 A F △7 F \\ \ Z\ 9, 11, 13 G 5△ 7 D BZ D Z GZ B G Z E E C A F E C C A G F \ Z 9, 11, 13 B Z △7 GZ E C A B D F Z Z Z D D G B B Z Z E F A C E G F Z B A Z D C F Z Z Z Z [ 9, 11, 13 [Z E7 9, 11, 13 3 5 Am ⇑ ˇ ˇ ˇ 323 G Z B Z Z Z 9, 11, 13 Dm7 C D G ˘ E A 2ˇ ˇ 2ˇ 7 C 32.01 The Yijing Modes 1 E A 7 2 D A GZ D G B Z E A C C GZ F D GZ B F C Z Z B E Z A E E B C Z F C 4 5 ⇑ G ˘ ˇ ˇ ˇ 324 2ˇ B Z F 3 A F G D D 6 Z ˇ 2ˇ Heng G C 32.01 2ˇ ˇ ¯ ˇ ˇ 1 ˇ G 2¯ ˇ 2ˇ ˇ 2 G 2ˇ ¯ ˇ ˇ ˇ 3 G ˇ ˇ ¯ 2ˇ ˇ 4 G 2ˇ ˇ ¯ ˇ 2ˇ 5 G 2ˇ 2¯ ˇ ˇ ˇ 6 G ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2ˇ 2ˇ ¯ ˇ ˇ 7 6 ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 1 7 2ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 2 ˇ ˇ ¯ 2ˇ ˇ 1 ˇ 2ˇ ¯ 2ˇ ˇ 3 2ˇ ˇ ¯ ˇ ˇ 2 2ˇ ˇ ¯ ˇ ˇ 4 3 2ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 5 4 ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 6 5 325 2ˇ 2ˇ ¯ ˇ ˇ 5 ˇ 2¯ 2ˇ ˇ ˇ 6 ˇ ¯ ˇ 2ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ ˇ 2 ˇ 2¯ ˇ ˇ ˇ 3 ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ ˇ ˇ 2 ˇ ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(7,8)(31,32)] KW[(19,20)(33,34)] 326 33. Dun [ Retreat, Withdrawal ] 4ˇ ˇ G ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ 4ˇ 327 ˇ ˇ C 33.01 The Yijing Modes C 33.01 F \ B A 11.12 D E Z G Z E 19.11 A Z GZ D F\ C B G F C E B E A G Z F C \ G Z B F A G Z \ C Z D Z A E \ C E F G B Z D C Z A E B 24.10 ⇑ ˇ 4ˇ 328 2ˇ F \ C Z Z 2ˇ B G 1.44 D 43.43 G ˘ A E D F \ 2.09 Z B A DZ \ Z D ˇ ˇ Dun C 33.01 Z9, \11, 13 C [ [ 5 △7 \\ \ A \ Z 9, 11, 13 F m7 Z 5 D Z G B B G Z G E E Z E D F Z [ [ B7 9, 11, 13 3 G Z E F A C \ D Z G Z B \ D Z Z E Z \ A Z F \ A C E B G Z B D Z F Z \ Z [ 9, 11, 13 [[ 9, 11, 13 3 7 7 Am ⇑ 2ˇ ˇ 4ˇ 329 G Z B \ \ 2ˇ ˇ ˇ Z\ \ 9, 11, 13 D C C G ˘ E A A E F B D G F C \ 3 7 C C A Z\ \ 9, 11, 13 F\ DZ 3 5 △7 C 33.01 The Yijing Modes 1 E A 7 A Z GZ D DZ GZ C F D 6 Z G Z 2 F C \ B E C \ G B G Z Z D E F DZ \ Z A A E A B E B C F \ C 4 5 ⇑ G ˘ 2ˇ ˇ 4ˇ 330 2ˇ ˇ ˇ B F \ 3 Dun G C 33.01 ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ ˇ ˇ 2 G 2¯ ˇ 4ˇ ˇ ˇ 3 G 4ˇ ¯ ˇ ˇ ˇ 4 G ˇ ¯ 4ˇ 2ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ 2ˇ 6 2ˇ G 4¯ 2ˇ ˇ ˇ 7 ˇ ¯ 2ˇ 4ˇ 2ˇ ˇ ¯ 2ˇ 4ˇ 2ˇ 7 6 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 4ˇ 2¯ ˇ ˇ 1 7 ˇ ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 2 1 4ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 3 ˇ ¯ 4ˇ ˇ ˇ 2 2ˇ ¯ 4ˇ ˇ ˇ 4 4ˇ 2ˇ ¯ ˇ ˇ 3 4ˇ ˇ ¯ ˇ ˇ 5 4 2ˇ 4¯ 2ˇ ˇ ˇ ˇ 4¯ 2ˇ ˇ ˇ 6 5 331 ˇ ¯ ˇ 4ˇ 2ˇ 5 2ˇ 4ˇ 2¯ ˇ ˇ 6 ˇ ˇ 2¯ 4ˇ 2ˇ 7 2ˇ ¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ ˇ ˇ 2 4ˇ ˇ ¯ 2ˇ ˇ 3 ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX[(7,8)(31,32)] KW[(19,20)(33,34)] 332 34. Da Zhuang [ The Power of the Great, Great Power, Great Strength ] ˇ 2ˇ G ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ ˇ 333 ˇ 2ˇ C 34.01 The Yijing Modes C 34.01 F B Z E A 24.01 E 2.01 A D G A D D C F B Z G C G C E B A BZ E A D G D B B Z D A Z E G D C A G E Z B 1.01 D 19.01 ⇑ ˇ ˇ Z F C G 11.01 C E F G ˘ B F A F 43.01 F E F C G Z ˇ 334 ˇ ˇ 2ˇ Da Zhuang C 34.01 9, 11, 13 C7 9, 11, 13 A 9, 11, 13 F △7 F Gm7 D BZ D B Z E C G G E A F E C C A B G F \ 9, 11, 13 B Z G E C A B D F Z D D E △7 B Z A C A G Z F E G F B A Z D C F Z Z Z Z Z Em7 9, 11, 13 9, 11, 13 5 Am7 ⇑ ˇ ˇ ˇ 335 G B Z Z 9, 11, 13 Dm7 C D G ˘ E ˇ ˇ 2ˇ C 34.01 The Yijing Modes 1 E A 7 2 D A D B E G G A C C D F D G B F C G Z D 6 Z B E A E E B C Z F G C 4 5 ⇑ ˇ ˇ ˇ 336 B Z F 3 A F G ˘ Z ˇ ˇ 2ˇ Da Zhuang G C 34.01 ˇ ˇ ¯ ˇ ˇ 1 G ˇ ¯ ˇ 2ˇ ˇ 2 G 2ˇ ¯ ˇ ˇ ˇ 3 G ˇ ˇ ¯ 2ˇ ˇ 4 G 2ˇ ˇ ¯ ˇ ˇ 5 G ˇ 2¯ ˇ ˇ ˇ 6 G ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ ˇ 2ˇ ¯ ˇ ˇ 6 7 ˇ ¯ ˇ ˇ ˇ ˇ ¯ ˇ ˇ ˇ 1 2ˇ ¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ ˇ 1 ˇ ˇ ¯ 2ˇ ˇ 3 2ˇ ˇ ¯ ˇ ˇ 2 2ˇ ˇ ¯ ˇ ˇ 4 3 ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 5 4 ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 6 5 337 ˇ 2ˇ ¯ ˇ ˇ 5 ˇ ¯ 2ˇ ˇ ˇ 6 ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 1 2ˇ ˇ ¯ ˇ ˇ 2 ˇ 2¯ ˇ ˇ ˇ 3 ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ 2¯ ˇ ˇ 2 ˇ ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(11,12)(47,48)] KW[(5,6)(35,36)] 338 35. Jin [ Progress, Advance, Proceeding Forward ] 4ˇ 2ˇ G ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ 4ˇ 339 2ˇ 2ˇ C 35.01 The Yijing Modes C 35.01 \ BZ F Z A 34.13 D Z E G Z F\ C B AZ DZ GZ Z B Z E DZ AZ G Z F C C AZ E \ G A F G Z \ B Z B Z F \ Z Z B Z F Z D A Z E \ C E G Z D C Z Z E Z B 41.02 ⇑ 4ˇ 340 2ˇ B Z F \ C Z A ˇ Z G 1.15 Z 2ˇ A C Z D 43.14 G ˘ Z Z E D F \ 2.51 G D E 7.26 2ˇ 2ˇ Jin C 35.01 Z9, \11, Z13 C7 [Z [ 3 5 D Z B Z G Z E AZ F Z \ B m7 5 G Z E AZ C F G \ D Z B B F A Z \ Z BZ Z Z D G D G Z Z E A Z D F Z F\ Z \ A Z A Z C E E G Z B Z D Z F Z Z \ \ Z\ 9, 11, 13 [Z[ 3 5 7 A 7 ⇑ 2ˇ ˇ 4ˇ 341 G Z B Z \ 2ˇ 2ˇ 2ˇ 5 Z\ 9, 11, 13 D 9, 11, 13 G ˘ C C C E 7 E C \ Z\ 9, 11, 13 E C 9, 11, 13 \ \ Z F\ DZ BZ GZ \ [Z \ Z 5 A 9, 11, 13 F 7 Z 3 △7 C 35.01 The Yijing Modes 1 E Z DZ GZ A 7 A Z D Z GZ C F 6 GZ DZ F C \ B Z B C \ G Z F G 2 Z D D \ Z B E A Z AZ Z A Z E B C Z F E Z E \ C 4 5 ⇑ G ˘ 2ˇ ˇ 4ˇ 342 2ˇ 2ˇ Z 2ˇ B Z F \ 3 Jin G C 35.01 2ˇ 2ˇ ¯ 2ˇ ˇ 1 ˇ G 2¯ 2ˇ 2ˇ 2ˇ 2 G 2¯ ˇ 4ˇ 2ˇ 2ˇ 3 ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G 2ˇ ˇ ¯ 4ˇ 2ˇ 5 G 2ˇ 2¯ ˇ 2ˇ 4ˇ 6 G 4¯ 2ˇ 2ˇ ˇ 2ˇ 7 2ˇ 2ˇ ¯ 2ˇ 4ˇ 2ˇ 2ˇ ¯ 2ˇ 4ˇ 7 6 ˇ 2¯ 2ˇ ˇ 2ˇ 4ˇ 2¯ 2ˇ ˇ 2ˇ 1 7 2ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ 2 1 ˇ 4ˇ 2¯ 2ˇ 2ˇ ˇ 2ˇ 2¯ 2ˇ 2ˇ 3 2 2ˇ ˇ ¯ 4ˇ 2ˇ 2ˇ 2ˇ ¯ 4ˇ 2ˇ 4 3 2ˇ 2¯ ˇ ˇ 4ˇ 2ˇ 2¯ ˇ ˇ 4ˇ 5 4 2ˇ 4¯ 2ˇ 2ˇ ˇ ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 343 2ˇ 2ˇ ¯ ˇ 4ˇ 5 4ˇ 2¯ 2ˇ ˇ 2ˇ 6 ˇ 2¯ 4ˇ 2ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ 2ˇ 1 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2¯ 2ˇ ˇ 4ˇ 3 ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(11,12)(47,48)] KW[(5,6)(35,36)] 344 36. Ming Yi [ Darkening of the Light, Suppression of the Light, Concealment of Illumination ] ˇ 2ˇ G 2ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ ˇ 345 ˇ 2ˇ C 36.01 The Yijing Modes C 36.01 F Z EZ B A 2.07 D Z Z E 14.01 A G D C F B Z Z D G Z C A BZ E Z A D Z E D F 54.01 B Z E Z B Z G F C G Z Z B F D Z Z A E Z G D Z A G E Z Z Z B 5.01 D 1.02 ⇑ 2ˇ Z F C G 7.01 C C 2ˇ B F A F G ˘ A C G E Z ˇ 346 ˇ ˇ 2ˇ Ming Yi C 36.01 Z9, 11, 13 Cm7 Z Z A 9, 11, 13 F F7 D Gm7 Z BZ D Z B Z G E C G EZ E C 9, 11, 13 Z G EZ A C D Z BZ G F F B Z D E B m△7 B D Z Z Z G C E D Z Z F A C E Z B Z D Z C F ZZ Z Z 9, 11, 13 9, 11, 13 Z E 7 Am7 ⇑ 2ˇ 2ˇ ˇ 347 ˇ Z G B Z \ ˇ 2ˇ 5 Z\ 9, 11, 13 D G A G ˘ Z F A F \ 5 A Z C A Z 9, 11, 13 5 △7 C 36.01 The Yijing Modes 1 E Z A 7 A D D Z 2 Z E G DZ G C C F D 6 Z G B F C D Z E Z A E F A Z A E Z Z F G C 4 5 ⇑ 2ˇ 2ˇ ˇ 348 ˇ Z B Z F 3 B C G ˘ Z G Z B Z B ˇ 2ˇ Ming Yi G C 36.01 ˇ ˇ ¯ 2ˇ 2ˇ 1 G 2ˇ ¯ ˇ 2ˇ 2ˇ 2 G 2¯ 2ˇ ˇ ˇ 2ˇ 3 G 2ˇ ˇ ¯ 2ˇ ˇ 4 G 2¯ ˇ ˇ 2ˇ ˇ 5 G ˇ 2¯ ˇ 2ˇ ˇ 6 G 2ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ ˇ 2ˇ ¯ 2ˇ ˇ 6 7 2ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 2ˇ 1 7 2ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ ˇ 2 1 2ˇ ˇ ¯ 2ˇ 2ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 3 2 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 2ˇ 2¯ ˇ ˇ 4 3 ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ ˇ 5 4 2ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 6 5 349 ˇ 2ˇ ¯ 2ˇ ˇ 5 ˇ ¯ 2ˇ ˇ 2ˇ 6 ˇ 2¯ ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ 2ˇ 1 2ˇ 2ˇ 2¯ ˇ ˇ 2 ˇ 2¯ 2ˇ 2ˇ ˇ 3 2ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ ˇ 1 ˇ ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(21,22)(41,42)] KW[(37,38)(39,40)] 350 37. Jia Ren [ The Family, The Clan, People in the Home, Household ] 4ˇ ˇ G 2ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ 4ˇ 351 ˇ ˇ C 37.01 The Yijing Modes C 37.01 F \ B A 46.07 D E Z Z Z E 14.08 A G C F D \ Z D G G EZ B F C A B E Z A DZ C G F E \ E F\ Z Z B F A C D Z A E G D Z A G E Z Z B 24.16 D 1.27 ⇑ 2ˇ 2ˇ 4ˇ 352 ˇ B F \ C G 47.01 C C G ˘ Z \ B A B G D F \ 2.15 Z \ Z ˇ ˇ Jia Ren C 37.01 Z9, \11, 13 Cm△7 Z [ A 9, 11, 13 \ \ DZ F F ◦7 D Z G E [ 9, 11, 13 B7 G E Z C F A E C G Z E C \ D Z Z DZ C F\ A ZZ Z G B B F\ C B E Z F \ A C Z B D Z F \\ Z\ \ Z Z 9, 11, 13 9, 11, 13 5 Am7 ⇑ 2ˇ 2ˇ 4ˇ 353 ˇ Z G B \ \ ˇ ˇ 5 Z\ \ 9, 11, 13 D C G ˘ E G A E 7 Z A A G Z \ 5△ 7 B D EZ D F Z G B 3 Z 9, 11, 13 3 5 △7 C 37.01 The Yijing Modes 1 E Z A 7 A D DZ 2 Z G DZ G C F D 6 Z G EZ F C \ C \ D E \ A G B F Z A B E Z A E Z B C F \ G C 4 5 ⇑ G ˘ 2ˇ 2ˇ B 4ˇ 354 ˇ ˇ ˇ Z B F \ 3 Jia Ren G C 37.01 ˇ ˇ ¯ 2ˇ 2ˇ 1 G 2ˇ ¯ ˇ ˇ 2ˇ 2 G 2¯ 2ˇ 4ˇ ˇ ˇ 3 G 2ˇ 4ˇ ¯ ˇ ˇ 4 G 2¯ 4ˇ ˇ ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ 2ˇ 6 G 4¯ ˇ ˇ ˇ 2ˇ 7 ˇ ˇ ¯ 2ˇ 4ˇ ˇ ˇ ¯ 2ˇ 4ˇ 6 7 2ˇ ¯ ˇ ˇ 2ˇ 4ˇ ¯ ˇ ˇ 2ˇ 1 7 ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ ˇ 2 1 2ˇ 4ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 3 2 ˇ ˇ 2¯ 4ˇ ˇ ˇ 2ˇ 2¯ 4ˇ ˇ 4 3 4ˇ ˇ ¯ ˇ 2ˇ 4ˇ ˇ ¯ ˇ 2ˇ 5 4 2ˇ 4¯ ˇ ˇ ˇ 2ˇ 4¯ ˇ ˇ ˇ 6 5 355 ˇ ˇ ¯ 2ˇ 4ˇ 5 4ˇ ¯ ˇ ˇ 2ˇ 6 ˇ 2¯ 4ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ ˇ ˇ 2 4ˇ ˇ ¯ 2ˇ 2ˇ 3 2ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX[(21,22)(41,42)] KW[(37,38)(39,40)] 356 38. Kui [ Opposition, Disharmony, Contraiety, Diversity ] 4ˇ 2ˇ G ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ 4ˇ 357 2ˇ 2ˇ C 38.01 The Yijing Modes C 38.01 \ BZ F Z E A 1.13 AZ D G C Z A B Z E D C G G G E F F\ B Z F \ C E \ G A F \ 2.16 BZ C Z Z D B Z F D A Z E \ G D A G Z E Z B 14.02 D 40.01 ⇑ ˇ ˇ 4ˇ 358 ˇ B Z F \ C G 63.01 C E C G ˘ Z D D F\ B AZ A E 7.07 2ˇ 2ˇ Kui C 38.01 \ Z 9, 11, 13 C7 ZZ Z \ [Z F 7 Z Z F\ A 9, 11, 13 3 5 9, 11, 13 Gm△7 D D B Z B E A Z F \ Z\ B 7 G E C Z F F E C 9, 11, 13 E G G A Z \ B D C \ G Z 5 B A Z \ Z D E F B A Z G Z A D F Z \ A Z C E G D B Z D F Z Z \ \ \ Z\ 9, 11, 13 Z 9, 11, 13 5 A 5 △7 ⇑ G ˘ ˇ ˇ 4ˇ 359 E G B Z Z ˇ 2ˇ 2ˇ Z 9, 11, 13 D7 C C Em7 \ C 5 C 38.01 The Yijing Modes 1 E A 7 A Z Z 2 D D B AZ G G D G F C \ C F\ C B G D 6 \ E D Z F Z B E A A Z E B C Z F Z E \ G C 4 5 ⇑ G ˘ ˇ Z ˇ 4ˇ 360 ˇ 2ˇ 2ˇ B Z F \ 3 Kui G C 38.01 2ˇ ¯ ˇ ˇ ˇ 1 G ˇ ˇ ¯ 2ˇ 2ˇ 2 G 2ˇ 2ˇ ¯ ˇ 4ˇ 3 ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G ˇ ¯ 4ˇ ˇ 2ˇ 5 G 4ˇ ˇ 2¯ ˇ ˇ 6 ˇ G 4¯ ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ 4ˇ ˇ 2ˇ ¯ ˇ 4ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 6 ˇ 4ˇ ¯ 2ˇ ˇ 1 2ˇ 2ˇ ¯ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2 1 4ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ ˇ 3 2 ˇ ¯ 4ˇ 2ˇ 2ˇ ˇ ¯ 4ˇ 2ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ ˇ 4ˇ 2ˇ 2¯ ˇ ˇ 5 4 ˇ 4¯ ˇ 2ˇ ˇ ˇ 4¯ ˇ 2ˇ ˇ 6 5 361 2ˇ ¯ ˇ 4ˇ ˇ 5 ˇ 4ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ 4ˇ ˇ 7 ˇ 2¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ 2ˇ 2ˇ 2 4ˇ 2ˇ 2¯ ˇ ˇ 3 ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ ˇ ˇ 2 ˇ ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(21,22)(41,42)] KW[(37,38)(39,40)] 362 39. Jian [ Obstruction, Halting, Trouble, Adversity, Hardship ] ˇ ˇ G 2ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ ˇ 363 ˇ ˇ C 39.01 The Yijing Modes C 39.01 F B A 7.12 D E Z G Z Z Z E 26.02 A Z GZ D C F B E Z G B E Z A G Z C E F 21.01 E Z Z Z D Z A E C G Z D C Z A E Z B 2.32 ⇑ 2ˇ ˇ 364 2ˇ F C Z Z 2ˇ B G 1.14 D 43.13 G ˘ Z F A F Z B B B G Z G D A C F C Z F A DZ Z D ˇ ˇ Jian C 39.01 Z9, 11, 13 Cm Z\ Z Z 5 △7 \\ A 9, 11, 13 F F7 D D Z G Z B B G Z E E Z EZ C G Z C D G F ZZ [ [Z 9, 11, 13 B7 3 5 EZ GZ A C D F Z Z B D Z Z F Z F A C A C B E Z G F Z D Z C F \ Z Z Z \ 9, 11, 13 9, 11, 13 A◦7 5 ⇑ G ˘ 2ˇ 2ˇ ˇ 365 2ˇ E Z G Z B ˇ ˇ Z\ \ 9, 11, 13 D B A E m7 Z B D EZ GZ 3△ 7 A C A Z\ 9, 11, 13 5 △7 C 39.01 The Yijing Modes 1 E Z A 7 A 2 Z GZ D DZ G Z C C F D 6 Z G Z B F C G D E Z A B E F G Z Z DZ Z EZ A A E Z F C 4 5 ⇑ G ˘ 2ˇ 2ˇ ˇ 366 2ˇ Z B F 3 B C B ˇ ˇ Jian G C 39.01 2ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ G 2¯ ˇ ˇ 2ˇ 2 G 2¯ 2ˇ ˇ ˇ ˇ 3 G 2ˇ ˇ ¯ ˇ ˇ 4 G 2¯ ˇ 2ˇ ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 2ˇ ˇ ¯ 2ˇ ˇ 7 6 2ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 1 7 ˇ 2¯ 2ˇ 2ˇ ˇ ˇ 2¯ 2ˇ 2ˇ ˇ 2 1 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ 2ˇ ¯ ˇ 2ˇ 3 2 ˇ ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 4 3 ˇ 2ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 5 2ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ¯ 2ˇ ˇ ˇ 6 5 367 2ˇ ˇ ¯ 2ˇ ˇ 5 ˇ 2¯ ˇ ˇ 2ˇ 6 ˇ 2¯ ˇ 2ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ 2ˇ ˇ 2 ˇ ˇ ¯ 2ˇ 2ˇ 3 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX[(21,22)(41,42)] KW[(37,38)(39,40)] 368 40. Xie [ Deliverance, Liberation, Solution, Release, Relief ] ˇ 2ˇ G ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ ˇ 369 2ˇ 2ˇ C 40.01 The Yijing Modes C 40.01 F B Z E A 14.02 D G AZ Z F B Z G Z E Z D G Z G Z B G A F 63.01 B Z Z D B Z Z F Z D A Z Z E F C E G F G Z A Z E Z B 38.01 ⇑ ˇ ˇ ˇ 370 2ˇ Z F C Z D C B G 1.13 D 7.07 G ˘ Z D E F C Z E 2.16 C C AZ E A A D C B Z 2ˇ 2ˇ Xie C 40.01 Z Z 9, 11, 13 C7 Z 5 \ \ Z 9, 11, 13 A Fm△7 F Z\ 9, 11, 13 G 5△ 7 D D B Z Z GZ B G Z E E A F E C A Z C G F \ Z 9, 11, 13 Z B 7 G Z E C A Z B D F Z Z G B Z Z A Z Z D F Z C E G F Z B Z D F \ Z\ 9, 11, 13 [Z 9, 11, 13 3 5 A 7 ⇑ ˇ ˇ ˇ 371 G Z B Z Z Z 2ˇ 2ˇ 2ˇ 5 Z 9, 11, 13 Dm7 ZZ Z G ˘ E C C E7 A Z D A B D E Z C 5 C 40.01 The Yijing Modes 1 E A 7 A Z Z 2 D GZ D G B Z C C GZ F D GZ B F C Z Z B E A Z A Z B C Z E Z F C 4 5 ⇑ G ˘ ˇ ˇ ˇ 372 2ˇ B Z F 3 E F E D D 6 G AZ Z 2ˇ 2ˇ Xie G C 40.01 2ˇ ¯ ˇ ˇ 2ˇ 1 ˇ ˇ G 2¯ 2ˇ 2ˇ 2 G 2ˇ 2ˇ ¯ ˇ ˇ 3 ˇ ˇ G 2¯ 2ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ 2ˇ 5 G ˇ 2ˇ 2¯ ˇ ˇ 6 G ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ 2ˇ 2ˇ ¯ ˇ ˇ 2ˇ 7 6 ˇ ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ 2ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 2 1 ˇ 2¯ 2ˇ ˇ ˇ 2ˇ 2¯ 2ˇ ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ 4 3 ˇ 2ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 5 4 ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 6 5 373 2ˇ ¯ ˇ ˇ 2ˇ 5 ˇ ˇ 2¯ 2ˇ ˇ 6 2ˇ ˇ ¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ ˇ ˇ 1 ˇ ¯ 2ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ ˇ ˇ 3 ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(29,30)(57,58)] KW[(31,32)(41,42)] 374 41. Sun [ Decrease, Reduction, Diminution, Decreasing ] 4ˇ 2ˇ G 2ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ 4ˇ 375 2ˇ 2ˇ C 41.01 The Yijing Modes C 41.01 \ BZ EZ AZ F Z A 1.04 D G C Z A D C G G G EZ F F\ B Z E \ E BZ Z F G A F \ 2.26 C Z Z Z D B Z F \ D C A Z E Z \ G D A G Z E Z Z B 34.02 D 16.01 ⇑ ˇ 2ˇ 4ˇ 376 ˇ B Z F \ C G 3.01 C C G ˘ Z D D F\ B AZ EZ BZ A Z E 43.03 2ˇ 2ˇ Sun C 41.01 \ Z 9, 11, 13 Cm7 ZZ Z F Z Z Z F\ A \[ Z [ 9, 11, 13 3 5 7 9, 11, 13 Gm△7 D D B Z B G E Z C EZ Z F \ B Z7 9, 11, 13 G E Z C Z F E G A A Z \ B D C \ Z B A Z Z D 5 \ B G E F F Z Z A G E F \ B Z C Z D F \ \ \ 9, 11, 13 9, 11, 13 E A Z C \ Z Z △7 A Z △7 ⇑ G ˘ ˇ 2ˇ 4ˇ 377 ˇ E Z G B Z Z Z 2ˇ 2ˇ Z 9, 11, 13 D7 G D A Z D Z C \ C 5 C 41.01 The Yijing Modes 1 Z AZ E 7 A Z 2 D D G G A D G F C \ C F\ C B G D F \ B Z E Z A Z E Z B C Z F A Z E \ G C 4 5 ⇑ G ˘ ˇ 2ˇ Z Z D Z 6 Z E B 4ˇ 378 ˇ 2ˇ 2ˇ Z B Z F \ 3 Sun G C 41.01 2ˇ ¯ ˇ 2ˇ ˇ 1 G ˇ 2ˇ ¯ 2ˇ 2ˇ 2 G 2ˇ 2ˇ ¯ 2ˇ 4ˇ 3 2ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G 2¯ 4ˇ ˇ 2ˇ ˇ 5 G 4ˇ ˇ 2¯ ˇ ˇ 6 ˇ G 4¯ ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ 4ˇ ˇ 2ˇ ¯ ˇ 4ˇ ˇ 7 ˇ 2ˇ ¯ 2ˇ ˇ 6 ˇ 4ˇ ¯ 2ˇ ˇ 1 2ˇ 2ˇ ¯ 2ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 2 1 4ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ 2ˇ 2ˇ ˇ 2¯ 4ˇ 2ˇ 2ˇ 4 3 4ˇ ˇ 2¯ ˇ 2ˇ 4ˇ 2ˇ 2¯ ˇ 2ˇ 5 4 ˇ 4¯ ˇ 2ˇ ˇ 2ˇ 4¯ ˇ 2ˇ ˇ 6 5 379 2ˇ ¯ 2ˇ 4ˇ ˇ 5 ˇ 4ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ 4ˇ ˇ 7 ˇ 2¯ ˇ ˇ 2ˇ 1 ˇ 2¯ ˇ 2ˇ 2ˇ 2 4ˇ 2ˇ 2¯ ˇ 2ˇ 3 2ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(29,30)(57,58)] KW[(31,32)(41,42)] 380 42. Yi [ Increase, Benefit, Enrichment ] 4ˇ ˇ G 2ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ 4ˇ 381 2ˇ ˇ C 42.01 The Yijing Modes C 42.01 F \ B Z A 43.09 D Z Z AZ DZ E G C F \ EZ F A B G G B DZ AZ EZ D C G F C Z E \ A E F\ Z Z Z B F D Z A Z E G D Z A Z E Z Z B 24.26 D 1.10 ⇑ 2ˇ 2ˇ 4ˇ 382 ˇ B F \ C G 45.01 G G ˘ Z C C Z C \ B A B G D F \ 2.25 Z \ Z Z E 34.08 2ˇ ˇ Yi C 42.01 Z9, \11, Z13 Cm△7 Z [ F \[ Z [ 3 5 7 D Z G E Z B [[ G Z C A Z F E C EZ Z F E G G A 9, 11, 13 9, 11, 13 B B ZZ Z Z Z Z F\ DZ A 9, 11, 13 \ D Z D C \ D Z A G F AZ \ Z F Z C E B Z \ Z A Z C Z G B D Z F \ E Z7 \ \ \ 9, 11, 13 9, 11, 13 5 A Z △7 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 383 ˇ E Z G B \ \ 2ˇ ˇ Z\ 9, 11, 13 D C \ A Z G E D \ 5△ 7 B B 3 7 Z F C Z 3 △7 C 42.01 The Yijing Modes 1 Z AZ DZ E 7 A Z DZ 2 G G C F D 6 Z G F C \ C \ D D E \ Z Z A Z B E Z A Z E Z B C F \ G C 4 5 ⇑ G ˘ 2ˇ 2ˇ B G B F Z A EZ 4ˇ 384 ˇ 2ˇ ˇ Z B F \ 3 Yi G C 42.01 2ˇ ¯ 2ˇ 2ˇ ˇ 1 G 2ˇ 2ˇ ¯ 2ˇ ˇ 2 G 2¯ 2ˇ 4ˇ 2ˇ ˇ 3 2ˇ 4ˇ G 2¯ ˇ ˇ 4 G 2¯ 4ˇ ˇ ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ 2ˇ 6 2ˇ G 4¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ 4ˇ ˇ ˇ ¯ 2ˇ 4ˇ ˇ 7 2ˇ 2ˇ ¯ 2ˇ ˇ 6 2ˇ 4ˇ ¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 2 1 4ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ 2ˇ ˇ 2ˇ 2¯ 4ˇ 2ˇ ˇ 4 3 4ˇ ˇ ¯ ˇ 2ˇ 4ˇ 2ˇ ¯ ˇ 2ˇ 5 4 2ˇ 4¯ ˇ ˇ ˇ 2ˇ 4¯ ˇ ˇ ˇ 6 5 385 ˇ ¯ 2ˇ 4ˇ ˇ 5 2ˇ 4ˇ ¯ ˇ ˇ 6 2ˇ ˇ 2¯ 4ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ ˇ 2ˇ ˇ 2 4ˇ 2ˇ ¯ 2ˇ 2ˇ 3 2ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(3,4)(63,64)] KW[(23,24)(43,44)] 386 43. Guai [ Break-through, Resoluteness, Resolution, Eliminating ] ˇ ˇ G ˇ ŹI ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ ˇ 387 ˇ ˇ C 43.01 The Yijing Modes C 43.01 F B E A 19.01 E 24.01 A D G A D D C F G C G B F C E B A B E A D G F C G E D A E B G B F D C A G E B 2.01 D 11.01 ⇑ ˇ ˇ F C G 34.01 C E G ˘ B F A F 1.01 D ˇ 388 ˇ ˇ ˇ Guai C 43.01 9, 11, 13 C △7 \ 9, 11, 13 A 9, 11, 13 F △7 F G7 D B D B E C G G E A F E C D C A B G F Z Z Z Bm7 9, 11, 13 G E C A B D F D E 5 F A C A G E G D F B A D C F Z Z Z 9, 11, 13 9, 11, 13 Em7 Am7 ⇑ G ˘ ˇ ˇ ˇ 389 G B 9, 11, 13 Dm7 C B E ˇ ˇ ˇ C 43.01 The Yijing Modes 1 E A 7 2 D A D B E G G A C C D F D G B F C G D 6 E A E E F B C F G C 4 5 ⇑ ˇ ˇ ˇ 390 F 3 A B G ˘ B ˇ ˇ ˇ Guai G C 43.01 ˇ ¯ ˇ ˇ ˇ 1 G ˇ ˇ ¯ ˇ ˇ 2 G ˇ ˇ ¯ ˇ ˇ 3 G ˇ ¯ ˇ ˇ ˇ 4 G ˇ ¯ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ ˇ 6 G ˇ ¯ ˇ ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 2 ˇ ¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 2 ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 3 ˇ ˇ ¯ ˇ ˇ 5 ˇ ¯ ˇ ˇ ˇ 4 ˇ ¯ ˇ ˇ ˇ 6 5 391 ˇ ¯ ˇ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ ˇ ˇ 2 ˇ ˇ ¯ ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ ˇ ˇ 2 ˇ ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX[(3,4)(63,64)] KW[(23,24)(43,44)] 392 44. Gou [ Coming to Meet, Meeting, Encounter, Encountering ] 4ˇ ˇ G ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ 4ˇ 393 ˇ ˇ C 44.01 The Yijing Modes C 44.01 F \ B E A 11.06 D G Z E 19.05 A C A D F\ G B G Z F C E B E A D Z F C E \ G D B F A F \ 2.03 G Z \ Z D A E \ C E F C B A G \ G B Z A E B 24.04 ⇑ ˇ ˇ 4ˇ 394 2ˇ F \ C Z D C B G 1.63 D 34.07 G ˘ Z D ˇ ˇ Gou C 44.01 \ Z 9, 11, 13 C [ Z \\ \ A \ Z 9, 11, 13 F m7 5 △7 5 Z\ \ \ 9, 11, 13 F\ G 3 5 7 D B D B G Z G E E Z C F E C F Z [ 9, 11, 13 Bm7 G Z E C F \ C \ G \ B D Z E F \ A C E G D Z B D C F Z \ [ 9, 11, 13 [ 9, 11, 13 3 7 Am ⇑ ˇ ˇ 4ˇ 395 G Z B Z 9, 11, 13 D7 C A G ˘ E A B F Z B D G E7 A D A A \ 2ˇ ˇ ˇ C 44.01 The Yijing Modes 1 E A 7 D A GZ D G D F C \ Z E A GZ B E F Z D D 6 G B C F\ C GZ 2 \ A E A B E B C F \ C 4 5 ⇑ G ˘ ˇ ˇ 4ˇ 396 2ˇ ˇ ˇ B F \ 3 Gou G C 44.01 ˇ ¯ ˇ ˇ 2ˇ 1 ˇ ˇ G 2¯ ˇ ˇ 2 G ˇ ˇ ¯ ˇ 4ˇ 3 G 4ˇ ¯ ˇ ˇ ˇ 4 G ˇ ¯ 4ˇ 2ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ ˇ 6 ˇ G 4¯ 2ˇ ˇ ˇ 7 ˇ ¯ ˇ 4ˇ 2ˇ ˇ ¯ ˇ 4ˇ 2ˇ 7 6 ˇ ˇ 2¯ ˇ ˇ ˇ 4ˇ 2¯ ˇ ˇ 1 7 ˇ ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 2 4ˇ ¯ ˇ ˇ ˇ 1 2ˇ ¯ ˇ ˇ ˇ 3 ˇ ¯ 4ˇ ˇ ˇ 2 ˇ ¯ 4ˇ ˇ ˇ 4 4ˇ 2ˇ ¯ ˇ ˇ 3 4ˇ ˇ ¯ ˇ ˇ 5 4 ˇ 4¯ 2ˇ ˇ ˇ ˇ 4¯ 2ˇ ˇ ˇ 6 5 397 ˇ ¯ ˇ 4ˇ 2ˇ 5 ˇ 4ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ 4ˇ 2ˇ 7 2ˇ ¯ ˇ ˇ ˇ 1 ˇ ¯ 2ˇ ˇ ˇ 2 4ˇ ˇ ¯ ˇ ˇ 3 ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ ¯ ˇ ˇ 2 ˇ ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX[(13,14)(49,50)] KW[(25,26)(45,46)] 398 45. Cui [ Gathering Together, Massing, Gathering, Bringing Together ] ˇ ˇ G ˇ ŹI 2ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ ˇ 399 2ˇ ˇ C 45.01 The Yijing Modes C 45.01 F B Z A 34.08 D Z E G AZ DZ GZ Z C F B B E DZ AZ G Z D F 42.01 B Z Z D Z A Z E F C G B F Z Z B E G Z D C Z A Z E B 2.25 ⇑ ˇ ˇ 400 2ˇ F C Z Z 2ˇ B G 1.10 D 43.09 G ˘ Z E G A A C F C Z Z F C AZ E G D E 24.26 2ˇ ˇ Cui C 45.01 Z9, 11, Z13 C Z\ Z Z 5 △7 A Fm△7 F D D Z \ \ Z 9, 11, 13 G Z B B G Z G E A Z Z A D C G F Z [ [Z[ B 9, 11, 13 3 5 7 G Z E A C Z D F Z D Z Z A Z Z F F A Z Z C E B G F Z B D Z F \ [[ 9, 11, 13 3 7 Z\ 9, 11, 13 A 7 ⇑ 2ˇ ˇ ˇ 401 G Z B \ \ 9, 11, 13 D ZZ Z G ˘ E C C E Z C B D G AZ Z B E 3△ 7 E E C Z\ 9, 11, 13 2ˇ 2ˇ ˇ 5 Z △7 C 45.01 The Yijing Modes 1 E Z DZ GZ A 7 A Z DZ GZ 2 B C C F 6 GZ DZ B F C G D E A A E Z E B C F C 4 5 ⇑ G ˘ 2ˇ ˇ ˇ 402 2ˇ B F 3 E F Z Z Z Z B G Z D AZ 2ˇ ˇ Cui G C 45.01 2ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ 2ˇ ˇ 2 G 2¯ ˇ ˇ 2ˇ ˇ 3 ˇ ˇ G 2¯ ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ 2ˇ ˇ ¯ 2ˇ ˇ 2ˇ 7 6 2ˇ ˇ 2¯ 2ˇ ˇ 2ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ 2¯ ˇ 2ˇ 2ˇ ˇ 2¯ ˇ 2ˇ 2 1 ˇ 2¯ ˇ 2ˇ ˇ 2ˇ 2¯ ˇ 2ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 3 ˇ 2ˇ ¯ ˇ ˇ 5 2ˇ ¯ 2ˇ ˇ ˇ 4 ˇ ¯ 2ˇ ˇ ˇ 6 5 403 ˇ ¯ ˇ ˇ 2ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 2ˇ ˇ 2¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ 2ˇ ˇ 3 ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(13,14)(49,50)] KW[(25,26)(45,46)] 404 46. Sheng [ Pushing Upward, Rising, Climbing, Growing Upward ] ˇ 2ˇ G 2ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ ˇ 405 ˇ 2ˇ C 46.01 The Yijing Modes C 46.01 F Z EZ B A 2.06 D G Z Z E 9.01 A A D C F B Z G E Z G Z C C EZ A EZ BZ A D G Z D F 55.01 B Z E Z B Z Z Z F D A Z E C G Z A E Z Z B 58.01 ⇑ ˇ 2ˇ ˇ 406 2ˇ Z F C Z D C B G 1.08 D 24.07 G ˘ Z F A F G B G F C Z D ˇ 2ˇ Sheng C 46.01 Z 9, 11, 13 Cm7 Z 5 \\ A 9, 11, 13 F F7 G D BZ D Z GZ EZ B G Z E Z C E C Z 9, 11, 13 B Z △7 EZ GZ A C B D G Z Z G B B Z D D E Z Z Z F A C A E Z G F Z B A Z D C F \ Z Z 9, 11, 13 9, 11, 13 Z A◦7 E m△7 ⇑ ˇ 2ˇ ˇ 407 E Z G Z B Z ZZ Z 9, 11, 13 Dm7 C D G ˘ Z A F F 5△ 7 F C A Z\ 9, 11, 13 2ˇ ˇ 2ˇ C 46.01 The Yijing Modes 1 E Z A 7 2 D A D G Z G Z E GZ F D GZ B F C Z B Z E Z A E F G Z D D 6 E Z Z F C 4 ⇑ ˇ 2ˇ ˇ 408 2ˇ Z B Z F 3 B C A 5 G ˘ Z A C C Z B ˇ 2ˇ Sheng G C 46.01 2ˇ ˇ ¯ ˇ 2ˇ 1 2ˇ G 2¯ ˇ 2ˇ ˇ 2 G 2ˇ ¯ 2ˇ ˇ ˇ 3 G 2ˇ ˇ ¯ 2ˇ ˇ 4 G 2¯ ˇ 2ˇ 2ˇ ˇ 5 G 2ˇ 2¯ ˇ ˇ ˇ 6 G ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2ˇ 2ˇ ¯ ˇ ˇ 7 6 2ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 1 7 2ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 2 2ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ 2ˇ ¯ 2ˇ ˇ 3 2 2ˇ ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 4 3 2ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ ˇ 5 4 ˇ ¯ 2ˇ 2ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 6 5 409 2ˇ 2ˇ ¯ 2ˇ ˇ 5 ˇ 2¯ 2ˇ ˇ ˇ 6 ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ ˇ 1 2ˇ ˇ 2¯ 2ˇ ˇ 2 ˇ 2¯ ˇ 2ˇ ˇ 3 2ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(45,46)(53,54)] KW[(21,22)(47,48)] 410 47. Kun [ Oppression, Exhaustion, Adversity ] ˇ ˇ G ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ ˇ 411 2ˇ ˇ C 47.01 The Yijing Modes C 47.01 F B Z E A 14.08 D G AZ Z D C F G B B E Z D G Z G Z C B E G F C A F 37.01 Z D D A Z E F C G B F Z Z B E G Z A Z E B 2.15 ⇑ ˇ ˇ ˇ 412 2ˇ F C Z D C B G 1.27 D 46.07 G ˘ Z Z D F C AZ E A A E 24.16 2ˇ ˇ Kun C 47.01 Z Z 9, 11, 13 C Z\ 5 △7 \ \ Z 9, 11, 13 A Fm△7 F Z\ \ 9, 11, 13 G 3 5△ 7 D B D B G Z G E E Z A F E C A Z D C G F Z [ 9, 11, 13 B ◦7 G Z E C A Z Z B D F B D G Z E A F Z Z C E G F Z B D C F \\ ZZ Z Z\ 9, 11, 13 [ 9, 11, 13 3 A 7 ⇑ G ˘ E ˇ ˇ ˇ 413 G Z B Z 2ˇ 2ˇ ˇ 5 Z 9, 11, 13 Dm7 D E7 A C B AZ Z C 5 C 47.01 The Yijing Modes 1 E A 7 A Z Z 2 D GZ D G B Z C C GZ F D GZ B F C E A Z E B C F C 4 5 ⇑ G ˘ ˇ ˇ ˇ 414 2ˇ B F 3 E F Z A Z B E D D 6 G AZ 2ˇ ˇ Kun G C 47.01 2ˇ ¯ ˇ ˇ 2ˇ 1 ˇ ˇ G 2¯ 2ˇ ˇ 2 G 2ˇ ˇ ¯ ˇ ˇ 3 ˇ ˇ G 2¯ ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ ˇ 6 G ˇ ¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 2ˇ 7 6 ˇ ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 2 1 ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 3 ˇ 2ˇ ¯ ˇ ˇ 5 ˇ ¯ 2ˇ ˇ ˇ 4 ˇ ¯ 2ˇ ˇ ˇ 6 5 415 ˇ ¯ ˇ ˇ 2ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 2ˇ ˇ ¯ ˇ 2ˇ 7 2ˇ 2¯ ˇ ˇ ˇ 1 ˇ ¯ 2ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ ˇ ˇ 3 ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(45,46)(53,54)] KW[(21,22)(47,48)] 416 48. Jing [ The Well, Repleneshing ] ˇ ˇ G 2ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ ˇ 417 ˇ ˇ C 48.01 The Yijing Modes C 48.01 F B E A 7.06 D G Z Z Z E 9.02 A A D C F G B E Z G Z C F C A B EZ A D G Z E D F 30.01 E Z Z D A E C G Z A E Z B 2.19 ⇑ ˇ 2ˇ ˇ 418 2ˇ F C Z D C B G 1.30 D 36.07 G ˘ Z F A F Z B B B G Z G F C Z D ˇ ˇ Jing C 48.01 Z 9, 11, 13 Cm Z\ 5 △7 \\ A 9, 11, 13 F F7 G D B D B G Z E E Z EZ C G Z C D G ZZ [ Z Bm7 9, 11, 13 5 EZ GZ C Z B D F B D E G Z Z F A E Z G F Z B A D C F \ Z 9, 11, 13 9, 11, 13 A◦7 5 △7 ⇑ G ˘ ˇ 2ˇ ˇ 419 E Z G Z B ZZ 9, 11, 13 Dm7 C D Z \ C A B E m Z A F A 3 5△ 7 F C A Z\ \ 9, 11, 13 2ˇ ˇ ˇ C 48.01 The Yijing Modes 1 E Z A 7 2 D A GZ D G EZ Z A C C GZ F D GZ B F C E Z A B E F G Z D D 6 A E Z B C F C 4 ⇑ ˇ 2ˇ ˇ 420 2ˇ Z B F 3 5 G ˘ B ˇ ˇ Jing G C 48.01 2ˇ ˇ ¯ ˇ 2ˇ 1 2ˇ G 2¯ ˇ ˇ ˇ 2 G ˇ ¯ 2ˇ ˇ ˇ 3 G 2ˇ ˇ ¯ ˇ ˇ 4 G 2¯ ˇ 2ˇ ˇ ˇ 5 G ˇ 2ˇ ¯ ˇ ˇ 6 G ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 7 6 2ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 1 7 ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 2 2ˇ ˇ ¯ ˇ ˇ 1 2ˇ 2ˇ ¯ ˇ ˇ 3 2 ˇ ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ 4 3 ˇ 2ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 5 ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ¯ 2ˇ ˇ ˇ 6 5 421 2ˇ ˇ ¯ 2ˇ ˇ 5 ˇ 2¯ ˇ ˇ ˇ 6 ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ ˇ 1 ˇ ˇ 2¯ 2ˇ ˇ 2 ˇ ˇ ¯ ˇ 2ˇ 3 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX[(35,36)(59,60)] KW[(3,4)(49,50)] 422 49. Ge [ Revolution, Molting, Abolishing the Old, Change ] ˇ ˇ G ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ ˇ 423 ˇ ˇ C 49.01 The Yijing Modes C 49.01 F B A 19.07 D E Z E 24.06 A G D C F Z D G F C E B A B E A Z E G F C G D Z F 10.01 D Z A E B G B F D C Z A G E Z B 2.05 D 1.23 ⇑ ˇ F C G 32.01 C E 2ˇ B F A G ˘ A C G B D Z ˇ 424 ˇ ˇ ˇ Ge C 49.01 Z9, 11, 13 C △7 \ Z 9, 11, 13 A F △7 F D D Z G7 Z B B E E A E C D C A Z Z [Z B7 9, 11, 13 G E C D F Z G B D E 3 5 Z Z F A E B G B A D Z C F Z Z Z Z [ 9, 11, 13 9, 11, 13 7 Am7 ⇑ G ˘ 2ˇ ˇ ˇ 425 E G B \\ \ ˇ ˇ ˇ Z\ 9, 11, 13 D C F Em C A G D Z F B F A 5 C G G Z 9, 11, 13 5 △7 C 49.01 The Yijing Modes 1 E A 7 A D DZ 2 Z B E G DZ G C C F D 6 Z G G B F C A D E Z A E E F B C F G C 4 5 ⇑ 2ˇ ˇ ˇ 426 F 3 A B G ˘ B ˇ ˇ ˇ Ge G C 49.01 ˇ ¯ 2ˇ ˇ ˇ 1 G 2ˇ ˇ ¯ ˇ ˇ 2 G 2¯ ˇ ˇ ˇ ˇ 3 G ˇ ¯ ˇ ˇ ˇ 4 G ˇ ¯ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ ˇ ˇ ˇ 7 ˇ ¯ 2ˇ ˇ ˇ ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 6 2ˇ ˇ ¯ ˇ ˇ 1 7 ˇ ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ 2 1 ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 2 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 3 ˇ ˇ ¯ ˇ ˇ 5 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ¯ ˇ ˇ ˇ 6 5 427 ˇ ¯ ˇ ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ ˇ 7 ˇ ¯ ˇ 2ˇ ˇ 1 2ˇ ¯ ˇ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ ˇ 3 ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ ˇ 2 2ˇ ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX[(35,36)(59,60)] KW[(3,4)(49,50)] 428 50. Ding [ The Cauldron, Establishing the New ] 4ˇ 2ˇ G ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ 4ˇ 429 ˇ 2ˇ C 50.01 The Yijing Modes C 50.01 \ BZ F E A 36.06 D G Z E 7.05 A C A D F\ B Z G G Z C E B A BZ E A D G Z F C \ G B F G Z \ Z Z F A B \ C E D F \ 2.21 Z F Z D A E \ C E G Z A E Z B 10.02 ⇑ ˇ ˇ 4ˇ 430 2ˇ Z F \ C Z D C B G 1.50 D 54.07 G ˘ Z D ˇ 2ˇ Ding C 50.01 \ Z 9, 11, 13 C7 [Z Z 5 \\ \ A Z F \m7 9, 11, 13 5 Z\ \ 9, 11, 13 F\ G 5 7 D BZ D Z GZ B G Z E E C F E C A F \ Z Z\ 9, 11, 13 B 5△ 7 GZ E C F A \ B D \ B \ G Z Z B Z D G F C Z Z E \ A D F \ A C E G D Z B Z D C F Z \ Z [ 9, 11, 13 [Z E7 9, 11, 13 3 5 Am ⇑ ˇ ˇ 4ˇ 431 G Z B Z Z Z 9, 11, 13 D7 C A G ˘ E A 2ˇ ˇ 2ˇ 7 C 50.01 The Yijing Modes 1 E A 7 D A GZ D G D F C \ B F Z Z A GZ D D \ Z B E A E A E B C Z F \ C 4 5 ⇑ G ˘ ˇ ˇ 4ˇ 432 Z E Z 6 G B C F\ C GZ 2 2ˇ ˇ 2ˇ B Z F \ 3 Ding G C 50.01 2ˇ ˇ ¯ ˇ ˇ 1 ˇ G 2¯ ˇ 2ˇ ˇ 2 G 2ˇ ¯ ˇ 4ˇ ˇ 3 G ˇ 4ˇ ¯ 2ˇ ˇ 4 G 2ˇ ˇ ¯ 4ˇ 2ˇ 5 G 2ˇ 2¯ ˇ ˇ 4ˇ 6 G 4¯ 2ˇ ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ 4ˇ 2ˇ 2ˇ ¯ ˇ 4ˇ 7 6 ˇ 2¯ ˇ ˇ ˇ 4ˇ 2¯ ˇ ˇ ˇ 1 7 2ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 2 ˇ 4ˇ ¯ 2ˇ ˇ 1 ˇ 2ˇ ¯ 2ˇ ˇ 3 2ˇ ˇ ¯ 4ˇ ˇ 2 2ˇ ˇ ¯ 4ˇ ˇ 4 3 2ˇ 2¯ ˇ ˇ 4ˇ ˇ 2¯ ˇ ˇ 4ˇ 5 4 ˇ 4¯ 2ˇ 2ˇ ˇ ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 433 2ˇ 2ˇ ¯ ˇ 4ˇ 5 4ˇ 2¯ 2ˇ ˇ ˇ 6 ˇ ¯ 4ˇ 2ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ ˇ 2 ˇ 2¯ ˇ ˇ 4ˇ 3 ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ ˇ ˇ 2 ˇ ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(19,20)(55,56)] KW[(51,52)(57,58)] 434 51. Zhen [ The Arousing, Shock, Taking Action ] ˇ 2ˇ G ˇ ŹI 2ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ ˇ 435 2ˇ 2ˇ C 51.01 The Yijing Modes C 51.01 F B Z A 43.02 D Z E AZ DZ G C F B Z A Z E AZ D Z G C Z B B Z Z Z B D Z A Z E Z F C G 15.01 C E G D Z A G Z E Z Z B 26.01 D 1.03 ⇑ ˇ B F C 2ˇ Z F Z F G ˘ A E D F 60.01 Z G A Z E 2.12 C F C G D G E B Z ˇ 436 ˇ 2ˇ 2ˇ Zhen C 51.01 Z9, 11, Z13 C7 Z A Fm△7 F D Z Z 9, 11, 13 Gm7 Z BZ Z Z E G G E A Z C B G F Z G E C A Z D F Z B Z D E B m7 B D A Z Z A G Z Z A E C 9, 11, 13 5 D B \ Z 9, 11, 13 Z D Z Z F F A Z Z C E G F B Z D Z F ZZ Z Z\ 9, 11, 13 9, 11, 13 E ◦7 A 5 △7 ⇑ 2ˇ ˇ ˇ 437 E G B Z \\ 9, 11, 13 D C C G ˘ C ˇ 2ˇ 2ˇ Z △7 C 51.01 The Yijing Modes 1 E Z DZ A 7 A Z D Z 2 B G C C D F D 6 Z G AZ G B F C Z E G Z D Z B E A Z A Z B C Z E Z F G C 4 5 ⇑ 2ˇ ˇ ˇ 438 ˇ B Z F 3 E F G ˘ Z 2ˇ 2ˇ Zhen G C 51.01 2ˇ ¯ 2ˇ ˇ ˇ 1 G 2ˇ ˇ ¯ 2ˇ 2ˇ 2 G 2¯ ˇ ˇ 2ˇ 2ˇ 3 ˇ ˇ G 2¯ 2ˇ ˇ 4 G ˇ ¯ ˇ ˇ 2ˇ 5 G ˇ ˇ 2¯ ˇ 2ˇ 6 G 2ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ 2ˇ ˇ ˇ 2ˇ ¯ 2ˇ ˇ ˇ 7 2ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ 2ˇ ˇ 1 7 2ˇ 2ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 2 1 ˇ 2¯ 2ˇ 2ˇ ˇ ˇ 2¯ 2ˇ 2ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ 2ˇ 2ˇ ¯ ˇ 2ˇ 2ˇ 4 3 ˇ ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 5 4 2ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 6 5 439 2ˇ ¯ ˇ ˇ ˇ 5 2ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ 2¯ ˇ ˇ 7 ˇ 2¯ ˇ 2ˇ ˇ 1 2ˇ ¯ ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ 2ˇ ˇ 3 ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(19,20)(55,56)] KW[(51,52)(57,58)] 440 52. Gen [ Keeping Still, Mountain ] 4ˇ 2ˇ G 2ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ 4ˇ 441 ˇ 2ˇ C 52.01 The Yijing Modes C 52.01 \ BZ EZ F A 15.12 D Z G Z Z E 26.03 A Z GZ D F\ C B Z E Z G C EZ A BZ E Z A DZ G Z F C \ G D F \ 2.49 F G Z \ B Z E B Z Z B Z F A Z Z F D \ A E Z \ C G Z D C Z E Z Z B 60.02 ⇑ 4ˇ 442 2ˇ B Z F \ C Z A 2ˇ A G 1.18 Z 2ˇ Z C Z D 43.17 G ˘ Z D ˇ 2ˇ Gen C 52.01 Z9, \11, 13 Cm7 [Z [ \ D Z B Z G Z E Z C A F \ B Zm 5 △7 G Z \\ E Z C A F \ D Z B B F \ Z Z B D G Z E C G E D G C \ Z Z Z Z Z D F Z F \ \ C E Z G Z Z D A Z C F \\ C \ ZZ 9, 11, 13 9, 11, 13 Z A◦7 E m7 ⇑ 2ˇ 4ˇ 443 2ˇ Z E Z G Z B Z ˇ 2ˇ Z\ \ 9, 11, 13 D B 2ˇ 7 A A A G ˘ Z\ 9, 11, 13 F\ DZ BZ GZ EZ F ◦7 Z 5 A 9, 11, 13 9, 11, 13 Z 3 5 △7 C 52.01 The Yijing Modes 1 E A 7 A D Z GZ Z Z C F D Z G Z 2 D G 6 Z F C \ B Z C \ G Z F G E DZ Z D \ B Z E Z A E Z B C Z Z F E \ C 4 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 444 2ˇ ˇ Z A A 5 Z B 2ˇ Z B Z F \ 3 Gen G C 52.01 ˇ ¯ 2ˇ 2ˇ 2ˇ 1 2ˇ 2ˇ G 2¯ ˇ 2ˇ 2 G 2¯ 2ˇ 4ˇ ˇ 2ˇ 3 G 4ˇ ¯ 2ˇ ˇ 2ˇ 4 G 2¯ 4ˇ 2ˇ 2ˇ ˇ 5 G 4ˇ 2ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ 2ˇ ˇ ˇ 7 ˇ ¯ 2ˇ 4ˇ 2ˇ 2ˇ ¯ 2ˇ 4ˇ 2ˇ 7 6 2ˇ 2ˇ 2¯ ˇ ˇ 2ˇ 4ˇ 2¯ ˇ ˇ 1 7 ˇ 2ˇ 2¯ 2ˇ 2ˇ ˇ ˇ 2¯ 2ˇ 2ˇ 2 1 4ˇ ¯ 2ˇ 2ˇ 2ˇ 2ˇ ¯ 2ˇ 2ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ ˇ 2ˇ 2ˇ 2¯ 4ˇ ˇ 2ˇ 4 3 4ˇ 2ˇ 2¯ ˇ 2ˇ 4ˇ ˇ 2¯ ˇ 2ˇ 5 4 2ˇ 4¯ 2ˇ 2ˇ ˇ 2ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 445 2ˇ ¯ 2ˇ 4ˇ 2ˇ 5 2ˇ 4ˇ 2¯ 2ˇ ˇ 6 ˇ ˇ 2¯ 4ˇ 2ˇ 7 2ˇ ¯ ˇ 2ˇ 2ˇ 1 2ˇ 2¯ 2ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ 2ˇ 2ˇ 3 2ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX(23,24) KW(53,54) 446 53. Jian [ Development, Gradual Progress ] 4ˇ ˇ G 2ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ 2ˇ 4ˇ 447 ˇ ˇ C 53.01 The Yijing Modes C 53.01 F \ B A 46.12 D E Z G Z Z Z E 26.08 A Z GZ D F\ C B E Z G F C A B E Z A DZ G Z F C E \ E F G Z \ Z Z B F A Z C G D Z D C Z A E Z Z A E Z B 24.32 ⇑ 2ˇ 4ˇ 448 2ˇ F \ C Z Z 2ˇ B G 1.28 D 43.27 G ˘ A C \ B Z B G D F \ 2.31 Z \ Z D ˇ ˇ Jian C 53.01 Z9, \11, 13 Cm [ [ \ D Z Z E [ 3 E Z C F A E Z EZ C G Z C \ D Z F C F\ A GZ G B G G \ D Z DZ Z B \ C B E Z F \ A C Z G Z B D Z F \\ \ Z Z \ 9, 11, 13 9, 11, 13 A◦7 5 ⇑ 2ˇ 2ˇ 4ˇ 449 2ˇ E Z G Z B \ ˇ ˇ Z\ \ 9, 11, 13 D C G ˘ Z A A A E m7 F 3 7 B D EZ GZ Z\ \ 9, 11, 13 \ DZ B B7 \\ F F ◦7 9, 11, 13 5 △7 A 9, 11, 13 ZZ [ Z 3 5 △7 C 53.01 The Yijing Modes 1 E A 7 A Z GZ DZ Z C F D Z G Z 2 D G 6 Z F C \ C \ G B G Z Z D E F DZ \ Z A B E Z F A E \ C 4 5 ⇑ G ˘ 2ˇ 2ˇ 4ˇ 450 2ˇ ˇ B A Z B C EZ ˇ Z B F \ 3 Jian G C 53.01 2ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ G 2¯ ˇ ˇ 2ˇ 2 G 2¯ 2ˇ 4ˇ ˇ ˇ 3 G 2ˇ 4ˇ ¯ ˇ ˇ 4 G 2¯ 4ˇ 2ˇ ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ 2ˇ 6 G 4¯ 2ˇ ˇ ˇ 2ˇ 7 2ˇ ˇ ¯ 2ˇ 4ˇ 2ˇ ˇ ¯ 2ˇ 4ˇ 7 6 2ˇ 2¯ ˇ ˇ 2ˇ 4ˇ 2¯ ˇ ˇ 2ˇ 1 7 ˇ 2¯ 2ˇ 2ˇ ˇ ˇ 2¯ 2ˇ 2ˇ ˇ 2 1 2ˇ 4ˇ ¯ ˇ 2ˇ 2ˇ 2ˇ ¯ ˇ 2ˇ 3 2 ˇ ˇ 2¯ 4ˇ ˇ ˇ 2ˇ 2¯ 4ˇ ˇ 4 3 4ˇ 2ˇ ¯ ˇ 2ˇ 4ˇ ˇ ¯ ˇ 2ˇ 5 4 2ˇ 4¯ 2ˇ ˇ ˇ 2ˇ 4¯ 2ˇ ˇ ˇ 6 5 451 2ˇ ˇ ¯ 2ˇ 4ˇ 5 4ˇ 2¯ ˇ ˇ 2ˇ 6 ˇ 2¯ 4ˇ 2ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ 2ˇ ˇ 2 4ˇ ˇ ¯ 2ˇ 2ˇ 3 2ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX(23,24) KW(53,54) 452 54. Gui Mei [ The Marrying Maiden, Young Woman Marries ] ˇ 2ˇ G ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ ˇ 453 2ˇ 2ˇ C 54.01 The Yijing Modes C 54.01 F B Z E A 1.02 AZ D G F B Z A Z E D B B Z F G A F 5.01 Z E F C G G C Z Z D B D A Z Z E G D A G Z E Z B 14.01 D 7.01 ⇑ ˇ Z F C G 36.01 C E C ˇ B F F G ˘ Z C G E AZ A E 2.07 D D C B Z ˇ 454 ˇ 2ˇ 2ˇ Gui Mei C 54.01 Z 9, 11, 13 C7 Z Z 9, 11, 13 A Fm△7 F 9, 11, 13 Gm7 D D B Z B Z E G G E F E C A Z C B G F \ 9, 11, 13 Z G E C A Z B D F Z B 7 B A Z D Z G F Z C E G F B Z D F \ ZZ Z Z\ 9, 11, 13 Z 9, 11, 13 5 A 5 △7 ⇑ G ˘ ˇ ˇ ˇ 455 E G B Z Z ˇ 2ˇ 2ˇ Z 9, 11, 13 Dm7 C C Em7 A Z D A Z D E Z A C 5 C 54.01 The Yijing Modes 1 E A 7 A Z Z 2 D D B AZ G G C C D G B F E D F C G Z D 6 Z B E A A Z B C Z E Z F G C 4 5 ⇑ ˇ ˇ ˇ 456 ˇ B Z F 3 E F G ˘ Z 2ˇ 2ˇ Gui Mei G C 54.01 2ˇ ¯ ˇ ˇ ˇ 1 G ˇ ˇ ¯ 2ˇ 2ˇ 2 G 2ˇ 2ˇ ¯ ˇ ˇ 3 ˇ ˇ G 2¯ 2ˇ ˇ 4 G ˇ ¯ ˇ ˇ 2ˇ 5 G ˇ ˇ 2¯ ˇ ˇ 6 G ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ ˇ 2ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 6 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ 2ˇ ¯ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2 1 ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ 4 3 ˇ ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 5 4 ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 6 5 457 2ˇ ¯ ˇ ˇ ˇ 5 ˇ ˇ ¯ 2ˇ ˇ 6 2ˇ ˇ ¯ ˇ ˇ 7 ˇ 2¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ 2ˇ 2ˇ 2 ˇ 2ˇ 2¯ ˇ ˇ 3 ˇ ¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ 2ˇ 3 King Wen Fu Xi FX[(27,28)(39,40)] KW[(55,56)(59,60)] 458 55. Feng [ Abundance, Richness ] ˇ 2ˇ G ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ ˇ ˇ ˇ 459 ˇ 2ˇ C 55.01 The Yijing Modes C 55.01 F B A 24.07 D Z E Z E 2.06 A G D C F B Z Z D G C B A BZ E A D Z G D Z B B Z F D Z Z A E G D C Z A G E Z Z B 9.01 D 1.08 ⇑ 2ˇ ˇ Z F C G 46.01 C E F G ˘ B F A F 58.01 Z E F C G A C G E Z ˇ 460 ˇ ˇ 2ˇ Feng C 55.01 Z9, 11, 13 C7 Z 9, 11, 13 A 9, 11, 13 F △7 F Gm7 D Z BZ Z Z E C G G E A E BZ C C A G F \ Z G E 5 D B 9, 11, 13 Z C A D F Z B Z D E B m△7 B DZ Z Z F A C A G Z D F E G B A Z D Z C F Z Z ZZ Z E ◦7 Am7 9, 11, 13 9, 11, 13 ⇑ 2ˇ ˇ ˇ 461 G B Z \\ ˇ ˇ 2ˇ Z\ 9, 11, 13 D C F G ˘ E 5 △7 C 55.01 The Yijing Modes 1 E A 7 A D D Z 2 Z B E G DZ G C C F D 6 Z G B F C A G Z D Z B E Z A E E B C Z F G C 4 5 ⇑ 2ˇ ˇ ˇ 462 B Z F 3 A F G ˘ Z ˇ ˇ 2ˇ Feng G C 55.01 ˇ ˇ ¯ 2ˇ ˇ 1 G ˇ ¯ ˇ 2ˇ 2ˇ 2 G 2¯ ˇ ˇ ˇ 2ˇ 3 G ˇ ˇ ¯ 2ˇ ˇ 4 G 2ˇ ˇ ¯ ˇ ˇ 5 G ˇ 2¯ ˇ 2ˇ ˇ 6 G 2ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ ˇ 2ˇ ¯ 2ˇ ˇ 6 7 ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 2ˇ 1 7 2ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 2 1 ˇ ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ 3 2ˇ ˇ ¯ ˇ ˇ 2 2ˇ 2ˇ ¯ ˇ ˇ 4 3 ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 5 4 2ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 6 5 463 ˇ 2ˇ ¯ ˇ ˇ 5 ˇ ¯ 2ˇ ˇ 2ˇ 6 ˇ 2¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ ˇ 2ˇ 1 2ˇ 2ˇ ¯ ˇ ˇ 2 ˇ 2¯ 2ˇ ˇ ˇ 3 ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ ˇ ˇ 1 ˇ ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(27,28)(39,40)] KW[(55,56)(59,60)] 464 56. Lü [ The Wanderer, Traveling ] 4ˇ 2ˇ G ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ 4ˇ 465 ˇ 2ˇ C 56.01 The Yijing Modes C 56.01 \ BZ F A 36.12 D E Z G Z E 7.11 A Z GZ D F\ C B Z G C E B A BZ E A DZ G Z F C \ G Z B F G Z \ Z Z F A B \ Z D A E \ C E G Z D C Z E Z B 61.02 ⇑ 4ˇ 466 2ˇ Z F \ C Z A ˇ B G 1.31 Z 2ˇ A C Z D 43.30 G ˘ Z E D F \ 2.36 Z F Z D ˇ 2ˇ Lü C 56.01 Z9, \11, 13 C7 [Z [ 5 \\ \ A \ Z 9, 11, 13 F m7 Z 5 D Z B Z G Z E G E E F \ Z \ B Zm 9, 11, 13 5 △7 G Z E F A C \ D Z B B F \ Z G Z Z B D G D C \ Z Z E Z Z D F Z F \ \ A A C E G Z B Z D Z F Z \ ZZ [ 9, 11, 13 [Z[ 9, 11, 13 3 5 7 Am ⇑ 2ˇ ˇ 4ˇ 467 G Z B Z \ 2ˇ ˇ 2ˇ 7 Z\ \ 9, 11, 13 D C C G ˘ E A A E 7 C C A Z\ 9, 11, 13 F\ DZ BZ GZ 3 5 △7 C 56.01 The Yijing Modes 1 E A 7 A D Z GZ D Z GZ C F D 6 Z G Z 2 F C \ B Z C \ G DZ Z D \ Z B E Z A A E A E B C Z F \ C 4 5 ⇑ G ˘ 2ˇ ˇ 4ˇ 468 Z E Z F G B 2ˇ ˇ 2ˇ B Z F \ 3 Lü G C 56.01 ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ ˇ 2ˇ 2 G 2¯ ˇ 4ˇ ˇ 2ˇ 3 G 4ˇ ¯ 2ˇ ˇ ˇ 4 G ˇ ¯ 4ˇ 2ˇ 2ˇ 5 G 4ˇ 2ˇ 2¯ ˇ 2ˇ 6 2ˇ G 4¯ 2ˇ ˇ ˇ 7 ˇ ¯ 2ˇ 4ˇ 2ˇ 2ˇ ¯ 2ˇ 4ˇ 2ˇ 7 6 2ˇ ˇ 2¯ ˇ ˇ 2ˇ 4ˇ 2¯ ˇ ˇ 1 7 ˇ 2ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 2 1 4ˇ ¯ 2ˇ 2ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 3 ˇ ¯ 4ˇ ˇ 2ˇ 2 2ˇ ¯ 4ˇ ˇ 2ˇ 4 3 4ˇ 2ˇ 2¯ ˇ ˇ 4ˇ ˇ 2¯ ˇ ˇ 5 4 2ˇ 4¯ 2ˇ 2ˇ ˇ ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 469 2ˇ ¯ ˇ 4ˇ 2ˇ 5 2ˇ 4ˇ 2¯ 2ˇ ˇ 6 ˇ ˇ 2¯ 4ˇ 2ˇ 7 2ˇ ¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ ˇ 2ˇ 2 4ˇ ˇ 2¯ 2ˇ ˇ 3 ˇ 4¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ 4¯ ˇ 2ˇ 3 King Wen Fu Xi FX[(19,20)(55,56)] KW[(51,52)(57,58)] 470 57. Xun [ The Gentle, Wind, Proceeding Humbly ] 4ˇ ˇ G 2ˇ ŹI ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ 4ˇ 471 ˇ ˇ C 57.01 The Yijing Modes C 57.01 F \ B E A 46.06 D G Z Z Z E 9.08 A C A D F\ G B E Z G Z F C A B EZ A D G Z F C E \ E F G Z \ Z B F A C B G D F \ 2.18 Z \ Z D A E Z \ C G B Z A E Z B 24.19 ⇑ ˇ 2ˇ 4ˇ 472 2ˇ F \ C Z D C B G 1.48 D 55.07 G ˘ Z D ˇ ˇ Xun C 57.01 \ Z 9, 11, 13 Cm [ Z 5 △7 \\ A 9, 11, 13 \ F ◦7 G D B D B G Z E Z EZ C A F ZZ [ 9, 11, 13 Bm7 G Z E Z C A F E C G Z \ F G G Z Z F \ A E Z G D Z B D C F \\ Z \ C 9, 11, 13 \ 9, 11, 13 A◦7 5 △7 ⇑ G ˘ ˇ 2ˇ 4ˇ 473 E Z G Z B ZZ 9, 11, 13 D7 C A E m A A B \ Z B D E F Z B D \ 3 5 7 D C \ Z\ \ \ 9, 11, 13 F\ 2ˇ ˇ ˇ C 57.01 The Yijing Modes 1 E Z A 7 D A GZ D G D F C \ Z GZ F Z D D E \ Z A B E E Z B C A F \ C 4 5 ⇑ G ˘ ˇ 2ˇ 4ˇ 474 B A B 6 G EZ C F\ C GZ 2 2ˇ ˇ ˇ Z B F \ 3 Xun G C 57.01 ˇ ¯ ˇ 2ˇ 2ˇ 1 ˇ 2ˇ G 2¯ ˇ ˇ 2 G ˇ ˇ ¯ 2ˇ 4ˇ 3 G 4ˇ ¯ ˇ ˇ 2ˇ 4 G 2¯ 4ˇ 2ˇ ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ ˇ 6 ˇ G 4¯ 2ˇ ˇ ˇ 7 ˇ ¯ ˇ 4ˇ 2ˇ ˇ ¯ ˇ 4ˇ 2ˇ 7 6 ˇ 2ˇ 2¯ ˇ ˇ ˇ 4ˇ 2¯ ˇ ˇ 1 7 ˇ ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ 2 4ˇ ¯ ˇ ˇ 2ˇ 1 2ˇ ¯ ˇ ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ ˇ ˇ ˇ 2¯ 4ˇ ˇ ˇ 4 3 4ˇ 2ˇ ¯ ˇ 2ˇ 4ˇ ˇ ¯ ˇ 2ˇ 5 4 ˇ 4¯ 2ˇ ˇ ˇ 2ˇ 4¯ 2ˇ ˇ ˇ 6 5 475 ˇ ¯ 2ˇ 4ˇ 2ˇ 5 ˇ 4ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ 4ˇ 2ˇ 7 2ˇ ¯ ˇ ˇ 2ˇ 1 ˇ 2¯ 2ˇ ˇ ˇ 2 4ˇ ˇ ¯ ˇ 2ˇ 3 2ˇ 4¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ ¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ ˇ 1 2ˇ ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ ˇ ˇ 3 King Wen Fu Xi FX[(19,20)(55,56)] KW[(51,52)(57,58)] 476 58. Dui [ The Joyous, Joyful, Joy ] ˇ ˇ G ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ ˇ ˇ ˇ 477 2ˇ ˇ C 58.01 The Yijing Modes C 58.01 F B Z E A 1.08 AZ D G A F G C G B F E A B E AZ D C Z B E G F C G A F 9.01 Z D D A Z E B G F D C A G Z E B 2.06 D 46.01 ⇑ ˇ F C G 55.01 C B ˇ B F E G ˘ Z D D C E 24.07 ˇ 478 ˇ 2ˇ ˇ Dui C 58.01 Z 9, 11, 13 C △7 \ Z Z 9, 11, 13 A Fm△7 F 9, 11, 13 G7 D B D B E G G E F E C A Z D C B G F Z Z 9, 11, 13 G E C A Z B D F D E B ◦7 A G F A Z Z C E G D F B D C F \\ ZZ Z Z\ 9, 11, 13 9, 11, 13 Em7 A 5 △7 ⇑ G ˘ ˇ ˇ ˇ 479 E G B ˇ 2ˇ ˇ Z 9, 11, 13 Dm7 C B AZ Z A C 5 C 58.01 The Yijing Modes 1 E A 7 A Z Z 2 D D B AZ G G C C D F D G G B F C E D 6 E A A Z B Z E B C F G C 4 5 ⇑ G ˘ ˇ ˇ ˇ 480 ˇ F 3 E F B 2ˇ ˇ Dui G C 58.01 2ˇ ¯ ˇ ˇ ˇ 1 G ˇ ˇ ¯ 2ˇ ˇ 2 G 2ˇ ˇ ¯ ˇ ˇ 3 ˇ ˇ G 2¯ ˇ ˇ 4 G ˇ ¯ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ ˇ 6 G ˇ ¯ ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ ˇ ˇ ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ 6 ˇ ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ ¯ ˇ ˇ 7 2ˇ ˇ ¯ ˇ ˇ 2 1 ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ ˇ 3 2 ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 3 ˇ 2ˇ ¯ ˇ ˇ 5 ˇ ¯ ˇ ˇ ˇ 4 ˇ ¯ ˇ ˇ ˇ 6 5 481 ˇ ¯ ˇ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 2ˇ ˇ ¯ ˇ ˇ 7 ˇ 2¯ ˇ ˇ ˇ 1 ˇ ¯ ˇ 2ˇ ˇ 2 ˇ 2ˇ ¯ ˇ ˇ 3 ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 4 ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(27,28)(39,40)] KW[(55,56)(59,60)] 482 59. Huan [ Dispersion, Dissolution ] 4ˇ ˇ G 2ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ 2ˇ 2ˇ 4ˇ 483 2ˇ ˇ C 59.01 The Yijing Modes C 59.01 F \ B Z AZ Z E A 14.09 D G Z C D F\ G B E B EZ A Z D G A Z Z E F G Z \ F E \ Z Z Z D B F \ Z D C A Z E Z \ C G B Z A Z E Z B 24.29 ⇑ ˇ 2ˇ 4ˇ 484 2ˇ F \ C Z D C B G 1.33 D 62.07 G ˘ Z Z D B G A F \ 2.28 Z C AZ F C G Z E 5.08 2ˇ ˇ Huan C 59.01 \ Z Z 9, 11, 13 Cm [ Z \ Z F\ A \[ Z [ 9, 11, 13 F 5 △7 3 5 7 G D B D B G Z E C A Z EZ Z F ZZ [ [ Bm 9, 11, 13 7 G Z E Z C A Z F E G Z \ F G G Z Z A AZ F Z C E B \ Z G D \ Z \ A Z C B D F \ \\ \ 9, 11, 13 Z 5 △7 A 7 ⇑ G ˘ E Z 9, 11, 13 E m Z ˇ 2ˇ 4ˇ 485 2ˇ Z G Z B ZZ 2ˇ ˇ Z 9, 11, 13 D7 C \ A Z B D E F Z B D \ C 3 5 7 D C \ Z\ \ \ 9, 11, 13 5 C 59.01 The Yijing Modes 1 Z AZ E 7 A Z D GZ D G D F C \ A GZ B E F Z \ Z A Z B E Z A Z E Z B C EZ F \ C 4 5 ⇑ G ˘ ˇ 2ˇ 4ˇ 486 2ˇ B D D 6 G Z C F\ C GZ 2 2ˇ ˇ Z B F \ 3 Huan G C 59.01 2ˇ ¯ ˇ 2ˇ 2ˇ 1 ˇ 2ˇ G 2¯ 2ˇ ˇ 2 G 2ˇ ˇ ¯ 2ˇ 4ˇ 3 2ˇ 4ˇ G 2¯ ˇ ˇ 4 G 2¯ 4ˇ 2ˇ ˇ ˇ 5 G 4ˇ 2ˇ ¯ ˇ ˇ 6 ˇ G 4¯ 2ˇ 2ˇ ˇ 7 2ˇ ¯ ˇ 4ˇ 2ˇ ˇ ¯ ˇ 4ˇ 2ˇ 7 6 ˇ 2ˇ 2¯ 2ˇ ˇ ˇ 4ˇ 2¯ 2ˇ ˇ 1 7 2ˇ ˇ ¯ 2ˇ 2ˇ 2ˇ ˇ ¯ 2ˇ 2ˇ 2 1 4ˇ 2¯ ˇ ˇ 2ˇ 2ˇ 2¯ ˇ ˇ 2ˇ 3 2 ˇ 2¯ 4ˇ 2ˇ ˇ ˇ 2¯ 4ˇ 2ˇ ˇ 4 3 4ˇ 2ˇ ¯ ˇ 2ˇ 4ˇ 2ˇ ¯ ˇ 2ˇ 5 4 ˇ 4¯ 2ˇ ˇ ˇ 2ˇ 4¯ 2ˇ ˇ ˇ 6 5 487 ˇ ¯ 2ˇ 4ˇ 2ˇ 5 ˇ 4ˇ 2¯ ˇ ˇ 6 2ˇ ˇ ¯ 4ˇ 2ˇ 7 2ˇ 2¯ ˇ ˇ 2ˇ 1 ˇ 2¯ 2ˇ 2ˇ ˇ 2 4ˇ 2ˇ ¯ ˇ 2ˇ 3 2ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ 2¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ 2ˇ 2ˇ 1 2ˇ 2ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX[(27,28)(39,40)] KW[(55,56)(59,60)] 488 60. Jie [ Limitation, Restricting, Discipline ] ˇ ˇ G 2ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ ˇ 489 2ˇ ˇ C 60.01 The Yijing Modes C 60.01 F B Z AZ Z E A 1.03 D G F E Z F A B D G C G B C Z E A F 26.01 E Z B G F C G Z Z D D A Z E Z B G D C A G Z E Z B 2.12 D 15.01 ⇑ 2ˇ F C G 51.01 C F ˇ B F B G ˘ Z D D C AZ EZ A Z E 43.02 ˇ 490 ˇ 2ˇ ˇ Jie C 60.01 Z 9, 11, 13 Cm△7 \ A 9, 11, 13 Z Z Z 9, 11, 13 F Fm7 G7 D B D B G E E G Z E C A Z A Z 9, 11, 13 G EZ A C Z F C B G B D F D E B ◦7 Z A G E Z\ Z C F Z B D F \\ 9, 11, 13 9, 11, 13 5△ 7 A Z △7 ⇑ G ˘ ˇ 2ˇ ˇ 491 ˇ E Z G B Z 2ˇ ˇ Z 9, 11, 13 Dm7 C E A G D Z F Z C B A C D F ZZ Z Z Z 5 C 60.01 The Yijing Modes 1 Z AZ E 7 A Z 2 D D G G A C C D G G B F Z D 6 E Z A Z B E F A Z E Z F G C 4 5 ⇑ ˇ 2ˇ ˇ 492 ˇ Z B F 3 B C G ˘ B D F C EZ 2ˇ ˇ Jie G C 60.01 ˇ 2ˇ ¯ ˇ 2ˇ 1 G 2ˇ ¯ 2ˇ ˇ ˇ 2 G ˇ ¯ 2ˇ ˇ 2ˇ 3 2ˇ ˇ G 2¯ ˇ ˇ 4 G 2¯ ˇ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ ˇ 6 G ˇ ¯ ˇ 2ˇ ˇ 7 ˇ 2ˇ ¯ ˇ ˇ ˇ ˇ ¯ ˇ ˇ 6 7 2ˇ ¯ 2ˇ ˇ ˇ ˇ ¯ 2ˇ ˇ ˇ 1 ˇ ¯ 2ˇ ˇ 2ˇ 7 ˇ ¯ 2ˇ ˇ 2ˇ 2 1 2ˇ ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 3 2 ˇ ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 4 3 ˇ ˇ ¯ ˇ 2ˇ ˇ 2ˇ ¯ ˇ 2ˇ 5 ˇ ¯ ˇ ˇ ˇ 4 2ˇ ¯ ˇ ˇ ˇ 6 5 493 ˇ ˇ ¯ 2ˇ ˇ 5 ˇ ¯ ˇ ˇ ˇ 6 ˇ ¯ ˇ ˇ 2ˇ 7 2ˇ ˇ 2¯ ˇ ˇ 1 ˇ ˇ 2¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ ˇ 2ˇ 3 2ˇ ¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ ˇ ˇ 6 ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ ¯ 2ˇ ˇ 3 King Wen Fu Xi FX(25,26) KW(61,62) 494 61. Zhong Fu [ Inner Truth, Innermost Sincerity, Faithfulness in the Centre ] 4ˇ ˇ G 2ˇ ŹI 2ˇ ˇ ˇ ˘ ⇓ G ˘ ˇ 2ˇ ˇ 4ˇ 495 2ˇ ˇ C 61.01 The Yijing Modes C 61.01 F \ B Z AZ Z E A 1.09 D G C F A B D G G EZ C G F E F\ E \ Z Z Z D B F \ C B G A F \ 2.11 C Z D A Z E Z \ G B D A G Z E Z B 24.12 D 62.01 ⇑ ˇ 2ˇ 4ˇ 496 ˇ B F \ C G 17.01 C C G ˘ Z D D F\ B AZ EZ A Z E 43.08 2ˇ ˇ Zhong Fu C 61.01 \ Z 9, 11, 13 Cm△7 Z Z Z Z Z F\ A [Z[ F\ 9, 11, 13 3 5 7 9, 11, 13 G△7 D B D B G G EZ E C A Z F ZZ Z [ 9, 11, 13 Bm G EZ A C Z F E \ D F\ Z B G B D E 7 Z A G F Z C B F\ AZ E \ \ EZ A Z C Z G D B D F \ \\ \ 9, 11, 13 9, 11, 13 5△ 7 A Z △7 ⇑ G ˘ E ˇ 2ˇ 4ˇ 497 ˇ Z G B Z 2ˇ ˇ Z 9, 11, 13 D7 C \ Z Z D C \ A C 5 C 61.01 The Yijing Modes 1 Z AZ E 7 A Z 2 D D G G A D G F C \ C F\ C G D E F \ Z Z A Z B E A Z E Z B C F \ G C 4 5 ⇑ G ˘ ˇ 2ˇ B D B 6 EZ 4ˇ 498 ˇ 2ˇ ˇ Z B F \ 3 Zhong Fu G C 61.01 ˇ 2ˇ ¯ ˇ 2ˇ 1 G 2ˇ ¯ 2ˇ ˇ ˇ 2 G ˇ ¯ 2ˇ 4ˇ 2ˇ 3 2ˇ 4ˇ G 2¯ ˇ ˇ 4 G 2¯ 4ˇ ˇ ˇ ˇ 5 G 4ˇ ˇ ¯ ˇ ˇ 6 G 4¯ ˇ 2ˇ ˇ ˇ 7 ˇ 2ˇ ¯ ˇ 4ˇ ˇ ˇ ¯ ˇ 4ˇ 6 7 2ˇ ¯ 2ˇ ˇ ˇ 4ˇ ¯ 2ˇ ˇ ˇ 1 ˇ ¯ 2ˇ ˇ 2ˇ 7 ˇ ¯ 2ˇ ˇ 2ˇ 2 1 2ˇ 4ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 3 2 ˇ ˇ 2¯ 4ˇ 2ˇ ˇ ˇ 2¯ 4ˇ 2ˇ 4 3 4ˇ ˇ ¯ ˇ 2ˇ 4ˇ 2ˇ ¯ ˇ 2ˇ 5 4 ˇ 4¯ ˇ ˇ ˇ 2ˇ 4¯ ˇ ˇ ˇ 6 5 499 ˇ ˇ ¯ 2ˇ 4ˇ 5 4ˇ ¯ ˇ ˇ ˇ 6 ˇ ¯ 4ˇ ˇ 2ˇ 7 2ˇ ˇ 2¯ ˇ ˇ 1 ˇ ˇ 2¯ ˇ 2ˇ 2 4ˇ 2ˇ ¯ ˇ 2ˇ 3 2ˇ 4¯ 2ˇ ˇ ˇ 4 2ˇ ˇ ¯ 2ˇ 4ˇ 4 2ˇ 4ˇ ¯ ˇ ˇ 5 ˇ ˇ ¯ 4ˇ ˇ 6 4ˇ ˇ 2¯ ˇ ˇ 7 ˇ ˇ 2¯ ˇ 2ˇ 1 ˇ 2ˇ ¯ ˇ 2ˇ 2 ˇ 2ˇ 4¯ 2ˇ ˇ 3 King Wen Fu Xi FX(25,26) KW(61,62) 500 62. Xiao Guo [ Preponderance of the Small, Little Exceeding, The Small Get By ] ˇ 2ˇ G ˇ ŹI ˇ 2ˇ 2ˇ ˘ ⇓ G ˘ 2ˇ ˇ 2ˇ ˇ 501 ˇ 2ˇ C 62.01 The Yijing Modes C 62.01 F B A 24.12 D Z E Z G Z E 2.11 A Z GZ D C F B Z G B A BZ E A DZ G Z G D Z B B Z Z Z D Z C E G F G Z F Z A E F A F 17.01 Z D C Z A E Z B 61.01 ⇑ ˇ ˇ 502 2ˇ Z F C Z Z 2ˇ B G 1.09 D 43.08 G ˘ A E F C Z C C E Z D ˇ 2ˇ Xiao Guo C 62.01 Z9, 11, 13 C7 Z Z Z 5 9, 11, 13 A F △7 F D \\ \ 9, 11, 13 G Z BZ GZ Z Z G Z E E C A E C C A G F 9, 11, 13 Z B m△7 G Z E △7 D B \ Z Z A C D F Z B Z D G B D Z Z B Z Z E Z D Z Z F A C E G Z B Z D Z C F ZZ Z Z Z [ 9, 11, 13 [Z[ 9, 11, 13 3 5 7 Am ⇑ 2ˇ ˇ ˇ 503 G Z B Z \ 2ˇ ˇ 2ˇ 7 Z\ 9, 11, 13 D C A G ˘ E A F E F 5 △7 C 62.01 The Yijing Modes 1 E A 7 A D 2 Z GZ D Z GZ B E C C F D 6 Z G Z B F C G Z Z B Z DZ Z A A E E B C Z F C 4 5 ⇑ G ˘ 2ˇ ˇ ˇ 504 2ˇ B Z F 3 A F G Z D E Z ˇ 2ˇ Xiao Guo G C 62.01 ˇ ¯ 2ˇ ˇ 2ˇ 1 2ˇ ˇ G 2¯ ˇ 2ˇ 2 G 2¯ ˇ ˇ ˇ 2ˇ 3 G ˇ ¯ 2ˇ ˇ ˇ 4 G ˇ ¯ ˇ 2ˇ 2ˇ 5 G ˇ 2ˇ 2¯ ˇ 2ˇ 6 G 2ˇ ¯ 2ˇ ˇ ˇ 7 ˇ ¯ 2ˇ ˇ 2ˇ 2ˇ ¯ 2ˇ ˇ 2ˇ 7 6 2ˇ ˇ 2¯ ˇ ˇ 2ˇ ˇ 2¯ ˇ ˇ 1 7 ˇ 2ˇ 2¯ ˇ 2ˇ ˇ ˇ 2¯ ˇ 2ˇ 2 1 ˇ ¯ 2ˇ 2ˇ ˇ 2ˇ ¯ 2ˇ 2ˇ ˇ 3 ˇ ¯ ˇ ˇ 2ˇ 2 2ˇ ¯ ˇ ˇ 2ˇ 4 3 ˇ 2ˇ 2¯ ˇ ˇ ˇ ˇ 2¯ ˇ ˇ 5 4 2ˇ ¯ 2ˇ 2ˇ ˇ ˇ ¯ 2ˇ 2ˇ ˇ 6 5 505 2ˇ ¯ ˇ ˇ 2ˇ 5 2ˇ ˇ 2¯ 2ˇ ˇ 6 ˇ ˇ 2¯ ˇ 2ˇ 7 2ˇ ¯ ˇ 2ˇ ˇ 1 2ˇ ¯ 2ˇ ˇ 2ˇ 2 ˇ ˇ 2¯ 2ˇ ˇ 3 ˇ ¯ ˇ 2ˇ ˇ 4 ˇ 2ˇ ¯ ˇ ˇ 4 ˇ ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ 2¯ ˇ 2ˇ 6 ˇ 2ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ ¯ 2ˇ ˇ 1 2ˇ ˇ 2¯ 2ˇ ˇ 2 2ˇ ˇ ¯ ˇ 2ˇ 3 King Wen Fu Xi FX(43,44) KW(63,64) 506 63. Ji Ji [ After Completion, Already Fulfilled, Already Across ] ˇ ˇ G 2ˇ ŹI ˇ 2ˇ ˇ ˘ ⇓ G ˘ 2ˇ 2ˇ ˇ ˇ 507 ˇ ˇ C 63.01 The Yijing Modes C 63.01 F B A 7.07 D E Z Z Z E 14.02 A G D C F Z D G E Z F C A B E Z A D Z E D F 38.01 E Z B G F C G Z Z D Z A E Z B G D C Z A G E Z Z B 2.16 D 1.13 ⇑ 2ˇ F C G 40.01 C F 2ˇ B F A B G ˘ A C G B Z ˇ 508 ˇ ˇ ˇ Ji Ji C 63.01 Z9, 11, 13 Cm△7 \ Z Z A 9, 11, 13 F F7 D D Z G7 Z B B G E E C G Z E C Z D ZZ Z [Z 9, 11, 13 B7 G EZ A C D Z D EZ Z C B E Z F A C Z D Z C F \ Z Z Z\ Z 9, 11, 13 9, 11, 13 5 Am7 ⇑ 2ˇ 2ˇ ˇ 509 ˇ Z G B \ \ ˇ ˇ 5 Z\ 9, 11, 13 D B A G ˘ E G F E 7 F A G D Z B B 3 5 Z G F F 5 A C A Z 9, 11, 13 5 △7 C 63.01 The Yijing Modes 1 E Z A 7 A D DZ 2 Z G DZ G C C F D 6 Z G EZ A G B F C D E Z A B E F Z A E Z F G C 4 5 ⇑ 2ˇ 2ˇ ˇ 510 ˇ Z B F 3 B C G ˘ B ˇ ˇ Ji Ji G C 63.01 ˇ ˇ ¯ 2ˇ 2ˇ 1 G 2ˇ ¯ ˇ ˇ 2ˇ 2 G 2¯ 2ˇ ˇ ˇ ˇ 3 G 2ˇ ˇ ¯ ˇ ˇ 4 G 2¯ ˇ ˇ ˇ ˇ 5 G ˇ ˇ ¯ ˇ 2ˇ 6 G 2ˇ ¯ ˇ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ ˇ ˇ ˇ ¯ 2ˇ ˇ 6 7 2ˇ ¯ ˇ ˇ 2ˇ ˇ ¯ ˇ ˇ 2ˇ 1 7 ˇ 2¯ 2ˇ ˇ ˇ ˇ 2¯ 2ˇ ˇ ˇ 2 1 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 3 2 ˇ ˇ 2¯ ˇ ˇ ˇ 2ˇ 2¯ ˇ ˇ 4 3 ˇ ˇ ¯ ˇ 2ˇ ˇ ˇ ¯ ˇ 2ˇ 5 2ˇ ¯ ˇ ˇ ˇ 4 2ˇ ¯ ˇ ˇ ˇ 6 5 511 ˇ ˇ ¯ 2ˇ ˇ 5 ˇ ¯ ˇ ˇ 2ˇ 6 ˇ 2¯ ˇ ˇ ˇ 7 2ˇ ˇ ¯ ˇ 2ˇ 1 ˇ 2ˇ 2¯ ˇ ˇ 2 ˇ ˇ ¯ 2ˇ 2ˇ 3 2ˇ ¯ ˇ ˇ ˇ 4 ˇ ˇ ¯ 2ˇ ˇ 4 2ˇ ˇ ¯ ˇ ˇ 5 ˇ ˇ 2¯ ˇ ˇ 6 ˇ ˇ ¯ ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ ˇ 1 ˇ ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2ˇ ¯ ˇ ˇ 3 King Wen Fu Xi FX(43,44) KW(63,64) 512 64. Wei Ji [ Before Completion, Not Yet Fulfilled ] 4ˇ 2ˇ G ˇ ŹI 2ˇ ˇ 2ˇ ˘ ⇓ G ˘ ˇ ˇ 2ˇ 4ˇ 513 2ˇ 2ˇ C 64.01 The Yijing Modes C 64.01 \ BZ F Z E A 14.13 D G AZ Z C D F\ B Z G B Z E A Z D Z F C F G Z \ B Z Z B Z F \ G Z D B Z F Z C D A Z E \ C E G Z A Z E Z B 38.02 ⇑ ˇ ˇ 4ˇ 514 2ˇ Z F \ C Z D C B G 1.42 D 40.07 G ˘ Z Z D E \ A F \ 2.41 G C AZ E G A E 7.16 2ˇ 2ˇ Wei Ji C 64.01 \ Z Z 9, 11, 13 C7 [Z Z \ \ Z F\ A \ [Z 9, 11, 13 F 7 5 3 5 Z\ \ 9, 11, 13 G 5 7 D BZ D Z GZ B G Z E A Z F \ Z Z\ 9, 11, 13 B 7 5 G Z E C F F\ E C AZ E \ B D \ B A Z \ G Z Z B Z D G F C Z Z E A Z D F Z \ A Z C E G D Z B Z D F Z Z \ \ \ Z\ 9, 11, 13 [Z 3 5 A 7 ⇑ ˇ ˇ 4ˇ 515 G Z B Z Z Z 2ˇ 2ˇ 2ˇ 5 Z 9, 11, 13 D7 9, 11, 13 G ˘ E C C E7 A C 5 C 64.01 The Yijing Modes 1 E A 7 A Z GZ G F C \ B F Z Z AZ GZ Z \ Z B E A A Z E B C Z F E Z E \ C 4 5 ⇑ G ˘ ˇ ˇ 4ˇ 516 2ˇ Z D D 6 G B C F\ C D 2 D D GZ Z 2ˇ 2ˇ B Z F \ 3 Wei Ji G C 64.01 2ˇ 2ˇ ¯ ˇ ˇ 1 ˇ G 2¯ 2ˇ 2ˇ ˇ 2 G 2ˇ ¯ ˇ 4ˇ 2ˇ 3 ˇ 4ˇ G 2¯ 2ˇ ˇ 4 G 2ˇ ˇ ¯ 4ˇ 2ˇ 5 G 2ˇ 2¯ ˇ ˇ 4ˇ 6 G 4¯ 2ˇ 2ˇ ˇ ˇ 7 2ˇ 2ˇ ¯ ˇ 4ˇ 2ˇ 2ˇ ¯ ˇ 4ˇ 7 6 ˇ 2¯ 2ˇ ˇ ˇ 4ˇ 2¯ 2ˇ ˇ ˇ 1 7 2ˇ ¯ ˇ 2ˇ 2ˇ ˇ ¯ ˇ 2ˇ 2ˇ 2 1 ˇ 4ˇ 2¯ 2ˇ ˇ ˇ 2ˇ 2¯ 2ˇ ˇ 3 2 2ˇ ˇ ¯ 4ˇ 2ˇ 2ˇ ˇ ¯ 4ˇ 2ˇ 4 3 2ˇ 2¯ ˇ ˇ 4ˇ 2ˇ 2¯ ˇ ˇ 4ˇ 5 4 ˇ 4¯ 2ˇ 2ˇ ˇ ˇ 4¯ 2ˇ 2ˇ ˇ 6 5 517 2ˇ 2ˇ ¯ ˇ 4ˇ 5 4ˇ 2¯ 2ˇ ˇ ˇ 6 ˇ ¯ 4ˇ 2ˇ 2ˇ 7 ˇ 2ˇ 2¯ ˇ ˇ 1 2ˇ ˇ ¯ 2ˇ 2ˇ 2 2ˇ 2¯ ˇ ˇ 4ˇ 3 ˇ 4¯ 2ˇ 2ˇ ˇ 4 2ˇ 2ˇ ¯ ˇ 4ˇ 4 ˇ 4ˇ 2¯ 2ˇ ˇ 5 2ˇ ˇ ¯ 4ˇ 2ˇ 6 4ˇ 2ˇ 2¯ ˇ ˇ 7 ˇ ˇ ¯ 2ˇ 2ˇ 1 2ˇ 2ˇ 2¯ ˇ ˇ 2 ˇ ˇ 4¯ 2ˇ 2ˇ 3