Since its inception, American Literature (AL) has been regarded as the preeminent periodical in its field. Written by established scholars as well as the newest and brightest young critics, AL's thought-provoking essays cover a broad spectrum of periods and genres and employ a wide range of methodological and theoretical approaches--the best in American literary criticism. Each issue of American Literature contains articles covering the works of several American authors, from colonial to contemporary, as well as an extensive book review section; a "Brief Mention" section offering citations of new editions and reprints, collections, anthologies, and other professional books; and an "Announcements" section that keeps readers up-to-date on prizes, competitions, conferences, grants, and publishing opportunities.
Duke University Press publishes approximately one hundred books per year and thirty journals, primarily in the humanities and social sciences, though it does also publish two journals of advanced mathematics and a few publications for primarily professional audiences (e.g., in law or medicine). The relative magnitude of the journals program within the Press is unique among American university presses. In recent years, it has developed its strongest reputation in the broad and interdisciplinary area of "theory and history of cultural production," and is known in general as a publisher willing to take chances with nontraditional and interdisciplinary publications, both books and journals.
This item is part of a JSTOR Collection.
For terms and use, please refer to our Terms and Conditions
American Literature
© 1964 Duke University Press
Request Permissions