‘Jupiter’s Moon’ Cannes Review: Ambitious Allegorical Fantasy Gets Lost in Collective Noise
Kornel Mondruczo serves up awe-inspiring visuals, but don’t expect another Cannes win
Kornel Mondruczo serves up awe-inspiring visuals, but don’t expect another Cannes win
Nicola Yoon’s YA novel suffers some missteps on the big screen, but Amandla Stenberg and Nick Robinson make appealing young lovers
Ridley Scott keeps his alien attacks as gross-scary-suspenseful as ever, but none of the dialogue scenes are nearly as compelling
The British showman is the William Castle of illusionists
The earlier entries were smart and sweet examinations of being a kid, but this time we get clichés and oversimplification
Eleanor Coppola (“Hearts of Darkness”) makes a disappointing narrative debut with a tale that could have been called “Eat, Drive, Bore”
Demián Bichir gives this earnest family tale his all, but the drama pales next to the gleam of the custom cars
Tribeca: The actress serves up 13 wild characters delivering a variety of manifestos in a film too smart and sassy to be self-indulgent
Doug Liman’s pared-down, Iraq-set war movie never fully expresses what it has to say about human conflict
The playwright conjures up ideas and images from “1984,” “Mara and Dann,” and “Blade Runner”
There are sporadic laughs in this haphazard mother-daughter vacation gone wrong, but with this dream comedy pairing — it should be funnier
Guy Ritchie’s manic take on the once and future king gets mercilessly panned
How much you enjoy the extreme-ification of the legend will depend on your tolerance for Ritchie’s mad garble of images
The one-act show doesn’t just embrace its offbeat, time-traveling premise, but fairly wallows in it
The late bad boy of death-defying performance and life-affirming sculpture (including those famous L.A. streetlights) remembered warmly and with respect
John Doyle’s staging has humor, thanks to the inspired casting of Ann Harada. But why trim Sondheim’s score?
Oren Moverman (“The Messenger”) overserves the ideas in this topical thriller-satire
A teen’s transition takes a backseat to the family members (played by Naomi Watts and Susan Sarandon) who must learn how to cope
Bittersweet saga of also-ran boxer Chuck Wepner, like its subject, goes the distance without quite becoming a champion
Chris Pratt and company keep the banter and breeziness coming, but this sequel comes off more as fun filler than a movie unto itself
Oscar-winning documentarian Laura Poitras got plenty of access to the WikiLeaks founder, but a full portrait remains maddeningly elusive
Mexican star Eugenio Derbez leads a talented cast doing their best to elevate this broad farce
Juliette Binoche leads a cast having a great time — and that enjoyment is infectious in Bruno Dumont’s latest
“American Horror Story” star delivers a high-energy and appealing performance as an inexperienced American journalist in a perilous overseas locale
Lucas Hnath’s fine script calls for the actors to take very different approaches under master director Sam Gold
Jacob Latimore is a winning young hero playing a street magician in over his head with criminals in director and co-writer JD Dillard’s confident genre hybrid