Onward and Upward with the Arts
Jack White’s Infinite Imagination
By Alec Wilkinson
He used to be exclusively a rock star. Now he’s a songwriter, a producer, a label owner, and a furniture upholsterer, too.
A new way to discover, read, listen to, and share poetry from the magazine’s archive.
Jordan Peele’s movie is a work that deserves, in its own way, to be viewed alongside Barry Jenkins’s “Moonlight.”
This Williamsburg restaurant serves a thoughtfully curated, health-conscious menu that does not so much forsake tradition as refurbish it.
Tucked away in Greenpoint is a bar that curates its calendar as carefully as its beer list.
The singer and songwriter is the product of a culture that no longer thinks the organic and the synthesized are in opposition.
Two hundred years after its author’s death, “Sanditon” remains a robust, unsparing portrait of human foolishness.
In Bill Buckhurst’s staging, the actors open Sondheim’s brilliant lyrics up to a new freshness.
“The Schooldays of Jesus,” “A Book of American Martyrs,” “Jonathan Swift,” and “This Close to Happy.”
The exhibit “Early” captures the exuberance of being young, beautiful, and down and out in New York.
“I sketched this after coming back from a gallery,” Carter Goodrich says, about his cover for this week’s issue.
The designers’ Milan Fashion Week show used amateur models of all ages, shapes, and sizes. It was disjointed and excessive. That was the point.
The nonsense campaign of Trump and his supporters must be recognized as such and ignored—or mocked and hijacked in a better direction.
The show is a tightly produced exploration of modern composition that benefits from musical immersion.
A populist uprising in an online multiplayer video game, and Jonathan Franzen’s favorite place to spot birds.
The former President’s surprisingly likable, starkly disturbing new book, “Portraits of Courage,” collects his paintings of wounded veterans of the Afghanistan and Iraq wars.
Whatever the next steps for the museum, it must not become so enmeshed with the art-fair set that it loses sight of the long view.
How Henry Rousso, a renowned expert on Vichy France, became ensnared in the sort of spiralling historical irony that he is more used to analyzing.
The theory, put forward by philosophers, is far from a joke, or a mere conceit.
Jia Tolentino on poetry as a refuge, and finding meaning in Tracy K. Smith’s “Solstice.”