The latest Oscar-nominated film from Asghar Farhadi follows a couple whose relationship begins to fray as they’re acting in a production of Death of a Salesman.
The coming months in cinema aren’t just for superheroes and sequels.
The television icon who helped redefine the sitcom, both in front of and behind the camera on her eponymous show, died at age 80.
Manchester by the Sea is the first film released by an online streaming service to get an Academy Award nod—mostly because the movie hasn’t premiered online yet.
The Hollywood-set musical took a record 14 nods in a list otherwise dominated by smaller, more intimate dramas.
M. Night Shyamalan’s new film ends on a typically surprising note—and there’s a lot to unpack about its wider implications.
Ken Loach’s new movie, which triumphed at last year’s Cannes Film Festival, is a Kafkaesque tale of one man navigating Britain’s welfare system.
In a bland and forgettable new film, Michael Keaton plays Ray Kroc, the cut-throat businessman behind the McDonald’s franchise.
The film is poised to gross at least $100 million on a comparatively small budget—yet another reminder that audiences will pay to see diverse stories.
Maren Ade’s nearly three-hour German film might sound like a tough sell—but it’s a remarkably unique work of 21st-century humor.
Ben Affleck’s follow-up to the Oscar-winning Argo struggles to tell a grand story of Prohibition-era crime in Boston and Tampa.
Peter Berg’s latest re-creation of real-life events again stars Mark Wahlberg, this time at the center of the 2013 Boston Marathon bombing.
The long-tenured host might be moving to a weekly, or all-digital, format in the coming years—another major shift for an ever-evolving genre.
Damien Chazelle’s film is a self-aware throwback—one that portrays the limits of worshiping the past.
The Emma Stone and Ryan Gosling-starring musical was a record winner of the night, though Moonlight took the final Best Picture trophy.
Jim Jarmusch’s new film stars Adam Driver as a bus-driving poet.
Journalists keep invoking Nate Parker’s rape case when discussing the sexual-harassment lawsuits against the Manchester by the Sea star. But the comparison does more harm than good.
Star Trek returns, Girls concludes, winter comes to Game of Thrones, and streaming TV continues its steep climb.
There will be sequels, superheroes, and Star Wars, but there’s plenty more on the horizon, too.
The Atlantic looks back at key cinematic moments in 2016, this time Andrea Arnold’s electrifying road movie.