Jazz dance originated from the African American vernacular dance of the late 1800s to the mid-1900s. An early popular "jazz dancer" was vaudeville star Joe Frisco in the 1910s. He danced in a loose-limbed style close to the ground while juggling... [more]

Jazz dance originated from the African American vernacular dance of the late 1800s to the mid-1900s. An early popular "jazz dancer" was vaudeville star Joe Frisco in the 1910s. He danced in a loose-limbed style close to the ground while juggling his derby and cigar. Until the middle of 1950s, the term "jazz dance" often referred to tap dance, because tap dancing (set to jazz music) was the main performance dance of the era. During the later jazz age, popular forms of jazz dance were the Cakewalk, Black Bottom, Charleston, Jitterbug, Boogie Woogie, Swing dancing and the related Lindy Hop. Today, jazz dance is present in many different venues and different forms. Jazz dance thrives in dance schools and remains an essential part of musical theater choreography; it is sometimes interwoven with other dance styles as appropriate for the particular show. Jazz dancing can be seen in some music videos, and even a number of Las Vegas showgirls are jazz dancers. Jazz Dance can also be seen on the hit show, "So You Think You Can Dance", and is performed by dance companies around the world. Tap dance was developed in the United States during the nineteenth century, and is popular nowadays in many parts of the world. The name comes from the tapping sound made when the small metal plates on the dancer's shoes touch a hard floor. This lively, rhythmic tapping makes the performer not just a dancer, but also a percussive musician (and thus, for example, the American composer Morton Gould was able to compose a "concerto for tap dancer and orchestra"). The Encyclopedia Britannica definition for tap dance is: A style of American theatrical dance using precise rhythmical patterns of foot movement and audible foot tapping. It is derived from the traditional clog dance of northern England, the jigs and reels of Ireland and Scotland, and possibly the rhythmic foot stamping of African dances. Popular in 19th-century minstrel shows, versions such as "buck-and-wing" (danced vigorously in wooden-soled shoes) and "soft-shoe" (danced smoothly in soft-soled shoes) developed as separate techniques; by 1925 they had merged, and metal taps were attached to shoe heels and toes to produce a more pronounced sound. The dance was also popular in variety shows and early musicals. [show less]