Rossetto Ink

Mr.Barrows in action

Recently I had the pleasure of attending The Sobey Award Gala ceremony to announce the winner of 2010 competition. It had been a LONG time since I had been invited to such a ceremony. The event was GRADNDIOUS as representatives and ART LOVERS came from across the country to support the artists they loved and hear the BIG ANNONCEMENT. It was a formal affair, a suit and tie not required. As the attendees came from such diverse back grounds any air of pomposity was left at the front doors. Everyone mingled easily as we were all there to CELEBRATE our enjoyment of CONTEMPORAY CANADIAN ART.

To start off the gala began with quick discussions from the artists and curator/judges about the works. Each artist who spoke was extremely articulate and described their work well. Giving the viewers insights one might have missed from simply viewing these artistic presentations. The Judges, curators from MAJOR Galleries through out the country, who had nominated these artists also spoke briefly about how the finalist’s then winner was decided.

The Process was described like this. Each of the judges brought five finalists from their regions to the committee. That created what was called a long list consisting of twenty five artists. The committee then came to a consensus to narrow it down to the five finalists; through further concession the winner was the picked. The comity this year consisted of Grant Arnold representing the British Columbia region, Jen Budney representing the Prairies/Yukon region, Philip Monk from Ontario, our very own Lesley Johnstone for Quebec and David Divieny from Canada’s Atlantic region. I had the PLEASURE of meeting ALL these representatives, and all where very kind, down to earth and gave me their time to speak them.

With that the attendees where left to mingle for awhile before the BIG announcement. We where TREATED to Fine O’derves which consisted of trout, Wong tons, Peanut chick skewers, cheese balls and some crazy fried onion cream cheese thing on a stick, I just couldn’t get enough of. The wine flowed freely and for a nice change I enjoyed a number of beers that went down as finely as the conversations. The food and service was divine. Prepared and FINELY served by the Museum’s in house restaurant. AS I had been a waiter for a number of years I appreciate both fine foods and fine service and if this was any example of what these people do on a regular basis, I know that I will defiantly have to stop in for a bite the next time I am in.

Of course all the regulars from the Montreal Scene where there. I had the pleasure of engaging in conversations with Mark Lanctot, Francois Letourneux curators for the MMAC, Mdme Legentil and Eric Bilodeau head of Press relations for the museum. Everyone was very busy but everyone stopped to say hello. I even had a chance to speak with head curator of the museum Mdme Fraiser and director, Mdme Gagnon. If seems like I am doing a lot of name dropping you are RIGHT. Actually I would like to change the term to name appreciating, I appreciate these names as they have given me access and information to many artists and ideas, this has stimulated both my writings and my image creations. There by positively stimulating my career.

There was also some HUGE REPRESENTATION from Eastern Canada. My guess is the Sobey family lives in Nova Scotia as there where as many people from Halifax as from Montreal. AS a matter of fact I am sure I spoke to more people from outta town than in town. It all happened in a round bout way, just from mingling. First off in the Brandon Tang vessels.

To start off with I met Martin Fraser of the Art Gallery of Nova Scotia. he and his wife, Jen, where admiring Mr. Satish Tang’s craftsmanship. Our common admiration for these works was as apparent as the looks of awe on our faces. Between the three of us we kindly discussed the eccentric of what made these works click. I would’ve never guessed he was a curator at a Major Canadian Art gallery. There was no sign he was a man of authority as he was so casual and genuine, no air of importance here just a real individual caught appreciating fine art. After our discussion we continued to mingle, or “Network” like the hot shots say.

As we waited for the announcement I had the chance to speak to many of the IMPORTANT guests. All of them kindly gave me their time. I even had a chance to speak with an elderly gentleman who stated although he thought “this was pretty nice he only collected Impressionists works.” I almost slap myself silly. It never occurred to me that I might meet an individual in my life time who actually collected Impressionist works. Now I was starting to foam at the mouth as my lust for art and art speak was thickening.

Then came the big announcement….. Madame Gangon spoke for moment……. Then passes the floor to the man himself, Rob Sobey. Mr. Sobey was another super cool and real man. He thanked the arts, the Sobey awards, the Sobey Foundation for the Arts, the gallerys the artists, and his family. He spoke in both French and Enlgish and kept it short…. Drum roll….

this year’s runner-ups stood nervously to the side sweat beading off their brows, shaking in their boots waiting for Glory. They already accomplished Glory. The eyes and cameras of the CANADIAN ART WORLD and MEDIA SHONE on them as every major news network was there to cover the event. Even being placing as a finalist says something, it was everybody’s goal to win though… more Drum Roll…

The Finalist

….and the winner is Daniel Barrows, instillation and performance artist for his work. I hadn’t seen his performance as I was teaching people how to punch each other in the head that night. I had, had a brief discussion with him at the press conference at the opening. He told me his work was Manual Animation and that the presentation I was seeing was audience interactive. He had then showed that the projections of these magnificent drawings could be manipulated from the overheads. The figures could move to create a story. Philip Monk told me that he was a great story teller and that this one was particularly captivating.

Barrows work

Photos were taken of Mr. Sobey handing Mr. Barrows his $50,000 check. The runners up also stood off the side and had their pictures taken. Now it was time for artists to give themselves to the “real” press. As I had already spoken with the artists on one occasion or another, I knew I was free. I also had no other obligations as I had already written another article about the exhibition. Being there thoughI knew there was one other thing I had to accomplish. And that was a chance to have Rob Sobey or someone from his family read the article I had written. It was called “The Sobey Awards 2010: My Picks. I wanted this for two reasons. One was to express gratitude , the other to meet one of the most important figures in Canadian art. I had read something about making a list of the fifty most important people in your field and then doing what you could to meet them. It occurred to me here that PATRONS, of the ARTS such as this had to be on this list.

Rob Sobey

I waited off to the side and when I saw my chance if approached Mr. Sobey. He said hello to me with a genuine smile. I get some pretty genuine smiles being a guy with a knocked out tooth and most people tend to remember me. I handed him my card and told them that this year’s awards had really inspired me. I also told him that I wanted him to read what I wrote. The more I thought about the experience the greater I thought it was and the more I wanted to thank and tell him what he was doing for Canadian arts. Really this was one of the LARGEST PRIZES handed out for the arts in Canada, how could I not be inspired? I realized that THIS was the Dream. He still had lots of work to do, he assured me he would check it out. I thanked him for his time and he was on his way. I on the other hand was now finished everything I had come to do. As the focus was not on me, I could now enjoy MY SUCCESS.

Off to the bar I slid, now in truth I’ve had press credentials at the MMAC for about a year. I’ve always accepted that with this privilege came a certain responsibility and therefore ALWAYS stayed on the reserve side even when it came to eating the pastries. This evening I was very excited and couldn’t control myself. I seemed to be walking a fine line with sobriety. I must’ve had about five drinks by this point that’s about two more than the last Rock show I went to. I don’t gamble with sobriety when I’m at the MMAC. As I realize at any function I could meet a person could decide the fate of my career in an instant. And therefore I act accordingly. Tonight was no different there was a large enough crowd though I felt I could blend in. I undid a couple notches on my belt and loosened my tie.

I found myself mingle and enjoying another Boreal. People where strolling by. I met the families of many of the artists. I had the pleasure of meeting the family of Brendan Fernades, who’s family came to represent three generations deep. All showed up dressed for to the NINES and looking to celebrate Mr. Fernandes’ success. His parent’s beamed with glory through out the evening. I am sure this event solidified their belief that their son had made the proper career choice.

Fernandes work

From there I ran into nice couple named Rob and Gudina. They had moved here from Halifax and now lived in Montreal’s West Island. I found myself engaged with them talking bout art and life for sometime. People came and went in general as we stood and talked. Rob was teacher, Gudina owned a gallery. I felt as though I had to be no one else other than myself. Which was a nice feeling at this type of engagement. Every once in a while one of us would slip away for another drink, we were all enjoying the conversation so much we always returned to each other. By chance Rob ended up being friends or an associate of Ray Cronin, Director of the Nova Scotia. He stopped in a couple of times to say hello. I did not know who he was till much after when I was flipping through the catalogue. I also had the chance to meet Sarah Fillmore chef curator of the Art Gallery of Nova Scotia and head curator of the Sobey awards. We had met once previously, and so I asked her to read my article as well, after all these where the people I had written it for. She assured me she would and then was on her way. Just then I had another chance to meet Brendan Lee Satish Tang, he was with his mother and lover. He had given me a sticker earlier in the day I decided I had to have him sign it. It’s a fan boy thing I just came up with. When ever I am dealing or interviewing someone whose work I am really impressed with I get them to sign something for me. He graciously did so.

Then back to my space and my drink. Again people came and went. Mr. Sobey walked by again this time with an envelope for Mr. Fernandes, I over heard him say “ Drinks are on you Tonight!!!” and thought MAN WOULD DRINKS BE ON ME TONIGHT if I had been a runner up or a finalist.

Around now I started noticing the drinks were starting to hit me. I had drank FAR more than I had in some time, I had yet to notice their effect though. Hopefully no one else had notice either. Rob had decided there was a need for one last drink before the bar closed, I had decided he was right. Luckily for me though, the bar was Closed and we had missed last call. I was saved by the bell.

The crowd was starting to die now. The glimmer that had shone from the evenings festivities was now starting to dim and my proper demeanor was starting to fade. I didn’t feel so sophisticated anymore as I realized that the drinks had unleashed a being I had tried to control all evening. In reality I realised it was a BEAST I had been contain for MONTHS. Now I am not talking about a problem with alcohol or anything. The BEAST is far larger than that. This beast is me in my most VISCERAL form, Sucking up EVERY BIT OF LIFE AROUND ME. I had Always though of it as something PURE and BEAUTIFUL, a part of me, most people wished they could embrace with in themselves. Sheer uncontrolled BEAST with a lust for life and love the type that can be frowned upon in proper society. For many it has been too scary, it had been suggested that this being was affecting my career and relationships. So I stuffed it in my pocket, not even allowing it to come out on Friday nights anymore.

The BEAST

There was no magic carriage coming for this man. There was also NO WALLS that could contain him either. It was time to go, just a few moments longer. I held it together long enough to say my goodbyes, collect my belongs and hit the streets.

I was alive and on fire as I left the building. I thought about the evening. I realized that this was the game I had been looking to play. In the years leading up to this I had not notice that the “starving artist” was DEAD and this is how the game was now played.

I had been to THE BIG SHOW. I imagined being a runner up and reciving 5 000$ for doing what I loved best. I then imagined winning and receiving 50 000$. NOW THAT WAS A LOT OF MONEY. There would have been a lot more noise in the building if I had won on this night. Then I thought about what I might have done at this moment if that amount of money had been placed in my hand or pocket. Rob’s comment to Mr Ferndes as he handed him his check came into my mind. I then thought “YES SIR, DRINKS CERTAINLY WOULD HAVE BEEN ON ME” tonight if I had won.

I started my walk home, the thought of how much “SAFER” Montreal and “THE MAIN” were this evening as things were as they were occurred. I wondered how Mr. Burrows was celebrating his victory. I had a hope that it ended in a fine hotel with some fancy Champaign, eating chocolates and with departure tickets on the night stand for he and his lover in the Morning. Senior Barrows, have a good vaction and congratulations on your win.

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A couple of weeks ago the Short List for the runner ups of the 2011 Sobey Awards. In honor I have re-posted this article about last years picks
originaly published 12/09/10
Today the winner of the 2010 Sobey awards will be announced. I had a chance to see The 2010 Sobey Awards finalists as they are currently on exhibition at the Montreal Museum of Contemporary Art. The Sobey Awards is a national Canadian annual competition created by the Sobey Arts Foundation to promote visual arts and emerging artists in Canada. The Award winner receives a GENEROUS BURSURY of FIFTY THOUSAND DOLLARS with runners up receiving FIVE THOUSAND DOLLARS each, both the prize monies as well as the recognition can create a serious amount of momentum in any individual’s career. Therefore the competition can be fierce and only the crème du la crème make it to the top. The work from this year’s finalist consisted of optically appealing and mentally compelling works created by this countries top emerging artist.

Representing each of Canada’s unique and divers regions the artist recognized this year were as follows: Emily Vey Duke +Cooper Battersby, Brendan Fernandeses, Patrick Brenatchez, Daniel Barrow, and Brendan Lee Satish Tang. Although all the works were wonderful, there where a couple of artistic presentations that dropped me to my knees to BOW AT THE ALTER of MODERN ART. The two artist’s presentation that spoke to my artistic sensibilities the most where Patrick Bernatches and Brendan Lee Satish Tang, therefore for this article they are my finalist, finalist.

Before I get to the winner lets first look at my finalist’s works. Both of These Artists’ works give a VERY REAL SENSE of where art has been, where it is presently and where it is headed in the future. The skill and vision with which both these artists’ concocted their creations is impeccable and breathtaking. Often the viewer feels as though they where looking at something far greater than themselves and at times something even greater than their imagination. Both presentations by these artists’ are “sculptural” in form, as Mr Brenatchez work is installation based, and Mr. Satish Tang’s is created in the ART of TRADITIONAL VESSEL MAKING. That is where similarities end.

For the instillation pieces of Patrick Brenatchez, the artist uses light, sound, video, and setting as well as “contemporary” objects to emerge his viewers in an alternative place. This place changes the viewer’s state the moment one engages with these works. I say the words “contemporary” and “engages” very loosely as objects used to create these instillations come from through out the history of our industrialized world. As for engaging the works although the viewer is immersed within the instillations one feels that they are separate from the works and there to simply observe.

For his works being shown at the MMAC the viewer walks into very dark spaces often the only sign of light is a spot light highlighting the objects presence in space. For one work a very fine watch sits on the pedestal the sound of it’s time passing amplified by stereo. As the viewer watches and listens time ceases and becomes meaningless. Separated from the rest of the world there is a certain amount of contentment created as one just stands a stares listening to time pass. No other reality seems to exist while standing in this space.

For other works similar settings are created isolating viewers from the world in which we live. Dark spaces and sound help separate us from our present reality. At times it almost feels as one is moving backwards in time and space. This feeling does not only hold true for his above mentioned work “BlackWatch” , it also applies to other works. One of which involves a video screen in which a sculptural still life is being displayed to be viewed like a painting. This “video painting” is based on a hidden sculpture which goes by ALMOST unnoticed, as it his hidden by a faux wall and only dimly illuminated at certain intervals. The viewer’s attention is also automatically drawn to the fist thing one sees and hears, the video screen and an old record player playing Bach. Once one becomes aware of the actual sculpture one see the same objects that have been placed in the “painting”. The still life used could possibly reference a style of seventeenth century painting known as Vanitas, which was laced with symbolism of death and pleasure. The feelings evoked by this work once again seems to leave one wondering where one stands in time. Are we headed to the future or are we heading to the past or could it possibly be they are the same thing. Time seems ambiguous; as we are well into the twenty first century these works seem to stimulate our curiosity about where humanities past will lead us in the future.
A very similar narrative can be found in the works of Mr. Satish Tang. For this body of work, traditional vessels referencing Chinese antiques that were, adored, acquired and redecorated with 14 karat gold for King Louis XV of France serve as the beginning reference point. Through his knowledge of art history and use of current cultural language Mr. Satish Tang again use the traditions of his CRAFT (stated in Highest regards to the Mastery of this work without preconceptions of any debate on what is Art or Craft) to create something NEW . By appropriating historical culture as well as current cultural trends he manages to take ART to the highest and next Level.

For his series “Manga Ormolu” he has created a HUGE body of ceramic sculptures that literally morph from ancient vessels, into relevant contemporary figurine type art pieces. Such as collectables that are now easily found in comic book shops and “low brow” art spaces. Referencing Manga Japenese comic books these “ancient” vessels transform into new exciting forms. as man made objects, cellular organic growth and cybernetics all turn into one creation. What makes these works particularly relevant is the world around us seems to be changing so quickly. Almost beyond our control as things we recognised recently have quickly changed into something else beyond our comprehension. When the a viewer looks at these AWE inspiring hand crafted objects they are very well aware that they are looking at ART with a capital A. These objects will transcend time and easily tell the future of what life was like in our times.

AND FOR THAT REASON MY PICK FOR the 2010 SOBEY AWARDS IS MR. BRENDAN LEE SATISH TANG!!!!!!!!!! Although both of my finalists’ work REALY TURNED MY CRANK(not be mistaken with MCCRANK). Mr. Satish Tang’s work came out ahead as it is my belief that at this moment there is a void or a distance between the ART world and the general public as often art is too intellectualized for the “average” viewer to understand. Which then alienates the audience, there by creating a greater distance between art and those to whom it is suppose to speak . Both artists work evoke an automatic emotion and create some really intense emotions when seeing the pieces. I believe Mr. Satish Tang’s work speaks easily to the viewer and therefore is more easily comprehended by its audience. Which in turn then the viewers can more easily discuss, which then generates more people going to see the works, which then in turn creates more people in the gallery, there by inspiring more people to appreciate it, understand it and then be inspired to create works of ART. Which is really what art is all about. Congratulations Mr. Satish Tang and keep up the phenomenal work!!

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Here is the latest installment of Welcome to The Artist Studio. This week I thought I would discuss change. Change happens consistently we are either stimulating it, being effected by it or being left in the dust. I have needed change for some time. I want things to sorta of be shaking up a little. And in a positive manner. I have been watching the guys build some condo’s across the street and it is amazing how quickly they can build homing for thirty people.That ability comes from having a plan of action a direction and a team. It is very impressive. I like to watch things get constructed. Anyways the video pretty much says it all, I gotta head out and off to the gym I’ll add the links mentioned in the video later. Except this one BUY MY SHIT!!!!! To HELP keep up the GOOD FIGHT.
Yours Truly
Richard

The Chili Peppers new Cover by Damien Hurst

Mind Maps
Brian Tracy
Mathew Tanguy
Marketing Ideas
Frank Kern
The Gym
ARA ACADEMY

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This IS THE LAST of the AUTOMATIC WORD DRAWINGS. I have retired the sketchbooks and put them into storage. I am also NO LONGER interested in creating this way as well hell I got other things going on and new ideas to rock. For those of you who think I got nothing else. the new series has already been started and s going well. For these works I will be doing ink brush painting on rice paper. Unfortunately this last work is not available to the public. WHY YOU might ASK cause it’s the last one and I plan on keeping it at least for a while, at some point though editions will be made. Which reminds me of another point. Did you miss out on your opportunity to own one of these original finely crafted hand made works? Don’t sweat it cause you can get a LIMITED EDITION SIGNED and NUMBERED print. AVAILABLE only AT MONIKER.
Here’s an example of what the fine people at Moniker can do.
The original “De La Montange” 9×12 inches no longer available as it is in a private collection

The print 18×24 inches, printed on Archival Quality Paper

Great reproduction eh and at a fraction of the price.

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In this edition of Welcome to the Artist’s Studio I thought it would be intresting to have a visit with some friends of mine at Moniker Design. Here is a couple of videos of Chris Robertson taking us through the printing process and showing us the studio space .I bumble along behind him the best can as he explains some super simple things. In truth I had come across a large bag of psychedelics at very reasonable price and decided to make this summer a bit like the summer of 69′. Hell what’s the use of being an ARTIST if you can’t enjoy some of the LUXURIES of that lifestyle and really people have been taking mushroom to and the such since the Greeks in order to bridge the gap between consciousnesses and subconscious mind. What did Freud call the repression barrier, or was that Jung? Any ways it all justification for my behavior,I figured if it was good enough for Plato it is good enough for me. DID ANYONE ELSE JUST SEE THAT BUTTERFLY? Anyways as I stated a “LIBERTY” of the ARTIST LIFE STYLE. Unfortunately like my good friend Jason Stevenson use to say “You Can’t Soar with Eagles in the Day if your SWILLING with the Pigs at Night. And this is an example of just that. I been a little disorganized lately, I guess I mean i have been more organic, as been taking liberties my lifestyle(sleeping, slacking off, playing vids),I have also been redefining myself as a being. All of it has resulted have sown in slowing of productivity. So on this particular day even though me and Katie had talked about the idea of setting up a visit I never confirmed, never thought about what I was going to ask a decided to leave about 2 minutes before heading out the door. Here is the result. I fall into a type of routine I have, it’s called the COLOMBO, I stumble and bumble and never let on to how truly smart I am until we get to the heart of subject matter. At times I put words in Chris’ mouth from our previous conversations and my ideas are jumbled, but that is what doing psychedelia a couples days before might do to you. You gotta use em wisely.As you can see giving a speech under such conditions could be mildly disastrous. I’m not leaving you with any music this week so you can ponder following these these link and get some cool artist merch and support small local independent businesses.
JP KING
page=shop.product_details&flypage=garden_flypage.tpl&product_id=136&category_id=13&option=com_virtuemart&Itemid=73″>EnMasse
Chris Robertson

Mo Allen
Cam Novac
and of course you can find my work as well. Hope you enjoy the Post and have a Great Day.

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In this video contemporary artist Richard Rossetto, shows that Success comes in MANY WAYS!!!!!! One of them could be walls of ABUNDANCE, as TRUE WEALTH can be what you do with your mind and your time. Here is a small portion of what I have created on this worldly plane. Hope this inspires you!!!!!!

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As “ARTISTS” none of us like to sell things to people , but in all honesty as a self employed visual artist it is a necessity in order to keep food on the table and paint on the end of your brush. It’s a funny position to be in selling your ideas, and at times you can feel uncomfortable about how to approach possible buyers or investors. Now days with the internet the possibilities are limitless. One example of how to approach possible buyers for your work is a simple sales letter, which can be sent via your email list. At first I was unsure of how people might react to a mass email and I thought it might be a little chessey and inappropriate. After having subscribed to and received information from Internet Marketing Guru Frank Kern, I realized that not only is it appropriate, but that some of your contact might not only appreciate you for it, they will LOVE YOU FOR IT.So here is a recent sales note I sent off to friends, collectors and investors. I thought I might share it with you as I thought it was well penned and you never know the effect a simple letter like this could make. After all it could be the difference between steak tartar and and peanut butter and jelly sandwiches.

Dear Friends,
Hello and how are you? This is a quick update for all of you who have been interested in my work or who have previously invested in it. After the success of t-shirt sales which where released in April ( there are only Large and Extra Large left as the rest have sold) Moniker had approached me about releasing Printed editions of some of my images. The first image released was “Hot Alien Man” released at the same time as the shirts,signed numbered and released in the quantity of 30. A couple weeks ago the second work “De La Montange” was finished printing and has now been released on line and is available at Moniker as well as Etsy. For this edition in full belief of it commercial viability Moniker has decided to release this edition in the quantity of 50. Again these works are signed numbered and printed on archival paper with the intent to enhance people’s collections.The works are good. The reproduction of these works are PHENOMENAL. Sequenced edition of the both images are still available( ie I would like #7 of both works).
For those of you unfamiliar with Moniker, Moniker is a screen printing and Design Studio here in Montreal with a modus opperendi in making HIGH QUALITY merchandise for “subculture” and emerging artists(both visual and music). They have printed gig posters for the Grindermen, The Flaming Lips, Vampire Weekend and even PRIESTESS!!!!!!! For visual artists the have produced merchandise for Montreal’s artist collective EnMasse, Christoper Robertson( Monikers head printer), Jason Botikin, Kristen McCrea , yours truly and collage artist JP KING who has also had a new works recently released in Edition Form.This is only the begining (yeah I know they have been round for half a decade, now their program is building some serious momentum though).
So I guess what I am getting at is that if your looking for a good and inexpensive way to enhance you living space you should click a link below as there are some great artistic works available at very reasonable prices. AS for the rest of you this is just to let you know your INVESTMENTS are being honored as I continue to work at increasing the value of the works you already own.
THANK YOU,
Richard

http://www.monikerdesigns.ca/index.php?option=com_virtuemart&page=shop.browse&category_id=11&Treeid=4&Itemid=73&vmcchk=1&Itemid=73
http://www.etsy.com/shop/Moniker

and if you really wanted to spice somethings up you could even add Video.

for more Publish or Perish Articles

Posted in art, Art as and investment, art as business, Art for sale, Art Funds, art history, art work under 5000$, Artwork under 1000$, Artwork under 200$, Artwork under 500$, business, business coach, business ideas for artist, Business Ideas for artists, Canadian Art, Contemporary Art, Contemporary Artist, rossetto ink, Text Art, word drawing, word drawings
Tags: Contemporary Artist Prints, High Quality Printing in Montreal. Moniker Designs, Montreal Artists, Rossetto Limited Editions

Here is a Mock advertisement I created for some shits and giggles with a friend. This me in my studio destroying a work of art.I absoultely LOVE MAKING and SELLING ART. THE CHALLENGES IN BOTH INSPIRE ME TO BECOME A BETTER HUMAN. THESE MAKE ME STRIVE TOWARDS GREAT HEIGHTS REGULARLY. HERE ARE SOME WORKS THAT ARE STILL AVAILABLE BUT DON’T WAIT TO LONG YOUR WORK COULD BE SOLD OR BE NEXT.

Massive Amounts of Momentum 5000$ 2010

Shock Doctor Limited Edition Mouth Guard.(edition of 20) Molded and used by the artist,500$

WEALTH, HEALTH,HAPPINESS,SUCCESS 6000$ COMES WITH CD OR MP3

LIMITED EDITIONS AND T-SHIRTS AVAILABLE AT MONIKER

Posted in art as business, Art for sale, Art Funds, art history, Art Review, art work under 5000$, business ideas for artist, Canadian Art, Contemporary Art, Contemporary Artist, deviant art, Heavy Metal's influence on Modern Art, Metal, Clasic Rock, Modern Art, oil painting, Private Collection, rossetto ink, Sketch Book Studies, Success Paintings, Inspirational Paintings, Text Art, word drawing, word drawings, Word Painting, Word Paintings
Tags: Crazy Artists, In the Artist's Studio, Limited Editions of Rossetto's work, Montreal Artists, Rossettoink, Welcome To the Artist Studio, Who is Richard Rossetto, Who represents Richard Rossetto, Work available by Richard Rossetto

Marcel Dzama has been a recognized figure in Canadian arts since his involvement in the Winnipeg based art movement known as the Royal Art Lodge. Marcel Dzama’s work is so HEAVY that it often takes months for his images and ideas to process. His collages and sculptures are often crude in creation yet some how in their simplicity the viewer easily and whimsically relates to his images intrinsically.His ink drawings are straight forward, created with the straight neat lines and the cleanliness of design, the images are shocking sometimes erotic. His videos are a lesson in the brutality of humanity and low-fi video work. His collage work oscillates with subtle nuances of totalitarian propaganda. Most impressive are his Dioramas. These works bring you to your knees and make you believe in GOD. Once a viewer can digest the reality that everything seen when viewing Dzama’s work lays with in them, the chaos that resonates in many of these visual creations subsides and the true power and beauty of his work can be seen.

His current images and subject matter could be references of our world today, or a reference to humanities consist blood lust and need to take from others. This is especially relevant in the post 9/11 world. Where advances in technology have made our brutality more efficient as well as our ability to capture it easier. The ominous fighters in hoods could be referential to the terrorists of today or the “enemies” of any conflict the public needs to fear and hide from. Red Hooded fighters, dancers, historical figures, disfigured humans, iconographic vision of the ideal women, all appear repeatedly through out his work. Straight lines and non expressive mark making create design like images, that could have come out of a seventies Sears catalog.
Compositionally some drawings are reminiscent to the pajamas we might have slept in as child. Chaos and violence replacing baseballs and Hot Wheel Cars. All of these works seem to reference and be in depth studies for his dioramas. Which are simply stunningly. Thought out to the minutest detail, with not a straw out of place. Highly sculpted figurines intricate in every detail, placed in elaborate settings which are further enhanced through the use of light and shadow to help create compelling compositions. As shown in his first major retrospective at the Montreal Museum of Contemporary Art curated by Mark Lanctot his works were emotional stunning leaving viewers speechless, weak in the knees and light in the stomach. ”Well I use to think I liked his work” was one of the remarks I heard.
“On the Blood of the Red River”

His Modern Masterpiece, a diorama entitled “On the Blood of the Red River” consists of over 300 pieces and is a must see for any modern art lover. The viewer sees a group of approximately twenty figures many are holding guns and shooting, others are seen seemingly approving as they are casually observing the grotesque act of MASS ANNIHILATION. Every thing is being MURDERED the beautiful, the innocent, the guilty, the grotesque, everything, EVERY CREATURE IS MURDERED. EVERYONE is DEAD. The violence is subtly yet graphically suggested through the use of red and compositional focus points. It is annunciated by the dead bodies of creatures laying at the feet of the crowd. Birds, bats and other flying creatures plummet from above.

All of his images make one feel guilty as though one was looking into their own Darkness and it is now staring back at them. Looking at these works we find ourselves staring the violence we all have deep within ourselves, the desire or need to subjugate others, the lust for things that are some how seem inappropriate; all of it staring us in the face.

An excellent example of this can be felt when looking at “In A Room Full of Liars” it feels as though you are looking directly into all the lies you ever told or let yourself believe. Maybe it’s worse as they are suddenly staring back and you are confronted with the ugly truth.

To get lost in Dzama’s world can be a frightening and terrifying experience because it confronts us with the darkness that lives with in us all. He delves in deep and displayed parts of us and himself, we did not want to see or know. THIS WORK IS SOME OF THE MOST MONUMENTALLY HISTORIC RELEVANT WORK OF OUR TIMES, as it shows that humanities darkness transcends through history and has no timeline. The simplicity straight forwardness of Mr. Dzama’s work allows viewers to connect and understand the work automatically speaking to them intrinsically even if they are incapable of understanding or dealing with the feelings evoked.

a video walk through a Dzama Exhibition

Posted in art, Art as and investment, art history, Art Review, Canadian Art, Contemporary Artist, depression, deviant art, Figure, Modern Art, Political, Questions about art, rossetto ink
Tags: Canadian Art, Dzama exhibitions., Marcel Dzama, Popular Canadian Atists, Review