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Movie monsters have to have a hint of human to give you the creeps, like in Splice
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F&M playlist
Features p2
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Little Axe: from blues to hip-hop and back
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My new film policy: random fandom
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Readers recommend: Songs with handclaps – the results
Features p6
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Inception
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Toy Story 3
Features p7
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Bluebeard
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The Concert
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Rough Aunties
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Rapt
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Mega Piranha
Features p8
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Click to download: Amoeba Music online
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The Teardrop Explodes: Kilimanjaro: Deluxe Edition
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Wolf Parade: Expo 86
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Tired Pony: The Place We Ran From
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RPA & the United Nations of Sound: United Nations of Sound
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Martina Topley Bird: Some Place Simple
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Professor Green: Alive Till I'm Dead
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Sheryl Crow: 100 Miles from Memphis
Features p9
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Schlippenbach Trio: Bauhaus Dessau
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Lee Konitz/Warne Marsh: Lee Konitz With Warne Marsh
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Jane Weaver: The Fallen By Watch Bird
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Phronesis: Alive
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Scott Hamilton/Alan Barnes: Hi-Ya
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Gilberto Gil and Caetano Veloso in London
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Loudon Wainwright III: 10 Songs for the New Depression
Features p10
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Schmidt: Symphony No 3; Chaconne
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Couperin: Suites
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Rihm: Vigilia
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Smetana; Martinu; Eben; Piano Trios
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Beethoven: Violin Sonatas Opp 47 & 96
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Schumann: Symphonies Nos 1 & 2
Sakari Oramo's accounts of Schumann's first two symphonies are dramatic and exhilarating, and bode well for the forthcoming Third and Fourth, too, writes Andrew Clements -
Mahler's total eclipse of the heart
Symphonies don't come any bigger than Mahler's Eighth, which opens this year's Proms. But, writes Tom Service, his ode to the universe was rooted in the most private of passions
Features p11
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Hail, Hail, Rock 'n' Roll
'Certain songs can seem like home the first time you hear them. When you reach the second verse, you want to kiss them' -
First sight: Jacob Auzanneau