Neon Genesis Evangelion: Death & Rebirth (movie)
Related anime:
Neon Genesis Evangelion: The End of Evangelion (movie) (sequel)
| You can contribute information to this page, but first you must login or register |
| Related releases: |
| Neon Genesis Evangelion box set - Death & Rebirth / The End of Evangelion (DVD) 2003-11-18 |
| Neon Genesis Evangelion Movie Box Set (DVD) 2005-07-26 (from $572.00) |
| Neon Genesis Evangelion: Death & Rebirth (DVD) 2002-07-30 |
| Neon Genesis Evangelion: Death & Rebirth (Dub.VHS) 2002-07-30 |
| Neon Genesis Evangelion: Death & Rebirth (Sub.VHS) 2002-07-30 |
Director: Scenario: Screenplay: Hideaki Anno Music: Shiro Sagisu Character Design: Yoshiyuki Sadamoto Art director: Hiroshi Kato Mechanical design: Sound director: Hideyuki Tanaka Director of Photography: Hisao Shirai Producer: Mitsuhisa Ishikawa 2D Digital Work: Yasuhiro Kamimura 3D Animation: Kaoru Matsumoto Assistant Director of Photography: Yoichi Kuroda Casting: Nobue Yoshinaga Continuity: Masayuki Design Director: Editing: Sachiko Miki Executive Director: Hideaki Anno Original Music Composition: Ludwig van Beethoven ("Symphony No. 9 - Ode to Joy") Sound Engineer: Special Effects: Noriyuki Ohta Theme Song Performance: Yoko Takahashi | Kotono Mitsuishi as Megumi Hayashibara as Megumi Ogata as Yuko Miyamura as Akira Ishida as Fumihiko Tachiki as Hiro Yuuki as Junko Iwao as Kouichi Yamadera as Miki Nagasawa as Motomu Kiyokawa as Mugihito as Takehito Koyasu as Tetsuya Iwanaga as Tomokazu Seki as Yuriko Yamaguchi as Katsumi Suzuki as Maria Kawamura as Mika Doi as Takashi Nagasako as Tomokazu Seki as Toshihiko Seki as | |||||||
| ||||||||
Director: Amanda Lee Script: Amanda Lee Translation: Sachuchi Ushida Co-director: Jason Lee Executive producer: Marvin Gleicher Producer: Line Producer: Recording engineer: Richard Harris Sound Engineer: | Allison Keith as Amanda Lee as Spike Spencer as Tiffany Grant as Aaron Krohn as Amy Seeley as Brett Weaver as Jason Lee as Keith Burgess as Kimberly Yates as Kurt Stoll as Laura Chapman as Michael Ross as Sue Ulu as Tom Booker as Tristan MacAvery as Amanda Lee as Kimberly Yates as Riley Barber as Taliesin Jaffe as | |||||||
| ||||||||
Adaptation: Gilles Coiffard | Cyril Aubin as Francoise Escobar as Laurence Bréheret as Jacques Albaret as Michel Blin as Olivier Korol as Tony Joudrier as Jacques Albaret as Laurence Bréheret as Olivier Korol as Tony Joudrier as | |||||||
| ||||||||
| (none) | Albert Trifol Segarra as Ana Pallejà as Carmen Calvell as Joel Mulachs as Alex Messeguer as Eduard Itchart as Joan Massotkleiner as Jordi Pons as Jordi Ribes as Maria Rosa Guillén as Núria Trifol as Angel de Gracia as José Luis Mediavilla as Kike Caraballo as Marta Dualde as Mercè Segarra as | |||||||
| ||||||||
Dubbing Director: Fabrizio Mazzotta Translation: Giacomo Calorio Dialogues: Fabrizio Mazzotta Dubbing Assistant: Viviana Barbetta Editorial Coordination: Luca Ficarelli Mix: Luca Porro | Daniele Raffaeli as Francesca Guadagno as Ilaria Latini as Valentina Mari as Barbara De Bortoli as David Chevalier as Davide Marzi as Liliana Sorrentino as Massimo Corvo as Oliviero Dinelli as Valentina Mari as Corrado Conforti as Domitilla D'Amico as Federica De Bortoli as Francesco Bulckaen as Francesco Prando as Gianni Musy as Serena Verdirosi as Stefano Crescentini as | |||||||
| ||||||||
Dubbing Director: Richard Westerhaus Dialogue Writer: Christian Schneider | Hannes Maurer as Julia Kaufmann as Julia Ziffer as Marie Bierstedt as Bernd Kuschmann as Corinna Dörenkamp as Erich Räuker as Fritz Rott as Gerrit Schmidt-Foss as Heiko Obermüller as Ilona Otto as Julien Haggege as Kordula Leiße as Kordula Leisse as Marcel Collé as Maria Koschny as Markus Pfeiffer as Norman Matt as Peggy Sander as Stephan Schleberger as Volker Wolf as | |||||||
| ||||||||
| (none) | Broadcaster: Animax Portugal (Subtitled) | |||||||
| ||||||||
| (none) | Licensed by: Muse Communication Co., Ltd. | |||||||
| ||||||||
| DISCLAIMER | add information | report an error | lookup sources |
# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Anime anthology
Justin's blog of the Singapore anime scene comes to a close with a look at AFA itself, the big consumer show boastin 45,
Erin has her cake and eats it too when she reviews two sugary shows, and one about dead people.
- Ghost Hound collection 1
- Sugar: A Little Snow Fairy collection 1
- Yumeiro Pâtissière ep. 1-
2009-11-23
This week, we head to Japan's largest convention devoted to original manga! On tap: how portfolio reviews are done in Japan, talking donuts, and a handy manga guide to "real" Japanese culture. Fun! 2009-11-22
It's an entire show about the dizzying highs and terrifying lows of reviewing anime with Mike Toole, Japanator's Brad Rice, and Anime World Order's Clarissa Graffeo. Plus: we mess around with the mixing board, and Witchblade on Bluray! 2009-11-20
Evangelion 2.0 feels as though the project has been put on mood stabilizers: it's not any happier, but it's more stable and certainly more focused. And in the end, it's a vast improvement. It hurts so good.
Despite a flimsy premise and lackluster male lead, this story about a girl doomed to perpetually finish second to a chief rival who has secretly fallen in love with her (mostly) succeeds for two simple reasons: it is often quite funny and occasionally endearingly sweet.
The Whole Truth comes out, but other parts are actually more interesting, as Norihiro Yagi answers many long-
Another in the growing field of otaku-
Forget that it was based on a game only two generations removed from Pong; this is unexpectedly involving popcorn fare with a wickedly circular sense of humor. Good stuff all around.
An amnesiac girl enrolls in an all-
The (small) boost in emotional content notwithstanding, this is still the series to hit up for a watching experience that is consistently fun and never taxing.
This is a collection of gags in search of a plotline, and when it finally does find a story to tell, the change in tone is so abrupt that you end up wishing it had stayed pointless and stupid.
It's just a shame that Tensai Okamura and his raft of talented collaborators couldn't swing something better than “good enough.”