Fushigi Yugi Eikoden (OAV)
| You can contribute information to this page, but first you must login or register |
| Related releases: |
| Fushigi Yugi Eikoden (DVD) 2002-11-12 (from $22.49) |
| Fushigi Yugi Eikoden [Limited Edition] (DVD) 2002-11-12 |
Director: Nanako Shimazaki Screenplay: Hiroaki Sato Storyboard: Music: Ryo Sakai Original creator: Yuu Watase Character Design: Art director: Shigenori Takada Animation director: Tsuguyuki Kubo Original Novel: Megumi Nishizaki Sound director: Director of Photography: Tomoyoshi Ishizuka Executive producer: 3D Effects: Color Key: Mika Iwami Editing: Masahiro Matsumura Ending Coordinator: Kei Imabayashi Ending Illustration: Yuu Watase Key Animation: Music producer: Tomoko Shibuya Sound Effects: Sound Engineer: Supervision: Hajime Kamegaki Theme Song Performance: | Hikaru Midorikawa as Taka Sukunami (Tamahome) Junko Noda as Mayo Sakaki Kae Araki as Miaka Sukunami Ken Narita as Tetsuya Kajiwara Nobutoshi Canna as Tasuki Shinichiro Miki as Keisuke Yuuki Tomokazu Seki as Chichiri Yumi Touma as Yui Hongo Akiko Yajima as Reizeitei (Boshin) Chika Sakamoto as Chinami Nishimura as Shoka Ema Kogure as Saori Kawai Haruo Satou as Eian's Father Hisako Kyouda as Taiitsukun Isshin Chiba as Cho Jin Yamanoi as Mayo's Father Kaho Kouda as Shu Eian Kazuhiro Nakata as Gentokuin Ken Narita as Fake Suzaku Kouji Ishii as Mitsukake Miki Narahashi as Rikiya Koyama as Shu Tendo Shizuka Ishikawa as Chousei Takehito Koyasu as Hotohori Tomoe Nanba as Reishun Tomoko Kawakami as | |||||||
| ||||||||
ADR Director: Bridget Hoffman Translation: Neil Nadelman ADR Script: Bridget Hoffman Executive producer: Hideki 'Henry' Goto Producer: ADR Engineer: Mixing: Michael McCarty Production Coordination: Recording Facility Engineer: Les Claypool III | David Lelyveld as Taka Sukunami Lynn Fischer as Mayo Sakaki Ruby Marlowe as Miaka Sukunami Bo Williams as Tetsuya Kajiwara David Umansky as Keisuke Yuuki James Penrod as Tasuki Jim Taggert as Chichiri (ep 2) Mitchell Ray as Chichiri (ep 4) Sean Mitchell as Chichiri (ep 1, 3) Wendee Lee as Yui Hongo Catherine Battistone as Narrator (ep 2) Catherine Luciani as Taiitsukun Dave Mallow as Director Chou (ep 2) David Lucas as Shu Tendou (ep 3) Dorothy Melendrez as Yotaigo/Houki Ian Hawk as Boushin James Lyon as Fake Suzaku Jessica Gee as Mayo's mother (ep 1, 4) Julie Maddalena as Shoka (ep 2) Katie Ashley as Young Mayo (ep 4) Marie Danielle as Ko Reishun Melissa Williamson as Nuriko (ep 4) Mona Marshall as Shu Eian P.J. Lee as Saori Kawai Rebecca Forstadt as Chosei (ep 2) Richard George as Mitsukake (ep 2, 4) Sammy O'Campo as Gentokuin (ep 3) Sparky Thornton as Hotohori (eps 3-4) Steve Kramer as Mayo's father (ep 4) Zan as Blue Lomack (ep 1) Bob Johnson (ep 3) Emilie Brown (ep 1) John Hays (ep 2) Kim Nyugen (ep 1) Lance Weatherwax (ep 1) Lee Kelso (ep 1) Marie Downing (ep 2) Matthew Austin (ep 4) Paul Aubreys (ep 3-4) Richard Plantagenet (ep 2) Robert Machemer (ep 1) Shandel Elka (ep 3) | |||||||
| ||||||||
| (none) | Distributor: Dybex | |||||||
| ||||||||
| DISCLAIMER | add information | report an error | lookup sources |
# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Anime anthology
Coverage available now:
Japanese Seiyuu and US Voice Actors Panel
Yoshiyuki Tomino Keynote and Focus Panel
Viz Media
Manga Entertainment
Bandai Entertainment
Del Rey
Aniplex
Vertical Industry Panel
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
Spit and polish notwithstanding, you're better off sticking to the television series.
Nearly smothered under outlandishly risqué costuming and retread story ideas is some surprisingly entertaining content which mixes humor with a semblance of true sentiment and actual plot. Although still far from great, the series is definitely better in its second half than it looked like at first.
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
In order to protect the continuity of the series, it avoids any serious character developments or story twists, and it blindly follows the usual plot points and gimmicks because "that's the way Conan's always done it."