Kenji NAKAMURA
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Staff in:
(English version)
Battle Athletes Victory (TV) : Production Coordination
Blue Submarine No.6 (OAV) : Producer (ep 1)
Catnapped! The Movie : Production Coordination
Cowboy Bebop (TV) : Production Coordination
Lupin III: The Castle of Cagliostro (movie) : Production Coordination
Perfect Blue (movie) : Coordinator
Sailor Moon S Movie: Hearts in Ice : Production Coordination
Sailor Moon SuperS Movie: Black Dream Hole : Production Coordination
Serial Experiments Lain (TV) : Production Coordination
Staff in:
Ayakashi - Samurai Horror Tales (TV) : Director (Bakeneko), Storyboard (ep 9, 11), Episode Director (ep 9, 11)
(The) Big O (TV) : Episode Director (Ep. 18)
Digimon: Diaboromon Strikes Back (movie) : Assistant director
Iriya no Sora, UFO no Natsu (OAV) : 演出 (ep 3)
Karas (OAV) : Storyboard, Episode Director (Eps. 1, 6)
Kemonozume (TV) : Script (ep 10), Storyboard (ep 10), Episode Director (ep 10)
Kūchū Buranko (TV) : Director
Mononoke (TV) : Director, Storyboard (Zashiki Warashi 1), Episode Director (Zashiki Warashi 1)
(The) SoulTaker (TV) : Episode Director (ep 5)
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Coverage available now:
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
It's an all-
This week: the Soul Eater games we just might see over here, plus the next Kingdom Hearts, Valkyria Chronicles 2, a new English trailer for Sakura Wars, and this week's Disgaea-
We talk shoujo with MCAD professor Frenchy Lunning, editor in chief for Mechademia, and co-
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
It's a beauty to look at, but a pain to follow. But we continue following anyway, because the path of destiny still holds many more surprises.
While far from perfect, Zero is both suitably romantic and smart enough to dodge the serious pitfalls of its genre.