Tsuguhiko KADOKAWA
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Staff in:
Azumanga Daioh - The Very Short Movie : Planning
Di Gi Charat - A Trip to the Planet (movie) : Executive producer
(The) Girl Who Leapt Through Time (movie) : Chief Producer
Junkers Come Here (movie) : Executive producer
(The) King of Fighters '94 (manga) : Producer
Legend of Crystania (OAV) : Executive producer
Legend of Crystania - The Motion Picture : Production
Lost Universe (TV) : Executive producer
Mahou Gakuen Lunar! Aoi Ryu no Himitsu (movie) : Executive producer
Martian Successor Nadesico: The Motion Picture - Prince of Darkness : Executive producer, Producer
Maze Bakunetsu Jikuu: Tenpen Kyoui no Giant (movie) : Producer
Miyuki-chan In Wonderland (OAV) : Executive producer
Neon Genesis Evangelion: The End of Evangelion (movie) : Production
Record of Lodoss War (OAV) : Executive producer
Roujin Z (OAV) : Executive producer
Slayers (TV) : Executive producer
Slayers - The Motion Picture : Executive producer
Slayers Excellent (OAV) : Executive producer
Slayers Gorgeous (movie) : Executive producer
Slayers Great (movie) : Executive producer
Slayers Next (TV) : Basic Planning
Slayers Return (movie) : Executive producer
Slayers Special (OAV) : Executive producer
Slayers Try (TV) : Executive producer
Tenchi Muyo Movie 2: Daughter of Darkness : Executive producer
X (movie) : Executive producer
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It's an all-
This week: the Soul Eater games we just might see over here, plus the next Kingdom Hearts, Valkyria Chronicles 2, a new English trailer for Sakura Wars, and this week's Disgaea-
We talk shoujo with MCAD professor Frenchy Lunning, editor in chief for Mechademia, and co-
We're going back to the basics this week with original Dragonball. Plus, ninjas and crybabies!
- Big Windup s1 pt2
- Dragon Ball s1
- Nabari s1 pt1
2009-09-21
Season 1 Part 1 DVD, Messenger Bag, T-
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
It's a beauty to look at, but a pain to follow. But we continue following anyway, because the path of destiny still holds many more surprises.
A love triangle forms between two reincarnated priestesses and a boy who represents part of their nihilistic foe in a series laden with fan service and mecha action but ultimately more focused on the development of the central characters' obsessive love. Not great, but not as trashy as it initially appears to be, either.
Despite its new-
It is never, ever a good sign when the mangaka herself admits that she “kinda failed at this series.” How do you dispute her own good judgment?