Shinya HASEGAWA
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Staff in:
Ai Yori Aoshi (TV) : Design Work
Asatte no Houkou (TV) : Chief Animation Director, Animation director (ep 12)
Azumanga Daioh (TV) : Key Animation (ED)
Di Gi Charat (TV) : Animation (ED)
Di Gi Charat - A Trip to the Planet (movie) : Key Animation
Digimon: The Movie : Key Animation
Gaiking (TV 2) : Key Animation
(The) Girl Who Leapt Through Time (movie) : Key Animation
Hatsukoi Limited (TV) : Animation director (ep. 3,5)
Ikki Tousen (TV) : Character Design
Leave it to Kero! Theatrical Version (movie) : Key Animation
Lovely Complex (TV) : Key Animation (OP)
(The) Melody of Oblivion (TV) : Character Design, Animation director (ep 24), Key Animation (ep 24)
Neon Genesis Evangelion (TV) : Animation director (ep 5-9)
Neon Genesis Evangelion: The End of Evangelion (movie) : Key Animation Supervisor, Original Picture
Okusama wa Maho Shojo (TV) : Character Design, Animation director (ep 1)
Pretear (TV) : Key Animation (eps 11-12)
R.O.D -The TV- : Key Animation (OP)
Read or Die (OAV) : Key Animation (Ep. 3)
Revolutionary Girl Utena (TV) : Character Design, Animation director (ep 1), Key Animation (OP, ED2)
Revolutionary Girl Utena: The Movie : Storyboard (part D), Character Design, Art director, Chief animator
Sailor Moon R Movie: Promise of the Rose : Key Animation
Sailor Moon S (TV) : Animation director (eps 99,112,119)
Sailor Moon S Movie: Hearts in Ice : Animation director
Sailor Moon SuperS (TV) : Animation director
Sorcerer Hunters (TV) : Key Animation (OP)
Winter Garden (special) : Character Design
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Coverage available now:
Aniplex
Vertical Industry Panel
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
It's an all-
This week: the Soul Eater games we just might see over here, plus the next Kingdom Hearts, Valkyria Chronicles 2, a new English trailer for Sakura Wars, and this week's Disgaea-
We talk shoujo with MCAD professor Frenchy Lunning, editor in chief for Mechademia, and co-
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
It's a beauty to look at, but a pain to follow. But we continue following anyway, because the path of destiny still holds many more surprises.
The themes in Wild Com are somewhat conventional, but the way in which they're presented is what makes them outstanding. Other artists may excel in artwork or dialogue, but Yumi Tamura has the one talent that can make up for everything else: storytelling.