Hirotaka KINOSHITA
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Staff in:
Bartender (TV) : Character Design
Chrome Shelled Regios (TV) : Assistant Animation Director (ep 1), Key Animation (ep 6), Opening Key Animation
Clamp School (TV) : Animation director (eps 9,14)
Emma: A Victorian Romance (TV) : Animation director (ep 7, 11), Key Animation (OP)
Eureka Seven (TV) : Animation director (ep 36), Key Animation (ep 36)
Genshiken (TV) : Character Design, Chief Animation Director, Animation director (OP of eps 2-12)
Happy World! (OAV) : Character Design
I'm Gonna Be An Angel (TV) : Animation (OP)
Itazura na Kiss (TV) : Key Animation
Magical Girl Lyrical Nanoha A's (TV) : Animation director (ep 8)
Millennium Actress (movie) : Key Animation
Nabari no Ō (TV) : Key Animation (ep 8)
Naruto (TV) : Original Picture
Naruto the Movie: Guardians of the Crescent Moon Kingdom : Key Animation
Naruto the Movie: Legend of the Stone of Gelel : Key Animation
Paradise Kiss (TV) : Key Animation (ep 4)
Shakotan Boogie (OAV) : Character Design (eps 1-2), Animation director (eps 1-2)
Taishō Yakyū Musume. (TV) : Action Director (Ep. 3), Key Animation (Ep. 12)
Yu Yu Hakusho The Movie: Poltergeist Report : Key Animation
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Coverage available now:
Aniplex
Vertical Industry Panel
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
It's an all-
This week: the Soul Eater games we just might see over here, plus the next Kingdom Hearts, Valkyria Chronicles 2, a new English trailer for Sakura Wars, and this week's Disgaea-
We talk shoujo with MCAD professor Frenchy Lunning, editor in chief for Mechademia, and co-
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
It's a beauty to look at, but a pain to follow. But we continue following anyway, because the path of destiny still holds many more surprises.
The massed Claymore battles in snowy Pieta heat up, but the character development is as much the key in what is arguably the series' second-