Yuusha Raideen (TV)
Chouja Reideen (TV) (remake)
Reideen (TV) (remake)
Shogun Warriors (U.S. manga)
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Chief Director: Yoshiyuki Tomino (first 26 of 50 eps) Director: Tadao Nagahama (Eps 27-50) Storyboard: Yoshiyuki Tomino Original creator: Yoshitake Suzuki Character Design: Yoshikazu Yasuhiko Animation director: Yoshikazu Yasuhiko Theme Song Performance: | Akira Kamiya as Akira Hibiki Kiyoko Shibata as Mari Sakurano (eps. 27+) Ikuo Nishikawa as Tarou Sarumaru Keisuke Yamashita as Dan Araiso Misako Hibino as Reiko Hibiki Saiko Egawa as Rei Asuka Shojiro Kihara as Daisaburou Higashiyama Hiroya Ishimaru as Gildeen Ichirô Murakoshi as Ichiro Hibiki Junpei Takiguchi as Barao Youtei Kaneta Kimotsuki as Berostan Kazue Komiya as Nosuke Kôhei Miyauchi as Kyuuzou Hibiki Kotoe Taichi as Rei Asuka Makio Inoue as Riki Jinguuji Makoto Kousaka as Mari Sakurano Osamu Ichikawa as Prince Shurkin Seizo Katou as Kyoretsu Gourai Shozo Iizuka as Kyoretsu Gekido Takako Sasuga as Koppe Taro Sagami as Agyal Tatsuyuki Jinnai as Yoneko Matsukane as Ponta Yuuko Maruyama as Tobishun Toshio Furukawa (Debut) | |||||||
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# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Anime anthology
Coverage available now:
Yoshiyuki Tomino Keynote and Focus Panel
Viz Media
Manga Entertainment
Bandai Entertainment
Del Rey
Aniplex
Vertical Industry Panel
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
It's an all-
Nearly smothered under outlandishly risqué costuming and retread story ideas is some surprisingly entertaining content which mixes humor with a semblance of true sentiment and actual plot. Although still far from great, the series is definitely better in its second half than it looked like at first.
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
Review