Yoshiyuki ITO (animator)
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Staff in:
Blood: The Last Vampire (movie) : Key Animation
Case Closed The Movie: The Time Bombed Skyscraper : Key Animation
Cowboy Bebop: The Movie : Assistant Animation Director, Key Animation
Detective Conan: The Last Magician of the Century (movie) : Key Animation
Detective Story (OAV) : Key Animation
Digimon: The Movie : Key Animation
Eureka Seven (TV) : Animation director (33 asst, ep 31), Key Animation (ep 20, 25, 31, 42)
Fullmetal Alchemist (TV) : Character Design, Animation director (ep 1, 40, 51, OP1-4), Drawing Director, Key Animation
Fullmetal Alchemist: Brotherhood (TV) : Key Animation (OP2)
Fullmetal Alchemist: The Movie - Conqueror of Shamballa : Character Design, Executive Drawing Director
Getter Robo: Armageddon (OAV) : Animation
Ghost in the Shell (movie) : Key Animation
Ghost in the Shell 2: Innocence (movie) : Key Animation
Ghost in the Shell: Stand Alone Complex (TV) : Key Animation (ep 19)
Grrl Power (OAV) : Key Animation
.Hack//Liminality (OAV) : Key Animation
Jin-Roh - The Wolf Brigade (movie) : Key Animation
Jungle Emperor Leo (special) : Key Animation
One Piece: Omatsuri Danshaku to Himitsu no Shima (movie 6) : Key Animation
Ouran High School Host Club (TV) : Assistant Animation Director, Key Animation
Pokemon 2000 - The Movie : Key Animation
Pokemon 3 - The Movie : Animation director
RahXephon (TV) : Animation director (Eps 22), Assistant Animation Director (Eps 15, 18, 26)
RahXephon: Pluralitas Concentio (movie) : Animation director
Soul Eater (TV) : Character Design, Animation director (ep 1, OP1, ED1)
Summer Wars (movie) : Key Animation
Sword of the Stranger (movie) : Animation director, Key Animation
(The) Three-eyed One (TV) : Art, Animation
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Coverage available now:
Manga Entertainment
Bandai Entertainment
Del Rey
Aniplex
Vertical Industry Panel
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
It's an all-
Nearly smothered under outlandishly risqué costuming and retread story ideas is some surprisingly entertaining content which mixes humor with a semblance of true sentiment and actual plot. Although still far from great, the series is definitely better in its second half than it looked like at first.
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
Jaded by all of the cookie-