Kazunori ITO
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Staff in:
Digital Monster X-Evolution (movie) : Screenplay
Dirty Pair: Affair on Nolandia (OAV) : Script
Elementhunters (TV) : Original Concept
Ghost in the Shell (movie) : Screenplay
.Hack//Liminality (OAV) : Director, Script Composer, Soundtrack Supervision
.Hack//Roots (TV) : Screenplay
.Hack//SIGN (TV) : Scenario, Screenplay, Series supervisor, Soundtrack Supervision
.Hack//Unison (OAV) : Script, Series supervisor
.Hack//XXXX (manga) : Original Character Design
Kimagure Orange Road: Shonen Jump Special (OAV) : Screenplay
Licca-chan Fushigi na Maho no Ring (OAV) : Script
Licca-chan Fushigina Fushigina Yunia Monogatari (OAV) : Screenplay
Magical Angel Creamy Mami (TV) : Script, Original Manga (story)
Maison Ikkoku (TV) : Series Composition, Screenplay
Nausicaä of the Valley of the Wind (movie) : Screenplay (first draft)
Patlabor 2: The Movie : Screenplay
Patlabor The Mobile Police (OAV 1/1988) : Script
Patlabor The Mobile Police (TV) : Screenplay, Planning
Patlabor The Mobile Police: The New Files (OAV 2/1990) : Script
Patlabor: The Movie : Screenplay
Prefectural Earth Defense Force (OAV) : Script
Talking Head (hybrid movie) : Associate Director
Twilight Q (OAV) : Scenario, Script (ep 1), Original Work (ep 1)
Urban Square - Kouhaku no Tsuigeki (OAV) : Screenplay
Urusei Yatsura (TV) : Screenplay
Urusei Yatsura: Only You (movie) : Literary Chief
Zettai Shonen (TV) : Series Composition, Script (ep 1 - 5, 8, 10 - 13, 16,18-20)
Cast in:
Last Exile (TV) as George Head (ep 15)
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This week: the Soul Eater games we just might see over here, plus the next Kingdom Hearts, Valkyria Chronicles 2, a new English trailer for Sakura Wars, and this week's Disgaea-
We talk shoujo with MCAD professor Frenchy Lunning, editor in chief for Mechademia, and co-
We're going back to the basics this week with original Dragonball. Plus, ninjas and crybabies!
- Big Windup s1 pt2
- Dragon Ball s1
- Nabari s1 pt1
2009-09-21
Season 1 Part 1 DVD, Messenger Bag, T-
A an all-
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
It's a beauty to look at, but a pain to follow. But we continue following anyway, because the path of destiny still holds many more surprises.
A love triangle forms between two reincarnated priestesses and a boy who represents part of their nihilistic foe in a series laden with fan service and mecha action but ultimately more focused on the development of the central characters' obsessive love. Not great, but not as trashy as it initially appears to be, either.
Despite its new-
It is never, ever a good sign when the mangaka herself admits that she “kinda failed at this series.” How do you dispute her own good judgment?
The battle for Mahora Academy is a moment where Ken Akamatsu threw in everything he could think of, and with the sheer level of grandeur and excitement, it actually works.