Jin Ho CHUNG
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Staff in:
(English version)
5 Centimeters Per Second (movie) : Producer
Air Gear (TV) : Producer
Appleseed: Ex Machina (movie) : Production Consultant
BASToF Syndrome (Korean TV) : ADR Director, Producer
Best Student Council (TV) : Producer
Blade of the Phantom Master (movie) : Producer
(Le) Chevalier D'Eon (TV) : Producer
Comic Party Revolution (OAV) : Producer
Comic Party: Revolution (TV) : Producer
Dead Girls (OAV) : Producer
Detective Loki (TV) : ADR Director, Producer
Devil May Cry (TV) : ADR Director (Ep. 9-12), ADR Script (Ep. 9-12)
Elfen Lied (TV) : ADR Director, Producer
Innocent Venus (TV) : Producer
Jinki:Extend (TV) : Producer
Kyoshiro to Towa no Sora (TV) : ADR Director (Ep. 5-8)
Mezzo (TV) : ADR Director, Producer
Pani Poni Dash! (TV) : Producer
Princess Tutu (TV) : ADR Director, Producer
Red Garden (TV) : Producer
Super GALS (TV) : ADR Director (eps 19-26), Producer (eps 19-26)
Tokyo Majin (TV) : ADR Director, Producer
Tokyo Majin Gakuen Kenpucho: Tou 2nd Act (TV) : ADR Director, Producer
Utawarerumono (TV) : Producer
(The) Wallflower (TV) : Producer (Ep. 1-5)
Xenosaga: The Animation (TV) : Producer
Cast in:
(English version)
Martian Successor Nadesico: The Motion Picture - Prince of Darkness as Assault Trooper B; Maintenance Crew C; Salary Man; Successor Assault Officer
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This week: the Soul Eater games we just might see over here, plus the next Kingdom Hearts, Valkyria Chronicles 2, a new English trailer for Sakura Wars, and this week's Disgaea-
We talk shoujo with MCAD professor Frenchy Lunning, editor in chief for Mechademia, and co-
We're going back to the basics this week with original Dragonball. Plus, ninjas and crybabies!
- Big Windup s1 pt2
- Dragon Ball s1
- Nabari s1 pt1
2009-09-21
Season 1 Part 1 DVD, Messenger Bag, T-
A an all-
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
It's a beauty to look at, but a pain to follow. But we continue following anyway, because the path of destiny still holds many more surprises.
A love triangle forms between two reincarnated priestesses and a boy who represents part of their nihilistic foe in a series laden with fan service and mecha action but ultimately more focused on the development of the central characters' obsessive love. Not great, but not as trashy as it initially appears to be, either.
Despite its new-
It is never, ever a good sign when the mangaka herself admits that she “kinda failed at this series.” How do you dispute her own good judgment?
Volume 7 does a bit of digging into the main character's past, but it's still secondary to the real reason that people love Claymore: incredible creatures, incredible landscapes, and incredible fights.