The Legend of Reyon (OAV)
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Director: Yorihisa Uchida Script: Ryoe Tsukimura Music: Original story: Yorihisa Uchida Character Design: Art director: Sound director: Yasunori Honda Director of Photography: Motoharu Ikeshita Producer: Hajime Ishida Editing: Shigeru Nishiyama Music Coordinator: Tetsuro Yoshioka Theme Song Arrangement: Naoyuri Motozawa (ED) Theme Song Composition: Kotohime (ED) Theme Song Lyrics: Michiaki Taguchi (ED) Vocal Director: Junko Igarashi | (none) | |||||||
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Translation: Tokyo Rose Executive producer: Gary Sierra Additional Music: Ivan Woolfe Editing: B. Splice Packaging Design: Trixie Production Assistant: Production manager: Scotie Mack Production Supervision: Jharmoni Magasaki Voice Guidance: Eric Tomosunas | Jana as Nerise Rassinator as Baron Jeek Willie Dickersum as Male Desleen Abbey as Ronnie Eric as Gasha Flamin Ramin as Man Gina G as Flair Jericho as Brija Kathy as Female Desleen Natasha as Polaline Ray Hott Rodd Williams as Commander Ray Zor Blade as Shadow | |||||||
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Anime anthology
Coverage available now:
Manga Entertainment
Bandai Entertainment
Del Rey
Aniplex
Vertical Industry Panel
Tokyopop Industry Panel
Funimation Industry Panel
Opening Ceremonies
2009-09-25
This week, the dried-
It's an all-
Nearly smothered under outlandishly risqué costuming and retread story ideas is some surprisingly entertaining content which mixes humor with a semblance of true sentiment and actual plot. Although still far from great, the series is definitely better in its second half than it looked like at first.
Ah, Darkside Blues…that 80 minute refugee from the good old days of violent, post-
The problems with this second half are not enough to derail the show, but the experience is way less satisfying than it should be. Such is the power of its characters that I still can't help but love the whole package.
The manga version puts the focus back on the most interesting character: the Count himself. As a result, the plot reaches full steam in a very powerful way—but sadly gets derailed in the later chapters.
It's a film that defies any and all expectations of both medium and genre, that makes us marvel and has really little time to do much else.
The clues it contains about the future direction of Guts' journey—and the relentless monster action—ultimately save it, but unless the series regains its bearings soon this will begin to qualify as a genuine slump.
Volume eight is another strong installment to the series, one that begins that slow, inevitable circle back to those aspects of the now classic mythos that fans already know.