Cinematical

I have to tread ever-so-carefully on anything about Y: The Last Man because I'm so behind (I know, I know, but it was a really long series and trades are expensive). But to all of you who finished Brian K. Vaughan's series, UGO's interview with D.J. Caruso may wind you up.

According to Caruso, the script for the first film has been turned in to Warner Bros (which Vaughan collaborated with them on), and they're waiting for the green light. They're hoping to start shooting as early as winter of 2009, and the studio is aiming for a release date of late 2010. And, yes, they're targeting more than one film -- Caruso hopes it will be one of three, with the first movie ending when Yorick and his monkey, Ampersand, meet Dr Mann and are separated. (Yes! Dr. Mann will be in it! As will 711, though neither have any actors associated with them yet)

As for casting, they still want Shia LaBeouf to play the title role of Yorick (the only surviving male mammal on the planet earth). "I just think Shia would bring such a fun sort of humor to it. And at the same time, keep Yorick sort of grounded and real with the action sequences and all the other stuff," says Caruso.

And what of 355? Is Alicia Keyes playing her? Not yet. Caruso adds, "She's definitely someone to consider. I thought she did a really cool job in [Smoking Aces] ... I'd love to have sort of a (Robert) DeNiro/(Charles) Grodin relationship between 355 and (Yorick). Kind of a Midnight Run relationship ...I think Alicia's a great girl and everything but I have to make sure that she can handle the acting part of it."

So, readers, think they're on the right track? The script sounds promising, but I'm still not sold on LaBeouf. Who would be your ideal cast for this?

Cinematical has just received this exclusive clip from Harold (watch it after the jump), which arrives on DVD tomorrow. Starring Spencer Breslin and Cuba Gooding Jr., Harold follows a balding geeky teenager who, of course, is tortured by his fellow classmates for looking the way he does (watch the clip and you'll see what I mean). However, Harold eventually befriends the school's janitor (Gooding) who helps him deal with the teasing. In the clip, Harold storms out of his house to deal with a group of menacing neighborhood kids after their ball lands in his yard. This kid gives "13 going on 60" a whole new meaning. Harold also stars Nikki Blonsky, Ally Sheedy, Dave Attell and Rachel Dratch, and it hits shelves on DVD tomorrow.

Watch the clip after the jump ...

When is a Terror Train remake NOT a Terror Train remake? When it's a movie called Train, which kinda began as a Terror Train remake, but definitely isn't anymore. And we know this for sure because someone out there is very interested in making an actual Terror Train remake.

Will all this going on, you might actually be duped into believing that Roger Spottiswoode's Terror Train somehow demands a remake -- when in fact it's just another slasher flick that Jamie Lee Curtis did right after Halloween because that's all she was being offered at the time. Aside from the fact that the flick features unlikely co-stars like Hart Bochner, Ben Johnson and David Copperfield (as "Ken the Magician"), there's not much to distinguish Terror Train from, say, Killer Car, Eerie Elevator, or Satanic Scooter. OK, so I just made those up.

Here's how the two new trains break down, as Shock sees it: Turns out that Train (which stars Thora Birch and still yearns for an American distributor) is more like "Hostel on rails," whereas a totally new project (being spearheaded by producer Phil Goldfine) aims to be a "true" remake of Terror Train. As if that actually matters because nobody except the hardcore horror fans even REMEMBER Terror Train and I certainly didn't hear any of them clamoring for a remake. But Mr. Goldfine's previous credits include sequels like The Art of War 2, The Lost Boys 2, and The Dukes of Hazzard 2 -- so switching over to those types of remakes shouldn't be all that difficult.

Check out these bits of casting, and a few actor's wishes for this Monday:

• Mario Van Peebles is whipping up an action thriller called Kerosene Cowboys, and the cast is about to be set. The Hollywood Reporter posts that Cam Gigandet, Shane West, and Rachael Leigh Cook are in negotiations to star in the flick that follows "hard-living pilots of an elite Navy attack squadron." Gigandet will be a "hot-shot pilot," West will play the nemesis who used to be his best friend, and Cook will wrap things up as a journalist who dates Gigandet. At the very least, it looks like a welcome vacation from some of Cook's recent work (from The House of Yes to Blind Ambition ... my, how they fall).
• Vin Diesel is all about the returns lately. First came the latest Fast and Furious pic, and now more triple-X. Variety reports that both Diesel and director Rob Cohen have signed on for another XXX pic, this one titled: XXX: The Return of Xander Cage. While it's not the most unique title out there, at least it's showcasing the plus points -- the return of Mr. Vin.
• Meanwhile, Adam Arkin is taking on the world of Coen. Variety reports that the Life actor has grabbed a role in A Serious Man. There is no word on who he's playing.
• Having just recorded "Another Way to Die" for Quantum of Solace, MTV reports that Alicia Keys would like to be a Bond Girl. Methinks this is something that would work best as a Bond girl/song mixture -- the sexy, iconic Bond girl having the pipes to also belt out the theme song. But no matter what happens, she has this positive report about the film: "it's damn good."

After the jump: De Niro and Pacino ... as women?

While it doesn't arrive in theaters until December, Fox feels pretty confident in their The Day the Earth Stood Still remake -- so much so that they aired roughly seven and a half minutes of footage last night during a repeat of the Fringe pilot. Seems a bit odd to show that much footage this far in advance of the film's release date, but apparently Fox wants to build good buzz now ... and, thankfully, it would appear the film warrants it.

The footage (which you can see after the jump) is not comprised of one, long extended scene. Instead, we're taken through a whole bunch of scenes from what would appear to be the first half of the film, with some playing out a bit longer than others. Essentially, The Day the Earth Stood Still tells of an alien visitor (Keanu Reeves) and a giant robot who land on earth and turn the place upside down. Jennifer Connelly, Jaden Smith, Kathy Bates and John Cleese also star. Check out the seven-minute clip after the jump.

The Day the Earth Stood Still hits theaters on December 12.

It would be nice to be able to say that the Coens are finally getting some drawing power, but I suspect the insane cast of Burn After Reading -- Pitt, Clooney, Malkovich, Swinton, McDormand -- had something to do with its exceptionally strong $19.4 million bow, the Coens' strongest ever. It barely beat out The Family That Preys, which opened to $18.02 -- slightly below par for Tyler Perry, though still nabbing the highest per-screen average in the top 10 on just over 2000 screens.

The third-place, $16.5 million take for Righteous Kill seems about right: a compromise between the draw of De Niro and Pacino, and the toxic buzz surrounding the film. As for The Women, $10 million isn't exactly gangbusters, but probably more than Picturehouse had any right to expect given that the movie came out of nowhere.

Anna Faris's The House Bunny has turned into a minor hit; it took a 22% drop from last weekend, and has passed the $40 million mark. Not bad for a late-August release with no real star power. Bangkok Dangerous is dead in the water, dropping from 4th to 8th place; it will top out at around $15 million.

And I can't resist noting what happened to Proud American, the patriotic half-doc that was dumped into 750 screens this weekend by Slowhand Cinema. It landed below the top 25, with $135,000 and a $180 per-screen average. That's for the whole weekend. If you take $6.50 as an average ticket price (a bit below the actual average, but probably reasonable given that the interest for this film was probably not in major metropolitan markets), that's comes out to an awesome 28 people per theater, and around 2 people per show. Whoo!

The full estimates after the jump.

One of Darren Aronofsky's most intriguing ideas may actually come to fruition now that everyone with money likes him again. He wants to make a Biblical epic about Noah, who he calls "a dark, complicated character." Lest you think it has been forgotten between The Wrestler and Robocop, Aronofsky told /film that it's not only still on -- he's finished the script:

"I wrote it. Me and Ari Handel, the guy who worked on The Fountain. It's a great script and it's HUGE. And we're starting to feel out talent. And then we'll probably try and set it up ... [the budget] is big. I mean, Look... It's the end of the world and it's the second most famous ship after the Titanic. So I'm not sure why any studio won't want to make it. It's a really cool project and I think it's really timely because it's about environmental apocalypse which is the biggest theme, for me, right now for what's going on on this planet. So I think it's got these big, big themes that connect with us. Noah was the first environmentalist. He's a really interesting character. Hopefully they'll let me make it."

Now that he's in the spotlight again -- the deserved center of huge buzz and Oscar talk -- I suspect a studio may just make a grab for it. Surely, there has to be a studio president, somewhere, who really liked The Fountain, and wouldn't mind funding another epic by Aronofsky and Handel? We may actually live to see the day when a studio is dying to buy an Aronofsky movie.

Whether you like it or not, the success of Sex and the City has breathed new life into the so-called 'chick flick' landscape (heck, it even gave The Women another shot at the multiplex). So get ready for more 'Ya-Ya Sisterhood' on the big screen, because Hollywood is finally starting to figure out that women like to go to the movies. Next up, according to Variety, is Lauren Weisberger's novel Chasing Harry Winston for Universal and Mandalay Pictures. You might recognize Weisberger as the author of the best-selling novel, The Devil Wears Prada, and Winston is her latest book to spend some time on the NYT's best-seller list.

Winston "revolves around three young women who each vow to change their entire lives for the better in the course of the next year" -- and you can probably guess how each of them is going to 'change' their lives. One glance at the cover art gives this gal a quick education in what this book probably has in store for its readers. Gina Wendkos (The Princess Diaries) has already been signed to write the script, and Andy Tennant will direct.

The addition of Tennant is probably where the last of any desire I might have had to watch this movie disappears all together. Call me judgmental if you must, but Tennant was the director behind films like Sweet Home Alabama, How to Lose a Guy in 10 Days, and Fools Gold; so I doubt this film is going to deviate from form. Plus, if you are anything like me (and I know there has to be some of you out there) this current crop of 'movies for girls' is starting to get a little insulting. I like shopping as much as the next girl, but there is more to our gender than marriage-mania and rampant consumerism; isn't there?

There are indie filmmakers who try to work in the realm of small character dramas and succeed only in making myopic films that feel inert and meaningless; there are those who attempt to stand out from the pack by writing scripts replete with quirky story lines and witty dialogue, only to end up with a mundane mess; and then there are a few who manage to achieve, through a combination of richly drawn, yet simple stories and excellent cinematography, a level of filmmaking that inspires without overwhelming, impresses without overreaching. Ramin Bahrani falls firmly in the latter camp, and with his latest film, Goodbye Solo, the director builds on the excellence of his previous work with a finely drawn tale of a cabdriver and the fare who changes his life.

Bahrani starts with an intriguing premise: Solo, a cab driver (Souléymane Sy Savané) picks up a routine fare, only to find his life turned upside down when the man he picks up asks him to take him to the remote mountaintop location of Blowing Rock in two weeks, where he plans to jump to his death. Solo's troubled by both the plans of his fare, William (Red West) to end his life, and the implications to himself of being a party to the man's suicide; he decides to befriend the older man in an attempt to persuade him to change his plans. This is the simple set-up for the film, and it's all Bahrani needs to make a thoughtful, compelling film that explores the relationship between these two vastly different men and the way they're changed by the friendship they form.