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exhibitions
 ARTIFACTS
Next year marks the 39th installment of the Tokyo Performing Arts Festival, and this time around, traditional noh theater takes center stage. Beginning January 12 and running until the end of March, the 2007 TPAF will also feature events ranging from opera and ballet to contemporary Japanese dance. Tickets will be sold in advance and several events are free. See http://tinyurl.com/y96e73 (Japanese only) for more information. AC M
 PAST ISSUES

705: Marina Kappos at Tokyo Wonder Site
703: African-American Quilts: Women Piecing Memories and Dreams
701: Kids Earth Fund
699: The Mural Art of Kotohira-gu Shrine: Okyo, Jakuchu and Gantai
697: “Ayakashi” and “Odilon Redon”
695: Architects Around Town
693: Chocolate
691: My Civilization: Grayson Perry
689: Henry Darger: A Story of Girls At War—of Paradise Dreamed
687: Taisho Chic: Japanese Modernity, Nostalgia and Deco
685: Marlene Dumas: Broken White
683: The Mind of Leonardo: The Universal Genius at Work
681: Suntory Museum of Art and 21_21 Design Sight
679: Art Fair Tokyo 2007
677: Gregory Colbert: Ashes and Snow
675: The Door into Summer: The Age of Micropop
673: World of Kojima Usui Collection
671: Keeping TABs
669: The National Art Center, Tokyo
667: New Year’s Preview
665: Jason Teraoka: Neighbors
663: The 3rd Fuchu Biennale: On Beauty and Value
661: Bill Viola: Hatsu-Yume (First Dream)
659: Shinro Ohtake Zen-Kei
657: Prism: Contemporary Australian Art
655: The Royal Museums of Fine Arts of Belgium Exhibition
653: Luisa Lambri
651: Modern Paradise
649: The Legend of Ultraman
647: Nihonga Painting: Six Provocative Artists
645: Echigo-Tsumari Triennial
643: Art × Communication = Open!
641: YOROYORON: Tabaimo
639: Africa Remix
637: Mashcomix
635: Move On Asia and Hitoshi Nishiyama’s White Out
633: A Passion for Plants
631: Chikaku: Time and Memory in Japan
629: A Sense of You, Created by Me
627: Beautiful Cities in Dreams
626: 77 Million
625: No Border
623: The 9th Annual Taro Okamoto Memorial Award for Contemporary Art
621: Tokyo-Berlin/Berlin-Tokyo
619: Conversation With Art, On Art
617: Olafur Eliasson: Your light shadow
613: Mayumi Terada: New Works
611: Gerhard Richter: New Works
609: Hokusai
607: Stephan Balkenhol: Skulpturen und Reliefs
605: International Triennale of Contemporary Art 2005
603: CWAJ 50 Years of Print Show
601: Hiroshi Sugimoto: End of Time
599: Shinji Ohmaki: Echoes-Infinity
597: Miwa Yanagi
596: Cubism in Asia: Unbounded Dialogues
595: Canada Tsuga: The Feeling of Wood
594: Laurie Anderson: The Record of the Time
593: Today's artists X: Nishimura Morio/Matsumoto Yoko
592: Masaaki Yamada
591: Follow me!
590: Daido Moriyama: Buenos Aires
589: Mutsuro Sasaki: Flux Structure
588: Shinro Ohtake
587: Masterpieces of the Louvre Museum
586: Tabaimo: Yubibira
585: Yasumasa Morimura: Los Nuevos Caprichos
584: Julian Opie: Films and Paintings
583: Masterpieces of the museum island
582: The Elegance of Silence
581: Tapies
580: The world is a stage: Stories behind pictures
579: Shigejiro Sano At Play in the Esprit of Paris
578: The Body: Hitoshi Abe
577: Tenshin Okakura: The Awakening of Japan
576: Contemporary Spanish Photography: Ten Views
575:Taro Okamoto Memorial Award
574: Takeshi Tamai: Till Moss Grows On
573: Laura Owens
572: Alphonse Mucha: Treasures Of The Mucha Foundation
571: “Welcome, Welcome” Art-Beijing-Contemporary
570: The hidden side of Japanese art
569: Art Scope 2004: Cityscape Into Art—Michiko Shoji + Johannes Wohnseifer
568: Life Actually
567: Traces: Body and Idea in Contemporary Art
566: Mirrorical Returns: Marcel Duchamp and the 20th Century Art
565: Archilab: New Experiments In Architecture, Art and the City, 1950-2005
564: The Second Annual Fuchu Biennale
563: Have We Met?
561-2: Fluxus: Art Into Life
560: Christopher Wool
559: Pop Art and co.
558: Art & Money
557: Art of the Japanese Postcard
556: Yayoi Kusama: Eternity-Modernity
555: Ihei Kimura: The Man with the Camera
554: Wolfgang Tillmans: Freischwimmer
553: Emerging Generation
552: Larry Clark: Punk Picasso
551: Cool & Light: New Spirit in Craft Making
550: Angelo Mangiarotti: Un Percorso
549: Endo Akiko: Poetry of an Everlasting Life
548: Paris and Klein
547: Yoshitomo Nara: From the Depth of My Drawer
546: Colors: Viktor & Rolf & KCI
545: Micro Presence & Macro Presence
544: Non-sect Radical: Contemporary Photography III
543: Pastoral and Flowers in Modern French Painting
542: Collapsing Histories: time, space and memory
541: Supernatural Artificial
540: Jiro Takamatsu: Universe of His Thought
539: The World Press Photo 2004
538: I Dreamt of Flying: Noguchi Rika
537: Man Ray Exhibition: The Gift of His Vision
536: Why Not Live For Art?
535: Brazil: Body Nostalgia
534: n_ext: New Generation of Media Artists
533: Empty Garden II
532: Street Art in Africa: A Color Commotion
531: Modern Crafts and Design from the Museum Collection: Art Deco
530: And or Versus? : Adventures in Images
529: Modern Means
528: Remaking Modernism in Japan 1900-2000
527: Treasures of a Sacred Mountain: Kukai and Mount Koya
526: Jan Jansen: Master of Shoe Design
525: Yasuo Kuniyoshi: Between Two Worlds
524: Beyond The Border: Seung H-Sang and Yung Ho Chnag
523: Testimony of Life: Ancient Roman Portraits from the Vatican Museums
522: I Love Art
521: "My" Siberia and "My" Earth: The 30 Year Memorial Retrospective Exhibition of Yasuo Kazuki
520: Time of My Life: Art with a Youthful Spirit
519: Joy of Life: Two Photographers from Africa-JD 'Okhai Ojeikere and Malick Sidibé
518: Roppongi Crossing: New Visions in Japanese Art 2004+Kusamatrix
517: Exposition Musee Marmottan Monet
516: Treasures of a Great Zen Temple: Nanzenji
515: Johannes Itten: Ways to Art
514: Meiji Kaigakan (Memorial Picture Gallery)
513: Kaii Higashiyama: One Man's Path
512: Future Cinema: The Cinematic Imaginary after Film
511: Yasujiro Ozu: Japanese Film Master
509/10: End-of-the-year review and 2004 preview
508: Surface tension
507: Jean Nouvel
506: Makoto Aida: My Ken Ten
505: Gaudi: Exploring Form
504: Ino Tadataka and Old Maps of Japan/Fusuma Paintings of Jukoin
503: Naoshima Contemporary Art Museum
502: Happiness: A Survival Guide for Art and Life
501: Today's Man
500: Taro Shinoda: Helicopter 1

Issues 499-
Issues 449-
Issues 399-

By Andrew Conti

I Dreamt of Flying: Noguchi Rika

Rocket Hill, 2001, Lightjet print, 154.5x124.5cm

At first glance, the “I Dreamt of Flying: Noguchi Rika” exhibition at the Hara Museum of Contemporary Art in Shinagawa seems firmly grounded in the here and now. Noguchi’s imagery moves from a diver in a training pool to a seaside crane to an industrial rocket launch facility. Yet in small instances within this apparent banality, Noguchi’s adoration for her subjects emerges to transform the images into compelling objects of devotion.

The current exhibition presents work from throughout Noguchi’s career and although she’s displayed throughout Europe, the US and Asia, it’s the first solo museum show in Japan for the Saitama-born artist.

After passing through the lobby area of the residence-turned-museum, visitors might accidentally miss the room containing the series The Colors of the Planet. These deep blue works show the earth’s surface under the ocean off the coast of Okinawa, and have the entrancing quality of an unknown world flooded with the calming blue-green colors of the ocean.

To Dive, 1995, Lightjet print

Also on the first floor are the series To Dive and Seeing Birds. The former is the earliest of Noguchi’s work in the show and is composed of large-format prints of divers practicing in a training pool. These black-and-white images are rigidly structured, with the pool’s geometric design calling to mind Mondrian’s grids. A few pictures focus exclusively on this geometry, while others use the pool’s structure to create a claustrophobic grip around the unaware divers. In a few other images, sunlight bursts open the confined field of vision with a lens-flaring and image-bleaching brilliance.

Along the wall outside of this room are the small pictures comprising Seeing Birds. These images of tiny figures chasing kites along a sandy beachside have significantly less visual impact than Noguchi’s other works, and they appear to be records of an unexplained performance rather than art objects like the larger works.

Above the stairs that lead to the second floor, two looming images entitled Catching Water offer a remarkably serene view of seaside construction. In Noguchi’s vision of water falling from a crane, the machine takes on a soothing aspect of calm.

Past the stairs, I Dreamt of Flying and Rocket Hill present differing sensibilities related to the dream of flight. I Dreamt of Flying consists of two images of a blue sky punctuated by a blurry rocket and its smoke trail. These twin images evoke the essence of the title through their unfocused, abstract-painting-like simplicity.

I Dreamt of Flying, 2003, C-Print, 96x120cm

Rocket Hill, on the other hand, is filled with industrial buildings from the Tanegashima Space Center in Kagoshima Prefecture. These photographs capture the concrete landscape of an area devoted to the reality of flight and space. The colors are captivating; they pulse in electric blues, fading neon oranges and glowing yellows emanating from mechanical environments. The images again morph the familiar into the extraordinary as the industrial site becomes inhabited by the spirits of the artist’s wonder.

In Noguchi’s images, we are taken to places we have seen before, to ideas we understand, and we’re asked to stare and see them as she sees them—images of the latent possibilities in modern existence that fascinate Noguchi. In her photographs we find the simple but ethereal magic with which she chooses to see and express those possibilities.

Hara Museum of Contemporary Art Until July 25. 4-7-25 Kita Shinagawa, Shinagawa-ku. Tel: 03-3445-0651. Open Tue-Sun 11am-5pm (Wed until 8pm). Adm: Adults ¥1,000, students ¥700, children ¥500. Nearest stn: Shinagawa, Takanawa exit. www.haramuseum.or.jp

Photo Credit: Courtesy of Hara Museum of Contemporary Art