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In Person: In the spirit

New Age music guru Kitaro returns from beyond with a Grammy, a new live album and a tie-up Silk Road tour. Stephen Cotterill got the scoop from the virtuoso himself.

Whether you're a fan of Kitaro's particular brand of synthesized easy listening or not, he is undeniably one of Japan's biggest musical exports. Nominated for a Grammy award a total of eight times, he finally won it last year in the New Age category for his album Thinking of You. "It was great to finally win the award," he says. "It wasn't much fun going to the award-giving parties and not actually winning anything."

The 49-year-old self-taught multi-instrumentalist began making music in the '70s, achieving mass recognition in 1980 when he penned the soundtrack to the NHK television series "Silk Road," which garnered worldwide praise from critics and housewives alike. This led to bigger and better things including writing the film score for Hong Kong-made drama The Soong Sisters and Oliver Stone's Heaven and Earth, for which he won a Golden Globe award. Being a free spirit, Kitaro has collaborated with almost everyone, from Grateful Dead drummer Mickey Hart and John Anderson of Yes to Megadeath's Marty Friedman.

Kitaro was back in his homeland in July to host two live shows at the Honmon-ji shrine in Tokyo and promote his forthcoming album, Yakushiji Live, scheduled for release this fall on DVD and double CD on Domo Records.

Kitaro recorded nearly two and a half hours of his most popular tunes of the last 25 years during the live sessions last year at Yakushiji Temple in Nara. The temple is home to the ashes of Genjo Sanzo, the 7th-century monk who walked the Silk Road from Japan to India and back. The tireless monk brought the message of Buddhism back from India. "It was Genjo's journey that originally inspired the Silk Road music," says Kitaro. "The passion we expressed in the Yakushiji concert reflected, I believe, the passion of Genjo's journey." The CD release ties up with an ambitious Silk Road tour, which starts at Nara and follows Genjo's path as far as Beijing, Shanghai and Xian in China, with plans to extend the tour to Afghanistan, Egypt and Turkey in 2003-2005. Almost as energetic as the monk, Kitaro is also planning a world tour next year including Europe and approximately 25 dates in the US.

The Silk Road tour coincides with the 30th anniversary of diplomatic ties between Japan and China, and this is also one of Kitaro's motivations. "I hope one day that the Chinese and Japanese governments can communicate from the heart," he says. "And that our tour will contribute in some small way to the achievement of peace on earth." This type of simplicity is key to Kitaro's ideology, and it takes a healthy lack of cynicism to swallow. "My mission is to unite all the people of the world through my music, and my final destination is world peace," he adds with no trace of incredibility.

Kitaro's music reflects his global attitude. Employing a range of ethnic instruments and musical cultures, his CDs sit quite comfortably along side the likes of Enya and Israel Kamakawiwo'ole in the cozy World Music section of HMV. But, keeping true to his Moog Synthesizer roots, Kitaro still resists the temptation to embrace the digital age. "Today everything is sampled, many unique sounds are lost, and much of the output recycled. I still use my old analog synthesizers, Mellotron and other toys from the '70s. They sound richer, warmer than today's digital instruments. I think we need to stop and look back. Digital is fine for some tools, but in the process we lose some life. It can be a high cost."

Kitaro now spends most of his time in the studio at his 180-acre ranch in the mountains of Colorado, but when back home he resides in his traditional Japanese farmhouse in the wilderness of Nagano. Nature is his primary source of inspiration, and being among the mountains aids the creative flow. "The energy is the same in both places," he says. "At 10,000 feet the air is very thin and somehow it affects my creativity. I just want to see the mountains and make music." He claims his music is the interpretation of the rhythms and energies that drive nature. "When I compose, I am translating invisible energies all around me into music. They're spirits, and I need space and silence to hear them and to express their voices. I am only a messenger."

But despite all the new age ramblings, Kitaro also addresses some of the more concrete ills of our time such as environmental problems and the erosion of traditional Japanese culture. "Japan has become like a copy machine. I travel between America and here, and I see little difference. Where is Japan's culture? Its identity?" In an effort to promote Japanese culture and simultaneously further his aim of world peace, Kitaro is recording the sounds of 88 temple bells and using them to form the basis of tracks, some featuring guest artists. He hopes the project, titled Peace Bell, will produce 8-10 CDs, with proceeds from sales being donated to the temples. The first two albums are planned for release next year.

 
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469: Female bonding
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468: Baby boom
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467: Good Lord
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466: Just for thrills
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465: As a Matt of fact
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464: First bass
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463: White lies
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462: Pottering about
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461: In Gere
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460: Freedom of the press
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454: Future tense
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453: Keeping the Faith
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451: Watts the matter
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449: On the rise
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445: Raking it in
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442: Killa' Milla
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441: The show must go on
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440: Hip hop pop
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439: The long road home
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438: In the spirit
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437: The Tomei express
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435: Stepping lively
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434: Full plate
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433: Brunch break
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432: Heart beat
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431: Hard to heart
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430: Calling the tunes
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429: What women want
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428: The write stuff
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427: Will and testament
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426: Foster care
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425: Pop rocks
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424: No shortcuts for Morgan Freeman
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422: Tsuzuki style
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421: Arnie, get your gun
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420: Plenty to Crowe about
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419: Piano man
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418: War plane
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416: The sexplorers
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415: Don't call us retro
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414: Running "Rings" around the rest
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412: Lynch pin
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411: Duality
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410: American Woman
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409: There's nothing like a dame
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408: Caiya Kawasaki
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407: The Skys the Limit
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406: The art of elegance
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404: Don't judge an ogre by its cover
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402: Teen angst
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401: Life's a party

Alan Cumming
400: In the Nic of time

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399:Memories

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398:Positivity

American alt rockers 311 take a special interest in Japan
397:Evolution of an ex-Filer

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396: Rock Warrior

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395: 2001's absurd odyssey

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394: Jolie good time
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393: Keeping up with the Jones
392: Ratner a man in a rush
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391: Far from the Madden crowd
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390: Wake-up call
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389: Gallo's humor
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388: Reaching for the universe
Misao Arauchi
387: Speak softly and carry a big kick
Actor Steven Seagal
386: Paper boy
Italian mime Ennio Marchetto
385: A sight for saur eyes
Jurassic Park III's Sam Neill
384: The planet that went ape
Visionary filmmaker Tim Burton
383: Digital Godfather
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382: Mission possible
TV personality Mari Christine
381: Bombs away
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380: Not so close encounter
Director Steven Spielberg
379: Sexy poets
Samantha Lang, director of The Monkey's Mask
378: Hogan's hero
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377: Sumo do
British actress Charlotte Brittain
376: Mummy dearest
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375: Animal magic
Independent movie auteur, Michael Di Jiacomo
374: Brief encounters
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373: Porn free
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372: Virgin for life
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371: Don't call me babe
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370: Killer personality
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369: Sweet inspiration
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368: Playing chicken
Nick Park and Peter Lord, the creators of Chicken Run
367: The bite stuff
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366: Get focked
Meet the Parents' Ben Stiller
365: Age of Innocence
"Auteur" filmmaker Paul Cox
364: As the Crowe flies
Meg Ryan promotes her new movie
363: The hard cell
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362: Boy in the hood
Actor Masaya Kato
361: Bouncing back
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359: Play that funky music
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358: A heartbreak hotel
Hotel Splendide director Terence Gross
357: Billy Elliot
Star Jamie Bell
354: In a tranquil mood
New age musician, Kitaro
351: Bah Humbug
Jim Carrey as The Grinch

ISSUES 349-
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