Link tags: sci-fi

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The 21 best science fiction books of all time – according to New Scientist writers | New Scientist

I’ve read 16 of these and some of the others are on my to-read list. It’s a pretty good selection, although the winking inclusion of God Emperor Of Dune by the SEO guy verges on trolling.

It’s OK to Say if You Went Back in Time and Killed Baby Hitler — Big Echo

Primer was a film about a start-up …and time travel. This is a short story about big tech …and time travel.

Muscular imagination

Robin Sloan on The Culture:

The Culture is a utopia: a future you might actually want to live in. It offers a coherent political vision. This isn’t subtle or allegorical; on the page, citizens of the Culture very frequently artic­u­late and defend their values. (Their enthu­siasm for their own politics is consid­ered annoying by most other civilizations.)

Coherent political vision doesn’t require a lot, just some sense of “this is what we ought to do”, yet it is absent from plenty of science fiction that dwells only in the realm of the cautionary tale.

I don’t have much patience left for that genre. I mean … we have been, at this point, amply cautioned.

Vision, on the other hand: I can’t get enough.

Tales Of The Algorithm – Terence Eden’s Blog

I’m really enjoying these sci-fi short stories that Terence is publishing on his site—one for every day of the month.

Stories | daverupert.com

Dave’s short’n’sweet sci-fi stories, collected in one place.

Erik Wernquist - Short Film: “One Revolution Per Minute”

Suppose you had a luxury spacecraft spinning at 1RPM to create 0.5g using centripetal force, as is often depicted in science fiction:

I believe that the perpetually spinning views would be extremely nauseating for most humans, even for short visits. Even worse, I suspect - when it comes to the comfort of the experience - would be the constantly moving light and shadows from the sun.

The Unreal Writer - by Joanne McNeil - All My Stars

Joanne McNeil on the retroactive pigeonholing of downright weird sci-fi writers like Philip K. Dick, JG Ballard and Octavia Butler:

The snobbery against science fiction in the past and today’s cartoon icons of some of its weirdest authors comes from the same root: an establishment that doesn’t know how to read or appreciate it.

And she absolutely nails the straitjacketed feeling I get from a lot of new sci-fi that’s laudable in its politics but lacking in other ways:

I suspect those authors are drawn to the genre for the thing that increasingly frustrates me about it: the way science fiction is mined for road maps and potential solutions in real situations of uncertainty and disaster. The way it’s “smart person” literature about systems with hyper-competent protagonists. I’m here for the losers. The losers are my people.

Imagining a Future with Surgically Inserted Earbuds and Whale Concerts – Rolling Stone

Annalee Newitz:

When we imagine future tech, we usually focus on the ways it could turn humans into robotic workers, easily manipulated by surveillance capitalism. And that’s not untrue. But in this story, I wanted to suggest that there is a more subversive possibility. Modifying our bodies with technology could bring us closer to the natural world.

The other side of egoism | A Working Library

Mandy takes a deep dive into the treatment of altruism in Ursula Le Guin’s The Dispossessed.

What The Last of Us, Snowpiercer and ‘climate fiction’ get wrong - BBC Culture

I not only worry that “cli-fi” might not be an effective form of environmental expression – I have come to believe that the genre might be actively dangerous, stunting our cultural ability to imagine a future worth living in or fighting for.

Begging for Treats - blog.lmorchard.com

As flies/cats to wanton boys are we to the gods/Kardashev Type II civilisations—they play with us for their sport.

Octavia Butler’s Science Fiction Predicted the World We Live In - The New York Times

A profile of the life and work of the brilliant Octavia E. Butler.

Envisioning Our Shared Storm with Andrew Dana Hudson - Long Now

This observation feels spot-on to me:

The shift that I noticed, totally anecdotally, is literary writers are starting to write more dystopian climate futures and science fiction writers are starting to write about climate solutions.

The Future History of the Nuclear Renaissance With Isabelle Boemeke

I really like the format of this bit of journo-fiction. An interview from the future looking back at the turning point of today.

It probably helps that I’m into nuclearpunk just as much as solarpunk, so I approve this message.

Atomkraft? Ja, bitte!

Spotify – dConstruct 2022

If you were at dConstruct on Friday and you enjoyed the mood music during the breaks, this is what you were listening to.

The Art of Penguin Science Fiction

A century of sci-fi book covers.

Cardigan Sci-fi • Robin Rendle

Cardigans are not entirely necessary for a show or a film to fit within the Cardigan sci-fi subgenre (although they certainly help). It’s the lack of polish in the world, it’s the absence of technological fetishism in the science fiction itself. The science or the tools or the spaceships do not sit at the heart of Cardigan sci-fi — it’s all about the people that wear the cardigans instead.

How to Imagine Climate Futures - Long Now

The best climate fiction can do more than spur us to action to save the world we have — it can help us conceptualize the worlds, both beautiful and dire, that may lie ahead. These stories can be maps to the future, tools for understanding the complex systems that intertwine with the changing climates to come.

Science Fiction-Media in Transition

Chip Delaney and Octavia Butler on a panel together in 1998 when hypertext and “cyberspace” are in the air. Here’s Octavia Butler on her process (which reminds me of when I’m preparing a conference talk):

I generally have four or five books open around the house—I live alone; I can do this—and they are not books on the same subject. They don’t relate to each other in any particular way, and the ideas they present bounce off one another. And I like this effect. I also listen to audio-books, and I’ll go out for my morning walk with tapes from two very different audio-books, and let those ideas bounce off each other, simmer, reproduce in some odd way, so that I come up with ideas that I might not have come up with if I had simply stuck to one book until I was done with it and then gone and picked up another.

So, I guess, in that way, I’m using a kind of primitive hypertext.